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Mitchell Jan 2021
At noonday sun
I could still see
The shade of the moons
Shadow
Drapes across the cold concrete
Of established law.

A scream sounded
And
Another and
Another.

No gunshots or
Riot police
Or anything like that.

That was reserved
For the people
Fighting for equality.

This was a different kind
Of sacrament.

Two days prior
Hesitation haunted
My daughter's voice.

"This is all too much for me."

I said goodnight
After telling her
Strength comes not
From fear
But how you endure and
Act in fear,

Transmuting it

Into love for one's that deserve
And earn it.

"You used to tell me bedtime stories," she joked.

"You used to be a little girl," I told her.

I did not tell her
There's no time for that

Now.

Well,
What's it time for then
Great layer
Of words?

Outrage.
Accountability.
Consequences.
Equality.
Progress.

Balance,

If there is such a thing.

Then, I thought of nature.
I saw rivers and rocks and
How the water moved over the rocks'
And how the birds sliced through the air
And when a seed dropped from their beaks
Eventually, a tree or a bush or some kind of something
Was born and from there new life new beginnings and so on
And so on and so on

And so on until us.

Harmony is an ignorant man's song

But ****

If it doesn't sound

Like Heaven and
Hell

Wrapped into one.
Mitchell Mar 2015
Sometimes life
Builds up to a point
Where you feel
You can't
Ever reach the top

Sometimes life
Rolls on ahead without yah'
Rambling so fast
Rambling so hard
You don't know if it's
Ever gonna' stop

Take a step sideways
Take a step back
Loosen your grip
Lessen the slack

The stars are burning phosphorous on the horizon
She's got that blood red colored hair
Listen as the moon laughs yellow and bronze
I'm only thinking about you darling
I'm thinking about what you said underneath the moon

Can it be our ship has sailed?
Can it be our letters have all been mailed?
I'm at a loss without you
I'm at a standstill with you
What do we need to do babe
To take this pain between us away?
What's there to do
When there isn't anything left to say?

I've got a nickel in my pocket
A quarter in my eye
Lately, every whisper I hear
Turns out to be a truth
I wished had turned out a lie

The world keeps turning
With or without us
The wind keeps blowing
Indifferent to our own opinions
If we're up to ***** or not

To die today.
To
Die tomorrow.
It really makes
No
Difference to me.

Concretes warm
Underneath my feet.
With shattered chandelier eyes,
She winks, beckoning me
To follow her to the vent.
I'm a mystery
I'm a fool
I've learned all I can
But I still don't
Have the tools.

It's all too serious.
I'm too late.
What was once clear is now
Opaque.
As I burn the letters we never wrote,
Outside my window is a boy
Who wonders what their life would have been
If he'd never spoke.

Searching again for that
Right
Note.
Standing on my tip toes
Neither hating or
Loving:

My neighbor
My brother
My sister
My mother
My father.

All the light through the blinds
Is blinding me.
Every sound I hear
Is a rumpus cacophony of half-promises
And incoherent swears.
I've made amends with my sin.

There, on the other side of the room, lies

The bin.

See to it it's empties,
Cleaned, and left back the way it was
Before you leave.

Absolute terror.
A knot of guilt and sadness tied
So tight,
It feels glued together;
You feel

Scared.

Eyes are languid,
Heavy, fluttering.
These voices all around me
Are unclear, muttering.
Mitchell Dec 2017
Liquor store romance
Prayers in the gallery
Behind China #5
Mysteries of curly friends and
Barmaids named Gretchen
Line cooks cold cocking their ruebens
Faking fornification
Making something into nothing
Destroying the dopamine
Riddling the relatives with fake stories
Of glorious mismatched and useless education
Trying hard to try hard
Everyday
A notebook with nothing in it
Letters turn into words that turn into paragraphs
That turn into pages that turn into chapters
That turn into Acts that turn into End
Flower petals assess the scenery
Decide to die
Connecting to robotic friendship
The only time I feel at home is when I'm asleep
Sometimes with the page
Not tonight though
Tonight I feel I have nothing to say
Nothing to give
Nothing to feel
Like nothing is new
Today all I'm good for is ingesting
Taking
Giving nothing for I have nothing
Even my voice is shallow, thin, void of empathy
Interest, love, friendship, curiosity, zeal
Whispers wane on disregarded street corners
Take me back so I can try again
I don't feel like taking a step in the right direction
What are day time naps a sign of?
A hero is a mask of the times
Though what they give is never enough
Temporary alleviation to a permanent problem
What a weight we are, us humans
It's ok to not think right now, he says
It's ok to think that I'm a girl too, she says
I say, let it be known that Jesus never rose
Never bled
Never pushed the rock away for our sins
There is a darkness here
It tastes like peppered olive oil and train station air
A taxi honks for you and you wave
Take me for granted, says the voice
Take me for a ride once and a while
It's not like we never have a good time when we do
Are you upset with me? He asks.
Are you upset with me? She asks.
The barriers are cracking and we're running out of water
A myth is a mirror to the world
Telling us there is universality in un-truths
There is only the here, the now, and the nothing,
Fleeting emotion
Like flies scattered from a corpse
Mitchell Aug 2020
I hate eyes
I hate

You

And
I hate I need to show you
What I do

To reciprocate

Financials.

Imagine

All the dead
All the dead
In the love
That could never
Show you
They meant a **** and then

They died alone.

Imagine that,
Imagine what you did
To them to prove

The worth

Of a Dollar.

They'll never dance again
They'll never dance
As they
Hoped
Again.

We are in a state of
No more of this.

Of nothing left and then we said -

OK.

Goodnight.
Let it be.

Imagine resisting your brother
Your sister
When they want to **** you

For legacy
For notoriety
For continuation

For

For

For just one more note
In an orchestra

Of the misremembered.
Mitchell Jun 2016
My feet rest here with
The right
Curled
Around the back of the left.

It's here that I address

Myself.

Here, I observe
The slow wake of time
Revealing itself like glistening oil,

Dark shades of blue,

Streaks of white
From a light

I cannot see.

A notice tells me
On my phone
There has been an explosion.

I feel nothing.

I'm not sad.
I'm not worried.
I'm not scared.
I'm not angry.

My expectations are met.

I just sit
With my feet crossed,
The right behind the left,

Numb.

How have I come to be
This person?

This being unable
To even feel sympathy?

Can one see and hear so much
That the only option to survive
Is to transform into something
One won't even recognize?

I sit with my coffee, light cream.
I drink it and
Feel nothing.

My eyes do not water.
My skin does not crawl.
My heart does not ache.

I feel the wind on my face
From the fog rolling in from the West and
I feel nothing.

Can it be
That I a
Am slain?

And though
The sirens burn my ears
And the smoke
Chokes my lungs
And the bullets
Pierce my skin
And the hate
Makes me question
Everything everything everything,

I feel nothing.

It's here that I sit.
It's here that I address myself,
Feet crossed,
My back slightly bent crooked,
The blinds drawn with
The wind rocking the side door open and close,

Watching the world

Eat and

Eat and

Eat itself.

And with all of the hospital beds full
And the graveyards in rubble
And the ambulances out of gas
And the sky too blackened to even see the sun

I want to feel something
Other than

Nothing.
Mitchell Jul 2018
It's late
And there's no one home

It's early
And everyone's
Run off to work

It's midday
And anyone
Who's
Anyone
Wishes they were home

It's dinner time
And someone
Is taking in and putting out
Sprinkling and dipping
Adding or sliding
Grilling or spilling
As someone else is waiting
No idea
How lucky
They are

I have an energy
A low down one
A mean one
But
A congenial one
Fair
I think
I tell myself
I try to show
Others

It's late
And I'm still curious
Who this is
Pushing these keys.

Thoughts come to them
I
Is someone else
It's not me
Externally

Society shapes
The skin, the eyes, the hands, the
Splintered feet
The warped back
The crooked hips
The limp ****
The saggy *****
The misplaced ***** hair
The lumpy red dotted ***

All the horror
That I am
That I was
That I have always been

Future me.

It is late
And I'm
Turning around
Again

Either too numb to feel anymore

Or have felt so much
That, like Icarus, have burnt
Myself to my demise

This is the voice
Of voices
The one everyone
Tells you not to listen to
Not to worry about
Not to pay heed

I'll give you spilled flour
On the cutting board

I'll hand you a water cup
Overflowing to the floor

I'll give you my confusion
As two honeybees falling in love

The leaves are burning on the trees
And

It's late

But, I can't sleep.

Can you?
Mitchell Jun 2014
She's an
Alright
Kind a' gal

She smiles at you
When you sneeze
She smiles at you
When you tease
She grins whenever you're
Trying to win
But,
There's the sin -
She always grins
When you
Try to
Win

But there's the finest
Form
Of gender
Wars

A chore
That wears the pants
And the ants
And the clearest time ticking
Of futures
Pasts
And imaginings alike

Another send off
In the right toss
Who's sincerity never bleeds
But
Sees
That love is endless
Dealing in pity,
In grossness,
In sadness,
In anger and utter absurdity; we
Are the writhing flesh too dumb
To admit
To
Death, yet to still
Believe in it so,

Like

Gospel.

There's another word.
A word I've yet to find.
A generation
A mess.
And they howls
With laughter
And the spines on my arm
Go hard

Like good ****
Like *******
Like Mount Vesuvius
And she spills out
Pouring fine words tasting
Of turkey gravy and pine,
Filled with the absence of money and the
Disillusion of the comfort of wine.

I take the finest word
And I make it yours.
You are the one
Down to my pores.

What else would you want
But everything,
And evermore?

Am I willing?
Oh', am I seeing?
What you've got to give me,
Is what I'm breathing
And what I'm seeing
What you're telling
Is nothing but your
Silly reason

I can't help what you tell me
And I can't help what you wish to see
But there is something you keep
And that is the key you key you keep from me

I'm only twenty three yet i've seen the world
And when I think of love
There is nowhere else
I'd rather be

Take me to the mountain
Take me to the mountainside
A simple way
A forgetful say
Another nod,
Just saying

