Something awful happened late last night,
And here I lie awake at six AM
Upon the sand of Santa Monica.
The cars drive by, but I don’t notice them.

I used up all my gas to get away
From the ****** pond on my bathroom rug.
It’s more than bleach can handle and I’m scared
That I’ve found a more seductive drug.

Fish intestines line the pier and I
Feel no misery for gutless souls.
The rocks are caked in birdshit, kelp and shells
And, as if in mourning, the cormorant calls.

Upon the rusty handrails, seagulls gossip
Just like feathered girls with brains, persisting
To trumpet my depravity in savage squawks,
And to harass the rest of us for existing.

The white-wimpled, cruel, sadistic nuns
Choose an injured sea lion as their prey.
Cowardly, they flee at his sharp barks–
It’s guts that will decide who wins today.

***** creep over the brown-furred body.
Fighting for its life, it bites the shell
And kills its fellow lifeform.  When given
The chance, I’ll defend myself as well.

I think my lips are chapped because I've kissed so many boys who don't love me.
You ask me 'what do you taste like?' I don't think its very **** to say regret and sadness.
You say 'when can I taste you' My taste has been passed around so many tongues there is nothing left for you.

He tells me 'I'm here for you, I'll always be here for you' as he kisses my neck. The next week the bite mark on my belly is fading and I can barely remember the colour of your eyes.

My sister says 'you will change your mind' she says, 'all woman want to be mothers'.
I have stumbled in at 4am with the taste of strangers in my throat to see my mother sitting upright waiting for me, I think of the night I spent crying on my mothers lap in a&e;, certain I couldn't make it through the day, the way my brother scowls at my mother, my sister telling her that 'you could've done more, you could've walked away.' I. Dont. Want. Children.

My mum tells me she is old, she is tired. She desperately needs a man to hold doors open for her and carry her shopping. I am trying to remember that needing someone does not mean you are weak.

My grandmother gave me waist beads to encourage fertility. She says 'god gave you those hips to birth children'. Ive never told her that i lost my faith in god the year i lost my virginity.  And if there is a god, i don't want his ******* fertility. I want to break these beads and let drugs engulf me to prove my grandmothers blind faith wrong.
I laugh and pray before our meal and kiss her forehead, 'god bless'.

He tells me 'i know youre *****, its natural'. I laugh and play along for his delight. 'women are just like toys, television, easy puzzles'. I think of my father beating my mother, my fathers face all the men ive walked past in the street. My mothers face is my own.

'if you don't want boys to touch you you shouldn't wear tight clothes'. I think of all the boys who have run their fingers over my back when i was dressed in clothes from neck to ankle. I wonder if god is a sexist man. I wonder if there's any men who aren't implicitly sexist.

He tells me, 'I'll spend hours on you, I'll make you believe in god again'. There is nothing I can do but laugh. I ask him, 'does your mother know you speak to girls like this?'
He ***** his teeth, 'do you always have to be so difficult?'  
I kiss him but I think of his mother, foreign and lonely, 2 sons and no husband.

He says 'you need a real man' I think of all the other boys who have told me that before leaving me.
He wants to know why I'm in hospital so much, 'how are we going love each other when you can't tell me what's wrong with you' I don't want to tell him that I've cut my arms so badly I can see god in my blood, and sometimes the voice in my head screams so loud I black out. I kiss his chest. He doesn't ask again. I resent him for that.

I've been ignoring my fathers phone calls for two weeks because his voice sounds like absence and I don't want to hear another 'I love you' from a man who doesn't know my secrets.

Pain is rain in the night
Hiding your tears from those in sight
From the lonely abuse
To the mental heights
Pain is rain in the night

Pain from those
Who have long since gone
And those who are left
Don’t care or bother at all

But loves first steps
Take the pain away
And the wind picks up
And sweeps you away

Then you start at the beginning
Of an unknown road
Hand in hand
With the one who filled the hole

It’s a creepy mist
That hides your sight
But through the pain
Creates a light
So you can see through
The pain in the night

In ’68 Hutch and me,
Sitting at the bar drinking
Our third cold beer.
In a semi Fern Bar
Laguna or Newport Beach
Which now, I’m not sure.
It was around nine or so,
A week day night,
The place more empty than not.

