will suddenly trees leap from winter and will

the stabbing music of your white youth
wounded by my arms’ bothness
(say a twilight lifting the fragile skill
of new leaves’ voices,and sharp lips of spring
simply joining with the wonderless
city’s sublime cheap distinct mouth)

do the exact human comely thing?

(or will the fleshless moments go and go

across this dirtied pane where softly preys
the grey and perpendicular Always—
or possibly there drift a pulseless blur
of paleness;
                the unswift mouths of snow
insignificantly whisper….

consider O
woman this
my body.
for it has

lain
with empty arms
upon the giddy hills
to dream of you,

approve these
firm unsated
eyes
which have beheld

night’s speechless carnival
the painting
of the dark
with meteors

streaming from playful
immortal hands
the bursting
of the wafted stars

(in time to come you shall
remember of this night amazing
ecstasies     slowly,
in the glutted

heart fleet
flowerterrible
memories
shall

rise,slowly
return upon the
                  red elected lips

scaleless visions)

a thing most new complete fragile intense,
which wholly trembling memory undertakes
—your kiss,the little pushings of flesh,makes
my body sorry when the minute moon
is a remarkable splinter in the quick
of twilight
            ….or if sunsets utters one
unhurried muscled huge chromatic
fist skilfully modeling silence
—to feel how through the stopped entire day
horribly and seriously thrills
the moment of enthusiastic space
is a little wonderful, and say
Perhaps her body touched me;and to face
suddenly the lighted living hills

my sonnet is A light goes on in
the toiletwindow,that’s straightacross from
my window,night air bothered with a rustling din

sort of sublimated tom-tom
which quite outdoes the mandolin-

man’s tiny racket.  The horses sleep upstairs.
And you can see their ears.  Ears win-

k,funny stable.  In the morning they go out in pairs:
amazingly,one pair is white
(but you know that)they look at each other.  Nudge.

(if they love each other,who cares?)
They pull the morning out of the night.

I am living with a mouse who shares

my meals with him,which is fair as i judge.

O It’s Nice To Get Up In,the slipshod mucous kiss
of her riant belly’s fooling bore
—When The Sun Begins To(with a phrasing crease
of hot subliminal lips,as if a score
of youngest angels suddenly should stretch neat necks
just to see how always squirms
the skilful mystery of Hell)me suddenly

grips in chuckles of supreme ***.

In The Good Old Summer Time.
My gorgeous bullet in tickling intuitive flight
aches,just,simply,into,her.  Thirsty
stirring.  (Must be summer.  Hush.  Worms.)

But It’s Nicer To Lie In Bed
                                  —eh? I’m

not.  Again.  Hush.  God.  Please hold.  Tight

in making Marjorie god hurried
a boy’s body on unsuspicious
legs of girl. his left hand quarried
the quartzlike face. his right slapped
the amusing big vital vicious
vegetable of her mouth.
Upon the whole he suddenly clapped
a tiny sunset of vermouth
-colour.  Hair. he put between
her lips a moist mistake, whose fragrance hurls
me into tears,as the dusty new-
ness of her obsolete gaze begins to.  lean….
a little against me, hen for two
dollars i fill her hips with boys and girls.

gee i like to think of dead it means nearer because deeper firmer
since darker than little round water at one end of the well   it’s
too cool to be crooked and it’s too firm to be hard but it’s sharp
and thick and it loves,   every old thing falls in rosebugs and
jackknives and kittens and pennies they all sit there looking at
each other having the fastest time because they’ve never met before

dead’s more even than how many ways of sitting on your head your
unnatural hair has in the morning

dead’s clever too like POF goes the alarm off and the little striker
having the best time tickling away everybody’s brain so everybody
just puts out their finger and they stuff the poor thing all full
of fingers

dead has a smile like the nicest man you’ve never met who maybe winks
at you in a streetcar and you pretend you don’t but really you do
see and you are My how glad he winked and hope he’ll do it again

or if it talks about you somewhere behind your back it makes your neck
feel pleasant and stoopid    and if dead says may i have this one and
was never introduced you say Yes because you know you want it to dance
with you and it wants to and it can dance and Whocares

dead’s fine like hands do you see that water flowerpots in windows but
they live higher in their house than you so that’s all you see but you
don’t want to

dead’s happy like the way underclothes All so differently solemn and
inti and sitting on one string

dead never says my dear,Time for your musiclesson and you like music and
to have somebody play who can but you know you never can and why have to?

dead’s nice like a dance where you danced simple hours and you take all
your prickly-clothes off and squeeze-into-largeness without one word  and
you lie still as anything    in largeness and this largeness begins to give
you,the dance all over again and you,feel all again all over the way men
you liked made you feel when they touched you(but that’s not all)because
largeness tells you so you can feel what you made,men feel when,you touched,
them

dead’s sorry like a thistlefluff-thing which goes landing away all by
himself on somebody’s roof or something where who-ever-heard-of-growing
and nobody expects you to anyway

dead says come with me he says(andwhyevernot)into the round well and
see the kitten and the penny and the jackknife and the rosebug
                                                                      and you
say Sure you say    (like that)    sure i’ll come with you you say for i
like kittens i do and jackknives i do and pennies i do and rosebugs i do

the wind is a Lady with
bright slender eyes(who

moves)at sunset
and who—touches—the
hills without any reason

(i have spoken with this
indubitable and green person “Are
You the Wind?” “Yes” “why do you touch flowers
as if they were unalive,as

if They were ideas?” “because,sir
things which in my mind blossom will
stumble beneath a clumsiest disguise,appear
capable of fragility and indecision

—do not suppose these
without any reason and otherwise
roses and mountains
different from the i am who wanders

imminently across the renewed world”
to me said the)wind being A lady in a green
dress,who;touches:the fields
(at sunset)

between green
                        mountains
sings the flinger
of

fire    beyond red rivers
of fair perpetual
feet the
sinuous

             riot

the
flashing
bacchant.

partedpetaled
mouth,face
delirious.­   indivisible
grace

           of dancing

but the other
day i was passing a certain
gate,   rain
fell(as it will

in spring)
ropes
of silver gliding from sunny
thunder into freshness

as if god’s flowers were
pulling upon bells of
gold    i looked
up

and
thought to myself   Death
and will You with
elaborate fingers possibly touch

the pink hollyhock existence whose
***** eyes look from morning till
night into the street
unchangingly    the always

old lady sitting in her
gentle window like
a reminiscence
partaken

softly    at whose gate smile
always the chosen
flowers of reminding