"It's O.K."
IV.
Mitchell Mar 2014
IV.
We walk down Steiner street after we eat. The food was decent. Not worth the price, but good enough where we didn't have to talk about it afterward. Olivia was nice to look at. I liked the way her upper thighs rubbed together as she walked. That was something I noticed but said nothing of to him. Her silhouette in the window was shaped like a fresh picked pear. And that smile. I could sit there and drink water with lemon and order nothing all day and just look at that smile. I would have to go back. She was beautiful and I wish I'd never met her the way I did. Not that it wasn't a romantic kind of way, but to order from someone you admire is a kind of awkward thing. It puts one in an uncomfortable position. You want to take that person out of their place and put them into someplace better. Who am I to judge? Maybe she enjoys it there. He didn't seem to show any signs of care or wear.
We continued to walk down Steiner until we passed over Lombard street. The traffic was already thick with cars and their horns. A hummer, lazy and rolling, has a driver inside with thick black sunglasses and all the windows down. It's not even very hot yet. The music inside is loud and is a mix of rap and mariachis. After we cross the street, I notice a pizza place standing on the corner and a long line is coming out of it. It looked very busy for being so early in the morning. It is only 11:15. He looks at the line too, but says nothing. He's been very quiet and moves with very light footsteps. I hope nothing is wrong.
"Jesus," I say, "Look at that place." I point at the pizza joint.
He nods, "Who needs pizza at a time like this? It's so early."
"It is Saturday," I shrug, "All bets are off."
"They'll be in bed by 1, guaranteed."
We cross chestnut street, which is bustling with people already. A few joggers **** by us as we pass a pair of miniature pugs. Their tongues are both out, dangling like a worm on a hook. In front of us, two women walk in their skin tight yoga pants and I force myself to look away. Too tempting. I can see every curve. He sees them to and steals a few glances, pretending he's looking at a parking sign or the details of a lime green Prius parked next to a fire hydrant. There are many people out and I wonder where they all came from and why they are all up so early. I wonder the same of myself and shut up.
I stop. "You ever eaten there?" I ask, pointing to a hole in the wall taco stand. It's closed, but we can both see the chefs and front of house people moving around inside getting ready for the lunch rush. "Their best is the fish taco with freshly picked cilantro, some kind of spicy, thousand island, grilled red onions, and lime on the side. Very good."
"I'll have to go there the next time I'm in the city," he says.
"Definitely," I say, "The next time you're in, we'll go there."
I ask myself what I'm really doing here in my head. Not out loud. I don't hear an answer, so I try again. You want to talk to him about the phone call. Why? Because she called you and he knows that she called you and you two haven't once spoken about it since. Can't it just be one of those unspoken things where we both know what happened and never talk about it? Sure, it could be. You could leave it in the dirt and let it rot there like a dead rat, molding and boiling in the sun for another little rat to come along and eat it. That's graphic and grotesque. Well, it's what I see. You see a lot of things. Yes I do. Well, that is a very graphic thing to see that perhaps is not really even that big of a deal. It sounded like a big deal to her when she called you. I don't want to get involved. That's fine. They have their own problems just like I have my own problems. I can respect that, but it wouldn't hurt to say something. What will he do? Get offended or something that you picked up her phone call? You didn't have any choice after you picked up the phone. She started weeping and bawling hysterically. What would it look like if you just hung up on her?Yeah, you are right. That would've looked pretty bad. Very bad. Alright, I'll say something. Thanks. Thank me later. When then? Later.
At the ocean front, we sit on a bench and look out at the water. The waves rise, peak, froth, and fall reflecting the sunlight in their marble surface. A gull passes over us and squeals. It startles me, the little ******. I look up and catch a glance into its blank, black eyes. Their brains are the size of peas. Did you know that? He doesn't notice me jump. He is looking out at the water, silent. There's something powerful in not feeling the need to say anything and wading in true silence. It takes a certain amount of vulnerability, humility, and ***** to sit with another and admit that sometimes there just isn't a **** thing to say.
"She called me two weeks ago," I say.
"I know," he says, like there's no more words that need to be said.
"I called you also, but you didn't pick and didn't return my call."
"I know," he says again.
A female jogger passes by us in those skin tight, jet black yoga pants and we both steal a glance. Her **** is so firm it barely bounces as she runs.
"I don't see you guys that often," I tell him, "I don't need to get involved."
"She called you," he sighs, looking at me, "So she got you involved and I really wished she hadn't."
"I see that," I nod, "I don't like people getting in my **** either."
He turns his head side to side, stretching his neck, trying to crack it. I can tell he's getting nervous. I can sense it. Something gets released into the air when someone starts feeling like that. Some people call it tension or anxiety or some fancy name, but there isn't one. It's a feeling and he was feeling it everywhere.
"We're fine," he says, "We're actually doing better than we were."
"I don't need to know what's going on with you guys. She called me and just didn't know where you were. Naturally, I got worried about where you were because you're my friend."
He turns his hands face up. They are resting on his thighs. He opens and closes them, staring into his own palms. His breathing is short, silent and his eyes very soft, yet focused. There has always been something array with him and he knows and I know, really everyone knows it, but what this it is is mysterious, unnamed, uncategorized. There are labels that people give other people and he never had one. Not really. None that stuck and stuck. He was always changing. He was too quick.
I get up and walk to the edge of the waterfront. I look down and see the clear, jade blue water lap against the concrete. It slaps lightly against the wall, breaking the reflection of the sun into a million diamonds when it hits. There's no fish I can see, just some driftwood and scattered trash. He comes up beside me, but says nothing. There's no need to say anything. Silence rests in between our shoulders like a birds nest. I don't want to move for fear of dropping the eggs inside. We stand like that for a while.
"You can do whatever the hell you want," I tell him, "I'm just your friend and I would hate to see something happen to you."
"I know," he nods, tightening and relaxing his jaw.
"You have friends in town, not just me. If you need anything though, same with her, I'm always there. I'm always around."
"I appreciate that," he says. He turns to look at me, "I really do."
"It's true. I've known you a long time."
"Same here," he smiles, "I've known you as long as you've known me."
"That's true. That is very true."
"Where to from here?" he asks. He turns away from the water and slides his sunglasses up onto his forehead.
"I don't know the area that well. Let's walk back up and see what we can get into."
He puts out his hand, stopping me, "Thanks Roger."
I take his hand, "You don't have to thank me, but you're welcome."
"It's hard to a find a friend you can truly rely on. Everybody's got their own agendas nowadays."
"Well," I say, "Its part of my agenda for my friends to not do anything ******* stupid. Don't know why, but that's just the way it is."
"That's good," he chuckles, letting go of my hand. We start to walk up the hill and he's still laughing a little to himself, "That's real good."
"Let's get a drink?" I ask.
"Let's get a drink," he says.
Mitchell Jun 2019
Unfortunate aparations
Of misplaced loves affairs
Misplacing their place in the world
For foreign affairs of
Guidance - because that what's poetry

Really is.

A naked shell of a crab
Looks at its claw
Telling it to stop
Stop clipping
And yet we're buying yogurt
At the other stand
The one by the gas tank
When we were supposed to buy
Supposed to buy
Supposed to buy -

You tell me
You tell me where
I was
So meaning
Can be dug
Like dirt
From what I've done

From what I've lived

From what I've experienced

Be me the varicose
A vehicle of nothing
But inspiration or

Projection.
Mitchell Nov 2020
Very little
Not enough

Each speck
Of thought

Is
Forgotten

To conjure
Is to reveal
One's mind
In steal

I take
From myself
But
Myself
Is someone else

Here I am
Shaking hands
There I was
At the door
If I am
And I was
Am I obligated
To be

Furthermore

Tell me, why?

For what or for whom?

Creation is by
One ring a shackle
By another

An heirloom.

So much
Yet
Not enough

I press
The same
Dirt
From the same
Foot

The ocean does not know my name but,
I still love it
I still respect and fear it
I still feel as if

I know it

Like they did
Like they all did

I wish
I could just
Say hello,

How's the weather today?

Not bad.

How about you?
IX
Mitchell Apr 2014
IX
After drinks, the two of us walk down Columbus street looking for a back alley ******* Hanes knows about. It's 4pm - far past buffet hours - but happy hour is about to begin and that's what we're looking for. Hanes tells me the last time he was there, one of the dancers snuck up behind him while he was at the ATM and pressed the highest possible number on the screen, something like $500. He didn't have to spend it, but somehow, he did. He left there with a sharp distrust but newfound respect for the stripping world. Everyone's got to get there's somehow.
"Ten dollar cover to get in," the bouncer tells us.
"Good God," I mutter, "It's only four o'clock and you're charging us ten dollars?" I feel the gin tickling the back of my throat, bringing a tingling feeling of authority and righteousness. I know I'm wrong, I know I've overstepped by bounds and have no say in how much they think they should charge two men with no women at four o'clock in the afternoon...but I battle anyways. I must.
"Policy my friend," the bouncer returns, shaking his head in understanding, "I'll get in guys in for five."
"That'll work," Hanes says quickly, handing him a ten and brushing past him.
I pat him on the shoulder as we walk in, "You've done a good thing. A grand thing. A respectable thing." I'm drunk and anything that comes out of my mouth I think to be genius. How far I've gone into the rabbit hole is of no importance to me now. The only things that matters is that I'm there and that eventually, somehow, I'll get out.
I follow Hanes to the bar and put down twenty dollars to whatever he orders. Two Budweiser's. Seven dollars with tip. Pretty good. That excites me. There's something invigorating about cheap drinks in a place one would think to get shafted in. I tip an extra dollar and get eleven back. Hanes nods to an open table by the corner of the stage where there's no one but a single asian man and a plate of hot wings. A pint of ice water sits in front of him and he's all smiles. I don't know why Hanes thinks it's a good idea to party with this gentlemen, but I realize I've never actually understood ever what Hanes thinks is a good idea, so I follow suit. It turns out the asian man is a very fine man on his lunch break from the bank. He's had a very long day he says.
"The boss," he explains, "Is not a nice man. Selfish. Fat. White."
"Ah," I say, ******* back on the beer, "Never good." I watch a girl named Twinkle wrap her thighs around the stainless steel pole and twirl. Her hair is the color of fools gold and her eyes tell me she's been doing this a very long time. I ask the asian man his name.
"Bob," he says, biting into a wing, "You want one?" he asks Hanes.
Hanes waves it off and Bob offers me one. "Thank you, sir," I say.
"Call me Bob."
"Righty right," picking up wing, "Thank you Bob."
"They are very spicy, so watch yourself."
"I will."
Twinkle crawls over to us, her **** hanging from her chest, drooping slightly like honey would if you spooned it out of its jar. She wears a silver cross that dangles with her ****, reflecting the dark neon red and blue lights flashing, wavering above her. She can't be more than 25. I feel myself slipping into feelings of wonder and love, but know that is the trick of the club and how they get you to spend money. Quickly, I paint her in reality: a white t-shirt, some blue jeans, and old sneakers - she is painting her room. She looks lovelier doing this, grounded in something perhaps she loves, maybe even a passion.
She crawls up to me and turns around, thrusting her *** in my face. She bounces it up and down with the rhythm of the music, the heavy bass. I watch her tight flesh roll slightly like tanned waves of the ocean. Glitter floats from her skin as I get a whiff of strong perfume: rose petals and dry white wine. I like her taste and throw her a couple dollars. She bounces her *** a few more times, slower this time for me, then turns around to pick up the ones with her teeth. She is good and knows this.
"Wanna' dance?" she asks, winking at me.
"I would love one, but I promised myself I wouldn't," I say.
"And why's that?" She's dangling her legs over the side of the stage. Her knee caps are red and swollen from crawling on the hard wooden floor. I think they should give these girls knee pads or something, but realize that would really take away from the sexiness of it all. They would like naked electricians or plumbers for christ's sake.
"My father told me never to get a lap dance on an empty stomach."
"Your father," she smiles, "Is a very a smart and funny man."
"Wouldn't want all that blood rushing from my head to down there without any food in me."
She nods, "Could be very dangerous. You're funny. Let me know how you feel after you eat...I gotta' get back on."
"Will do," I tell her, leaving a few more dollars on the edge of the stage. I bend them into V's and place them upside down. She sees this and proceeds to bend over, picking them up one by one, showing me everything. She is snake charmer the way she moves her body, making one think it's all for them. I can see now why this place is so dangerous. She saunters off back up-stage, rocking her hips and her *** back and forth like she were trying to put a baby asleep in their cradle. She is very good and knows it.
"That was interesting," Hanes says. He picks up one of Bob's wings. Bob smiles and motions for us to take more.
"I got the endless deal!" he shouts. The music's gotten louder. "Only cost me $10! I got a beer with it too."
"That's a good deal!" Hanes shout back, "Thanks!"
He takes a couple more and places them on a napkin he got from somewhere. Bob motions for me to take a couple, so I do. The sauce is so hot it seems like its stinging my skin from the outside. My eyes even start to water. For a second, everything around me gets that watery sheen where all mixes together and nothing is hard lined. The hard and heavy bass mixes with my vision. In front of me, a blurred body hangs upside down from a golden holy pole. The image stirs some biblical images in my head, like an angel flying down to Earth or even Jesus being crucified, but upside, naked, and a woman. I put down the wings and furiously rub the sauce on my pant legs. If I were to get any of that poison into my eyes, I would be finished, I thought. Blinking hard three or four times, I let the tears stream down my face. Bob sees this and hands me a clean napkin from his table.
"I know," he says, "It is truly beautiful. Don't be afraid of your emotions. Express yourself. It's ok to cry."
"You're crying?!" Hanes laughs, "Why the hell you crying?"
"I'm not! This ****** sauce is so hot it's making my eyes water."
"These women are so beautiful, you're crying!" Hanes throws his head back, laughing. "I've never heard that one before. They'll give you a free lap dance for sure if you tell them that."
"Maybe the cook will," I say, wiping the tears from my eyes with Bob's clean napkin, "There. Back to normal."
"You OK?" Bob asks me? "You good."
"I'm good," I say.
A new dancer comes out on-stage. Bob seems to know her because he puts all of his wings on the table beside him and rubs any sauce that dripped off. He straightens his thin black tie and subtly smells both of his armpits. He definitely knows this one. She's a thick looking asian girl with a smooth, innocent face. Her hair is long, smooth, and black and it reflects the neon pinks and greens whirling above her. Bob leans over.
"She my favorite," he says.
"I can see that."
"Don't tell her nothing though."
"Why?" I smile.
"I don't want her to think I'm a creep."
"You're not a creep, Bob."
"Then what am I?" He asks, furrowing his brow.
"An admirer."
Mitchell Jul 2011
Thoughts are too quick within my head
I break through myself again and again
Touched by the madness brewed by storm
Ridiculed by the mediocre norm

Spill my wine as my family slowly vanishes
Each hour again and again passes
A lowly grave for a manic man
I got no more strength left to stand

To hate the world that spins outside my room
At times I feel as if I'm spinning in a tomb
I left a place that I am headed to once more
Trying to not ask myself what for?

