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Jonathan Moya Jun 2022
The blind do not need blindfolds.
They wear shades just for us
even as we turn our eyes away.
We give them a stick to see.

The one-legged woman
stands just as tall
as the two-legged man.

The blind man in the wheelchair can go far,
but he can go twice as far if he holds on to
the frame of the friend peddling besides him.
The water basin in his lap is for all to share
for the sun shines brightly and makes us thirst.
Jonathan Moya Jun 2022
It wasn’t
all the popcorn, hotdogs, candy
eaten in the dark that killed her.
Those things just caught up with her.

It wasn’t
all the boxes piled high
and then tumbling on her that cracked
her head and made her a corpse.
All that junk just caught up with her.

It wasn’t
all those clothes hung up on clotheslines
strung through her small apartment
that garroted her red, white and blue.
All that designer stuff just caught up with her.

It wasn’t
all the pots, pans and dishes in the sink
that needed to be scrubbed squeaky clean
that drowned her in less than a foot of water.
All those cookbook recipes just caught up with her.

It wasn’t
all those mops, sponges, buckets and brooms,
the bleaches, ammonia and other chemical cleaners
that gouged her lady parts and asphyxiated her too.
It’s just all that housekeeping caught up with her.

It wasn’t
all those books in floor to ceiling IKEA cases
that bibliated, Dewey Decimated her away.
It’s just all that knowledge caught up with her.

It wasn’t
all those fine soaps, shampoos and conditioners
that shrunk, desiccated and dissolved her away.
It was all that cleanliness that wasn’t next to
godliness that caught up with her.

It wasn’t
all those un-filed files that shocked
her coworkers, just her decapitated
head rolling on the company floor.
All that work just caught up with her.

On her tombstone it was etched:
LIFE FINALLY CAUGHT UP WITH HER.
Jonathan Moya May 2022
at what point do shadows become
numbers and numbers become dust

is it when sunlight and moonlight cross
the eye into our anatomical darkness

when the zero circle helixes into short
existence a rose, a cell, a dying memory

when raindrops no longer liquefaction,
leaving umbrellas a meaningless prop

or the grid that passes over unnoticed
during the slow, long ride to the hospital

maybe, the strobe of light that moves
from office cubicle to office cubicle

possibly the shadows that dance while
you clean precisely calibrated glasses

try to focus on those rain smeared
figures now in your field of view

remembering they once were you on
the half lit steps staring into the dark

watching the three triangle flapping
of the crow over the tarmac
Jonathan Moya May 2022
The child looks out her toy window
and imagines her adult self sailing  
on the blue ocean of the old hat box
that holds her communion veil.
Her childhood dances alone
along the berm’s dawn light as
the sloop plies onto the sand.
They hug and gallop horses
******* in the vanishing mist
while Tess, the sea turtle fairy,
prepares a picnic spread on
play plates filled with strawberry
swirls, blue napkins tucked into
triangles, and origami sandwiches
with the crust cut off, of course.

The adult stares out her picture
window and before noticing
the green lushness of all things
just outside her purview,
catches the reflection of
her wrinkle hands atop
her wrinkled knees—
and the stale crumb
from her breakfast toast
falling to the floor
for her cat to sniff.
Jonathan Moya May 2022
Only my grandmother came home to die.
Her centuries old home was built
with a birthing and dying room,
two small bedrooms, a library
and as was custom, no parlor

She went through the process of life
in private but away from the spaces
entirely reserved for birth and death.

Home was a place where she ate,
sat still, stared and meditated
day after day at the place where she
came from and would finally end up.
That was the way it was suppose to be.

On that day, she sat in her old mahogany
birthing chair and closed her eyes
until they no longer fluttered.
Her hand fell on what was my mother’s
old crib, rocking it three times.  
She was moved to the smaller room
long prepared for her body.
Her dying room had no light,
just a small bed with fluffy pillows.

My mother was a living woman.
When she bought her Miami house
near the beach and the bay
she made certain there were
no birthing and dying spaces,
just lots and lots of living areas:
four bedrooms, a sunken living room
that took more than half the space,
a well-breathed kitchen, a good size
open Florida room and beyond that
a screened-in clear blue pool
equal to the size of the living room.
This was the way she knew it was
suppose to be for her and for us.

She died on a flesh covered La-Z-Boy
in the TV-room of a much smaller house,
the arm rest worn through by constant
gripping, the foot rest half kicked off from
the convulsion prior to the hear attack.
I had just returned from seeing
Fatal Attraction at the mall Megaplex.
Thirty-five years later I’ve yet to rewatch it.

My father must have been thinking of his death
when he built his open house atop the charred ruins
of a post Civil War estate with servant quarters and
stables that overlooked Frenchman’s Cove in Maine.
The house was a wing cut from the air and
nailed to the rocky shore. The gentle waters of the bay
ached daily to caress the sighing foundation beneath
as if the water and air always knew and was now
retelling the story of every birth and death in the
front and back spaces  of  their proper time.
My father  found peace there and  called it Tranquility.
But the soil and tide knew from the soft screech
of the sky that he would be denied his wish to die there.  

My father, a doctor, specialized in obstetric anesthesia,
and started his.practice just on the fringe when
birthing rooms were yielding to maternity wards.
On a bright day in his study overlooking the bay,
when he stared looking like he might be
turning the corner on a recent malady,
he turned pale and gray and short of breath.
He was passed from smaller hospital
to bigger hospital until he finally landed
in the University hospital where he taught
for many years, in a private room amidst
the throbbing and beeping of machines
he was intimately comfortable with.

On his second day in hospice, the machines
where disconnected and under the lightest
of anesthetic drugs he took his last sleep.
The interns said it was an honor
to treat him until his last dying breath.

I don’t know if I will pass in a dying room
of my choosing.  it will certainly be far
removed from the room I was born.
Most likely I will die in the wrong place,
like most everyone else. As you have
read, the odds are less than one in three.
that nature or fate or God will get it right.  

Time is too much about different
arrangements of proximity to be relied on.
So much depends on who goes in front of me.
Who is besides me and/or behind me.
Or just elsewhere, missing, soon to come.
it all depends on how attenuated I am
to the living and dying spaces around me.
How undoubtedly some one else
or no one will write or even remember
my ending and beginning
Jonathan Moya May 2022
The oceans recede,
its pylons exposed.
The great elephants rust
in the junkyard they fell
when Chukwa shifted.
Even his severed legs
can’t hold up the earth-sky.
The sea grass stiffens
to a verdant wave,
curl exposing the horizon.
The ivory house
built on the beach
(the one with the
bench in back
where children played
and the family picnicked,
the one with the
red flame corvette idling
on the cracked street)
disassembles in the winds.

The "world-elephants" are mythical animals which appear in Hindu cosmology. The Amarakosha (5th century) lists the names of eight male elephants bearing the world (along with eight unnamed female elephants).  They sit atop Chukwa, the Cosmic Tutrtle
Jonathan Moya May 2022
it’s easy to know where the leaves were before they fell,
what her lips tasted after the caress of the loving hand,
what was in the crib  rusting in the forest of the night.

Only the twins know why they nod to each in the fog,
the thing  the hound bays for in the lake of stars,
what the alligators devoured in their circling frenzy—

the fattened beast
that exists bleeding
from the barn’s rafters.
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