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C J Baxter Jul 2015
Boundless boredom surrounds me here at home,
and so I set out
through a sleeping town that's all mine to roam.  
From scarred lungs I shout:
Come out! Come Out, if you've got the bottle.
But in silence I doubt,
if there's reason to my little waddle.

Then the sky gobbles and swallows us up whole.
A whole town dead, because of my little stroll.
Enveloped in her canvas, the night soothes
as it ***** us deeper, darker inside.
Ecstasy and fright haunt us as we loose
ourselves wandering witless for a place to hide.  
And ecstasy and fright make us oh so quick to confide.

I'm lost! I'm Lost! and I'm looking for myself.
The weeks have stopped working,
                                 and it's hurting my health.
I'm lost! I'm Lost! and I'm looking for myself.
The weeks have stopped working,  
                                 and
                                        we've got nothing else.
The wanders of the mind takes ye to some weird *** places
C J Baxter Jul 2015
They say we’re so selfishly rational,
and so modernly savage.
A plague thats scale is international,
and makes us easy to manage.  

Some say we’re predictably irrational.
I’m more inclined to believe this.
Patterns in chaos,  lead by morale.
Decisions made in ignorances bliss.
C J Baxter Jul 2015
From a window on the third floor of an old abandoned brick building, I would smoke till my lungs felt near to collapsing. I went on my own, and I told no one of it: not my friends nor my family, nor any passing creature. I would sit there from when the sun first started to die until the cloak of night had fallen and enveloped the city, and the lights ( those maddening lights) would set the black fabric ablaze in the sky. They danced like ash eagerly above a fire, and promised such heat and hope; and my city needed hope, as gas filled girls and powdery boys had lost their way, covered in glitter and thinking they would sparkle forever. I shined less brightly myself, but I knew that would one day be my blessing.

One night, in the middle of Winters grasp, I set off home through my cheap shiny city, and I couldn’t shake the ache in my chest; It could have been the twenty snout I had just rattled into my lungs, but the pain was in my head too: My head and my heart were talking with the solemnity of a wake. I walked till I seen the the old granary that lay helplessly, then half bulldozed into the ground. Such beautiful, strong and defiant brick was to make way for glistening plastic houses that seemed more designed for mannequins and letting agents than human beings of Glasgow.  And the clyde seemed to twist in the turmoil of agony as it too watched the tearing of it’s town.  

So I set off, with my chest growing heavier, and feeling my will collapse until I reached the bank of the river, stripped off and jumped in…We’ve drifted off together ever since.  

Twenty years later, and I live in the penthouse atop the plastic mountain that hangs grotesquely over the sickly clyde. It’s the price I have to pay to be close to my love- I wouldn’t blame you for thinking my love to be the river, for it is in many ways, but I am referring to my fiancé Milly, who’s parents own properties all over the city and were very insistent that we live in a good area and a good house, which of course stripped my mannish integrity to zilch.  Milly is warm, understanding and organically beautiful. She puts up with my endless wandering and lack of love for anything new, brushing it aside with a smile, and is always there to carry me.

The day I asked her to Marry me, I took her to the spot we had first met: The banks of the river where I was lurking like a little creep  scrawling angst-filled and childish poetry, and she was walking home from a night of glitter and ecstasy.  We chatted for ours that night, and she dared me to jump into the river. I did and she followed. And the day I asked her to marry me she cried yes and then took the ring from my hands and threw it into the river.

And we've drifted ever since.
Romantic Surrealism
C J Baxter Jul 2015
Pennies rolling roon a scaffy auld purse.  
Last year wis bad, but this year is worse.
Winter comes freezing these auld joints,
An'a cannae make it to the bank or any cash points.  
And If A could A wid see nothing but zeros.
While the men in suits cut budgets and call themsel's heroes.
But I guess, once again, it's that auld December curse:

Heating or Eating ( Or perhaps a penny to quench ma thirst)?
Might be the wrong season for this poem.
C J Baxter Jul 2015
Rub-a-dub-gubbed,  
three men in a club,
And who do you think they were?
The addict, the faker,
The first time taker.
They all sailed away in a flea.
Twas enough to make a man aware.
C J Baxter Jul 2015
Public thoughts intertwine in a world inside of mine:
they fight, they **** and they follow one another.
Thoughts unfiltered - and images heavily so -
clutter the air in an **** of senselessness.  
They attack from all angles, and show love in all places:
They show the purest of passions and the vilest disgraces.
Here one man's cringe is another mans thrill,
and one woman's cage is another woman's will.
Here the voiceless can scream from their fingers.
Here they can hide from each other and themselves.
Here they can rid any question that lingers,
and scream from the old stinking web down into the delves.
C J Baxter Jul 2015
They dance tae boots n' cats
like ants being crushed by boots:
Squirming, wriggling, writhing
wae jaws scraping the flare.  
They scurry like wee rats
under the ground in cahoots:
snidely sneaking, snitching
under the boots n' cats they blare.

"Boots n cats urr booming doon yer ears.
 Boots n cats huv been oan repeat fur years.
 Boots n cats will perforate yer ears.
 Boots n cats huv been oan repeat fur years"

But then sumday changed the beat:
         It Came in oan the and.

And everyone forgot how tae dance.
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