For questions are queries covered in curiosity
Dripping with an energy bursting electricity
To die without asking is to die without ever living
Love never stinging and the lungs never breathing

And as these toll bells ring from crumbling church ideologies
Where the nuns and the priests are scrambling their categories
Space moves upon us as we inch toward it
Hope I have enough time to stay for the last bit

While my whining hands pine for moments of mismatched time
She drifts farther from me day by day
Sweet K you were the light that flickered naive and bright
The day is coming where we'll have to walk out of each other's sight

Though these days are hot tempers turning over and over
And our voices grip as we sip trying to forget
These memories which I'll mourn like I've never felt before
Jet black apple jack our problem babe was that we always wanted more
Mitchell May 2011
I let the boogey man in
To see if he could get me back to the sea
We were friends there once
We fished underneath the sky filled with black
Dotted with milky stars
And all the more
There were worries inside his eyes I couldn't believe
He bent down to pick up something he had dropped
And when he saw it was His heart
He sneezed
Through the history of his life
He remembers only the wide ocean blue sea
It was funny how he moved, rickety like you couldn't fathom
And the hate that I felt for the darkness just vanished
Cause we are all monsters sometimes
And angels in another
We shift with the season which hails translucent fire
Move with the wave of water that flashes bright through all of us
Is there a way to move the minds of man toward a good?
Is there a way to turn back time so one could say "I should"?
An affirmation of the rock that clashes
Within the hurricane hastiness that drops down from the heavens
While some seem to blame it on their brethren
Of course of course I'll take the drink before the dawn!
Cause these wild hearts around me have seemed blind from the start
Underneath this skin lies no man nor woman no plan
Yes' underneath this blanket of illusory warmth
Lies a thing from the land and not from the land
A starry hope like a drifting boat
That I won't turn out to be
Just a dope
Mitchell Sep 2014
"It's alright,
She said rolling a number two pencil
In between
Her thumb and pointer finger,
"It's alright, it's alright, it's alright."

"Alright," I said.

"Don't take it the wrong way,
She continued,
"It's the second draft. They
Are the hardest
Because it's the draft after
The first..."

"Of course," I said.

"And if this draft is just..."

I cut her off, "Alright?"

She looked up at me.
"Yes," she smiled meekly,
"If this draft is just alright,
Then the third better be
****** good
Or the story itself
May
Be
The problem."

I nodded and looked out the window.
It was starting to rain and many birds
Sat on the branches underneath the leaves at
The bottom of the tree trying to escape the wet.
Very smart little things, I thought.

"But," she started again,
Now biting at the eraser of
The number two pencil,
"It is alright, alright, alright."

She handed the story back to me
Blew out the little pink chunks of eraser
She had been chewing on
On the fingers of her other hand.

"Come to me
With a
Third and let's see
What
We can do with it."

"Alright."
Mitchell Jun 2011
Playful lady memorizing me with that glare all night
Walk away from me so you can walk right back
How fast we move when we think it's true
And how slow we live when we think we got nothing to do

Ride through the night for the sights are alright
I mentioned earlier I thought I'd never really loved
But once I saw those eyes of yours
I believed in everything up above

Too long have I been walking alone round' here
Too long have these hours weighed me down
Now that I see you standing over yonder there
I got one question to ask you...where?

Sweat soars from my trickling pours forever an' ever more
The page bird sings as the prison bars glisten an' ring
Either the number is slumbering or I'm to numb to remember
Rendezvous with the likes of you I'll be forced to buy two

Itching on the bedpost with the moon hanging overhead
I asked for a room but they gave me a furnished tomb
Without your touch my life doesn't add up to much
To mellow to be dramatic might as well blame the cinema ******

Cast off towards an ocean of solid full forgiveness
Away from the prose of the modern mood
You asked me what I thought of the late later bunch
Didn't you see my face squeeze tight and scrunch

Either I know what I mean or I don't no anything
These were the words of a father written off
Either I listen to the tune of an invisible ***** loom
These were swords swallowed by a mellow non-follower

Each night we break this break for the night is dead
Dead to the touch of the living that believes in breathing
Either we are here or we are elsewhere
Love was the way you were to get to me

I bring my hand to mine face to touch something new
But my broken catapulted finger nails seem frail
Listen loud to train car race track atom bombs
There was something there that lasted so ****** long

A laugh is the moment where one could die without regret
It holds no rhythm but feels as if one has sunk into an absolute purity
Lifting the weights of the weathered tethered to a dream
Remember nothing for pondering in ponds just leads to song

End tunic bard players reaches for His final note
Seventy years survived without a scratch to His pride
Particulars were the smile the made the Bard riled
Streets were His meat which He so finely cleaved

A farewell to the moment of torment swinging in permission
Fish swim so gently up these streams
A goodbye to the life that I never wanted to get to know
A rambling phrase adios of tuition and admission
Mitchell Jul 2015
State
Whatever you
Wish
To

Say here, says

Form.

See if you can.
See if they like it.
See what happens.

See,

If it's you.
Mitchell Mar 2012
The burning down there ceased
When the sun rose and the winter
Chill of the wind crept into my
Now lonesome room. She had left
With everything except my soul: My
Heart, my money, my food, my
Dog, my tupperware, my bed sheets,
My favorite table, all of my records, every
Sticky note we wrote together, even the
Lint that was underneath the bed, she took.

The end for all of us comes with a
Short breath from a face that is invisible or
A hand gentle but cold. It comes like a car
Honking before it smashes into the one
Alive crossing the street. The end comes
Like the lost pop of the fire before the moon
Washes away its heat; the end comes and
Goes and comes again like peace and like wartime.

Moving through this, hearing the wails of
Neighbors young ones scream for more
Milk or less of it, landlords weeping into their
Piles of money, couples deafening themselves
With their contemplation of deserting, I see myself
In the mad streets with the cigarette butts all lined
Up like soldiers going off to fight a way not
Their own in their hearts, but only in the their minds.

Each snow flake falls melts and sees a harsh
Sun the flake does not know, yet hates. Each
Friend I have known turns their back on
Themselves for pleasures they do not need.
All of time will halt for that one person who
Who up their arms and says ENOUGH, all of
Time will stop, listen, then move on, some
Writing and listening for a moment, then the
Moment will pass, as the next generation
Waits - unborn & unknowing - for the next.

We generations look onto a lakefront painted silver with
A thin lining of gold around the edges of
The reeds and see the body of love. She breathes
In and out, her lips dry from the winter sun, each
Hand broken so her fingers point in opposite
Directions, her feet the only things still intact after
The long fall from heaven to the ground. People
Gather around her, build shrines they will later
Fight over, arguing who built the shrine first,
Later they will burn the thing down, where all that will be left
Will be the bones of lady love, her hands still twisted,
Her feet still perfectly aligned, resting peacefully
Now around the edges of silver and gold.

Through each glass reflects the sights
We have seen and have not yet seen, regulators
Of the what needs to be done and what needs
To wait so we do not age to fast or too soon.
We do not make the rules, the rules come
From someplace else, a place that has no name,
No boundaries or walls, where generations play
Without a title or responsibility, where all is
Shared and nothing is sacred or blasphemous or
Taboo; where all is one and one is nothing and
Nothing is everything that needs to be just to be.

So see through the illuminated white squares of
Those monster office buildings, housing the sane
Who condemn the opposite, the walls bleeding with
Metallic staples, smelling of felt markers and body
Odor leaking through the men's and women's bathroom,
Money being thrown around like darts at a pool
Hall, the office chairs spinning on their own and the
Wooden tables set aflame by an employee gone wrong.
Observe the sights of man as the animal, them naked
Trying to hold up a conversation or sell a deal, where
Underneath the Devil takes a straight razor to the
Brain, gutting all that was once holy of man & woman.

Hope is a four letter word fueled by action. People
Commit to a cause triumphed by the television and
The radio. We hold the power when we want it, but
When sloth and greed and corruptible seed plant
Themselves in the minds of the good and light, trouble
Ensues, washing away all that has been done like a
Tsunami. Mind the gap of generations, hark not on
What was done in the past, for that worked then, and
This time, our time, is now.
Mitchell May 2011
The killing fields
Broke
Crippled men wept
Nothing else to do
But
Accept

Troubled in a mood
That ain't a tude
Listen to that rhyme
In an inept
Time

Oh loose canon's
That rinse
A soul
Of blue

Inside this body
Ain't not a thing
Just a mix of medicine
With a side of sin

Been listening to a heart beat lately
Hearing these debates with men in high say
Ever listened to the crow of old lady low
No?
Well you should get to know

Kickin' back a last minute trap
For a lady that I thought I knew
She said her name was Emmy Lou
But it just wasn't so'
Mitchell Jan 2013
How we dance when there is no one looking
Whispering marmalade cream as we watch boats of steam
Drift towards a not so distant infinity
Praise the one your with, even when they've gone away

I think the question where there are no straight answers
Are the one's that I seem to be better at
At least there are questions still to be had
For if there wasn't, we would all go mad

I have these hats
Some brown, some polka-dotted, some grey
You have those eyes that stare at me
In a musical genius that are present
But secretly say they wish to go away

Oh', you know were broke down
We got not style to call our own
And I'm lonely here without you
This night I'm in doesn't seem to be ending
And I'm too tired to invent a beginning

Movement of a heart don't mean its beating
Love's absence still holds a fragrance
I got life, some days more than others
Don't worry about where I'll be
There will always be another

Let me whisper in your ear
Let me dare you to get near

What I want
Isn't me with you
Or you with me

What I want

Is for the sun to rise
The snow to melt
And for the door to open

Without key
Mitchell Nov 2012
Alone we men
Think we are
Between dirtied sheets
Hands worn and tired and dying

We hope to gain admittance
To a higher place
Perhaps some think deserved'
And perhaps some do

Yielding to the power of man
Only leads to a life lived
As a slave without access to their own mind
Time is far past that

Embrace your fellow brother
Put ideologies aside and
Look deep within one another's eyes
Hear their breathing next to thee
Admit that both soul's
Only truly wish to be set free

And though our feed may be different
Our minds molded from different clay
Bones bent from splintered cribs
We may or may not have once lain
Hear the breath, a brotherhood
Yearning to be far away from usual unrest

So fight on
Gather ye' weapons
Ye' courage
Ye' unshakable souls

See to the life you wish you could have
Accept nothing as lost or forgotten
Always listening for the keys of fate
Silently slipping in to open your front door
Mitchell Apr 2014
Cold candle
Forgotten word
Minstrel maid
Made of cake frosting and
Snows winter lasting

I told her to wait
She said she couldn't stay
Her love was a forgotten battlefield
Strewn with bullet casings
And fields we couldn't till

Out on the moon struck landscape
With memories we couldn't escape
We talked over plans never to be fulfilled
And of soldiers
Born to be killed

I couldn't look her in the eye
I couldn't say her name
She'd done things to me
That would never set me free

Allow no substitute
For love or lack there of it
A hollow moon is rising
And the tide
Is far from ever abiding

Catch me by the willow train
See me underneath the entranced stars
Enter me near Plato's last words
Smell the rotund spin
Of a life bent on curdling

Obtuse soul form near the last light of life
There's no need to be wordless
There's no need to live your life in strife
I've got the cure, no need to fear
You know I'm close, you know that I hover near

Dear street heart:
I've got your hand in mine
There's no need
To think about time
Every second passing
Is but a riddle drenched in rhyme

We have our pens to write
We have our tools to mold
See the acid skyline
Melting with the ***** stench
Of our kind

I can't take the sense of this place no more
What are we waiting for mi amor?
The last train to nowhere,
Or the place we know that doesn't exist
To our core?

Use my love
Take me granted
Steal my desire
Take my name
Call me sire

The last arrow was never shot
All bets are off
Once the words start
Ms. Daisy laughs as she pushes
Her overflowing cart

Apricot proletariat
Smelling of dew drops and wine
The dust never settled
On the dead daughter of the caste
Who could they get
To ever replace you?

Pinch me
Because I'm more beautiful
Than the cup in front of me.
Punch me
For I'm so uplifting
The cops can't even touch me.

