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brooke Jun 2016
to the man who loves me next and last

at some point i'll have to tell you that I've
been waiting for you for years, and that in
the hearts of every passer-by I saw bits and
pieces of who i thought you'd be, half-truths
and mostly lies, fantasies and countless scenarios
buried in an inch of sand at the bottom of a flower
vase

that at one point you were a Chris or a Chaz and several
other men who never even made it past the door, sometimes
tall and usually short and even missing half of your pinky
in 2013--

but as it turns out, I always kept walking, and sometimes the
ground shifted forward and carried me away-- there were a
few detours and places where I'd be standing beneath a swinging
stoplight for an indeterminate amount of time, where I sent a hundred
postcards to friends and family in riddles and broken
seashells, roots still damp and undeveloped strips of film

And there were many days where I sat staring out the window
at the storm clouds rolling over the arkansas river, carving another
man's name into a birch tree dug into the shore, nestled into a hundred
other initials-- wondering if his hands were yours or yours his and if he'd be you or you'd be him--quit smiling like that, i mean it.

But if you count the number of days I work throughout the year and
realize that for all of those I twisted an apple stem and always came up
on a different letter, you might think I was a little bit obsessive about
my dreams which is probably why you never showed up--
when I was deep in between the mountains, trekking in the tall grass where the cicadas vibrated the muggy august air--

I'll have to admit these things to you, divulge the secrets to my fridge
and buy new perfume to christen you with the seasons, share the passwords for my wifi and clear playlists filled with memories of other people, but if you can believe it--I think we're a little bit closer.

things are moving pretty fast and I'm being shoved along as if by wind or flood or corn plow, scooped up and cultivated, i've been having dreams of multitudes, of wading out into the ocean to scoop up fish
and sea glass with silver flecks, old flattened coins with thick films of
verdigris--

I'll be sitting at work completely disgusted by myself--and that's how I'm sure. That I am becoming less of who I was and more of who you'll know, less of a thought and more of a concrete idea, a person, someone
worthy. Everything used to be discussed based on how worthy it was of me, but maybe I need to be
worthy of
you.


I'll have to tell you these things.
What a mess of a poem.

(c) Brooke Otto 2016
brooke May 2016
My favorite trips are the ones I never took

In Kazakhstan there are trees submerged in Lake Kaindy
who instead of rotting have remained frozen in time, heavy
with icy spruce--and I feel strangely in touch with them.

Sometimes I'm self-sustaining on a single kiss, like any insect
of the Coleoptera order, literally, sheathed wing, the ones that crack
into the summer soil and bury themselves between dry blades of grass
and decomposing springtime--

I am a lot more of myself inside my head, terribly forward and
magnanimous, always curious and split into hundreds of questions
firing like these silvery synapses or a school of minnows refracting in and out, i'm afraid of never letting her go, that my fear of falling through every open door will forever deter me from finding that she is the best and most beautiful part of me.

that I will never change seats and let her continue on in thrilling fantasies of how I almost was--what I almost said and what could have been, building ecosystems around laughs and
hands and that feeling when in the low tangerine glow
two people pull up their shirts and press their skin together
unfolding in soughs as if they are gales rushing through
each other's sails, fluttering between knees and
glowing in barns.

she is there and wants to try everything, the most careful exhibitionist in daisy leaves and doily patterns, barefoot in your room with dandelions between her toes, wisps of cotton quilted into her hair, unwavering in the light and ever more in the dark, and when I am silent she is in the background quoting John Keats and Dylan Thomas, taking your fingers to trace her own lips, effervescent and tireless in the ways that she loves you without regard--

I want to let her go
I want to let her go
(c) Brooke Otto 2016

I'll come back to this one.
brooke May 2016
No one ever told me I was nothing,

but they sure tried to sing it and write it in trees
and the dirt with their sticks and stones and my own bones
and when the words didn't hit home they used  my. body.
and. my. hair.  and wrapped each sinew of my muscle in
knots and buried me beneath sixteen inches of myself
until I could no longer hear my own screams just a
faint whisper of a melody, tell me--how do you
help yourself when you can't even hear
your own pleas?



