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Mitchell Jul 2021
We made it to the one-bedroom rental that late afternoon without issue. I thought so. Perspective is a lens with many filters.

After a mild train ride from Milan's airport, my pockets filled with nuts and bottled water I felt, once again, on the edge of existence. It had been a long time. One falls into a routine that leads to other routines that, eventually, through the exponentially of love and responsibility, codify you into a malaised pillar of somebody's kid.

The smell of sea salt and exhaust was ripe in the air. I had never seen sunshine like that. My father came to mind. He loved to fish and taught me how to gut them. I tried not to imagine him dying in a beautiful place like that; in a place where nobody in town knew him but he knew himself.

I said hello to the train conductor and they barely gave me a nod. There was no history between us other than their own with who they saw me as. To me, they, the conductor, were the first of their kind; like Darwin on the Galapagos. Their annoyed glint, their tired eye bags, their noncommital guidance. Their belittlement was my nirvana.

Imagine being the first to see nature's creation, while simultaneously not knowing if you were and wanting to reach back to the muted past to validate your discovery.

Mankind is nothing but a series of reaching back, pulling forward, and settling down; happiness is ******.

Before at the bus terminal after arriving from Milan, I kept complaining about wanting to take the ferry for the experience but you told me (you still tell me) it was all part of the experience. The idea of moments became still then and, sorry to delve into metaphor, but like a slug across a windowpane or a car crash at dawn or the birth of your 4th child and how that one never once cried, you remember the intricacies of life's offerings rather than its "normalities".

I will never forget you taking me with the windows open to the view of never-ending mountains, a cool wind on our skin.

We must define the line of the bubble we are all - for better or worse and ultimately distance us - in. I wrote this down as an old fisherman, their pole and tackle tucked between their legs, half-dozed as our bus narrowly slammed against the rock wall separating us both from certain death. The bus driver, from what I could see, was entirely indifferent to his or our mortality. It was just another Tuesday. Perhaps he was thinking about what could have been done differently with his time. Or maybe, he was thinking about what he would be doing differently, tomorrow. There is always tomorrow. Action, in the non-contextual sense, is relative anyway.

You asked me if we were going to be ok and I told you of course. Why? you proceeded. Because people in love rarely die tragically. Why? you asked again. Because they were in love when they did.

You scoffed, slipped on your sunglasses, and asked for some water.
Mitchell Jun 2021
I make believe for you
No sacrifice

There's the hat
In the corridor
Colored black
And Blue

There's the sour hour
Before the steps
Of the ancient church
That has no name

But yours.

Smell the green pepper chilis
Pulled from memory
That flips from burnt to worse
Right
In front of your eyes.

There's the prospect of love
Disguised as a
Promise.

As naked as a riddle.

As clothed as a book.

As obvious as religion.

Remember the wake of the river
We laid upon weekends and skipped afternoons.
You were the one that worried about soft
Surfaces and foggy friendships.

Take the memories
For granted.

They'll always be there,
Willing and waiting

To be extrapolated.

That's just what we do,

What I do.

It's great to see you.

It really is.

Really.
Mitchell Jun 2021
It's a round about concoction of nothing
For nothinag
Just straight sin

You make believe our love
And yet
I just keep telling you
That's what it pays
To be down
When all the rest is above

I looked up Le Guin the other day
She told me I was a fraud
So I bought her a cup of coffee
And a doughnut -
Just like that,
I was a doll.

There's no reason
For treason
Other than fighting against a mirror
That reflects something
That will never be.

Imagine
Nature.
Take her for granted
And see what happens.
The smoke
Is nothing but languishing
Factors that make sure
You're there after hours
And the evenings.

It's that,
It's you actually,

And you're the best hemlock

You could ever

Be forced

To take.
Mitchell Jun 2021
She takes me
As


I am

Fraught
And

as you

you

you my love


tweeen stars,
Mitchell Jun 2021
It's easy
Past 11
To think Eve
Knew
Adam because she
Was simply
In the
Garden at the same time.

Constructs
Are gates
Like
Cow gates,
Lead to
Slaughter after slaughter
Without a shred of blood.

A foot knows
to be stepped
For to step is to see
And to see
Is to expand
Empathy.

I am I
Until
I am you until
You are we
And we
Are
All of us, void

Of our houses needs.

House, think of that.

House,

We were that.

House, we will never share one.
Mitchell May 2021
A muse
Knows
When you're dead

They sniff
Around,
Take the check,
Sprinkle this
And
That around the feet
Of your lover

That's always
Coming back.

A muse
Is a nightmare

An old
Love

You could never
Fool

Into love.

A muse
Are you

Out there

Full of dreams
Full of disbelief

With nothing
And with
Everything

Before and always

After.
Mitchell Apr 2021
They move

Through no one,

Shouting at shadows
Indifferent.

Fear;
The complacency of progress and,
The nod of knowing yet cursed

Autonomy that is

Our liberal leanings

Without a safety net,

Force me to remember a choice

Over gross;

Human over the net;

Sun or the high rise

Where we can see the sun

Before sunset

Because we have

A subscription
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