Eggs, eggs, toss them high in the air
Catch em, and gargle, and mash them, and swear
Eat them with shells, eat them with sauce
Eat them with bags, eat them with moss

Eggs, eggs, between sandwich bread
That's what the wise elderly miller had said
Before came the bomb and he had dropped dead
Before being poisoned by a surplus of lead

And then came a centipede, long and sanguine
And bit a small child, so recently weaned
Off the protein derived from his mother's fine eggs
So he had to start munching on his mother's fine legs

"Be warned" said the Miller, his hair all askew
While dousing his wounds with mountains of glue
A tapeworm emerged, and looked toward the sky
Feeling envy toward all the birds that could fly

But the Miller was quicker, even in old age
He smacked the worm soundly, in a manner enraged
Bruised from the damage, and covered in glue
The worm turned away from the sky that was blue

Never with pelicans would he fly with delight
Never with owls would he soar through the night
For all Darwin's cruelty, an injustice rings
Tapeworms simply have no need for wings

So he bit the old Miller, and laid ten thousand eggs
They hatched and devoured his liver and legs
And as the man writhed, waiting to die
He vomited upward, up toward the sky

The tapeworm went flying, up toward the clouds
The air felt exhilarating, the rushing wind loud
For once in his life, he soared with the birds
Then in came a swallow, and bit off a third

His body, segmented, fell in parts to the ground
Tears seeped from his eyes, his face in a frown
From the ground he gazed up into the ominous fog
Before being lapped up by an unlucky dog

The End

It was many and many a year ago,
  In a kingdom by the sea,
That a maiden there lived whom you may know
  By the name of ANNABEL LEE;
And this maiden she lived with no other thought
  Than to love and be loved by me.

I was a child and she was a child,
  In this kingdom by the sea:
But we loved with a love that was more than love—
  I and my ANNABEL LEE;
With a love that the winged seraphs of heaven
  Coveted her and me.

And this was the reason that, long ago,
  In this kingdom by the sea,
A wind blew out of a cloud, chilling
  My beautiful ANNABEL LEE;
So that her highborn kinsmen came
  And bore her away from me,
To shut her up in a sepulchre
  In this kingdom by the sea.

The angels, not half so happy in heaven,
  Went envying her and me—
Yes!—that was the reason (as all men know,
  In this kingdom by the sea)
That the wind came out of the cloud by night,
  Chilling and killing my ANNABEL LEE.

But our love it was stronger by far than the love
  Of those who were older than we—
  Of many far wiser than we—
And neither the angels in heaven above,
  Nor the demons down under the sea,
Can ever dissever my soul from the soul
  Of the beautiful ANNABEL LEE.

For the moon never beams without bringing me dreams
  Of the beautiful ANNABEL LEE;
And the stars never rise but I see the bright eyes
  Of the beautiful ANNABEL LEE;
And so, all the night-tide, I lie down by the side
Of my darling, my darling, my life and my bride,
  In her sepulchre there by the sea—
  In her tomb by the side of the sea.

Echoing inside
empty buildings bolted with
fall-ed trees, hollowed stones, were reverberating
hand pats. Clapping will go
on.
Mourning cries,
tears won’t echo as well; rather, staring
hand, clasping
shriveled hand
shaking and bouncing
off wooden panels,
fake storefronts.
Acts
incited
feigned appreciation;
palms crashing, esophagi grumbling,
bodies jostling
for view.
As a species, we watched our own performance.
There, bursts from imagined forces
generated sounds, echoing
an otherwise empty darkness--
a yet empty darkness--
through purview.
Voices and people:
gone.
Objects, unacknowledged.
Thoughts, acted on.
Contained by walls
illuminating anything there was
with echoes from voices
and fingers, flapping on impact,
hitting corridor materials.
Below trap doors, no surprises are
waiting.
Everything that could have been said
is permeating,
blissful
nothingness.

Hallelujah, I’ve found you
one I could have chosen.
Were your body pliant, capable
more slight, more saudrey
a subjectivity
easily disposed

I would be able to hold your breath, capture your voice
contemptuous, mocking and wholly undue
spending more than a half a day
being who you are would make me hate you--

But for a morning, maybe from eight to noon
I’d take on your face, look straight in you,
my mirror.
Shout out my name three times
with hope, I would appear,

without your bated breath
from jagged mirror, foggy-eyed by shower
I'd be able see me touch your body, glistening
parting your quivering lips for
myself inside, to feel your smile.