She can't see
She can't feel the Earth below
The only thing
She thinks about
Is her left big toe

Can't we be the people we wished to be?
Can't we be the dreams we said we'd be?
Our answers are as elusive
As the poison
We drink ourselves to death with

Kissing hand
Forgetful frame
Each painting
Is a live unwilling
To be tamed

There's no string woven
Through the
Cloth of my life or yours
See your structure
And destroy it

Dead angels blink
As they sigh and think
Sympathizing with fault
Was your mistake
From the start

Still breeze over a torrented lake
What you've got to live for
Is everything you wish to put at stake
Sad eyed darling
Obsessed with the magazine husband
And the white picket fence starlet

I can't tell you how to live
Or would I ever want to
There's too many cracks in life
Each road a calling to listen through

Never a dream
To high for the steam
There's no top
That doesn't have the cream

Ain't it just like the morning
Like a lost graveyard in the sky
Too far for any kind of mourning
To turn you on your heel
And make everything that once was real
Into a curved zest of intangible zeal

I asked her for a light
And she gave me her heart
I knew I was in trouble
Right from the very start

No need for sleep
When you've got the keep
Of a hundred
Cold shoulders too willing
To brag
Of its own self-entitled misery

Oh'
These thoughts are like
Stray fire:
Too many,
To much;
Killing for the

Sake of dying.
Mitchell May 2011
Eyes link with hands uncontrolled
Media mad man
You are the same you know?
Uncontrollable whispers are the way you speak
Who do you talk to?
What do you think you need?
Ardent admires of the fine high art
Eaten
Like an expensive appetizer with
A blood red wine to start
Numbers of neo-eutopia's plaugue the land with their ****
To run is to quit
To stay
Is to fight
With large stick
Mitchell Feb 2011
A man with no message
Is like a cat with no purr
A glass with no drink
A peach with no fuzz
The man thinks
The woman thinks
I think
But
At times which are the hardest
I feel nothing
I am alone
In pain
In misery
And defeat
Even when I walk down the street
And see people together
I know
Somewhere inside of themselves
Be it in their beating heart
Their lumpy ***
Frumpy hair
Or sore feet
They are alone
How can it be
That we lie to the one's we love about this?
How can it be
That no one ever talks about this?
Oh the terrified masses of America!
This enemy will never vanish
For if it did
We'd all be ******
And never admitting
That life
May not end up to all that much
Mitchell Aug 2012
I entered the brain
Of a madmen of 24

There were reasons I wanted
To leave and to stay

The flowers were wilting but
Seeds fell from its dead bud of red

I saw death give birth to life
And it had the scent of a rose

I never want to give up my
Last breath of air to the reaper

He can keep my old shoes, my
Old suits, hats, and beepers

But, my last breath, that is for
Me and me only
Mitchell Dec 2012
Up on the third
Floor
There is a place
Where everyone stands
Slain

The lame
Accept everything
The fighting
Nothing at all

They spread thin
Their wings
For the night is short
In the CET

And the way is swift
Make quick
Thy youthful fits
For much desired sights
For ****

As the clouds disperse
For seagulls above sand
Drift in spreading rhyme
Into our dear Lord's Hand

He doth not say that the right is wrong
Nor the choice you carry is attuned in song
We can laugh and yet we dually can cry

Make the life you carry
Never weigh you down to cry "FIE"

And as the wine is poured and your lover
Nods their head, clearly wanting more
Take no advice from the man coated
In ill suited grey and obvious vice

Your train will call for you
So all is fine
But until you meet that one
Who you know by sight
Who lets everything roll by
Like the deep faded night
You'll be rolling back and forth in your sleep
Wondering whose soul
You'll wake in the morning to keep

There is a riddle for every nickel
And there is a clue for every dime
Just make sure you got a friend
Who'll give you the chance
To tell you the time

Near dawn, no, near midnight
There was a hard luck story
That I wanted to stay up to hear

There was a man
There was a woman
A priest lay dead and naked
With a scribbled aged' sermon

His mouth lay laden his soul stirred cold
The memory within me reflected in a blur
And all that stood still
Was all that was to be told
Mitchell Dec 2011
When the pages of life
Get worn, burnt and torn
When your eyes are red
And you can't remember what was said
Call me once or twice baby
I promise to never say maybe

When haste drips like paste
Like paint from a babies fingers
Don't sit down and linger
For the smoke in your mind is for real
Just call on me once or twice baby
And I won't tell you maybe

Make your way to my place
I'll shout out "This is what it's all about!"
And the grey clouds will turn white
No longer having to put up a fight
Call on me once or twice baby
You won't ever be hearing maybe

If you start to believe our worries
And dogs no longer bark but growl
You say hello to strangers
And they won't even hand you a towel
Just call on me once or twice baby,
You won't ever hear a maybe

After the sun has set
And the fishermen have reeled in their nets
Your stomach is done n' empty
And death starts to look temping
Call on me once or twice,
Cause you'll never be hearing maybe

I am back where I started
Like time stopped and im back in it
The lonesome whisper
Those lonesome sisters
They make you cry and they
Make your heart sigh

Pass the sergeant whose *** knee
Is broken and is about to sneeze
All this repetition is bringing to fruition
A new kind of terror that
This mind can't handle and the
Body melts like a candle

The bed is burning as I'm yearning
For another shot of the hard stuff and
A kiss from a lover that seems to hover
Across the floorboards of my flat as she
Wears an old worn coonskin cap

Repeated love affairs that bare
A resemblance to the rear of a steer
Cause' that is the way time works on us
Forcing us to remember though
All we want is to forget an' disregard

And in the heart of the black night
That dances with no shame only ******
Her finger is naked where the gold used to be
Pale in the sunlight that strikes her stony bones
Hearts hear the beating of their own and
Love is alone sitting atop its private throne

Coursing where the blunt fact of our age
Shakes trembles crumbles in the hands
Of the judges whose chocolate smudges
Remind me of their nubile weak baby bodies
Protruding their souls out from their mothers womb
Cracking their lips and knuckles from the
Chill wind now alone with tasks and obligation
Falling to the way side

Former ways of living are now taken aback
They are heated in the sun across the lake of tons
Misunderstood medallions with princes and their wives
Dancing to the music they will hear when they die
No note knows no length or death
For in that final step to rest be not afraid
Friends will guide your hand like the wind
Does the sane

I scratch my eyes as I think of Alice
Alone in the far away from me
Her sight vanishing like our love just the same
The smoke still resting on the waves
The bears still resting inside their caves
Ice on the horizon where inside is the stink
Tell me what I am as my speech turns to a drawl
Out of the states so far away
Inside I know these words will make it all O.K.

But now with the droopy piano man
And whispers that aren't mine but his
I recall a guy I used to stare at and know
He mentioned his name before he had to go
Cause' now I am a new man
With nothing and everything left to give
Attention to the pain of the people around me
Save the love for the one that deserves it
She was the one and I let her slip away
And for that I pay and pay
Every single day

Let me let you in a little secret
Hot like an iron and sweet like a rose
An alley where no one ventures or goes
A tune that is quiet but you try and deny it
Let me let you where I have been
In between living and the fall of the dice
Where time has no face and
The joker's are always present
Where money moves through your sheets
Like your long cheating husband or
The smell of cheap bourbon

In this hour years turn to sand and
The thought of yourself turns blue
Out of breathe the sirens of the sea call
And misery makes its final chess move
They is a maddening presence where
Every pain in the world is true
You cannot escape from the maze like labyrinth
It tells you it loves you so
You have nowhere to go and nothing else
To do

Dream through the mist where clouds are the mountains
And rivers are painted with flecks of metallic gold
Candy cane tongues with a chocolate kiss eyes
Her way was forbidden but never in the sky
A shout from the corridor a murmur from the hall
Tell the tale loudly or the pail of life will seem pale

There is nowhere to go from here
You are here with me
We are here together
And there is no where new to go from here
Do not fret, no
Do not whimper and please
Do not be scared
We are meant to be here together
You are forever here with me
We will learn how to love
How to live and
Learn to see
All over again

And the ways that were have now changed
"Culture will turn into steam"
"Hearts will turn to stone"
"Minds to mush and computers to man"
Forgetting the way the wind blows through the thicket
The moon casting its white hate on the lovely night
Creaking boards as crippling rivers
Collect their wares and head down the road
Strangers to a home they have always known
Gibberish in the eyes of God and his counterparts
Confusion: the only comfort in a world of immediacy
The only sanity in a world of the opposite

There must be a way out of this way
There must be another bay
It is on the horizon or this is a lie
Entranced by the entrance
Not myself, no not this time
A shake and a cry never mentioning the whistling lie
Forbearance here weighs out its own death
Too much here rather too much then there

Poor joe that tells himself he stills sane
That music is the only way out
The only price that one can pay
The crouched hidden gem that litters his ears
Standing on the street corner florescent and majestic
Glitter in his eyes and fire in his soul
Not a thought in his mind only the notes in his hand
Telling the bar man just him and her on the next one
That this is the place where they place his favorite song
And the haste at which his fire was made
God's hands were blistered for he didn't have a plan
Knocking around the **** like he whipped out at the john
And the ball is outta' the park and the girls are all screaming
A leaning beaming loud crack of all reasons
Mentioning professionalism at a bar filled with shining stars
The bathroom is broken so shake on out and grab your sandals
Oh yeh oh yeh oh yeh oh oh yeh
They tell me I belong here but most days I just don't see it
Mitchell Jul 2014
At night
The willow
Does blow
Where we're
Supposed to be
I never did
Know

Can you keep me
Naked and hid?
Can you keep me
A sacrificial bid?
I am yours, won't you
Let me win?
I got a lasted twin,
And it's colored in Sin.

A navy emerald sea
Shimmers in the
Eastern wind.

A smile takes me
As a  rile piles
And what we've got to lose
Is all we've got to gain.

Two seers precede to
The forgotten
Sound.

And ye', ye' pound for
Pound,
Resound in the creators absolute decor'.
We joke.
Oh', do we play.
How do we skip to dismay in
The
Frolicking hay.

Let the daughter
Die.

She admits
All
Defeat.

Let her be
The answer

To all

Mens

Problems.
Mitchell Apr 2018
Well I know
Its a phrase of
A
Lover

Someone said
They said something -

I was listening, but
I

Wasn't listening.

Well, I know
It's haphazard-tazer

All

While

I'm making believe
With you

Making myself

See

Underneath a light post
Where ays the dead secret
Of a kettle
No one ever wished to know

A ghost rattles their cane
As the last known man
Says they, used to be something,
Used to be something,

Something

Sane.

Stark horizon.
Abstract reality.
Chasing nothing,
But a love
I never thought I'd get.

Nurturing love
Was a contradiction
Left for tangerines and

Cradled apples.

I am here
With you
And I hope,
You with me
You know,

I love you.

If that be my last
Attempt
For your hand.
If that be my
Last press
Of my voice,

I hope
Your grip
Pleads for palm
On
Shaked' grip;

**** in plead
Thee be
There be vacant while
Begging -

Let it
Be
It

Let it be it

Let
No carrier
Be

Universal.

Individuals
In love
Only truly

Rule

This
Land.
Mitchell Aug 2015
Let me
Heal beyond
What
I can do
For myself

I see a dead river
She sings
A forgotten tale

We are young.
How young?
Where will we be
When
We are old?
Who we will wish
To see?

Am I always dancing on questions of old
And
New?

Am I
The questioning man?

Let no role be
Personified.

Let no role be
Encompassed.

Let no legend ever
Be
Fulfilled.

I'm the last riddle of
The
Puzzle
Of
The saying that proves
That you two
Are
In love.

I'm,
The,

Last Resort.

Sad
Eyed

Pretty of

The Highlands;

You make the beauty of the hills sing;

You make the misery of the world sing.

I can recall a moment when
I became you and you became me.
We walked within each others shoes
We laughed; we danced; we enjoyed

Each others other loves.

And then the clock bell rang,
And we were beckoned back to our former selves.

