Submit your work, meet writers and drop the ads. Become a member
 
Mitchell May 2020
There are the grand days,
The big run amok
Test your luck
Shoot the hockey puck in the ever-fleeting
The glory of fame days

Then, there are the small days.
The meager stay in bed and read,
Try not to bleed,
Pick at a couple of sunflower seeds and
Avoid guilty plea days.

Sadly,
There have been more of those
Lately.

No telling how many more there will be.

Before, I would have said:

Embrace every opportunity life throws your way.

Optimism poetry
Has always twisted me the wrong way.

So I'll keep it short:

Live as free as you can,
As free as you want,

But don't forget there are lives out there
Not your own,

And they are never worth sacrificing,
No matter the personal cost.

Heaven,
If it truly is heaven,
Should be filled with the righteous moralities of the selfless
Or else what is the difference

Between that and Hell?
Mitchell May 2020
My battle
Is to make
Believe
Realities.

Now,
Though I am forgetful,

Do I see
That fiction
Will never be

True to life
Or will I it.

Do not worry.

The art of art

Lies not in the

Mirroring of but,

In the defense,
The celebration and
Vigilance to persevere
To make it so.
Mitchell May 2020
He was a pretty boy
Cornbread eyebrows with short navy blue shorts.
Their ends always curled upward
To the sun.

He wanted to be an actor yet,
He had never experienced
Anything but a stubbed toe, and a missed
Allowance

On account of a mistake, daddy's bank.

"I'm out of money," he whined high pitched.

"It's on the way," Father replied.

They were lost on an ocean neither could pronounce.

"Don't worry," Mother said. "We're OK."

"All I do is worry."

"Well," they cackled. "We didn't teach you that."

One evening the pretty boy was walking into an audition for a show called "White Rose". He was in bleached Levi's, rose lips, hair slicked back with 20 pounds of batteries in his pocket to make him look muscular. Before going onstage, he smiled at himself in the mirror. He dug and pushed his pointer fingers in the corner of his mouth to force it. Tears gathered in his eyes. He was happy to feel something. It made him believe he was supposed to be there, like a ticket.

"Agency?" the casting director asked as they took a sip from their paper dixie cup.

"None," the pretty boy replied.

The director raised an annoyed eyebrow. "How d'you get in here?"

He revealed a birthmark in the shape of Liza Minnelli on his right bicep. She was smoking a cigarette, a lengthy one. The smoke from it curled from the tip and floated upward soon cut by the fan.

"Life's like that," the director said.

"I have as many headshots as you need," the pretty boy suggested.

"Listen to when you're spoken to," the director said.

"What?"

"Exactly," the director said, and waved the pretty boy away.

"Oh," the casting director shuttered. "
Mitchell May 2020
At 1:04 we praise
Nothing
But
The mind for staying
Here

With us.

Imagine the loss of thought
Loss of inquiry
Loss of doubt or back peddling

If I lost the ability to question
And mistake
I would lose the task to progress
And preserve.

A moon has nowhere to go
But orbit and love has nothing to do
But be affirmed, to be challenged, to be
Cascaded with blown plums and fresh ***.

I'm here, we're here

Are you?
Mitchell Apr 2020
It's a straight fact
There is no fact for

The fact of the matter is

The angle of one's perspective
Concerns that of the matter:

A universal,
Ever-changing fact.

You tell me
I am.

I tell you
You are You,

But trust
Is weighed upon what is
Based off
What is decreed.

By whom?

The Tower of Babel was built
On the assumption
We needed to be validated
By the divine.

Why?

We were one. We were unified. We were on our way.

Yet, the old one's
Said, No, it's not enough.
We need him
To prove
We are we.

Nature
Always has
Their explanation.

Nature
Always has
Their provocation.

Nature
Always has
Their human extension

No matter how far
We choose
To separate.

Only You -
In no one's debt but your own -
Can define and discover
The multitudes of

What it means

To Be You & Me.

"So the LORD scattered them abroad from thence upon the face of all the earth"
Mitchell Apr 2020
It's fair to say
That love ends
Like
Some days
Begin:

With a cold sunrise.

Had there been ways
To misconstrue this face and in
Some ways, I
I would believe paths
Rather than sways;
I would have taken the
The right way; the opposite.

Who do I think I should have been,
And why?

I would have convinced
The past to believe in
The present rather than
The future for a future
Whose main concern is - what?

Am I too selfless
To naturally be selfless or
Am I
Too selfish to believe
In the genuineness of
Selflessness?

