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O Thou to whom the musical white spring

offers her lily inextinguishable,
taught by thy tremulous grace bravely to fling

Implacable death’s mysteriously sable
rob from her redolent shoulders,
                                    Thou from whose
feet reincarnate song suddenly leaping
flameflung,mounts,inimitably to lose
herself where the wet stars softly are keeping

their exquisite dreams—O Love! upon thy dim
shrine of intangible commemoration,
(from whose faint close as some grave languorous hymn

pledge to illimitable dissipation
unhurried clouds of incense fleetly roll)

i spill my bright incalculable soul.
hist      whist
little ghostthings
tip-toe
twinkle-toe

little twitchy
witches and tingling
goblins
hob-a-***     hob-a-***

little hoppy happy
toad in tweeds
tweeds
little itchy mousies

with scuttling
eyes    rustle and run     and
hidehidehide
whisk

whisk     look out for the old woman
with the wart on her nose
what she’ll do to yer
nobody knows

for she knows the devil     ooch
the devil     ouch
the devil
ach     the great

green
dancing
devil
devil

devil
devil

        wheeEEE
nearer:breath of my breath:take not they tingling
limbs from me:make my pain their crazy meal
letting they tigers of smooth sweetness steal
slowly in dumb blossoms of new mingling:
deeper:blood of my blood:with upwardcringing
swiftness plunge these leopards of white ream
this pith of darkness:carve an evilfringing
flower of madness on gritted lips
and on sprawled eyes squirming with light insane
chisel the killing flame that dizzily grips.

Querying greys between mouthed houses curl

thirstily.  Dead stars stink.  dawn.  Inane,

the poetic carcass of a girl
I.

the emperor
sleeps in a palace of porphyry
which was a million years building
he takes the air in a howdah
of jasper beneath saffron
umbrellas
upon an elephant
twelve foot high
behind whose ear
sits always a crowned
king twir-
ling an
ankus of
ebony
the fountains of the emperor’s
palace run sunlight and
moonlight and the emperor’s
elephant is a thousand years old

the harem of
the emperor
is carpeted with
gold cloth
from the
ceiling(one
diamond timid
with nesting incense)
fifty
marble
pillars
slipped from immeasurable
height,fall,fifty,silent

in the incense is tangled a cool moon
there are thrice-three-hundred
doors carven of chalcedony and
before every door a naked
****** watches
on their heads turbans of a hundred
colours
in their hands scimitars like windy torches
each
is
blacker than oblivion

the ladies
of the emperor’s
harem are queens
of all the earth and the rings
upon their hands are from mines
a mile deep
but the body of
the queen of queens is
more transparent
than water,she is softer than birds

                2.

when the emperor is very
amorous he reclines upon
the couch of couches and
beckons     with
the little
finger of his left
hand
then the
thrice-three-hundredth
door is opened by the tallest
****** and the queen
of queens comes
forth
ankles
musical with large pearls
kingdoms in her ears
at the feet of
the emperor a cithern-
player squats with
quiveringgold
body
behind
the emperor ten
elected warriors with
bodies of lazy jade
and twitching
eyelids
finger
their
unquiet
spears

the queen of queens is dancing

her subtle
body weaving
insinuating upon the gold cloth
incessantly creates patterns of sudden
lust
her
stealing body ex-
pending gathering pouring upon itself     stiffenS
to a
white thorn
of desire

the taut neck of the citharede wags
in the dust the ghastly warriors
amber with lust breathe
together      the emperor,exerting
himself among his pillows throws
jewels at the queen of queens and
white money upon her nakedness
he
nods
          and all
depart through the bruised air aflutter with pearls

                3.

they are
alone
he beckons,she rises she
stands
a moment
in the passion of the fifty
pillars
listening

while the queens of all the
earth writhe upon deep rugs
god gloats upon Her stunning flesh. Upon
the rechings of Her green body among
unseen things, things obscene (Whose fingers young

the caving ages curiously con)

—but the lunge of Her hunger softly flung
over the gasping shores
                          leaves his smile wan,
and his blood stopped hears in the frail anon

the shovings and the lovings of Her tongue.

god Is The Sea.  All terrors of his being
quake before this its hideous Work most old
Whose battening gesture prophecies a freeing

of ghostly chaos
                    in this dangerous night
through moaned space god worships God—
                                                (behold!
where chaste stars writhe captured in brightening fright)
here is little Effie’s head
whose brains are made of gingerbread
when the judgment day comes
God will find six crumbs

stooping by the coffinlid
waiting for something to rise
as the other somethings did—
you imagine His surprise

bellowing through the general noise
Where is Effie who was dead?
—to God in a tiny voice,
i am may the first crumb said

whereupon its fellow five
crumbs chuckled as if they were alive
and number two took up the song,
might i’m called and did no wrong

cried the third crumb,i am should
and this is my little sister could
with our big brother who is would
don’t punish us for we were good;

and the last crumb with some shame
whispered unto God,my name
is must and with the others i’ve
been Effie who isn’t alive

just imagine it I say
God amid a monstrous din
watch your step and follow me
stooping by Effie’s little, in

(want a match or can you see?)
which the six subjunctive crumbs
twitch like mutilated thumbs:
picture His peering biggest whey

coloured face on which a frown
puzzles, but I know the way—
(nervously Whose eyes approve
the blessed while His ears are crammed

with the strenuous music of
the innumerable capering ******)
—staring wildly up and down
the here we are now judgment day

cross the threshold have no dread
lift the sheet back in this way.
here is little Effie’s head
whose brains are made of gingerbread
when thou hast taken thy last applause,and when
the final curtain strikes the world away,
leaving to shadowy silence and dismay
that stage which shall not know thy smile again,
lingering a little while i see thee then
ponder the tinsel part they let thee play;
i see the large lips vivid, the face grey,
and silent smileless eyes of Magdalen.
The lights have laughed their last;without,the street
darkling awaiteth her whose feet have trod
the silly souls of men to golden dust:
she pauses on the lintel of defeat,
her heart breaks in a smile—and she is Lust….

mine also, little painted poem of god
Paris;this April sunset completely utters
utters serenely silently a cathedral

before whose upward lean magnificent face
the streets turn young with rain,

spiral acres of bloated rose
coiled within cobalt miles of sky
yield to and heed
the mauve
               of twilight(who slenderly descends,
daintily carrying in her eyes the dangerous first stars)
people move love hurry in a gently

arriving gloom and
see!(the new moon
fills abruptly with sudden silver
these torn pockets of lame and begging colour)while
there and here the lithe indolent *******
Night,argues

with certain houses
perhaps it is to feel strike
the silver fish of her nakedness
with fins sharply pleasant,my

youth has travelled toward her these years

or to snare the timid like
of her mind to my mind that i

am come by little countries to the yes

of her youth.
                    And if somebody hears
what i say—let him be pitiful:
because I’ve travelled all alone
through the forest of wonderful,
and that my feet have surely known
the furious ways and the peaceful,

and because she is beautiful
the glory is fallen out of
the sky the last immortal
leaf
is

dead and the gold
year
a formal spasm
in the

dust
this is the passing of all shining things
therefore we also
blandly

into receptive
earth,O let
us
descend

take
shimmering wind
these fragile splendors from
us crumple them hide

them in thy breath drive
them in nothingness
for we
would sleep

this is the passing of all shining things
no lingering no backward-
wondering be unto
us O

soul,but straight
glad feet fearruining
and glorygirded
faces

lead us
into the
serious
steep

darkness
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