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Aaron Mullin Oct 2014
willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
                     the calm course of a star
or the spring, appearing without urgency,
water behind a stillness of closed eyelids
flowing all night and pouring out prophecies,
a single presence in the procession of waves
wave over wave until all is overlapped,
in a green sovereignty without decline
a bright hallucination of many wings
when they all open at the height of the sky,

course of a journey among the densities
of the days of the future and the fateful
brilliance of misery shining like a bird
that petrifies the forest with its singing
and the annunciations of happiness
among the branches which go disappearing,
hours of light even now pecked away by the birds,
omens which even now fly out of my hand,

an actual presence like a burst of singing,
like the song of the wind in a burning building,
a long look holding the whole world suspended,
the world with all its seas and all its mountains,
body of light as it is filtered through agate,
the thighs of light, the belly of light, the bays,
the solar rock and the cloud-colored body,
color of day that goes racing and leaping,
the hour glitters and assumes its body,
now the world stands, visible through your body,
and is transparent through your transparency,

I go a journey in galleries of sound,
I flow among the resonant presences
going, a blind man passing transparencies,
one mirror cancels me, I rise from another,
forest whose trees are the pillars of magic,
under the arches of light I go among
the corridors of a dissolving autumn,

I go among your body as among the world,
your belly the sunlit center of the city,
your ******* two churches where are celebrated
the great parallel mysteries of the blood,
the looks of my eyes cover you like ivy,
you are a city by the sea assaulted,
you are a rampart by the light divided
into two halves, distinct, color of peaches,
and you are saltiness, you are rocks and birds
beneath the edict of concentrated noon

and dressed in the coloring of my desires
you go as naked as my thoughts go naked,
I go among your eyes as I swim water,
the tigers come to these eyes to drink their dreams,
the hummingbird is burning among these flames,
I go upon your forehead as on the moon,
like cloud I go among your imagining
journey your belly as I journey your dream,

your ***** are harvest, a field of waves and singing,
your ***** are crystal and your ***** are water,
your lips, your hair, the looks you give me, they
all night shower down like rain, and all day long
you open up my breast with your fingers of water,
you close my eyelids with your mouth of water,
raining upon my bones, and in my breast
the roots of water drive deep a liquid tree,

I travel through your waist as through a river,
I voyage your body as through a grove going,
as by a footpath going up a mountain
and suddenly coming upon a steep ravine
I go the straitened way of your keen thoughts
break through to daylight upon your white forehead
and there my spirit flings itself down, is shattered
now I collect my fragments one by one
and go on, bodiless, searching, in the dark....

you take on the likeness of a tree, a cloud,
you are all birds and now you are a star,
now you resemble the sharp edge of a sword
and now the executioner's bowl of blood,
the encroaching ivy that over grows and then
roots out the soul and divides it from itself,

writing of fire on the slab of jade,
the cleft in the rock, serpent-goddess and queen,
pillar of cloud, and fountain struck from the stone,
the nest of eagles, the circle of the moon,
the seed of anise, mortal and smallest thorn
that has the power to give immortal pain,
shepherd of valleys underneath the sea
and guardian of the valley of the dead,
liana that hangs at the pitch of vertigo,
climber and bindweed and the venomous plant,
flower of resurrection and grape of life,
lady of the flute and of the lightning-flash,
terrace of jasmine, and salt rubbed in the wound,
a branch of roses for the man shot down,
snowstorm in August, moon of the harrowing,
the writing of the sea cut in basalt,
the writing of the wind upon the desert,
testament of the sun, pomegranate, wheat-ear....

                         life and death
are reconciled in thee, lady of midnight,
tower of clarity, empress of daybreak,
moon ******, mother of all mother liquids,
body and flesh of the world, the house of death,
I have been endlessly falling since my birth,
I fall in my own self, never touch my depth,
gather me in your eyes, at last bring together
my scattered dust, make peace among my ashes,
bind the dismemberment of my bones, and breathe
upon my being, bring me to earth in your earth,
your silence of peace to the intellectual act
against itself aroused;
                         open now your hand
lady of the seeds of life, seeds that are days,
day is an immortality, it rises, it grows,
is done with being born and never is done,
every day is a birth, and every daybreak
another birthplace and I am the break of day,
we all dawn on the day, the sun dawns and
daybreak is the face of the sun....

gate of our being, awaken me, bring dawn,
grant that I see the face of the living day,
grant that I see the face of this live night,
everything speaks now, everything is transformed,
O arch of blood, bridge of our pulse beating,
carry me through to the far side of this night....

gateway of being: open your being, awaken,
learn then to be, begin to carve your face,
develop your elements, and keep your vision
keen to look at my face, as I at yours,
keen to look full at life right through to death,
faces of sea, of bread, of rock, of fountain,
the spring of origin which will dissolve our faces
in the nameless face, existence without face
the inexpressible presence of presences...