We listened to the wake of the crossing river,
Hitting the rocks and the shore lines of trunks,
Meeting the shores and the winds weak meet of their effort,
An aggressor if we could have met them, face to fcace
Mace to mace

We stay what we are
Until we perish,
Leaving nothing,
But our vanished bodies but our
Everlasting

Memories.
Mitchell Jun 2011
To talk to the menace of man
To hear fast words belched out
Like a drunkard holding His gun
Time trickles tears
Of the one's
Left behind
How beauty moves
Is a mystery
To minds unprepared for chance
I hear year long struggles from bugles
Laced
In
Gold
And am very very bored
There are times when I speak
And I cannot recognize the voice
Somewhere far off from me
A woman pulls up her flowered shorts
Was I there to pull them down?
Or was I here?
**** wednesday forgot its own name
Distracted by the glare of the bad masses B's
Expensive and ludicrous jewelry
To take a moment is to take a slice of life
Forgetting that you were once nothing
And soon will be
Nothing
To fret the death of the ego the work the paint splattered soul dirt
Chipped teeth line curb side markets
With trinkets and hairy arm pits
I destroyed a letter I wrote to myself today
Because the nakedness of mine own soul
Was to boring and dreary to read
For now we are the waking still lives
Of the art we all wished we could create
So close so far so long so short
Is our time here to giggle at the way a dog must walk
When it is constipated
Don't laugh at that because dog constipation
Is a
Very
Serious
Thing
Regression in the Freudian sense croquet neck tie polar bears
My mother named me after that
But not before
She shot the winning shot
In her hometown
Volleyball game



Letters of three make me sneeze
Mitchell Feb 2015
It's a fresh start
When all things shine
The way
You thought they'd
Be

But most
Everything
Isn't
The way
You thought
They'd
Be

Make do
Adapt
Life is
As it is
From the bad
And the
Good choices
You've made.

Throw passion in there
And see
What kind of maelstrom
You
Create.

I've attended no
Meetings,
No press junkets,
No glamour parties,
No welcome farewell's,
Yet I've seen the faces of victors and
Loser's and they all
Seem
To say the same thing:

It's not enough.

What isn't?

This life.

This life
Isn't enough.

The crowd
Goes
Silent.

The mob
Grows
Tranquil.

The masses
Shift in shape into a
Congenial blob.

What do you mean

This life

Isn't the best
That

IT

Can be?

If the land were to give an answer it would say:
It is forever eroding to something better.

If the sea were to give a response it would whisper:
It's tide is forever cycling for something better.

If the wind were forced say something it would shrug:
When I will, I will and you will of course feel it.

If this life
Were not enough
There would be
No

Hope

For something better -

For you - for I - for her - for him - for everyone.

It is a strange fact
That we forget ourselves subconsciously
Thinking of all selves

Consciously.

Advancement.
Progression.
Betterment.

Thou­gh we see these things as personal gain, we must

Remember

That every small feat for human kind in our small time,
Dually affected by our travesties and faults in our small time,
Affect said future, either crippling their thoughts in hate or

Allowing their thoughts to flourish

In freedom.

Every cloud in the sky
Appears
From nothing.

Yet it is there.

I've seen wind pass through the leaves of tree,
Like ghosts fingers through a child's hair.
I see it - the physical passing - and I admire the invisible
Touching and transcending the physical.

I am no closer to anything
Then the one
Sitting next to me but,

I know something is missing.

Something is amiss.

We are too connected to believe that the grass on the other side
Is greener.

So we are affronted with the fact that there is no great trail
That leads to ultimate happiness;
There is no great land that leads to salvation;
And as the great HST stated: the false belief that someone greater
Is attending the light at the end of the tunnel.

Let us be our own saviors.

Let us be our own light.

Let us be us with the trials and tribulations of the past but not affecting our said goals with injustice or prejudice or hate, but with unity.

Unity.
Mitchell Feb 2012
Crashing beat of the heart
Each movement
A step toward transcendent madness
That smells of
Fresh Oak

Look out on the solider like clouds
Their bayonets reflecting the high sun
Smiles upon their blood splattered faces

Burning homes with the children of the ******
Placing their dinner ware still atop their table
Flag waving for a country that has forgotten them
Disemboweled them
Forced them to see & touch & smell
Death

A father figure
No one
Ever asked for

Feel the cool wind blow
Upon the trout filled pond
Father unpacks our fishing gear
As the yellow sun
Peaks around the mountains rear

Yes'
A scream from underneath the water
The dead rise to rise to the sky
Each rock an eye
A finger
The soft supple lips of
A once living woman

Charcoal burning in the eyes of God
And the Devil

Each angel
Clipping their wings
Adjusting their souls
For battle

We have used the church seats
For a signaling fire
To the heavens
The mob is no longer happy
With their own created
Digital age

We are more alone
Then we've ever been

The knock on the door
Is not that of a friend
But of a past enemy
Long thought to be dead

Let him in.

Let him in.

Let him in.

See what

You

Are made of

Why should I be good?
If you turn the other cheek
And take who I love
Away?

How is Your wisdom
Your answer
For my pain?

The vastness
That You encompass
Makes me snarl in my sleep
At my powerlessness
And my
Jealousy

Faith is a five letter word
Dipped in deceit &
Desire & blindness

But the beauty of it all
The burning rose
The white picket fence
One's first true feeling of love

Those are Your gifts
To hide what you have in store;
The bet
Where you stand to gain

Clarinet call
Trumpet blast
Baseness of eternity

A river runs through your fingers
As You take the ones you want
And leave the one's you do not

Left to wander hoping to find You
Though You are already gone

The pace of the packs
Has picked up in the desert
Short on water
They look to the sky for help

Cloudless
Infinite & Blue
They start to weep

The Vanishing Hope

Crying
Until every tear
Is
Dried Up
Mitchell Jun 2012
The night rested in a humid Spring night as the cable cars
And taxi cabs lazily made their way around the
Soft and silent streets of the city. Stray cats and dogs
Picked away at half-eaten lunch meat and
three day old bread as the moon slowly began to rise.
The restaurants that lined the alley ways and
Side streets were filled with the Saturday evening crowd. The
Clinking echoes of wine glasses and dinner plates spilled
Out onto the sidewalk and into the street. The passerby's would
Occasionally turn their heads to look inside, some envious that they
Were not smiling and drinking and eating that night. Across the
Street and throughout the town, lonely men drank from half empty
Beer mugs, wondering where their passion had gone.

On the corner of Barry and 3rd stood a man alone with
A suitcase in his hand. He wore tattered brown dress
Shoes - two years too old - a black neck tie with a half
Button-up T-shirt and a pair of dark brown slacks he had
Bought from Goodwill for $3. His free hand hung open,
Letting the night breeze snake around his fingers. There
Were the stars above him that shone down onto the street
And the sidewalk and a few spotted puddles that had
Built up from an earlier rain. On the corner of Barry and 3rd
There was only one thing to do with one's time, and that
Was to stand around and think of where to go to next.

Up on 17th, there was a bar the man had heard of
From a woman who had tried to pick him up at the bus
Station, some kind of ******* that was really only looking
For a couple of free drinks and a packet of cigarettes. The man
Thought of this place, and weighed back and forth if it would
Be advantageous to wander up there and see if he couldn't
Find someone to shack up with for the night.
He decided it would be.

As he passed the busy restaurants, listening to the insides
Of the building and its occupants churn like silverware
In a blender, he remembered he had placed a half-loaf
Of bread inside of his suitcase.
He stopped on a rough concrete stoop of a Catholic
Church, where above him, stood a large wooden cross.
Around the cross were plaster sculptures of baby angels and
Gargoyles and a snaking vine made of black stone that made
Its way around the cross, tying itself around the center
Where the horizontal met the vertical, and continued
To spin around and around until it reached the top.
At first, the man thought it was some
Kind of snake signifying Adam and Eve, which was all
He really knew about religion, the basic kid stories, but
When looking closer, realized that it was only an innocent
Plant seeking a spot of sun.

The man placed his suitcase on the 3rd step of 8, where he
Then sat on the 4th. He leaned his weathered, bent back against
The hard stone concrete and listened to the faint cracks
Of his spine inside his body. He realized that he hadn't sat d
Down and relaxed since he had gotten off the train. He threw
His head back in a exaggerated and child-like yawn, and felt the warm tears
Of bashful exhaustion fill the sockets of his heavy eyes. The night was
Warm and he unbuttoned the top two buttons of his shirt
To let the air blow over his sweat drenched chest.

"There are certain times to be alone in life," He mused
To himself, "And I do believe that I have
Found one of them."

In a room above him the window was wide open
And the curtains danced outside with the wind. A head
Poked out from the window sill and peered down to
Look at the man musing, but did not say anything. The man
knew nothing of the stranger's eyes above him and felt
No other presence around him, other than the passing taxi
Cabs and street walker's and - if you counted the one's inside
The church - the saints and the angel's and God that lived
In holy silence enshrined behind him.

"There are things in life that are never meant to be
Solved," he philosophized, "And maybe I am
One of those things. When I think of my life, my entire
Life here on Earth, I don't think I ever found
A straight line to follow that I was ever comfortable
With...not one straight line I could follow that would
Bring me true happiness or a sense of accomplishment.
Now, am I bad in feeling this way? Am I no good
For never feeling that the good ain't ever good enough?
I do my laundry like everybody else and I walk the
Street just the same, but, there is something else that
Smells and feels and can taste the eternity in all things
That makes me restless so I can't sleep sometimes, forces
Me to stare into black infinity with only a mind I feel
That I will never truly meet. There has got to be a word
For whatever feeling this is, but I can't seem to think of it now."

The head above that had poked out before ******
A dark object out the window. It wavered for a moment
In the still warm air of the night, then, whooshing and
Splashing down, a full bucket of water cascaded down
on the man's head and suitcase. The man sat frozen, unsure
Whether it was from the Heaven's itself and paused before
He began to swear and curse at the tenant above him.

"You rat **** eating vanilla ice cream eating convict!" he
Screamed up towards the apartment complex, "I'm going
To come back with a gallon of gasoline, 10,000 tooth-picks, and
Find out your favorite magazine subscription and bring 1,000
Those by, and burn this place down - gifts and all!"

His voice
Echoed in the street
And down the darkened alley-way,
Where the bums of the city
Slumbered, not hearing a sound
Of the rant the man in the now wet
Two year old dress shoes rambled
On with; for bums sleep with
Absolute peace with their lack of
Care or fear of time.

"At last," he muttered underneath his dripping hair,
"I am released unto the Earth for what I truly am: A hung
Sheet - fresh out of the washer - meant only to be
Basking in the moonlight so to be dried by
Morning for the house-guests in the evening."

The man snapped his fingers,
Clicked his tongue, and looked up,
Once more trying to spot the culprit, until
Another bucket of water came crashing
Down upon him.

"QUIET DOWN THERE,"
The voice from above hollered,
"THERE AIN'T A SINGLE WORD ANYONE
IN THIS BUILDING WANTS TO HEAR
RIGHT NOW! CHILDREN ARE SLEEPING AND
THE OLD ONE'S ARE WATCHING THIER PROGRAMS!"

The man ran his hands through his dripping wet hair
And flicked the droplets of water out onto the street. His
Suitcase, which sat to the right of him, was soaked as well and
The man worried about the single baguette he had stored
In there in case he had gotten hungry. He knew it was ruined
Now, but was happy that there was only an extra pair
Of 50 cent socks and an undershirt he had found underneath
A bridge on the way into the city. He cocked his head up to the open window.

"You speak for everyone here in this building?" He
Asked the black and blotchy figure above him.

"I speak for everyone that doesn't have the nerve or
The cajones or the energy to holler down at you at
This Un-Godly hour, if that's what your asking."

"They vote you into that position?" He asked, prodding them.

"No vote. I'm a volunteer," they defended.

"Ha. Always going to be some kind of
Volunteer when there's power involved."

"Isn't power, it's responsibility."

"Responsibility," the man repeated, chewing the
Word in his mouth, seeing it spelled out in his mind.
"Responsibility is quite a subjective thing: some people
Take a liking to it and never want to stop being responsible and
In charge, and some just don't want none of it and
Would rather lay back in the sun and act
Like their in charge, while whoever believes
Their power works under'em and for'em; which one are you?"

"Neither. I'm just here trying to ward off some
Rambling *** with what looks like nothing but a
Suitcase and some old clothes and shoes."

"Well," he said, "You must have some pretty good
Eye-sight in this setting dark, because that's
All I got at the moment."

"Where you hail from?" the voice asked.

"Originally I hail from here, but where I was
Before I hailed from as well. To tell you the truth, I don't
Truly know - that's a good question."

The man tilted his chin up slightly and
Rolled over his response. The question had
Dropped an icy fire into the pit of his stomach and filled it
With hundreds of gnawing, fluttering butterflies; he
Hadn't thought about home in a long time and
Had forgotten why he had even chose to show-up in the first place.

"I'm here for reasons I can't seem to remember at the moment,"
The man admitted to the voice above and to himself.

"Can't remember?" the voice laughed, "How
You gonna' forget why you came home?"

