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 Jun 2013 Amy Smith
Daniel Bryce
I have a conception, a wonderful plan,
an escape from our sorrows and castles of sand,
for a while or two, for an evening or day,
if you’ll just hear me out, lend an ear what I say…

Let’s pretend we’ve been married for thousands of years,
our hearts never broken, our eyes void of tears,
we’ll laugh and make merry, we’ll dance and we’ll dine,
as though none have grown closer than your heart and mine

All the people who see us would wish they could be,
as in love with their lover as you are with me,
our arms ‘round each other, we’ll cuddle and kiss,
and no-one around will think any’s amiss

All alone on our own, in the crowd and the throng,
in a part of the world where fears don’t belong,
hand in hand, heart in heart, with the hounds drawing near,
knowing under the surface, thing aren’t what appear

When the stars take their places, the evening is done,
we’ll part with a handshake as when we’d begun,
to return to our caverns, and weep just because,
our relationscape’s over, and yet never was…


Dan Bryce
on a plastic bench
from left to right
there’s him and you, then me

his head aches
because of too much liquor
it’s a fault of self control
his pulsing temples
heavy eyelids

your feet ache
you danced too much
you always dance too much
with the wrong shoes on
toes crushing each other

my face hurts
you said I smiled too much
at strangers whose names I don’t remember
strangers at the party
on the street
on this train

the electric hum sings us to sleep
gently gently
feel the rock of the car
softly softly
we’re babies in a metal bassinette

and like a mother kisses her baby
I want to kiss you
on your forehead
and hold your hand
rest that sleepy head on my shoulder
I’ll take you home
and tuck you in
leave water by your bedside

I think he wants to kiss me
not like a mother and a baby
not like a friend
but with soft lips
and warm togues
hand in hair

I’d let him kiss me
but not now
it’s our stop and i’ve got to make sure you get to bed safely
don’t slip on the pavement
remember to wash your face

it’s okay
he’s got my number
but he won’t want to kiss me in the morning
with the sun up and the birds chirping
when there’s coffee to buy and newspapers to read

I am letting this slip away
I’m fine
this isn’t his stop
we can’t transfer here
The old wooden steps to the front door
where I was sitting that fall morning
when you came downstairs, just awake,
and my joy at sight of you (emerging
into golden day—
the dew almost frost)
pulled me to my feet to tell you
how much I loved you:


those wooden steps
are gone now, decayed
replaced with granite,
hard, gray, and handsome.
The old steps live
only in me:
my feet and thighs
remember them, and my hands
still feel their splinters.


Everything else about and around that house
brings memories of others—of marriage,
of my son. And the steps do too: I recall
sitting there with my friend and her little son who died,
or was it the second one who lives and thrives?
And sitting there ‘in my life,’ often, alone or with my husband.
Yet that one instant,
your cheerful, unafraid, youthful, ‘I love you too,’
the quiet broken by no bird, no cricket, gold leaves
spinning in silence down without
any breeze to blow them,
is what twines itself
in my head and body across those slabs of wood
that were warm, ancient, and now
wait somewhere to be burnt.
 Jun 2013 Amy Smith
Lili
Untold .-.
 Jun 2013 Amy Smith
Lili
Maybe it was that cold daunting stare
Fists clenched
Cold sweat
Love ******* grinch… was it me?

Did I invest my heart in a shattered jar?
Filled to the brim,
Spilling over with hate..
Slowly brewing a monster?

Trying to protect what could never be protected
Two carpenters competing to fix
A door that never fit
Why am I here?

That instant flicker in your eyes
Spitting venom from parted lips
Seeking vengeance on an unintentional damage
Or was I the damage?
Fire woman, ancient flame;

mademoiselle, in this fashion you have become the sun.

madam with the white face

madam with ******* that leak

you **** wildfires into my gut

i touch myself

to your black painted eyes and

the rose hips hanging off of your gold lips

you see, there is an animal shaking inside of me

and yes ive spoken to the devil of me

i asked her to gather the light of your androgyny

and so she did, condensing it into falling stars;

i closed my eyes and opened my mouth as they crashed inside

hallucinations ignited by the forces that charged my every atoms.

i suddenly became the universe, my womb bore your flowering galaxies.

i consumed, made love to and birthed stars

you made me your ****** celestial star queen

and sent sibylline comets to burn into my chest the vow

that shined, spoke and reminded:

“i will live in your sin down to extinction.”

and your limbs,they are where extinction is found;

old love,it is where i commit to worship even when i burn

seventy thousand light years into the ground.

