People say
they love the smell of books.

I'm not sure if I do,
but I recognize it,
and I sniff at every one,
furtively,
a bit afraid someone will see me,
wanting new friends.

I wonder if some books
have a thing for thumbs.

I try to capture
which one glimmers
but I'm always
a sequin behind.

......

I followed you from table to table
like a kitestring unbound.
You seemed to soar, to dip,
to rocket,
flirting earth and heaven
like a half-fallen angel.

Then the night blew out
and you stalled atop it,
and like dew,
glistened down
gently upon me.

......

Tiny shiny paper
on the dress
on the floor,
waterfalling
quicksilver
from the night before.

I wake to ask you
which one glimmers
but the dress
has somewhere gone.

I close my eyes
to dizzy shimmers
chase them ever
on and on.

Feel free
my friend
to let your eyes sparkle
upon the one
you love.

But keep in mind
there is such a thing
as too many orchids.

Sunlight may
disinfect,
but it's only just after
the night is over,
that the air
feels truly
clean.

They call this a 'lesser work.'

How do you write a poem about a poem?

Why write poems at all
now that Fred Astaire has danced?

I'm in over my head
giddy dizzy diving downward.

Rhythm meter grace and beauty
Ginger Rita Cyd and Judy.

I really do think
that this might be
the prettiest thing
I've ever seen

which means

this can't be much of a poem.

Do not soothe the pain.
Do not kiss the pain.
Do not bribe the pain.
Do not take the pain.

Don't argue with the pain,
the pain talks too loud
for civilized discourse.

The pain refuses
all rules of order.

Do not explain the pain
lack of water.
Do not name the pain constricted
blood vessels.
This is too humane
for the thing we call
the pain.

If you should begin
to consider
making the pain a guest,
remember the pain did not knock
and leaves wet towels on your body.

Never ever ever
write poems about the pain.

It is
generally advisable
to avoid
making pro and con lists
about the pain.

Whatever you do,
do not pray for the pain.

The pain has no soul.
The pain cannot be saved.

No.
As a godfearing citizen
of a blameless county,
it is your solemn duty
and right
to
****
****
**** the pain.

Edward G. Robinson,
in an apron.

Let us not forget this man,
this onetime massacrist,
now a nervous painter,
now a lonely cashier.

Fritz fries the city
in chiaroscuro rain,
and Little Caesar
offers us a tattered
umbrella.

His hurt face
his hurting-face,
are barely distinct,
a furrowed brow
a sparking heart.

They've come to remind us,
that artists are heroes
and stupid in love.