Submit your work, meet writers and drop the ads. Become a member
Philip Salt Sep 23
A cross of tin
A cross of gold
Both round my neck
Two chains
Around and around
Double forged
Tin and gold
Which to adore?

Crossing loops
At my throat
Known symbols
Through and through
Giving sacrifice
Renewal born
Tin and gold
Which to adore?
.
Two pairs encircled
Manubrium to nape
Black leather strap
Lusterous metal chain
Redundant or inspired
Imagined or required
Tin and gold
Which to adore?

Remove both
Then what remains
Skin and bare chest
Beating breast
Tired body
In need of rest
Tin and gold
Which to adore?

Ringlets removed
Torrid collars
Off my neck
Into bed
Resting head
Tin and gold
Which to adore?
Why did circles
Inspire me so
To write this poem
Before I go
To sleep
Tin and gold
Which to adore?
Philip Salt Sep 23
Love,
There's an Ace up my sleeve,
But I must leave,
Before even playing that trick.
One more hand will end me,
No stand will mend me,
Time to lay my head down in this crib

Love,
My passionate fire,
You won't understand my desire,
To retire from this crooked game.
'Cause you are the cause,
It was your claws,
That kept me all in each round.

Love,
You threw me in,
Like your ***** little sin,
To be devoured by hungry sharks.
Turn me down,
Slice off my crown,
With your diamond blades so sharp.

Love,
The sharks across from me now,
They don't understand how,
A lady made me so green apple coloured.
I've lost my nerve,
Too scared to reserve,
Even one more cut of the deck.

Love,
I have to heal,
'Cause I can't deal,
I've been dealt one card too many.
Drawn out and flushed,
Straight on a purgatory rush,
'Cause I was paired with you.

Love,
My lady luck,
I'm busted and stuck,
Broken down to my last penny.
Help me to close out the night,
To not put up a fight,
So I can play this final river and run.

Love,
Cash out my heart,
You owe me a repair of that part,
That's been beaten dark by your clubs.
I'm all dressed in suede
Expecting to be buried by your *****,
When I exit this game and leave you.

Fin
Philip Salt Sep 21
Eyes
Closed

Maybe
Eyes
Are
Met
To
Be
Closed

Inside,

Capturing
Eyelid
Canvases
Of
What
Was

Silho­uettes
Shapes
Impressions
Of
Light
Glow
And
Dark

Outside,

Gifts­
Of
Soft
Lashes
Cheeks
Brows

The
Beautiful
Visage
Of
A
Smiling
F­ace

Eyes
Open

Maybe
Eyes
Are
Met
To
Be
Open

Inside,

Windows
To
Fill
With
Bright
Rays
Beams
­Streaks

Lenses
On
Landscapes
Vistas
And
Vanishing
Points

Outsid­e,

Ambassadors
Who
Share
Safire
Blue
Cobalt
Green
And
Chocolate
Brown

Friends
To
Those
Who
Truely
See
Us

Eyes
Closed

Eyes
Ope­n
Philip Salt Sep 20
We demand terminality. Shrouded and surrounded by unending formality

We embrace practicality. Expounded and hounded by constant criticality

We crank up tonality. Dumbfounded and pounded by loud vocality

We obsess over finality. Compounded and confounded by life's constant banality

So

Why choose endings rather than bendings as we eclipse the path before us?

Why select stopping instead of hopping over the obstacles ahead?

Why so rigid and brittle, in the place of agile and nimble, when navigating the way before us?

Why is noise more important than poise when we find a still and silent moment?

Why waste energy, and remain out of synergy with nature's sweet symphony?
This is still a better poem in my head but now it is slightly improved. The juxtaposition was not working
Philip Salt Sep 17
Go the way I want
Throw the distance I choose
Push uphill, don't stop

Proceed, don't you dare ponder
Drive, never wander
Force, hold nothing back

Drag your *** not
Pull up your britches
Take your knocks and count your stitches

Suspend your doubts
Project success
Hold steady, be ready

Relent to your peril
Retreat and be sterile
Withdraw, withdraw, withdraw

Now!