"Don't know," he said, shaking his head," Just
Can't seem to recollect it."

"Scary thing."

"Yes, indeed."

They both paused as a taxi cab passed slowly by. It stopped
And honked its horn trying to signal the man to see
If he needed a ride. The man waved his hand to send the
Cabby off and looked down at his wet clothes and suitcase. The
Chill of the night had gotten its way into his skin and
He noticed that his teeth were chattering and his feet were
Beginning to shake. He worried about getting sick because he
Wouldn't be able to buy any medicine if he did. He looked up
To see the figure still looking down at him in silence. Suddenly,
An object fell, back and forth in the air like a feather,
Down towards the man and onto the stoop where he stood.
It was a blanket and wrapped inside was a tattered pillow.

"Bring it back if you want," the voice called out to him, "Don't
Even care if you sleep on the stoop, but, it's a little wet, as you know."

"There a park around here?"

"Down two blocks and a left. You'll see it."

"Thanks for your kindness," he said looking up at the window.

"Thanks for your silence," the voice said stubbornly.

The man brushed off the remaining water on his clothes
And suitcase and tried to squeeze the water out his hair.
He picked up his suitcase and wrapped the blanket around
His body and fitted the pillow underneath his arm. He walked
Two blocks up from where the figure had told him and took a
Left, illuminated by the stark orange and white street lights. He looked
Around after he took the left and spotted a small children's park
With a few benches spotted along the sidewalk that snaked through it.
He picked a bench near a water fountain, unbuckled his belt and took
Off his wet pants and laid down, wrapping the thick wool blanket
Around his body. He placed his suitcase underneath the bench and
Positioned the pillow so it fitted gently under his head. After he
Closed his eyes and rested for five minutes, he reached down to
Touch his suitcase. He felt the cool, damp leather of it, and
Quickly wrapped himself back up into the blanket,
Eagerly awaiting for dawn to rise and bring warmth back to his body.

At dawn, the sun painted the man's body with dark yellow streaks
of sunlight, heating his body up so much that when he woke, his
Clothes were close to dry again. The small patch of grass and
Weeds underneath him rustled with the wind and the sounds
Of the street a few blocks away drifted into his ear. He stirred
Inside of his blanket but did not rise. The pillow had fallen
To the ground throughout the night, but the man was too tired
To reach for it and kept his head on the hard wooden surface of the bench.
While lying there, half awake, the man thought of the figure that
Had been speaking to him from their window the night before. He
Knew he must return the blanket and pillow, but he was unsure
Whether he should bring something else. He had no money -
No money to spare at least - so he chose to bring only the
The things that were leant to him back, hoping that would suffice.

He shifted his position on the bench and saw through a crack of
The bench, that there were children already playing on the playground
Behind him, their parents leaning over their porches watching them; they
Didn't even seem to notice or care about the man sleeping on the bench.
The man felt embarrassed about this and rolled over to avoid the
Gaze of the parents and any of the children that may have spotted him. He
Laid on his back, his head atop the worn but comfortable pillow, and
Gazed up into the blue sky that was clear save a few passing milky
White clouds, that hovered above him like colossal globs of marshmallows.
He hoped in his mind that he remembered where the house the was that
Had been kind enough to give him the blanket and pillow and he wished
That he had paid more attention to the street signs and physical objects
Surrounding the building. All the man could recall were the bright neon
Orange light posts, a long line of thinly pruned circular bushes, a few
Mailboxes that stood as if attention on the sidewalk of the street, and
Numerous houses that all looked the same when he passed them in the night.
He knew he needed to find the house but was too comfortable to rise and
Too scared of the failure of ever finding the house and the thought
Of carrying around the blanket and pillow made his face flush a deep red.

The man rose cooly, as if rising from a nap spent on a couch in his
Summer cottage that rested on the bank of some far off river somewhere.
He looked over to the children and the parents up on their porches, but
Still, none of them paid him any mind. This relieved him. He was allowed
To be a shadow and embraced the idea of being anonymous rather
Than feeling the helplessness one feels when no one sees you. He folded
The blanket neatly like his mother had taught him to do ever since
He was a little boy, and instinctively fluffed the ***** pillow, even though
It was far beyond repair already. The sun was just peaking over the tops of
The ramshackle apartment buildings and he noticed that he had been
Sleeping in what looked like a very poor part of town; in the night, it
Looked like every other park corner where the elderly would to
Think about their past and the children would play with their present.

"Night and day are two different worlds," the man muttered
To himself, "Some people belong in one and some
The other; I wonder...which one am I?"

He looked up towards the sun and squinted, feeling a
Small droplet of sweat make its way down his right cheek. He
Wiped it away with his fingertip and brought it to his mouth -
He was terribly thirsty and his stomach rumbled within him. He
Had noticed the night before on the way to the park, a sign
For a bakery, but was not sure whether it was open or not because
The night was too dark to reveal any signs of it. The man had 10 dollars to
His name and knew he could buy two loaves of bread for at least 50 cents
If he haggled with whoever was running the place. They would be sure
To see his condition and help him if he showed them a little of the money he had.
There was also a childish charm to the man that he would bring out whenever
He truly was in need - he never liked abusing this gift, if one could call it that -
But in times of desperation and starvation and dehydration, he was
Forced to use it and mustered as much courage up to do so.

He walked through the path that had brought him to the park and
Made a right down the street towards the bakery and possibly the
House where he had been given the blanket and pillow. There was
No one on the street save a few alley cats and dogs and all the window
Blinds were down to block out the intense shining sun rising in the sky. There
Was a light breeze passing through the trees that cooled the man off. He
Had begun to sweat from holding the pillow and blanket so close
To his body, and wished he could have the nerve just to throw it in a
Garbage can and make his way to the neighborhood where he had been told
About the bar, but his conscious weighed him down, so he carried on.

He walked a block down the street and found the bakery on the other side
Of the street. He crossed and saw there was an old woman inside.
He checked his pockets for any spare change and opened his wallet
To make sure the 10 dollars was still there. He needed water and something
To put in his belly and he whispered a prayer before he went inside of the bakery.
When he pushed the door to enter though, it wouldn't budge - it was locked. The
Woman behind the counter turned her head and looked at the man, who
shook her head and waved him off. The man knocked gently on the glass
Door, but the old woman just kept waving and shooing him off like an animal. The
Man checked the clock inside and saw that
Mitchell Mar 2019
Life is
Rejection

It lets you in
Then
It lets you out

I see no difference
With that of
Love
With that of work
With that of
Friendship
With that of children
Parents
Grandparents

Pets
Be it
Fish
Dog
Cat or mouse

Life is
Rejection with
Temporary
Acceptance

What is
Forever?

Being an angel?
A devil?

Being human?
That's forever.
That's never.

Being human
Is a pause before
Eternity -

If you believe in that sort of thing.

Life is rejection
Before
And
After

Life is rejection
And we can't wait
To be rejected
To take a breath
From ourselves

Who goes asleep
Truly eager
To wake.

Be honest.

I am.

The call to be,
Present!
Stems from this rejection.
Is born from this fact.
This rejection
Is our halo, is our trident, is our wings, is our horns

Is our thought
As we lay
Entranced by the muse
Beneath the tree

Life is rejection
So be free
Before we are

Rejected

To who knows where.
Mitchell Jun 2018
I am a piece
Of everflowing
Never waning
Infinite
Trash

Jettisoning
Toward an overflowing
Ocean

Brimming
With scraps of trash
No better
No worse
No more
No less

Than me

I see the rips
They are
The same

I see the tears
The broken bits
The stains
The wrinkles
The disregard
The indifference
The misuse
The neglect

There is no difference

We're all headed
To the same
Dirt mound

Some marked
Others not

Some visited
Others not

In life
We are,
Whether we like it or not,

In this
Trash heap
Together

It is merely the ego
That has convinced you
That you are
Special
Different
More

You
I
We

Are

Not
Mitchell Apr 2011
Staring at the starry sky which hangs above my head
I'm wondering where this body a mine is being lead
Could it be to the great crashing oceans of eternity
Or maybe a wife with her hair a flowing I should marry and be?

These wonders of the world at times seem so great
All the while some days I feel so down and o' so beat
So many enemies that I once saw as my friends
Makes me want to wander right back into my den

Lists upon lists lined with promises that I have made
Some I signed but never had the strong nerve to obey
Oh I apologize for the things I may have said or did
At times this head of mine is hard to keep silent and hid

Tomorrow will be another day with that high sky so blue
All the while my thoughts may wander far
Venture to sights unseen imagined in crystal lighted hue's
Slowly drifting upon the soft image of you

But tonight as the winds outside push and pull fallen sidewalk leaves
I'm drifting away to a place where even nature may not squeeze
Tonight the smashing of stars explode to a sight of binding white
Could it be that in my sleep the angels above promise not to weep?
Mitchell Mar 2011
Kicking and screaming children
With their troubles and complaints
Force words from minds of dreary states
Realizations some won't meet the date

A bitter taste enters the air
Cloudy grey **** tangerine
Brightening to the tune of the loon
A broken down *** with a gun

But faster then we are here we are gone
A fatalistic but hopeful parody
Cracking glass jars in the twilight moon
As my sister brunette watches the toons

Littering through the concrete sidewalks
As the grandma's sagging sit down to talk
These registers are filled with monopoly money
And I just watched a movie of ******* Bunnies

An eccentric with one hundred ways to love a woman
A man that gave the game plan
To a high hearted man glittering sands
Ziggy the man with the amazing hands

For we are on a high and mighty moving picture trip now
Caught in the lit lie of the illusion
Asking the nurse for another freebie transfusion
And a peek from the geek under her sheet

A silly break in the world is the only thing a mad man CAN do
Because sometimes the only sky I see is slightly hued blue
And the men that elude to hatters that are mad
Playing with words in rhyme just make me sad

Brought up as a back door man by my own accord
I caused mischief and terror like every other outlaw
A foreigner in a seemingly "comfortable" land
Nowadays everything seems to have a ****** plan

Where tomorrow is that day and the next will be that
And the guy who you get take out from is wearing the same hat
But the hate you feel deep and preach onto the electronic page
May drearily, hopefully, perhaps distastefully give you a wage

Oh where does the madness stop if it only ends with money!
For these worries are from a sagging face watching bunnies
And eluding to grandeur nearing signs of a menstral manager
And a cosmopolitan back break with the blackening beauty of a snake

Lo,
Here I wait,
For sweet mornings embrace
Mitchell Jan 2012
The keys start
To ring in the
New way of hope
Dashing in front of the
Eyes and
The ears with all
The pedestrians mourning
Their new fallen and
Chosen one
Political maelstroms with fire
Rage on
Past history
Through history
Touching the ones that were
Already born again
Looking for the next big score
Awaiting something but
Not knowing what that is
A drink a buzz a drug a fix a love
That is easier to talk about
***** about
Whine about then
Actually find
Pain is the measurement of
All good things
For the one's that go through the fire
And live
Are the only ones able
To truthfully talk about it
The ride of the word
Is taught and see through
Like the glass of the imploding cathedral
Melting in on itself for the
Sins are starting to weigh too much
Recall too much
Uplifting our flabby watery meaty bodies
Up into the universe
(no longer called the heavens)
Mentioning no names of old friends
"That wasn't me...I have no idea who the **** that was"
Where instead of memories
There is only the hazy recollection
Of a good rough time
Where things were learned
Both on and off the report card
About everything and nothing
Which are
One and the same
And the streets - they are still there -
Shining with the cool caked *****
Of our dying unsettled hurricane soul like young ones
Searching for our new war
Pointing our mechanical internet riddled guns
To the white buildings built by black and brown and white hands
Removing all souls for the discount price
Calling down from the highest mountains
"There is no reason to be saved any LONGER!"
"FOR WE ALREADY ARE AND FOREVER WILL BE!"
Laughing riots caused by
Tear gas leaked from the newest sighting
Of the arch angels
Trembling sphinxes in their
Diamond casted tombs
Tell riddles of the river styx
Lucifer in his bath robe
Smoking the good cubans as
The real ones toil away in hot lavender sauna air
Mushroom clouds of forgiveness
Ashen yet still stating that life is unfair
I can speak no longer of the way things are and will be
There is no telling for the party still rages on
Where is this voice inside of me?
Who does it speak for and why?
I cry out that I have been framed by an unnamed!
Rimbaud had that cause once before
But he ventured off for the dollar
High squalor
A penny to his debauched leg but the legacy
Still rings true and carries on...
The snow still shines where did walk
The wind still blows the same
Not an answer to speak of
Only questions of poison and ****** and cool parked poach fish
Lines upon lines
None of them the same
A periwinkle twinkle of the hobos of the past
They tell their stories underneath draw bridges
As the pubs close down due to lack of glass
Nexus of nubile young school girls
White teeth and frothy feet
All the men walk their way
For a guilty chance of a meet
Mitchell Mar 2012
Perhaps I'm the only one here
Keeping this wind at bay
Seeing all
Being all
Listening to the
Wicked hands of time
Watching the train roll through
That drifting steam