She came in alone, made
Entry like the dramatic host of
A TV show. As if she were the
Center piece on the nations
Thanksgiving Dinner Table.
Over dressed to the nines,
Lots of color, heavy make up
She didn’t really need.

Her perfume scent hovered
Around her like a cloud of insects  
On a hot summer night in a wet meadow.
Kind of made my eyes water up.

She perched daintily like a dancer,
Upon a bar stool,
Three empty stools down,
Nodded the bartender her regular order.
A martini, a double it was,
With but a dab of vermouth.
One green olive on a stick.
The glass was prechilled as if
It had been waiting only for her.
She pounded that first one down,
As if the stem wear was a shot glass.
Another full stem glass appeared,
That one also quickly consumed
Two bright red lipstick stains all that
Remained in or on the stemmed glass rim.

Her main task accomplished,
She audibly exhaled,
As if tired or relieved.
I couldn't tell which.
Turned around on her stool to face
Hutch sitting closest to her.
“You boys Marines.” She declared,
More than inquired.
The close chopped hair cuts
giving us away.

Hutch just nodded, he never did say much.
A ****** just back from The Nam,
A dark scary guy of few words.

She opened her fur trimmed cloth coat,
exposing two very nice stocking clad legs,
And just a quick flash of red underpants.
Rotating towards us so we got a better shot.

She announced her name,
like as if we should know it.
Our blank stares informed her we didn’t.
Her face was to me, somewhat familiar.  
From movies in the 40s or 50s.
We were early 20 guys, she much older,
Trying hard to look younger, not succeeding.

Soon she was sitting right next to Hutch,
Two more Martini stems had come and gone,
Her lipstick finger prints upon them.
And still Hutch had not spoken more than
Three or four words.

She bought us a pitcher of brew,
Hutch grunted a short bit of gratitude.
We didn't have to say much, she was in charge.
It was all about her, she rambled on and on
Speaking volumes saying not much at all.
Beating back her crushing obscurity,
With flowery reminiscence recall,
Of glory days, long gone away.
Important for the moment, if only to her.
It was all; “me and I, I did this, I was that,
I slept with him,
And him and him”.
How about so and so?  I asked,
“No Darling not him, he was gay!
Still is.”

It was not long and she was touching Hutch.
On the hand, the shoulder, she was working him
With languid hungry looks from her big baby blues,
And the message could not have been plainer,
Had she held up a large hand lettered sign.

I don’t believe she was a “Working Girl”,
Just someone very lonely seeking to find
Herself, and some company for the night,
All to prove that she was still alive.

Looking at her, I could only think,
How sad and pathetic she seemed,
How desperate her plight.
To humble herself so,
In that dingy bar, among strangers
She did not know, Acting yet, still
On the only stage she could find,
Staring in her own bad ‘B’ movie drama.
In that dingy smelly bar.

Hutch and her left after a hour or so,
He never told me much about it.
He was unofficially AWOL for three days.
I covered for him, kept his name off the
Missing Morning Formation Reports
and the Daily Duty Lists.
No one cared to check. Our unit made up
Of mostly guys back from the war,
A pretty loosey-goosey outfit.

Once in a while now I see an old movie,
most are Black and white, Film Noir stuff,
And there she is, a much younger her,
Looking pretty **** good,
Not real big roles they were,
Claimed she was in the chorus
Of "Singing In The Rain" in '52.
To this, I can not attest,
watched that film several times,
But I never saw her there.

Had parts Playing damsels in distress,
A mobster’s gun moll a time or two,
Or unhappy Play Girls on a bar stool.
I guess it was type casting that done her in.
Or maybe she got a little too long in the tooth..
A sad ending to a short B movie career.
Life ain’t easy, even for a so called “movie star”.
Fame is not all it’s cracked up to be.
A smattering of fame, apparently worth,
Nothing at all.