You are weary, I think

Of endless puzzles and games

And short romantic flames



You have grown disenchanted

With everything

Every stupid girl and foolish fling



You are bored

Of things built upon passing waves

Of all these conformists, these slaves



You have grown spiteful

Against people whining and nagging

And keeping secrets and bragging



And you are exasperated, maybe,

With all your toys breaking

As soon as you take them out of their boxes



It may be you are sick

Of instability and castles of crumbling sand

Of things reeling and getting out of hand



You have grown impatient

With cheaters and capricious ******

Who claim they are forever yours



You are tired, perhaps

Of feeling alone

And things aching through no fault of your own



I may not be

The sturdiest thing you've ever laid eyes on

I am little, and frail

And weak and pale

And I stumble when it's windy out

But I know, without a doubt

That for you I will be strong

That I will never do you wrong

I'll keep you from going off the brink

Because you are weary, I think

In the summer
I stretch out on the shore
And think of you
Had I told the sea
What I felt for you,
It would have left its shores,
Its shells,
Its fish,
And followed me

My lover asks me:
"What is the difference between me and the sky?"
The difference, my love,
Is that when you laugh,
I forget about the sky.

we, mistakes made in groping dark,
ironed and cheekkissed happy accidents,
told we arrived by love, and our purpose forward: to love.

we were chocolate milk runners.
we were completion grades.
coloring sheets of MLK and jagged cutouts of billy goats.
we were girls in sequined jeans with scraped knees.
on the basketball court we pushed pigtails to concrete.
rumors of us kissing in the lobby waiting for our rides
did circulate.

we, skinny white girls of Moore, Okla.,
skipped supper and laid at the feet of TV-watchers
like bleached branches of fallen oaks garnishing their standing brothers.

we were doorbells.
we were passenger seats.
peeking in the teacher's edition and handshaking answers in fluorescent bathrooms.
we were the first ones on the bus and the last ones off.
knees to chin, untied laces on heater's ****, winterlong sweat factory.
rumors of us agreeing to go to prom over fourth-period lunch
did circulate.

we, writers suffered writers' morality,
disregarded right, wrong, norm; lounged, waiting to be under the bus,
suffering for the story. tense matchstick lovers --  dim light for a moment and then.

we were someone else's *******.
we were someone else's hairpins.
as whatever ran so hot in us cooled, dried on thrift store comforters,
so did we. ceiling fans and ***. fingernails and boxed wine.
rumors sustaining.

and so it came, after announcements, after invitations,
after subbing in one bridesmaid for another, we were getting married.
we were grooms with empty pockets and full of sound advice.
our fathers took us behind the church,
chaplipped our foreheads,  and said,
"I know, we promised you were made from love and to love.
But I gotta be real honest here. You were made from whiskey.
And there's always the distillery."

we were jobless in wrinkled suits.
we were brown shoes; black belts.
and this will look good on your resumé. and this will look good on your resumé.
translation: how about ******* this ****? or how about this one?
a resumé was one page. we couldn't fit all the ***** on one page.

we, beardheavy and deodorant-streaked,
lived in dream houses in Ulysses, Kan., drove dream Tahoes,
watched dream Netflix, next to  portly wives who looked like
QUEEN MOTHER OF ALL THE BROTHELS OF THE LOWER MIDWEST.

we were childless.
we were wanting.
after consulting a physician and a bottle of whiskey,
we lifted and pinned the sagging belly of our wives with
a wooden board. one good **** in. one borrowed pregnancy test.

and so it came, the weddings of our sons. behind the church,
we took them aside and said,
*"I know, we promised you were made from love and to love.
But I gotta be real honest here."