How do I, how do I?

Who can follow
That inner mind, that
Self-directed narcissus
That prods pleads
With fragmented
Necessities whose build towards power
Lead and then goes?

Approximating life
In the face of death
Has turned into a debate
Of us vs. them,
Us being the ones who will
Bare that death
Only to replaced
By those who won't - to their hope -

Remember the past.
Remember the past?
Remember the past.

No, no they claim
They don't think they do.
So, what can we do
To pull the ignorant
From the hole, they believe
They should be?

That answer is up and over and down
The concrete hill of my youth
Where my mother, sister, and I used to live.

Another door,
Always open,
Mine own and
Not my own:

Another
Of the other
Of
Another
Mitchell Apr 2020
An unusual chill was running through the silted leaves of the Douglas Fir's those early Spring mornings. There were no squirrels out, no birds in the sky; nobody about except me. The days before had been warm. I had been sleeping in nothing but my underwear and bra, a welcomed change from the snowsuit I had been snoozing in during the wintertime.

Living on the outskirts of Missoula Montana in a cabin with no running water or heat, Spring and Summer was a time I yearned for. The countless nights I spent in bed after a day of painting, shivering with fingers and toes frozen, were a necessary nightmare but the mountains were the only place I could truly work. Anywhere else and my hands became paralyzed.

But something had shifted in me when the seasons did not change for whatever reason. My eyes shuttered open were the first thing I noticed was that my hands could not move. I brought them up to my eyes and told them to open, to close but, they did not obey as they had done my entire life. Immediately, I thought about my work, my brushes, my painting. Luckily, my legs still worked and I popped out of bed. My chest was quaking, on the verge of collapsing. The wooden easel, the one my grandfather had bought me before leaving on my artistic escapade, stood against the window. My brushes hung from a cut in half bottle of bleach. The white canvas was blank. I had just finished painting the other day, a scene of a brook near a bees nest. Gazing at them for hours, I began to understand, almost empathize with their tight schedule of leaving the hive, venturing out for flowers, and coming back like clockwork. The solidarity in that work was a subtle theme I was hoping to capture. That morning, I didn't know what I was going to do, only that I knew something would come, as it always does. Yet, when rigid hands could not open to grasp the brushes, I screamed.  

I had trained myself to wake up at 2ish in the morning every morning per the advice of someone in town advising me it was good for creativity. They probably heard it on the internet. I had no way of knowing. I never used it before. In some respects, waking up before the sun taught me what lies in the Witching Hour or devil's hour. It's a time of night associated with supernatural events. Witches, demons, and ghosts are thought to appear and to be at their most powerful.

I looked up and stared at the limbs of the trees spreading wide overhead. It was Spring, at least for us in Minnesota, and still, we were walking around with coats and scarves. Can you believe it? I heard a thousand times before there were soon to changes for the worse but, this soon?

It shouldn't be.
We were told we had more time.
How do we get more time?

If I walked anywhere, I had my long socks, long johns, and a couple of heat packs stuck into my sockets and crotch.

That's what you do, right? That's what you do when routine gets cold and old enough, right? That's what you do when you start loving your future self more than your older self, right?

I met her in a park and it was midday and more beautiful than I ever remembered. I felt guilty; I felt warm but, I felt I deserved to be there. So much time had passed.

I can't believe it, Care said to me.

Course you can, I said. We're here.

Course' I can, Carie repeated, What a luxury.

I picked at a piece of grass six feet away. I can't make a point of myself, I admitted. Like a real point.

A point for what and for who, she snapped.

Two kids rushed a soccer ball mid-green outside the stadium and pushed for it until they killed the other and that was it.

Do you know what I mean? she asked half-assed, knowing full well I did.  She poured herself a shot of double-A in a thimble.

Last time I was this close to a person, she admitted. I said things I thought I meant.

And what was that?

Believed in storms, believed weather, believed in the better things far beyond the norms.

You remember the magic you used to spin around me, don't you?

No, not at all.

Course' you do.

Why would I remember my old ways of getting to you now?

A star turned over in the sky like an old dog. There's confusion here but, no fear. The one-eyed waitress poured the rest of her coffee *** in a near-empty cup. Outside, in the night, there are more snores than fates. If we were flowers, more would have thorns than not. Shakespeare never claimed power, only our future hours.

I don't know baby. I don't know.

Then let us get going.

To where.

Toward the new.
Next page