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my first job
was to cradle  
dogs
being put
to sleep.

mother had arthritis
her hands
heard thunder.

brother fell
hard
for a one legged
man.

father worried
his own leg
meant
the world.

at the most
three dogs
per wheelbarrow.
in my father’s car, father driving, my fingers curled as if readying themselves for the wheel.  father small talking, his dark chatter, my hands like jaws left open, horrified before the heads god plans to put them in.  heads not to scale.  heads trial size.  

I worry the heat in my eyes is permanent.  my lids worry as well and retreat.  burn pain is its own person telling me I am long term its most bearable memory.  

the hospital seems a distant campfire lowered by the sleepy laughter of the still beautiful.  my daughter.  who as a girl melted the faces of two action figures with the bulb of a reading lamp not to upset her brothers but so the figures could kiss.  

I begin to make sense all by myself and nod to the dog shaped thing drowsing in the car’s murk just beyond my feet.  politely father asks if he can help and I okay him asking me anything.  he chooses the health of my sons.  one in particular.  I stick to the dog.  to the puppies it ran from no faster

had they been aflame.
death is make-up for the interview.  when I get to my mother I plan to visit the city.  I hear a gang of young girls operates there trafficking middle aged men who act old.  I hear what I want when I delete emails.  I lost not touching my mother soon after she stopped being an actress.  she fled my father who at the time was known as her live-in stunt double.  I put my fist in the air and waited.  some told me I was being cinematic.  still some told me I was being cinematic.
I. (The Gone).
They have gone.
Why does it bother me so?
A truth,
only a handful of gems
stay bright,
all others
faded
like pencil on paper
until a faint mark remains,
what was, what now is.
Names in conversation,
a drive down the alphabet
then and now,
clotted recollections
breaking apart
each time, stalled
in silent traffic.
A few, needles I suppose,
a shot in the arm
again, again,
I cannot believe
how many times
their voices
painted everything,
but long gone,
no abrasion or impact
to consider, to revise.
On occasion,
a stretch into fog,
icy melancholies
but not always
a echo,
moments to inform
me they can return
if they wish.

II. (The Bare Feet).
So, it is night.
Whorls of cream
came through the door,
sleepyhead next to me,
ragged, tired,
out of juice.
I can only say
‘I knew you would.’
This is not your home
but we’re not far away.
Lipstick less rosy,
sound of drums
still throbs in our ears
but it was worth it,
for confetti,
flecks of gold
whirling around
you, the crowd.
Peachy lights
spray across
your face,
piano black eyes,
warm bare feet.
It is not real
but we can touch,
we can speak.
On our knees,
we look at each other,
I hold you,
the minutes
stutter past
and for a moment
only silence,
silence is all
we need for our words
are used too much.

III. (The Next.)
It took
over a year
but we saw
each other again.
Since the end
of a grey June day,
two years
elsewhere,
forty miles the difference.
He quit,
the right choice
he tells me
as we reminisce,
that’s what it is
these days,
now he looks
for the next stage
and soon
it will be me
who must fully
step into adulthood,
like a foot plunged
into a bath,
too hot, too cold.
Did we expect this?
If we could see
next year
would we smile
or scowl?
Tell ourselves
it’s just the way
things go,
on, on, on.
Now, as I look
out my window,
the faintest tinge
of orange
descending,
I know, he knows
we don’t know
what comes next.
Written: May 2013.
The fourth in a continuing series of poems, following on from 'The Current’, 'The Recent' and ‘The Present.’ (It would be greatly appreciated if you were to read those in your own time.) Each poem is separated into three parts describing various aspects of my life - things happening at ‘the moment.’ Part one concerns the notion of growing up and friends departing, part two deals with a recurring dream involving a singer recently in the media spotlight and part three focuses on a recent meet-up with an old friend of mine. The second part of this also falls into my on-going series of poems written with specific females in mind, either those I know of but do not count as a friend, those I see merely in passing, or those I have never met but are well-known. The last of these was ‘Red Day, Blue Night (Part 4).’
What surmounts the best of best
What surpasses excellence,
Where resides the wherewithal
To top the prize of prescience?
How to master that which hurts
The song which wears you down?
Limitations splendour son
The fool who fools the clown.
To climb the bleak forbidden peak
To sleep with guts and gore,
Endure a cancer's world of pain
Where moments shut the door.
Resurrect a broken life
When love has fled the room,
Found the strength to seek again
And find light in the gloom.
Hold an old man's withered hand
And listen to his tale
Of life's travails and hardship
Where broken dreams prevail.
Take that cute kid on your arm
And kiss her with a hug,
Treat her like a Pixy Queen
And cuddle dolly snug.
What surmounts the best around
What surpasses all,
Where resides the wherewithal
To claim the prize recalled?
How to master songs of joy
Tunes which wear the crown?
Limitations laughter son
The fool who fools the clown.
Capture magic's glow around
Make each moment ring,
Fling confusions net away
To let your heartstrings sing.
Smooch a mountain maiden
Cry for great things done
Celebrate your life my friend
For it's a fact.... We've Won!

Marshalg
In Sweet Celebration.
27 February 2013

© 2013 Marshal Gebbie
Downy moss doth grow in shadow
Emerald and darkly damp,
Ancient as the runes of legend
Lost to time's priescent ramp.
Damp and downy, roundly soft
Pubescently profound,
Nestled in the vale of love
Where tarantula abound.
Nestled in the vale between
Stark pillars tall and white,
Nestled where tomorrows day
May flourish into night.
Flourish with the elderberry
Mingled with the sage,
Seeping drops of acid wine
Into the maw of age.

Marshalg
23 February 2013
Balanced on the cusp of reason
Teetering in rationale,
Gyroscopic permutations
Take the leap or stay and snarl.

Reason fights with high confusion
Torn between the yae and nay,
Gyroscopic permutations
Pack the case and leave or stay.

Screaming taunts in ragged order
Torment in saliva mist,
Gyroscopic permutations
Cut the throat or slit the wrist.

Standing on the lonely cliff top
Way below the surging tide
Gyroscopic permutations
Take the leap or run and hide.

Balanced on the cusp of reason
Teetering on right or wrong,
Gyroscopic permutations
Join the dead or sing a song.

Walking up the baking highway
Soaking up the streaming sun
Gyroscopic permutations
Laugh or cry... today I won.*


Marshalg
Throwing the dice.
22 February 2013

© 2013 Marshal Gebbie
after leaving
my mother’s
double
my father
came home
twice

once
with me
as an infant
and once
with a pair
of shoes

that my brother
on my mother’s
side
filled-

at the time
my brother    
was older
than me
than regret’s

bright future
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