Unfinished...
Philip Salt Sep 15
Greet me Morning

Be there at my awakening with blue sky light

Peer into me, then like through windows stream calming albedo into my eyes

Rouse me, sit me, stand me, fly me,
my circadian companion

Let nothing wither into darkness
my everyday champion

As the Sun rises on its friend the Morning find me over, and over, and over again

Warm me and coax me aloft with the first flight of your song birds

And be my friend eternal, though I may be the least of creatures beneath you in your natural beautiful perfection
Philip Salt Sep 14
This blind ferryman has eyes,
Eyes he remarks to himself are for seeing,
His spaniel sits next to him, at knee height, and barks,
He adjusts his favorite wide brimmed hat,
He drives the setting pole into the shelf of the shoreline. Sometimes there is shallow water there. Tonight only coarse mud.

He is cunning in the ways of this river.
Uncommon currents are familiar to him.
He is the Master of this trip, an expert navigator.
As familiar with this voyage as the creases and folds of his favorite hat.

A deadhead crossing over the river Alastor, back to his ferry slip.

The blind ferryman has arms.
Arms to move his craft.
Strong shoulders and calloused hands provide for engine and grip.

He never slips, never misses his mark.
His feet are sturdy on the buoying deck of this barge.

His spaniel is his only crew. A caring, loyal, spotted creature. A friend at the ready. When his hat is lost to the temperament of the wind, sacrificed to the flow of water, his friend will dive, swim, and retrieve it. A precious possession for them both. Part of the bond between them.

The blind ferryman has worked a long day. Day has become night.
He feels the fatigue that he loves.
Hard work is his satisfaction.
Sore forearms from the rhythm of lift, place, push.
Soft agony and musical tension as his long back muscles are plucked in repetition.

The craft, his crew, and his body are a complete entity. They work as one.
One last time.

Something about the humid air, the temperature of the sweat on his skin, and the bitter taste in his mouth hints that this night is his last. Such a simple crossing will go incomplete this night.

The blind ferryman has dreams,
Dreams that save him from omens of death

He dreams lovingly of his family,
Father, mother, daughters, wife,
Nostalgia, heart and pride in step with the meter of lift, place, and push.

But he knows this is a deceptive image.

An image he chooses to dream instead of that which is more true.
More true, what a strange truth that is,
he remarks to himself almost loud enough to hear.

His memory has feelings that are not nostalgia, heart and pride.
Those good feelings are his light but they are at the center of thickening layers of opacity.

The inner places begin to reflect the outer ones.

He is out in the channel now.
Absorbed in fog with only the light of one lantern, atop a single eight foot mast.  Like that lantern he must cling to the only beacon left in his dreams to ward off the night and the nightmares.

Nightmares full of pain.
An escape to sleep that never brings resolution.
He tries to remind himself that his daily crossing is all he needs to escape the darker parts.
A simple thing for a skilled navigator.
Why then do I bring those parts on this voyage? he asks himself with a whisper.

He has ignored the long hours of service that kept him away from his now empty home.
The excessive **** alight in his pipe.
The pervasive drink stowed between the gunwales and the crates.
The things that have made true escape impossible.

No escaping that on this night.
He is no longer the skilled navigator.

What is incomplete never happens,
And his crossing of the river Alastor is not yet complete.
Life is all around. Present in sound, shape, and smell, but invisible to him.

He is a blind ferryman.
He is close enough to the slip to cast a mooring line but too far to dock.
All that is left is a simple connection
A connection not made

A splash
A favorite hat floating on water
A spaniel retrieving it
Blocked this one out but it got dark
Push off
Favorite item
Dog companion
Pole in hand
Clinging humid air mix with sweat
Callous
Deltoids reach
Forearms sore
Rhythm pattern repeat
Journey
Taste
Light dark
Hunger
Future
Past
Drive to finish
Voyage
Service
Family
Escape memory
Bad habits pipe drink
Routine important
Nostalgia and endurance
Almost there now
Dock docking
Life all around sound shape smell
Simple connections to finish
Routine mundane easy
Effortless
Incomplete never happens
Closer closer and never arrived
A hat floating on water
Dog barking
Next page