Nobody ever said I wasn't enough, but their questions
suffused me out, and each action undid a button (or a blouse)
took out these flimsy plaster walls and flooded the gates with
sordid tastes and feelings I never knew I had, broke off parts
of me like grapes and popped me from the stems to put on
plates, and you might even say they ate
me.

in fact there be people saying I'm **** perfect, talkin' about how
there's something different 'bout me and the way I approach things
like they ain't ever seen caution, how I'm the best thing that could have
happened to them but that's all dry corn stalk and maybe it's just my fault for trying--in a completely non-piteous sort of way, maybe I spent
too much time hoping or putting faith in dime slots instead of dimes--

I've come around to notice none of my habits are inherently me, that music is just a page out of a how-to pamphlet on Being Liked and Staying That Way, how to buy boots and hope material possessions make it better, how to search out a crowd and ruin Wednesdays for yourself, the 10-minute sequence on Staring Out Windows on the 25th Brick and how No One Even Looks Attractive after kissing him.

No one ever told me I was nothing, and I never thought I was, because I am not no thing at all or not one bit--A conglomeration of others
certainly does exist, but who are they, who am i, and where do I
come in?
(c) Brooke Otto 2016


wow.
brooke May 2016
I've been holding instead
of hugging, lately. And
I've found that everyone
feels like they're breaking--
thin pieces of plywood
that might snap if I squeeze
too hard--

there's nothing quite poetic
about the ways I miss you
in correlation to the lack
of time we spent getting
to know each other, but
i still feel the heat creep
up on my neck around
3am and I have dreams
that i'm chasing you
through tattered hallways
streaming with silk and felt
but never catching you, always
opening doors to more doors and
losing your heels around stapled
corners, and up plastic stairwells
I could have swore I was actually
up on Oak Creek Grade cleaning
mud out of my backseat, pulling
strips and strips of cotton from
the floors and nursing oily
shoulders--with someone
telling me take care of him,
take care of him
--


it doesn't take much for me to realize when I'm still hoping for something.
(c) Brooke Otto 2016

i have a massive writer's block right now.
brooke May 2016
we sing the concrete jungle
(you can get lost in the country, too)
in fact, you can get lost anywhere that is
and people that drive away from their problems
thinking that it really is location, location, location
are lying to themselves

because the reason he decides to take a job in Utah,
probably isn't because he hates where he's at, or because
his boss is a ****, but because the unease that pulses through
his hands tells him, verbatim, that you could belong somewhere
else, you just need to keep moving.
  If you've ever tried to run
and talk sense into yourself at the same time, you'd know that
the two aren't so much mutually exclusive, that you're either
running or you're thinking and most people
don't like to be




alone




with themselves, so we've perpetuated the notion that distractions
are healthy and ourselves are not, that most thoughts are too heavy
to bear and the crack of each cannon drives you borderline pyschotic,
so we hide in the trenches or break for the trees,
pretend we don't exist,
pretend we don't hear
what goes inside our heads
and all the feelings that could
be real that churn inside our chest
like the taffy machine in Depoe, Oregon
wrenching and loving and yearning and angonizing--
how we've learned to so mercilessly ignore ourselves
is beyond me


so when we pack up our travel trailers and claim that
anywhere is better than here, I'd propose that everywhere
is the same, and here or there, whether between the red rocks
in Moab or the aspen trees in Palisade, while ultimately different
coordinates, look
just
the
*******
same
(c) Brooke Otto 2016


To all the people who think they aren't running from themselves. You probably don't know who you are.
brooke May 2016
Oh, i'm far too soft
in a warm beer kind
of way, won't burn
when I go down,
no heart-of-dixie
kind of wild, and I'd
only climb into your lap
when the truck's in park,
and only then just to tease
because my hips probably
do a thing or two--but I've
never had the chance to
let someone in on my
secrets, on the road map
to my thighs, and how I
hardly keep quiet--
but I got bible verses for
fingers although the holy
spirit won't seep through,
know lots of things about
the revival in Wales and not
much out of the log tucked into your
visor-- I'm not as scared as
I seem, just ***** easily, if you'd
just wait, if you'd just wait at the
bottom of the hill, I'll eventually
come down, I give everything
too much thought, but commit
100% when I've got the answers,
and sometimes I do, sometimes
i've got the answers, so the wind's
whipping up the dirt and pickin'
up my hair and i must look like
something crazy, but I'm not
I'm not,


I go down smooth.
(c) Brooke Otto 2016

some kind of plea
brooke May 2016
what does it
feel like to have
someone take you
as you are? in all
the shades of carob
that I have become,
toasted almond,
cinnamon and
umber, wet
earth and
bear pelt
the oils
released
when the rain
falls, and I am
separated from
the usual loam
I am still learning
that brown is beautiful

too.
(c) Brooke Otto 2016

a condensed version of a much larger poem I was tired of.
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