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And I said to her
Those lips could tear worlds apart
as she smiled that smile.
I remember your naked body
like it was yesterday,
bending about your bedroom, quiet as
drifting rose petals stripped straight out
of a summer sunset sky.

I remember our naked bodies,
touching in discovery, swimming oceans
between ourselves we never fathomed
into existence; never questioned out of it.
For the first time, I felt at home—at sea.
Innocence no longer played part.

After the crescendo, I saw the clock beside
us on your nightstand. I used it as an excuse.
"I really should leave, it's getting late," knowing
full and well that she could see right through it,
right through me. I lept through the doorway,
sparing a look back, parting with my shame.

I got home and ate pizza with my family.
My mother and father chuckled about a newscaster.
My brother and I bickered about housework.
I went to my room after dinner and collapsed on my bed.
I wept as my eyes surrendered to darkness.

I am lost at sea—and so is she.
There was the moon
and then there were the stars,
so bright and boisterous,
far away from us. Less familiar.

We were always looking up. Be it
the stars or the moon in the night sky
we always found a way to stir up
some trouble under the endless
cover of darkness.

There was the moon
and then there were the stars.

We loved the former because
it was close, reliable, beautiful, serene.
We loved the latter because
it was adventurous—you couldn't
fit your small fingernail on it.

We loved what passed. We remember.
All the stars are gone. Now there is darkness.
Nothing to light the way home
but memories and kerosene.
Cupid sang about sunbeams
and blooming grapevines before
darting a single arrow in either
of our directions—I suppose

he knew better. I suppose it was
all part of the Master Plan, because
if there wasn't a plan then what's
the point of planning a *******
thing anytime, anywhere. There

isn't one. It was written that I'd
meet you. Shakespeare said something
tragic about it, but he certainly never
felt what I felt. Not like this. The feeling
of loss is never familiar. You are talking

underwater without a snorkel or air
to pray with. Cupid never misses, that's
part of the plan. But maybe, ever so
often, he hits the wrong people right
in the ***, and forgets to pull the arrow out.
I talked with you on the phone the other day.
You were telling me how you visited the zoo;
spent an afternoon watching the zebra graze
and the lions lazily roar at civilians with digital cameras.

I talked with you on the phone the other day.
You were visiting the zoo, crying on the phone—
How can they keep them in cages
Locked away as if they don't feel like we do

You forget
there are people in cages without keyholes
there are blistered eyeballs scanning a lightless horizon for a lock pick or a clothespin
that may allow them to puzzle their way into the gears
There are people who die searching

I talked with you on the phone the other day.
We chit-chatted about sunbeams and lawnmowers.
We were happy, careless.
There are no cages here.

Only keys.
They say ****** is an unforgivable sin.
I beg to differ.

Why?
Because it's fun to differ. And also, I could fathom myself committing ******.

I'd do it with a knife. It shimmers—it's clean; cutting flesh with primal ease.
It's painful.
It emulates so many feelings we have—brings them up to the surface.
You can see it in the victim's face,
right as the blade slides in.

They say ****** is an unforgivable sin.
It's a sin, no doubt.
—I ask now for forgiveness, for what I may soon do.

A sick reasoning of mine is this:
"In some defeated way,
I feel as though you should be thanking me."
Smart poetry



Christian pacifist punk artists shaking their fists at the government elite

Mothers dreaming in Tide-to-Go and quiet nights

'"Bed-head" implies you have a bed to sleep'

Cracked lips, because its cold and I don't display that spring-merry ****

Smart poems sound like silly songs

John 8:7

Greek reference to Aphrodite and her thousand noses

'I haven't slept in four days'

Atheists asking fundamentalists to dance at the prom because you're alive now in this moment at the least

'It's silly to think we'll be alone forever'

Finality—some kind of closure

I can't seem to sleep
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