But press on where half minds
Break open like the catacombs
All drenched in misery
A wretched life to live without love
Emotions of absolute uncertainty

I have this life
And you have yours
I get tired and
I get weary
It seems hard
Embracing every minute
Sometimes it feels
Like I've already seen it

Seen every twisted beach
Counted every star
I heard that storm before
She comes in like a thief
Draped in a cape like black ink
I don't have time to think
Or even wink

Heat of the heart
Every battle fought is
Neither lost or won

Now as the wheels are in spin
Minds meander toward a flickering screen
Obsessing over their own routine
Living for no one but themselves
Making sure to be straight
Thinking of that golden pearly gate
Hope the soul is not tied down
"This is not the place for advice"
The man in white says
Holding his holy roller dice

-

That weight
Do you feel it?
Ticking like a clock
Those crashing rocks
Clatter as the scatter of sound
Echoes in an empty monastery
Like the list of my lost memories
Mitchell Sep 2011
Even the key

Gets lost

And you forget

Who

You

Are

The eyes start to shift in the their sockets
The skin becomes moist
And your soul
Has flown from your now limp body

How quick it knows
When to escape
A burning
Sinking ship

Hesitation in her voice
Leaves my conscious
Pounding the ground
For some form of a fix

When I get broken
I look for liquid glue

I search for
Smoky
Dark
Howling holes of the hungry

When I am broken
I fix myself
With the things
You are not
Supposed to

How did I get this way?

Who am I within this decaying body?

Who put this boney cracked skull,
Around this pulsing bleeding brain?

I cannot sleep
I cannot see
I do not believe that this is really
Happening

It is just too cruel

Madder then a bloodied rabid hare
Chewing on the innards
Of a newly appointed
Movie star

(Their take is their worth)

The ego dances
With their genitalia for all to see
For they have no reason
To feel shamed in ecstasy

In more ways then one
Earth has become
Its own twisted version
Of heaven

Who knew

It would be so

Unjust

and

Unholy
Mitchell Jan 2012
It never makes any sense
That white noise
Unconnected but harmonious

Men and
Women are like
Lost notes upon a sea sound

Everyone struggling
To be heard
To be remembered
To be

Discovered

I cannot tell
Where these sounds
Began or where
They will be going

For we are all
Lost in fate or
Destiny -

Whatever one calls a lifetime -

But perhaps not lost,

Maybe

Yet to be found

The sun dial turns
As we
Are still around
Mitchell Mar 2015
Three million cash.
That's enough
To fund a war,

For a day.

When I think of that
Kind of money, I first think about
What it does
To the mind, to the work, to

Everything.

There's still the same frustrations
Artistically, yes?
There's still the same void
Smiling and clicking its tongue, yes?

I'm attuned to my own mind
When I am free of distractions.
Money is like the devil
Flicking small pebbles at my bedroom window;
Like a lover in disguise.

Three million cash.

What changes then?
Would I be the same man?
Would I care,
For the same things?
What wishes would come true and
What nightmares?

I look within myself
To see
The outside world

Clearer.

It takes time, like
Everything.

But, it does
Take
Time.

So take it.

Take time
To look within for time
Is finite like:

The moon knows.
Like the snow.
Like the flowers know.
And as the wind
Does blow.

There is no tick,
Without,

A tock.
Mitchell Mar 2015
Apple tree
Singing in the wind
What to begin
When the end is so plain?

I'm a lost babe
With sometimes a lot
Sometimes a little
To say

Clouds of pink
Make me
Think
That what we had
Was never
Really
That bad

Streets are cobbled
You know
I don't belong here
Let me pack my bag
You don't need to help

I'm in love with you
There's nothing
I can do
I'm in love with you
Even if
You don't want
Me to

Let's take the car out
Let's take it all
The way out
Let's see the sea
As it rocks and rolls
Against the wetted' boulders
The ***** shoulders
Against the thin seaweed
The seagulls knees
Let's see the sea
As it rocks
And rolls on

Some will tell us
What to do
Others will try
To tell us
What to think
We've seen for ourselves
We've made
Our mistakes
Love is something
That takes a lifetime

To Break.
Mitchell Sep 2013
We met on the stairs
Of a 15th century cathedral in Rome.
I was wearing my
Light gray suit that she later told me reminded
Her of the color of fresh volcano ash.

She - cut in half by the moonlight -
Wore red flats,
A ******* linen dress that
Effortlessly pronounced her *******,
While her oaken red and auburn hair
Lunged down both of her shoulders like
A waterfall or an avalanche,
Just touching the top of her belly button.

I, looking up toward the marble spires
Spinning into the scattered stillness of the nights
Opaque and cream colored stars,
Did not know she was hovering behind me watching me,
Until she had decided to speak;

If I had known, I would have ran inside.

"The cathedral is very nice, isn't it?"
I heard her ask to my back.
At the sound of her voice, I was not
Filled with that melodramatic cliché dripping
With soap opera fused emotions.

No, I
Was dipped into a large cauldron of ice-water.

There was a tremor
Somewhere
Inside of me and a heat
Ricocheting in her.

"Yes," I replied,"It is
Very nice and very old and I wonder why it is still here."

I did not know what I meant, but
From the pause and inhalation I heard immediately after, I
Believed she must have thought what was said profound.
Was I profound? Why would she believe that if it was only from
The spontaneous question that held no real physical weight? Or
From me jumping so quickly into this little

Game,

No question's asked?

"These buildings still stand because they
Are a physical memory of what we have achieved
And what we must continue to achieve
In the future
." She had come up beside me now.
Vanilla lavender lotion and mint
Toothpaste were the first smells that came to mind.  

"The future..."I said, trailing off, "The future."

"Yes, the future is very important."

"It is all we have."

"Well, all we truly have is the present, don't you agree?" I asked,
Slightly turning my head to look at her.

She was still looking up at the cathedral. She was focused on the large church bell
That hung there like the moon in the night sky. I continued
To stare at her, my question hovering vulnerable in
The air as a butterfly with its wings damaged would. Then, a
Couple passed by us in a hurry. Their hands were clasped tightly together, the man
In front and the woman looking to be dragged by him. I saw
Neither of their faces, but I imagined them both to be calm and red.

"They look to be in a hurry," she said, "Where do
You think they're going?
"

"Somewhere very important I'd imagine."

"And where is very important for you, sir?"

She turned
To meet
My gaze a

As if challenging it.

Her lips were full and painted with red lipstick. Where I thought her eyes would prove to be light colored or forest green, they were actually colorless and black. I inhaled at the sight of her, then immediately blushed. Again, our questions back and forth to each other were more of an interrogation of one's hearts and minds than flirtation. As she stared at me, I sensed that we had met before. There was something in her face that brought the feeling of an old friend or an acquaintance, like the feeling one gets when they see a past school teacher or love interest back in grade school. There was a warmth and giddy tension between us that made me feel eight years old again. I had felt so old recently. There was a sudden wink in her eyes and I then remembered the question I had asked her before.

"You haven't answered my first question," I stated seriously.

"I agree," she answered quickly, "The present is the only thing we have truly and
Do not have, all at the same time."

"What do you mean?"

"Being present 24 hours a day, seven days a week, is a very exhausting,
Trying thing,
Isn't it?

"Yes, I would agree with that."

"And being present for whatever reason, be it socially, romantically,
Professionally, etc., is really all for the future. One's own's private future goals.
Something one desires in the moment and wishes to have for oneself in the future. Our
Motivations are our desires. Our wishes. The lives we wish to own in the future."

"At times, yes, I do believe
One is present for those reasons, but
Sometimes, and I speak for myself,
I wish to lay back and let the sun burn my skin and
The clouds to blanket me, chilling me, so to remind myself
Of my placement on this planet and the miniscule and
Tremendous affect I have on my surroundings. For example...
"

"You are very talkative," she said cutting me off, "I could
Tell from the way you looked up at this cathedral all by yourself,
Lost in thought or lack thereof, that you were a talker."

She smiled and I forced a tight-lipped smirk.

"Well, I am
So talkative because you have made
Me so.
"

"So be it."

"It is so."

"Are you mad? she asked.

"Not the least bit," I returned, unsure whether I was lying to
Her because I didn't want to offend her and scare her off or because
She was so extremely beautiful.

"Well, I am glad that I can do that to you." She looked back
Up at the church bell, trying to hide her satisfied smirk.

"I have said too much. Let us both watch
The cathedral stand on her own for a bit in silence, ok?"

"That sounds good."

She took a step down from the step she had been on with me. Two steps.
There she let her head and hair fall back, taking everything in she possibly could.
I needed a drink and she needed the sky, the cathedral, the city, but I
Could only give her my company, unsure whether she truly needed it or not.
I shifted my glance from the bell tower to what was behind me. There, I saw
A wooden trolley up against the far wall near a trickling fountain
With puppets hanging from their thin clear strings. The light from the oiled lamp posts
Was a dark orange and cast an array of ****** shadows along the walls that
Encircled the square which me and the woman and many others were standing around. Night
Had set on the square, but no one had decided to go anywhere.
The square was perfect for them; anywhere else would have seemed uncomfortable.

She looked at me from two steps back and asked,
"We are being present for a better future, yes?"

"What we hope will be a better future," I said, turning
My head away from the bottom of the square back to the
Cathedral. I emphasized the word hope.

"Yes, men and women must have
Hope for something better."

"Life does not guarantee anything, does it?"

"No, I guess it doesn't. It gives you chance and we give
One another choice."

"Or," I hesitated to say what I wanted to say, "Or God does."

"God," she laughed, "What's He got to do with anything?"

"Everything and nothing, I hear."

"Don't be so vague," she grinned, turning her body completely around to me
So I could see her full figure. Her dress outlined a woman's body,
But I knew, inside, there was so much more precious things then flesh. "Hear
From who and where?"

"You choose what you wish to believe
And no one can tell you otherwise. What
You need and
What others may need can be different and should be.
This does not mean that we cannot get along.

Is there a way to be wrong in what one believes in?
She looked to want an honest answer, so I gave her one.

"Yes."

"That's it?" she asked, wanting more.

"That can't be it?"

"Yes is a decent enough answer,
But because you looked to be so talkative before,
I assumed you would have more to say on the matter."

"Assuming something
Is a very dangerous, childish thing.

"Yes," she agreed, "It is."

"If one believes in something and tries to share
Those beliefs in an unaggressive, listen-if-you-will,
Dangerously friendly, perhaps even musical way, then
The listener has their choice in the matter. They can

Walk away

No questions asked or feelings hurt.

"That," she said, "Sounds good for the listener,
But perhaps not so great for the speaker.

"
Why?"* I asked, surprised.

"Because then the speaker may turn into something
They originally did not want to be. A prophet or voice for something
They may honestly have no interest or passion for.

"I see."

"
But, please, go on."

"
On the other side, someone may believe in something fully, to their bitter core, but there needs to be a validation from another to prove their conviction. This is a weakness in their faith. They secretly doubt themselves and are trying to prove, by the obedience and following of others, that
Their belief, system, God, what have you, is a truth, a fact like the sky is blue or that fishes swim in the sea. These people with their thoughts and beliefs are the one's that are wrong. The one's that push their way onto other's without any room for being challenged or accused of falsity."

"
There are some that do not want follower's, but as soon
As they turn around, there they are.

"Yes," I nodded, "I can think of a few thinker's
That I've read or heard of that happening."

"
God, though," she laughed again lightly, "It
Is
Funny that you bring Him up."

I didn't have anything to say, so I said nothing.

"
Are you a religious man...?" she asked.

"
My name is Robert Commento and no, I am not religious man."

I gave
Her my name
Out of my uncomfortable stance on religion and
To change the subject to less formal and conversational matters.

She put out her hand and I slipped my palm under hers. I was
Never taught to shake a woman's hand - for it is too delicate -
but to let their hand rest atop mine.