A phantasm to myself.

I want you, my significant other
my lover,
my ontological
displacement
of
milky
misfortunate
malaise.

Your substance is my fortuitous down-going.
My ship-sinking speculum.
Desire, mediated by a lack of being-there.

Klage.

Laurie, it's almost Christmas.
That's why so many quietly desperate people
wear old woolen sweaters, fantasizing about being in
on a joke,
just this once.
Your friends are wildly cackling,
you're not dressed like the others.
I prefer my desperation loud, too.
I'm rather skeptical,
however,
of
forty-year-old Lauries wearing lace tops and wedding rings,
with wet words
sloshing from dank tumblers.

Each seeming mispronunciation evokes
excedingly excessive expectations
in the form of imagined saliva beads extruding
between bottom and top lips.
But they aren't mispronunciations, are they.
It seems that, over time, words have come to sound this way,
for us.
And you've done nothing wrong,
But twenty years ago, you wouldn't have any reason
even to speak to me.
It's fascinating to watch
the canopy of aging shield
youth's shallow perspective
from those rapidly fading stars
of disquieting mortality
which fall, bringing with them
forty years of confused burning
into vision.


How many times have you come to a place,
chatted with a stranger,
and gotten them to leave with you,
in your life?
I've never been able to, myself, but it's different when you're a guy.
I struggle with subtlety, but not as much as you.
There's just no room for ambiguity, were I to brace their lower back,
then casually walk by.
I have no doubt this approach has worked for you.
Only, from my perspective, your effort pulls
that growing chin
further from your forehead,
leaving room for misused eye-
contact with me.

Laurie, I know where you are.
You're in on the joke
outside this bar.
You're still in Nebraska,
as far as bodies go, so am I.
"The Good Life!" you slur,
having never left home,
you never want to go.

Laurie.

Laurie.

Laurie!

Please move.
I'm trying to shoot.
You impede my cue,
thrusting between my fingers.
My actions, words create an un-registering ricochet.
Fine, mock me when I miss.
I am not good at this game,
but I don't want to be.
It's not flirting.

If Nebraska IS the good life
it is the good LIFE, for one.
Like Jesus lived once, so do we, in this room.
He would also agree birthdays are meaningless.
Regardless, I can't be with you here,
because I don't know who is living that one good life,
but it isn't you or I.

I didn't ask about your husband,
I'm left to speculate. Assume.
You'll buy your children presents
and give your husband head he's used to.
Isn't that what rings means this time of year,
or is that only what you used to do?
Did he stop eating like you tell him?
Does he take care of you.
You probably think someone like me
would be willing, know exactly how to.
I can see you touching my arm,
I can feel your friends
rubbing me with their eyes.
My thighs recoil with every shot
as people say their goodbyes.
I know you're ready to leave me behind
and take my body's memory with you
to sleep within your head.

I'll miss you, Laurie.
You remind me that there may be one good life in this state.
Or, at least, someone who wants to **** me without knowing my name.
But the closest thing to a good life I can hope for in Nebraska
is to be noticed by a woman
who will help my imagination
think of a place better than here.
Before I reach your age, Laurie,
I want to find her.

Youth's last call yells loud,
and quells years of chased memories.
I know you can't hear it, Laurie,
but those years are over for you and me.
If you keep the thought of me alive at all,
do this kind and silly thing:
give your children gentle kisses
on their heads before they sleep.
Tell them that they have the one good life
the way my mother lied to me.

Boaz, overcome with weariness, by torchlight
made his pallet on the threshing floor
where all day he had worked, and now he slept
among the bushels of threshed wheat.

The old man owned wheatfields and barley,
and though he was rich, he was still fair-minded.
No filth soured the sweetness of his well.
No hot iron of torture whitened in his forge.

His beard was silver as a brook in April.
He bound sheaves without the strain of hate
or envy. He saw gleaners pass, and said,
Let handfuls of the fat ears fall to them.

The man's mind, clear of untoward feeling,
clothed itself in candor. He wore clean robes.
His heaped granaries spilled over always
toward the poor, no less than public fountains.

Boaz did well by his workers and by kinsmen.
He was generous, and moderate. Women held him
worthier than younger men, for youth is handsome,
but to him in his old age came greatness.

An old man, nearing his first source, may find
the timelessness beyond times of trouble.
And though fire burned in young men's eyes,
to Ruth the eyes of Boaz shone clear light.