I want to go on, to go beyond; I cannot;
the moment scatters itself in many things,
I have slept the dreams of the stone that never dreams
and deep among the dreams of years like stones
have heard the singing of my imprisoned blood,
with a premonition of light the sea sang,
and one by one the barriers give way,
all of the gates have fallen to decay,
the sun has forced an entrance through my forehead,
has opened my eyelids at last that were kept closed,
unfastened my being of its swaddling clothes,
has rooted me out of my self, and separated
me from my animal sleep centuries of stone
and the magic of reflections resurrects
willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:

*Mexico 1957
http://www.nobelprize.org/nobel_prizes/literature/laureates/1990/paz-bio.html
  Oct 2014 Aaron Mullin
Octavio Paz
The water hollowed the stone,
the wind dispersed the water,
the stone stopped the wind.
Water and wind and stone.

The wind sculpted the stone,
the stone is a cup of water,
The water runs off and is wind.
Stone and wind and water.

The wind sings in its turnings,
the water murmurs as it goes,
the motionless stone is quiet.
Wind and water and stone.

One is the other and is neither:
among their empty names
they pass and disappear,
water and stone and wind.
  Oct 2014 Aaron Mullin
Octavio Paz
Perhaps to love is to learn
to walk through this world.
To learn to be silent
like the oak and the linden of the fable.
To learn to see.
Your glance scattered seeds.
It planted a tree.
     I talk
because you shake its leaves.
Aaron Mullin Oct 2014
There has not been for a long time a spring
as beautiful as this one; the grass, just before mowing,
is thick and wet with dew. At night bird cries
come up from the edge of the marsh, a crimson shoal
lies in the east till the morning hours.
In such a season, every voice becomes for us
a shout of triumph. Glory, pain and glory
to the grass, to the clouds, to the green oak wood.
The gates of the earth torn open, the key
to the earth revealed. A star is greeting the day.
Then why do your eyes  hold an impure gleam
like the eyes of those who have not tasted
evil and long only for crime? Why does this heat
and depth of hatred radiate
from your narrowed eyes? To you the rule,
for you clouds in golden rings
play a music, maples by the road exalt you.
The invisible rein on every living thing
leads to your hand--pull, and they all
turn a half-circle under the canopy
called cirrus. And your tasks? A wooden mountain
awaits you, the place for cities in the air,
a valley where wheat should grow, a table, a white page
on which, maybe, a long poem could be started,
joy and toil. And the road bolts like an animal,
it falls away so quickly, leaving a trail of dust,
that there is scarcely a sight to prepare a nod for,
the hand's grip already weakened, a sigh, and the storm is over.
And then they carry the malefactor through the fields,
rocking his grey head, and above the seashore
on a tree-lined avenue, they put him down
where the wind from the bay furls banner
and schoolchildren run on the gravel paths,
singing their songs.

--"So that neighing in the gardens, drinking on the green
so that, not knowing whether they are happy or just weary,
they take bread from the hands of their pregnant wives.
They bow their heads to nothing in their lives.
My brothers, avid for pleasure, smiling, beery,
have the world for a granary, a house of joy?"

--"Ah, dark rabble at their vernal feasts
and creamatoria rising like white cliffs
and smoke seeping from the dead wasps' nests.
In a stammer of mandolins, a dust-cloud of scythes,
on heaps of food and mosses stomped ash-grey,
the new sun rises on another day."

For a long time there has not been a spring
as beautiful as this one to the voyager.
The expanse of water seems to him dense
as the blood of a hemlock. And a fleet of sails
speeding in the dark, like the last
vibration of a pure note. He saw
human figures scattered on the sands
under the light of the planets, falling from the vault
of heaven, and when a wave grew silent, it was silent,
the foam smelled of ioding? heliotrope?
They sang on the dunes, Maria, Maria,
resting a spattered hand on the saddle
and he didn't know if this was the new sign
that promises salvation, but kills first.
Three times must the wheel of blindness
turn, before I took without fear at the power
sleeping in my own hand, and recognize spring,
the sky, the seas, and the dark, massed land.
Three times will the liars have conquered
before the great truth appears alive
and in the splendor of one moment
stand spring and the sky, the seas, the lands.

*Wilmo, 1936
Winner of the 1980 Nobel Prize for Literature
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