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brooke Feb 2017
well he's back from the rig he says,
heels up in dragon's blood
crept through denver at an easy pace, left his soul
on the toolcase, packed up with the coveralls
said there's never room for that--

and he sleeps while he's wide awake, said he
left his love up there, said he'll be by, but he ain't coming back
where back is home or here or me, he's spinnin'
i'm grounded, i'm looking for his strings,
he's unwound, divided and callin' my name--

used to kneel by my bedside, hold my hand around 10 at night
smelled like pine and cold wind, but you'd never tell him that
and I wonder about the longevity of his trust
the miles left in those long legs,
If I've all but said too much
to keep him runnin' from me

well he's stained by the deaths of many
and I've them locked away, makin' sure there's no anniversary
where he'll drink the funerals away,
we're both troubled by the other's demons
but his don't scare me much,
just play things and shadows all rearin' their heads
his own chorus of voices tellin' him it should have been him


and he sleeps while he's wide awake, said he
left his love up there, said he'll be by, but he ain't coming back
where back is home or here or me, he's spinnin'
i'm grounded, i'm looking for his strings,
he's windin', drawing fangs and ready to flee
to show me how fast he can run away, and he can
probably will, out of spite, out of fear--

and if timing is everything like he fancies it is
i'll be here waiting like i promised i would
'cause he'd hold my hand at ten at night
before i'd wait for the sound of that engine
pullin' up,
him whispering pretty girl
to wake me up,
hey, pretty girl

hey pretty girl


hey, pretty girl.
(c) Brooke Otto 2017

you like all those country songs that tell stories. So here's your own.
brooke Feb 2017
I can't get that out of my head--
the image of you still as a buck
in your recliner, bringing up
that old flame like i knew you
would, said you saw her out
in Florence, on the street, at the
bar, I can't be sure she doesn't
haunt you in other ways too,

i only meant i couldn't compete
with the memory, with the pull
with the drive for warmth, but
you should know that I've seen
your softness, your genial self,
the talkative little boy, you can't
lie to me about your pain but you
can lie to her
so

I won't try and argue the specifics
about time, or save you from going
around the mountainside, you fancy
yourself a dog man, born and bred out
of the cheyenne wilderness so if you're
gonna fight, then fight against the women
who are no good, 'cause I know you
feel it in your heart, darlin, I know you
feel it in your soul, cowboy, I know you
saw it briefly in a girl like me, matt.
(c) Brooke Otto 2017

How do you not get tired of talkin?
Cause I have so much to say. So, so much to say.
brooke Feb 2017
there was a wasp
outside the coffee
shop earlier this
morning trapped
in the cold, splayed
out between some
bricks, and I nudged
him with my toe,
wondering if i should
crush him or if the sun would
bring him back to life, despite
the irregularity of his nature
and I thought of you, often
lost and trapped in the cold
how I couldn't bring the sun
it just had to rise, so I stepped
aside and went to work.
(c) Brooke Otto 2017
brooke Feb 2017
i'm still thinking about how mama
said hold fast to your happiness
white knuckle the chain and strap
it to your shadow--
how i'm still so reserved, as if joy
were a bird or a butterfly, a flightless
insect trapped between my fingers,
who i've peered at many times through parted thumbs
and blown wolf whistles just to force the gale winds out
of my soul, to gust the incorporeal detritus out of the corners
plunk giant oars into soft green waters, to dive, dive, dive
where the waters rush in, in tremendous gulps
slamming into the walls, curling into the middle--

he'll never find any of my body there, the hips he loves
have never bathed beneath these floral pastures, i am truly
none of this and all of it, nothing but the amalgamate of
sounds, of heartbeats, clicks and murmurs, of sudden silence
of comfort if such a thing were to be seen

if he could see, or hear or dive
he'd know i've never worn happiness
not as an extra limb or a shawl, rarely
as a smile, even he has called those short
slips banker dimples to emphasize my
lack of authenticity

no, it's smaller, wider,
smooth warm stones, the heaviness of rice
the grain of oak, the gentle selah in Psalms
it has never been attached to a body
trapped between fingers or ribs,
has never made an appearance--
i sometimes think I expend it
in movements as if it'd
be found around me in
backscatter, or slowly
shrugged off my shoulders
but
t h a t  i s  n o t  t h e  p o i n t
he worries about my happiness
as if it were precious but if it
were I wouldn't comb it through
his hair or whisper it in secrets
while he slept, brush it over
his skin or tuck it into his
pockets, he does not
u n d e r s t a n d
how much he
means.
I wrote this at the end of January.
And yeah, it's about you. And yeah, it's still true.

(c) Brooke Otto 2017
brooke Feb 2017
there's the space by
the blue door where
he'd drop his boots--
actually he'd put them
anywhere, but I noticed
the lack of them this morning
and felt the weight of the roof
and Orion and that constellation
shaped like an M--so i pressed the
roses into chapter 31 of The Count of
Monte Cristo
and curled an old shirt
beneath my sheets because I have to
keep him somehow.
(c) Brooke Otto 2017

chapter 31 is called Italy: Sinbad the Sailor
brooke Feb 2017
i gave him a key to
more than just
more than just the -
the key, with a little
green stopper, with
his soap in the shower,
the drawer at the bottom
of my dresser, and the bed
because he took it all up and
I didn't mind, so the house
and the key, and his boots
in the corner, morning light
all over his back in iambic
pentameter i'm tracing
I love you down his
spine, where everything
started-- because back
in September when I
asked him to kiss me
I didn't think i'd fall
in, in, i  n, lo--              
  the
key, the one that he
has, with the green
stopper to more than
more than, more than
just the house.
based on how I always stutter.
brooke Feb 2017
he jokes about tuscaloosa
and being buried in dixie
shot in his truck near the border
or set on fire for a better purpose
had gone down in a tomato fight
somewhere in texas,

and when he's mad he dredges up
all the things he secretly hates about me
but'll ne'er admit, 'cause sometimes he doesn't
even know what he's feeling, has got all his
spirit out in ten arms searching for the best
way to put down one sentence--

he's pretty scary when he's angry
looks like might just lash out or
shoot through my redwood patio
'specially with the threat of his truck
runnin' in the background, rumbling
in the driveway ready to take him away--

he used all my favorite things to get inside
but starts to take them away one by one
I tell my mom same, same cause it's
the same story, different page, different chapter
same book, same shelf, same dust

he once said I was what he was tryin' to get back to
told me he was takin' his mom to church
once brought up the Lord in a dim light
but now he don't see the point
I'll tell you what,


I'll tell you *what
(c) Brooke Otto 2017




pretty much.
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