I bowed and gently kissed her hand.
Her skin smelled of fresh milk and uncut grass and
What morning dew feels like across raw fingertips.
I tried to force myself not to trip too quickly into love,
But there are some things
Men are absolutely unable to do.

"
Luria Rose," she said, bowing her head, "Very ncie to meet you
Robert Commento."

"
And very nice to meet you."

"
You are from here?" she asked.

"
Yes,"* I said, "Well, not exactly."
"From a city over where the tail of the river ends."

"I know this place, but I cannot recall the name." I could see
She was embarrassed by not knowing the location, telling me she
Was obviously from Rome and proud of it.

"Cuore Tagliente," I told her with zest,"That is where
I am from and where I was raised. My family still lives there to

Manage their small farm of olive trees.

"Do they make very much money?" At this question, I turned
On my heel and stared at her. By her look, she seemed to be
Unsure whether I meant this in seriousness or in jest. So not to scare her
Off again I forced a smiled, left my eyes upon her as if viewing a painting or a statue, and
Answered as truthfully as I could without insulting the name of my family
In truth, I lied a little.

"They were very
Well off when they bought the
Olive farm and they are still very well off
Due to savings and the like, but, because of the business they sold
And the expenses of starting from scratch in the scorching fields of where olives are grown,
They took quite a beating financially. We are quite fine now, very, very fine now,
But not as fine as if we had stayed with the old company. In a way, we were
Asked very professionally and cordially to step down. Of course, my mother, bless
Her body and soul, was very destroyed by this matter and that is why I find it hard to continue.

Luria, staring at me blankly, but with a slight hint of fascination,
Walked up the two steps she had just stepped down and
Two more past where she had been beside me.
She swiveled around on her flats and faced me. Her
Eyes were now impossible to see in the night, though I knew she was
Looking directly at me. Curious why she decided to say nothing in return
To my story, I said something in her place.

"I say so much about myself...well, then, what about you?"

Instantly, she pounced on the question,
"I am
An orphan of Roma
And grew up on the streets stealing and
Running amok quite happily, though
Sometimes I regret what I stole. Every single one was a

Necessary action."

This took me back, for she looked tanned, healthy, and
Well fed, instantly making me think she must be a very skilled
Thief. Eyeing her up and down, I wondered if this was why
She was even talking to me presently. I checked my wallet. It was there,
Though this fact made me feel only slightly better. I watched her
Blow a thick, crescent moon shaped strand of dark brown hair from her eye,
Seeing if the story had settled. Was she lying? Was she telling me the truth?

Why would she tell me anything at all?

"Let us get dinner someplace," I offered, "You can
Take me to your favorite, local restaurant in the city and I
Will pay. No favors thought to receive or anything. All I'd like
Is to have a conversation through the night with whom I have in front of me."

She nodded, said nothing with a smile, and stood still.

"You must lead the way for
I have no idea where you would like to take me. I, of
Course can take you to any of the many restaurants
I know of in my Rome, but I want to go to the one the thieves knows of.

Suddenly, her face contorted into a shape like
A razor had been dragged down the length of her face.

She shouted,"Do not call me a thief, Robert!
Your a poor son of olive farmer's! What do you know about
Anything of the street? So much so that you can ridicule and
Mock whoever's from it? You know nothing!

I immediately tried to tell her I was teasing, but she ran past me, down the stairs, and across the square. I stood stunned, embarrassed to see if anyone had noticed this outburst. No one
Had. Groups of people were still sitting around the fountain, throwing
Coin into the water as some children played and dipped their toes into the
Clear, tranquil water. The puppets waved back and forth in a light, chilled wind,
And the lamp posts still burned casting a curing light over the square. There,
I saw Luria cast in the dark orange light for just a moment. She turned around to look at
Me in the light and there, I saw her eyes were not black, but sky blue, like
The fresh melted ice I had once seen on my travels to Antarctica. Then she was gone.

Pausing, letting myself be hugged by the cathedral behind me,
Half of me wanting to stay in her embrace and the other wanting me to be in hers.
I could not hug stone forever," I told myself, "Man needs to hug a woman
Into eternity, not the church. Maybe later in life, but now, man needs the physical,
Not the metaphysical. There, I see her as she goes through the alley behind the fountain on the
Path toward my favorite bakery, Grano Gorato. I will follow her and find her.

I ran down the stairs carefully for they had become wet and slick from the light
Fog that sometimes rolls into Rome when it is night. There, I moved through the crowd
Which looked to have double in size with people. Where had they all come from?
The alleys, no doubt. They all felt the warmth and comfort of this secret square with Her
Majesty looking down on them from above, the church bell and moon like two great eyes,
The tinted cathedral windows depicting ancient actions Her heart, and the hard square
Slabs of concrete and smoothed stone Her skin. But, Luria did not care for such comforts, She
Believed in no comforts other then the one's another could give. Did she want that from me?

Once through the alley and passing Grano Gorato, I swiveled my head three-hundred-and
Sixty degrees hoping to spot the white dress with the long brown hair. There were many
Women about, but none that were Luria. I sat on the edge of another fountain in a smaller
Square which I had found myself in. Inside the café in front of me, I observed an old man order
A glass of red wine and a mini-short bread crust filled with cream with bright, light green
Kiwi on top. It is was brightly lit inside and everyone was smiling, even the servers. Looking up
At the sign for the restaurant, I saw its name was Mondi. I made a note to go there with
Luria when I found her.

"Luria! I shouted. The name echoed about the numerous walls that
Surrounded me. A few tourists dressed in sandals with socks and cameras
Wrapped around their shoulders and "*****-packs" around their waists

(Terrible Things)

Gave me a concerned glance, but I continued to
Shout, "Luria!

"Yes, Robert?" I heard Lu
Mitchell May 2011
Another fast fight saying their was never a day
That Billie Holiday living
Seemed to be the only right away
Long car crashes bending metal upon crooked metal
Ringing bells white with dust blue oceans crash
Fitting the rooms with walls a color I used to breathe to know
A woman prances through the air
Telling me to
Hang in there!
"Yeah Right!" I scream back
"Hanging from pillows makin' me the way I am!..."
But she's gone outta sight back into the night
Off and away for another man back a couple months from way
With the slow wheeze of the vibrating trampoline
Friends are mischief makers with masks made of daff
Dollar around the hour begging for power
Made outta that Mr. Easy's pearly conch shell
A sea break in the depths of Maddy P.'s over ease
That Voice!
The Choice!
To listen to the sneaking tease of a breath beneath those knees
A million hours reminding themselves that these towers
Can fall so easily
Spinning wheels makin' me feel
Black red counter top stopper belts
Lost her again
Yeah'
I lost her again to the fray of the haze again
A write I thought was in sight
A right I thought would bite
A wright I dreamt tonight


Alright
Mitchell Apr 2013
Poetic break necks weak at the knees
And I'm looking forward toward the danger
Magic underneath the fingertips
Money burning in my hand - twinkling coins
Deep seeded experimentation
Where fuel and passion the only fuel

Bohemian day dreams wet with guitar sweat
Crying moon unlit, undead, unresolved
Faithful love entwined with wicked angel
Poetry being only other peoples dreams whose goals
Have no names; treacherous young hearts obsessed with the nameless
Every indented ****** street corner fixed on the hips that sway
Round ***, square eyes, coming of age in an animalistic way

Putting my front foot down and my left hand up
I see clouds bursting into yellow infrared flames
Corner stores accepting variations of resumes
Dot coms colliding with wolf sneering meteros who dance
With the enormity of definition - never admitting defeat

Feasting on risk, we live like God's for we are GOD'S
Sameness tossed to the train tracks mixing with balloons filled with your past
Mentioning old lover's
Not mentioning lover's you'd like to have with old one's
Barking dogs prescribed a suffocation millions believe lucky to accept
A window frosted over white and outside a trying tree bent double
As if weighed down by hundred pound rusted chains
And in the background lingers the secretive ghost of Burroughs
Not knowing Him, I say nothing to him, though I know he is there
To shake is steak would be to make what he worked so hard to make

There, breath is dead cold, the lungs constricted by the passion of expression
So stifling for so many want to show it
Mentioning competition, the sister laughs, "The town is old, the people dead, the streets
Drinking." She nodded at her own
Comment, while everyone else sitting around sat silent. "And another THING," she continued,"
A friend of mine named Sheridan needs a bathroom to take a **** and she needs it NOW."
I sat back, touching the thin strands of hair on the back of my neck, feeling I
Needed a haircut and a drink.

Alive in this
I see what I wish to see

Monty allows anything
He's always drunk
Never touching a drop

Mad inside
Mad outside

Madness everywhere
Mitchell Feb 2015
Sometimes age and time
Take their toll on your sight and
You see things:
Freed slaves running across white cotton fields.
And the heat,
The first summer of the season,
Is so hot steam streams from the skin
Like a running river,
A bubbling brook,
A lady too young to dance but old enough
To look.

Her name is meaningless but,
It is Leslie.

There's never enough time.
She mouthed that to me -
Miley Cyrus.
Her short hair and glitter distracted my eyes,
Along with her off-handed laughter and
Her fall back-daddy-taught-me country twang'.
Should we be punished for using what we learned
For what we do now
Without respect or acknowledgement of the past?
We use and reuse.
Let us nod and nod again.

Entertainment is the successful ****
Of
High vanity's
Younger sister.

Sometimes
Most times
All times

I know and
I wish,
I wished,
I wish we were all

Make believe.
Mitchell Nov 2020
Make believe with me
Neath’ the broken glass sky
Tangerine sanguine wish lists
Conjured from cracked concretes
Day dream and miss managed love notes

Make believe with me
Atop two buck Chuck rivers
Surrounded by
Amorphous mountain ranges
Sniff snail trails believed to exist
Only in the blink
Of small, affable children
Whose minds never bend,
Even after their death

Make believe with me
Tangled in torment
Amidst the telling dunes of no time
Oasis’s of rolling oatmeal and
Blind falcons that desire no forearm
Flying only to fly to survive for
Survival, as belief, as love,
Is one of few true desires.

Make believe with me
In the spaces of no space
Where the absence of self
Is nirvana
Where every sense is no sense
And I is you and you we
And nobody

Meet me there
And
Make believe

Let’s dance with eternity
Mitchell Apr 2015
Up on the hill
She sits
Still
Up on the hill
She is tranquil
Drenched
In the ink
Of
Quills

He's paid his
Dues
He's paid his
Marks
Every duty followed through
Was begun by
Said
Spark

I knew
A
Lad

His hair
Was
Dark yellow

All I've ever wanted in this life
Was
To be left alone
And to be left
Mellow

She turned her
Head
She smiled
Her
Australian
Smile

Everyone's got a way
Around the world:

What's yours?

Poetry
Poetry
Poetry

Syntax woven
By the
Personal

Stuff
Dense,
But,
Not so,
Dense.

We,
Are the play,
On,
Words.

I,
Am dancing with, beneath, through the wind;

Come find me;

Come see me;

Come see, that I

Am

Real.
Mitchell Sep 2014
Blank.

Stories
Uninspired by:
Family
Friends
Love
Hate
Obsession
Genocide
Depression
Anxiet­y
Fear
Death
Happiness
Finding Faith
Reinventing yourself
Aging
Youth
Courage
War
The lower-middle-class
Politics
Guns
Gender inequality
History
God
Movies
Babies
Adultery
Siblings
Abandonment
The Holocaust
Universe
Healthcare
Celebrities
Hope or
The lack thereof.

The list goes on...

A paragraph
Turning
Into a
Building block of what?

Are we
Still fighting?

Are we
Still interested?

Or are we just acting
Like we
Still give a ****, but
Honestly
Just want to see
What the next season
Holds?

The subscriptions
Have all
Ran out and all I can think about
Is that trip to somewhere
That

Isn't here.

How fast
Can you
Run along
The hamster wheel?

What happens when
You

Fall off it?

Who will
You

Be then?

Words of passion resonate
In the stellar light
Of the imagined unimaginable.

Taking ephemeral wisps
Of thought and
Molding them like
Wet red clay
On the side
Of some river
With the
Sun
Beat-
Ing

Down.

Maybe it's all
Just a crap-chute.
Lily pad jumping
Until the
Next Gen. no longer
Needs legs.

No longer
Needs to be
Human.

No longer
Needs
The work week.

No longer finds it necessary
To be shackled
By said
Work-week.

Maybe everything will change,

Like it
Always has,

Time and Time Again.
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