hey, you
i love you
so
smile...

as the poems go into the thousands you
realize that you've created very
little.
it comes down to the rain, the sunlight,
the traffic, the nights and the days of the
years, the faces.
leaving this will be easier than living
it, typing one more line now as
a man plays a piano through the radio,
the best writers have said very
little
and the worst,
far too much.
from ONTHEBUS - 1992

out of the arm of one love
and into the arms of another
I have been saved from dying on the cross
by a lady who smokes ***
writes songs and stories
and is much kinder than the last,
much much kinder,
and the *** is just as good or better.
it isn't pleasant to be put on the cross and left there,
it is much more pleasant to forget a love which didn't
work
as all love
finally
doesn't work ...
it is much more pleasant to make love
along the shore in Del Mar
in room 42, and afterwards
sitting up in bed
drinking good wine, talking and touching
smoking
listening to the waves ...

I have died too many times
believing and waiting, waiting
in a room
staring at a cracked ceiling
wating for the phone, a letter, a knock, a sound ...
going wild inside
while she danced with strangers in nightclubs ...
out of the arms of one love
and into the arms of another
it's not pleasant to die on the cross,
it is much more pleasant to hear your name whispered in
the dark.

during my worst times
on the park benches
in the jails
or living with
******
I always had this certain
contentment-
I wouldn't call it
happiness-
it was more of an inner
balance
that settled for
whatever was occuring
and it helped in the
factories
and when relationships
went wrong
with the
girls.
it helped
through the
wars and the
hangovers
the backalley fights
the
hospitals.
to awaken in a cheap room
in a strange city and
pull up the shade-
this was the craziest kind of
contentment

and to walk across the floor
to an old dresser with a
cracked mirror-
see myself, ugly,
grinning at it all.
what matters most is
how well you
walk through the
fire.

small cheap rooms where you walk
down the hall to the
bathroom can seem romantic to
a young writer.
even the rejection slips are
amusing because you are sure that
you are
one of the best.

but while sitting there
looking across the room
at the portable typer
waiting for you on the table
you are really
in a sense
insane

as you wait for
one more night to arrive to sit and
type Immortal Words--but now you
just sit and think about it
on your first afternoon in a strange city.

looking over at the door you
almost
expect a beautiful woman to walk in.

being young
helps get you through
many senseless and terrible
days.

being old
does
too.

A free bird leaps on the back
Of the wind and floats downstream
Till the current ends and dips his wing
In the orange suns rays
And dares to claim the sky.

But a BIRD that stalks down his narrow cage
Can seldom see through his bars of rage
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with a fearful trill
Of things unknown but longed for still
And his tune is heard on the distant hill for
The caged bird sings of freedom.

The free bird thinks of another breeze
And the trade winds soft through
The sighing trees
And the fat worms waiting on a dawn-bright
Lawn and he names the sky his own.

But a caged BIRD stands on the grave of dreams
His shadow shouts on a nightmare scream
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with
A fearful trill of things unknown
But longed for still and his
Tune is heard on the distant hill
For the caged bird sings of freedom.