-Arizona
 Jun 2013 Amy Smith
Bathsheba
What

is

Madness?


Prey tell?


If it is not

a

Ball and Chain

tethered

to a


**PATRIARCHAL  FIGUREHEAD?
 Jun 2013 Amy Smith
Anne Sexton
for Sylvia Plath
O Sylvia, Sylvia,
with a dead box of stones and spoons,
with two children, two meteors
wandering loose in a tiny playroom,
with your mouth into the sheet,
into the roofbeam, into the dumb prayer,
(Sylvia, Sylvia
where did you go
after you wrote me
from Devonshire
about rasing potatoes
and keeping bees?)
what did you stand by,
just how did you lie down into?
Thief --
how did you crawl into,
crawl down alone
into the death I wanted so badly and for so long,
the death we said we both outgrew,
the one we wore on our skinny *******,
the one we talked of so often each time
we downed three extra dry martinis in Boston,
the death that talked of analysts and cures,
the death that talked like brides with plots,
the death we drank to,
the motives and the quiet deed?
(In Boston
the dying
ride in cabs,
yes death again,
that ride home
with our boy.)
O Sylvia, I remember the sleepy drummer
who beat on our eyes with an old story,
how we wanted to let him come
like a sadist or a New York fairy
to do his job,
a necessity, a window in a wall or a crib,
and since that time he waited
under our heart, our cupboard,
and I see now that we store him up
year after year, old suicides
and I know at the news of your death
a terrible taste for it, like salt,
(And me,
me too.
And now, Sylvia,
you again
with death again,
that ride home
with our boy.)
And I say only
with my arms stretched out into that stone place,
what is your death
but an old belonging,
a mole that fell out
of one of your poems?
(O friend,
while the moon's bad,
and the king's gone,
and the queen's at her wit's end
the bar fly ought to sing!)
O tiny mother,
you too!
O funny duchess!
O blonde thing!
 Jun 2013 Amy Smith
Anne Sexton
Sleepmonger,
deathmonger,
with capsules in my palms each night,
eight at a time from sweet pharmaceutical bottles
I make arrangements for a pint-sized journey.
I'm the queen of this condition.
I'm an expert on making the trip
and now they say I'm an addict.
Now they ask why.
WHY!

Don't they know that I promised to die!
I'm keeping in practice.
I'm merely staying in shape.
The pills are a mother, but better,
every color and as good as sour *****.
I'm on a diet from death.

Yes, I admit
it has gotten to be a bit of a habit-
blows eight at a time, socked in the eye,
hauled away by the pink, the orange,
the green and the white goodnights.
I'm becoming something of a chemical
mixture.
that's it!

My supply
of tablets
has got to last for years and years.
I like them more than I like me.
It's a kind of marriage.
It's a kind of war where I plant bombs inside
of myself.

Yes
I try
to **** myself in small amounts,
an innocuous occupatin.
Actually I'm hung up on it.
But remember I don't make too much noise.
And frankly no one has to lug me out
and I don't stand there in my winding sheet.
I'm a little buttercup in my yellow nightie
eating my eight loaves in a row
and in a certain order as in
the laying on of hands
or the black sacrament.

It's a ceremony
but like any other sport
it's full of rules.
It's like a musical tennis match where
my mouth keeps catching the ball.
Then I lie on; my altar
elevated by the eight chemical kisses.

What a lay me down this is
with two pink, two orange,
two green, two white goodnights.
Fee-fi-fo-fum-
Now I'm borrowed.
Now I'm numb.
 Jun 2013 Amy Smith
Anne Sexton
Something
cold is in the air,
an aura of ice
and phlegm.
All day I've built
a lifetime and now
the sun sinks to
undo it.
The horizon bleeds
and ***** its thumb.
The little red thumb
goes out of sight.
And I wonder about
this lifetime with myself,
this dream I'm living.
I could eat the sky
like an apple
but I'd rather
ask the first star:
why am I here?
why do I live in this house?
who's responsible?
eh?

— The End —