Because we both know the sound of gunfire
Except I, didn’t grow up in a war zone
It was a different kind from yours
Our bullets were words
Sounds of breaking glass
And the shards of which made it into my cheerios the next day
Chewed them anyway to spite
The sound that
Breaking makes

You,
you know the sound of falling bodies too readily
  you can mimic them in your footsteps
The smell of rotting corpses
What kind of scars shrapnel really leaves

What the color of blood really looks like
I see that shade of red every time you speak
  The way you keep it hidden in those paintings
In the drawer that I sneak into when you sleep
Know too well what evil looks like

I can find a place for all the words buried in my chest
inside your bullet wounds easily

If I were not a coward

Staring into the dark irises of men in uniforms dirtier than their conscience,
Find it easier to look into a barrel of a gun
Only one of them holds salvation
  
No, you are not afraid of guns
Nor the sound that breaking makes


But I still remove the safety pin
Just in case

Growing up I discovered that it is innate
In human nature
To find, seek, or beg for affection.
I stayed silent in order to watch those around me:
Some were good at capturing attention
Like on a warm summer night
And children and running around with glass jars
Procuring fireflies that shine like precious gems.
These children had the talent of keeping the fireflies
Dazzling for days.
Some sought after the coveted attention,
With their baited fishing poles in hand,
They patiently waited in the middle of the lake
And held onto their prize when caught
Until it died when they would go and fish for a new one.
Perhaps a longer, bigger, heavier, more valuable catch.
Some are light, ethereal,
Like a subtle perfume you can only smell
When you are mere inches away from the wearer.
They are sweet and not too persistent in their ways.
I continued to watch
And place people in these categories.
What they all in common, though,
Was selling their precious:
The fireflies, the fish, the perfume.
I looked to myself,
What did I have to sell? To offer?
Anything at all?
Surely I wasn’t as skilled as the lightning bug trapper
Or as patient as the fisherman
Or as fragrant as the perfume-wearer.
Instead, I was the girl
Who would admire the stars for all they are,
But not try to keep one;
Who would live in the now
Rather than feebly attempting to move my watch
Back a few years.
It was then I realized,
My love is not for sale.

Here, where the lonely hooting owl
Sends forth his midnight moans,
Fierce wolves shall o’er my carcase growl,
Or buzzards pick my bones.
No fellow-man shall learn my fate,
Or where my ashes lie;
Unless by beasts drawn round their bait,
Or by the ravens’ cry.
Yes! I’ve resolved the deed to do,
And this the place to do it:
This heart I’ll rush a dagger through,
Though I in hell should rue it!
Hell! What is hell to one like me
Who pleasures never know;
By friends consigned to misery,
By hope deserted too?
To ease me of this power to think,
That through my ***** raves,
I’ll headlong leap from hell’s high brink,
And wallow in its waves.
Though devils yell, and burning chains
May waken long regret;
Their frightful screams, and piercing pains,
Will help me to forget.
Yes! I’m prepared, through endless night,
To take that fiery berth!
Think not with tales of hell to fright
Me, who am ****’d on earth!
Sweet steel! come forth from our your sheath,
And glist’ning, speak your powers;
Rip up the organs of my breath,
And draw my blood in showers!
I strike! It quivers in that heart
Which drives me to this end;
I draw and kiss the ****** dart,
My last—my only friend!

The street
filled with tomatoes,
midday,
summer,
light is
halved
like
a
tomato,
its juice
runs
through the streets.
In December,
unabated,
the tomato
invades
the kitchen,
it enters at lunchtime,
takes
its ease
on countertops,
among glasses,
butter dishes,
blue saltcellars.
It sheds
its own light,
benign majesty.
Unfortunately, we must
****** it:
the knife
sinks
into living flesh,
red
viscera
a cool
sun,
profound,
inexhaustible,
populates the salads
of Chile,
happily, it is wed
to the clear onion,
and to celebrate the union
we
pour
oil,
essential
child of the olive,
onto its halved hemispheres,
pepper
adds
its fragrance,
salt, its magnetism;
it is the wedding
of the day,
parsley
hoists
its flag,
potatoes
bubble vigorously,
the aroma
of the roast
knocks
at the door,
it's time!
come on!
and, on
the table, at the midpoint
of summer,
the tomato,
star of earth, recurrent
and fertile
star,
displays
its convolutions,
its canals,
its remarkable amplitude
and abundance,
no pit,
no husk,
no leaves or thorns,
the tomato offers
its gift
of fiery color
and cool completeness.