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Ayisha R Nov 9
You know you need a therapist
—when you start
writing
again.
© Ayisha Rahman, 2024
Ayisha R Nov 5
She—
torn up,
locked up,
showed up,
glowed-up,
glazed-up,
laced-up
the corset
that chokes
like a fauxly demure
pink tourniquet,
puppet

she is,
she was,
she’s been.

⛓️
🎀
© Ayisha Rahman, 2024
Ayisha R Nov 1
This digital blot
has been my saviour;
doing me a favour
though shadowed
as someone else’s
labour.

This digital blood
is my waiver.
Marks of trauma;
across my chest
and shoulder.

Digital.
Blot.
Blood.

Analogue?
—demagogue.

🖋️
© Ayisha Rahman, 2024
Ayisha R Dec 2020
.
I used to have a voice—
until I become silenced.
© Ayisha Rahman, 2020
Ayisha R Nov 2020
"Cik" to "Puan"
"Encik" to "Tuan"

"Cik" to unwedded,
seemingly chaste,
selectively-sweet
glorified
young
women.

Those who appear otherwise
or have passed
a certain age
and possessed
confident demeanour
—to be married..
consequently,
"Puan"?

Men as "Encik"
regardless of their marriage,
status or demeanour—
but only those
with higher,
superior
authority
as, "Tuan"?

"Bahasa jiwa bangsa,
kenapa kau nak terasa?"

These are some
of the patriarchy
in a white-collar vocabulary
that it is not so much
of the vocabulary
but the society

that I shall
probably
never
understand.

Jadi aku unbottle
them all out in this rant.
_________

Cik [ch'k] (n) = Miss
Puan [puoan] (n) = Madam

Encik [en.ci/] (n) = Mr
Tuan [tuoan] (n) = Sir

("Language is the soul of the nation,
why are you offended?")

Jadi [ja.di] (v, can also be used as conjunction) = So
Aku [a.koo] (pronoun) = I

_________

© Ayisha Rahman, 2020
Ayisha R Nov 2020
Never trust the colour
on the packaging
—cos it’ll bleed;
red,
pink,
green,
blue,
black.

o'you'll bleed.

Those colours'll blend
into peroxidic concoction,
so you'll buy capitalistic conditioner
that conditions you
to buy again
and again
to prevent
the bleeding.

Adverts.

Fools.

Bleach!

🫧
© Ayisha Rahman, written circa 2019.
Ayisha R Nov 2020
The sky went white as milk.
The thorns grew wider.
Thorns stabbed her body.
She could not go any further.
Release her soul from the little cub's body.
Let her spirits roam the mountain.
Take her. Take her to the bear.
The mouth widened and teeth came down on her.
She leaned willingly into the mouth of breath and pain.
It ate her childhood and made her a bear.
Silence reigned in agony and darkness.
The trails of her footprints ended there.
She remembered the scents of mornings, of blood, and stones.
She had understood the whisper of the winds.
She swam into the river with little fishes.
She danced under the juniper tree.
She talked to the birds above.

She felt mud breathe.
The mountain was hers.

“Mother, eat my childhood”
“Make me a woman”.
Inspired by Dark Heart (James, B., 1992). This was written in high school, circa 2006.
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