Celtic Cry - Hello Poetry

Jan 2014

Seán Mac Falls

Abjure the bones broken in,
The first lift frissoned by
The moving trees slain on the shift,
Rivers and risen flowers cut,

My statuary lurches betide
The nap of bent wing saluting.

My aviary is a fluttering bed,
The scattered head REMs my flight,
My feet in cloud extend for landings
Tings the belled bound legging.

My falconer bows with pride
In the stall bent wings stooping.

My clawed creature glides for only
The pitching sun or shining moon
And my flights execution, the hooded
Head, end trails my falconer.

My days, fowl to the lunar kite,
Assail the winds open wound.

Jan 2014

Seán Mac Falls

Ode to the Otter

River gift, flowing upstream and down
Cresting with the bumpy waters tow,
Slick as an eel, you move and fro to play,
Warm in the gleaming sun that rides
With you each day,

you have shone, great
Knowledge of salmon, found the pearl
In the dark mussel, bend as even light
Must, piercing the waters of the under-
World, lording the fey, riparian borders,
Like a God.

Jan 2014

Seán Mac Falls

Haiku ( snowy owl )

One fence post taller—
Holds round black moons full of death,
Silent wings falling.

Jan 2014

Seán Mac Falls

Hazel Tree

.
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.

The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.

Jan 2014

Seán Mac Falls

Underwing

Greatest eagle, black and white,
Tell me how to reach the skies—
Wander with wind into the night,
Are you lost like me when you fly?
I see you marking the flaming sun
And want to follow your windy path,
Rising after moon, majestic one—
What trials of life in your aftermath?

Jan 2014

Seán Mac Falls

Heroic

Left home, ended alone,
Many travails, trials that cut,
The odyssey of his lashed life,
Took a tremulous toll of atonement,
This lamb whose only consolation,
Being left over at the jeweled altar,
The merciless downing days of droll
And loss, the cruel, blanched turnings
Of uneventful fated choice into ruin,
Never actually knowing his target,
Throwing darts at the sun.

Jan 2014

Seán Mac Falls

Sometimes the Sun

Sometimes the sun is not heard,
The world is silent yet, is living
Cold, the moon stirs not even
As it is rising, the birds are mute
The trees and oceans are still
All things are pointed and dull.
I hear a lonesome hound baying
At the empty skies when clouds
Are covering with a smear of smoke.
Where are the words that are never
Said? What light burns my eyes,
Darkening most at the days zenith?
What is the language for sanity?
Why is there no math, no translation
For the heart?

Sometimes the sun is missing
Or lost by a sea of tears raining
In collusion with the shifty earth,
Sometimes the numbering stars
Are merely zeros, the die casting
On the green and desperate table
Of the turning world. Sometimes
The sun sinks early to the west
And the moon is trailing not far
Behind.

Jan 2014

Seán Mac Falls

Quarry

Wings beat to overtake.
Now, above you like a fire shot
In a silent film the rush begins.
Wings fold inward, the air turrents,
Streams, as a ball swirling in a tube,
Grey bullet in the barrel,
The slide to the **** and the talons,
Make their mark before the hitch.
Soft plosives bearly sounding,
Crake, blood cupped in the claws,
From the breast and the rose
Heart, now in a tail spin,

Nostrils whine in the fall.
No jury just but a sup of the faded
Heart by one raging one.
The wilted wings are stirring
To the last as the pointed
Wingman ferries, the wholly bred,
Quarry of perfection, jolts
And jilts, and His scythe of feathers
Holds sway in the whirl.
As the God-made creature
From high heaven flies
The mourning dove must die.

Jan 2014

Seán Mac Falls

I Hear Echoes That Have No Voice

I hear echoes that have no voice,
Sad before the vaulted tongues
Over brimmed, who spill on shunted ears
The sour milk of pressed pictures
And sooted lights of lime
And the golden knobs taste
Jarring-dry to their saw dust toes.
Must the babe be chosen
By its mother?

The sea dirt is lined with woolen shawls
And the chasm shout shall dig our graves,
Throated hollow, to the abyss, we sink our six
And ***** the dirt, call not them the spades.

I hear echoes that have no choice,
But to skim the moated land
And wash well eyes with leaven walls
That tease and **** the sum to crushing
Columns lifted shoulder
High by zeros of kneeling numbers
Worming in bedded slumber.
Must the maker of builders
Be dismantled?

*The sea dirt is lined with woolen shawls
And the chasm shout shall dig our graves,
Throated hollow, to the abyss, we sink our six
And ***** the dirt, call not them the spades.

Jan 2014

Seán Mac Falls

Haiku ( forlorn )

Beach walking alone.
Never, short as Donegal strands,
Endless— without her.

Jan 2014

Seán Mac Falls

Winter

The lost elk on blue pine mountain,
Where all the stunted world is small,
Know the face of winter as it founts,
Above tree lines, trumpet all is cold.

Jan 2014

Seán Mac Falls

Forest Gods

I left the house of the tempest brewing,
Spinning like a rod, spun into flame
And came upon the redwood forest,
Eternal, shouting out heavens name.

The sun was indifferent, the creek shuffled
Its lament, the birds fluted their dirge—
I was so small, in the red giants grove,
Yet, felt so beloved, my pain was purged.

And I warmly came to see again—
My eyes, through the needles drove,
What a trifling is ones fleeting mood,
How true, heroic, immortal is my love.

Jan 2014

Seán Mac Falls

Marked by Sidhe ( shee )

I tried to capture you
In the forests of Donegal,
Your bark of hair, red, so dark,
Was smear, camouflage, and window
Into a lost Fae world made as I was sinking
Without ever knowing, falling, without fear
Years later, you have long left and I still
Breathe in a wooden box of dream.

In Celtic folklore, the Irish: leannán sí "Barrow-Lover" (Scottish Gaelic: leannan sìth; Manx: lhiannan shee; [lʲan̴̪-an ˈʃiː]) is a beautiful woman of the Aos Sí (people of the barrow or the fairy folk) who takes a human lover. Lovers of the leannán sídhe are said to live brief, though highly inspired, lives. The name comes from the Gaelic words for a sweetheart, lover, or concubine and the term for a barrow or fairy-mound.

The leanan sídhe is generally depicted as a beautiful muse, who offers inspiration to an artist in exchange for their love and devotion; however, this frequently results in madness for the artist, as well as premature death.