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Jonathan Moya May 2022
If you accept the apple
you must accept the bite,
the lips that bit the flesh,
the legs that climbed the tree,
the eyes that looked and lusted
for what was in between and above
the white cleft rising in the speckled light,
all the crucifixes after and the rising flags since.
Jonathan Moya May 2022
In Vatican City a cardinal walks
resolutely forward, his red train
flowing behind longer than a bride’s.

It’s silhouette passes by the open
windows of the atelier reflecting
crosses over the bodices of the
tailor’s latest scarlet creations.

Another black smoke day rises from
the chimney of the Sistine Chapel.

Blood shadows slowly abandon
St. Peter’s square for the trek home.

The sun’s golden trail will soon yield
to the purple plush of a Roman night.

its spectral color will caress the shoulders
of the woman with the straw hat and
black dress wanting to dance in the Trevi;

the black suit businessman ignoring
his even blacker shadow cast on
the terra cotta wall of his dextral side;

the young mother nursing her infant in
the safe T between ***** and clavicle,
praying to the priest behind the screen.
Jonathan Moya May 2022
Two circles, two triangles locked in against a rail
exist as geometries of mobility in immobility,
movement stuck in a silence never intended.

The front wheel swings in the direction of desire,
forward progress the only direction it knows.
Yet, it seems impossible that it stays upright.

Without a kick stand it falls easily into the dust.
Without a peddler executing a delicate balance
it wobbles aimlessly, an unguided wild thing.
  
Four wheelers, existing in a heaviness
that can’t be toppled over, cough gray
exhaust smoke on its fragile wheels.

It would fly if it could flap, if it had wings
but it can only roll and roll and roll,
its rider keeping enough speed for a breeze.

Only the rider ponders that they can’t fly.
the machine only knows its movement.
Color is their expression, not of itself

Pink wheels, a red crank and grips
adorned with blue streamers await
the daughter in elementary school.

Handlebars like a longhorn’s skull,
black wheels and a leather toe clip-
the boy who lives to pop wheelie’s.

Gold resting on solid yellow wheels,
an elongated seat in cheetah print-
a speedy courier dodging traffic.

Gray on a sensible, sturdy frame,
a black padded seat, a frame basket
in front- a matron grocery shopping.

All wait for the lock to unclick,
be wrapped under the seat, the
rider to turn it around and move.
Jonathan Moya May 2022
When the color goes away for the day
the night beach revels in the shadows play.
Jonathan Moya May 2022
Your death must mean just enough

not to curse the day you were born,
to stand by the water’s edge

and not want to swim with stones

until the first dark wave takes
me under in a fetal pose,

sinks me down in the last breath,

the clear waters almost your ghost
pushing me back, allowing

me to walk away.

Of course, I will push your toes, even
the missing small one, back into your shoes.

I will cast your coffin that was my


crib on the soft tide telling
you have nothing to be sad about.
Jonathan Moya May 2022
My grief sails through joy
refusing to
tack the line of others-
straight, plain, flat and so so still-
the reason why I love it so.
No haven of pine and sand,
just mangrove roots
gnarled but knotted strong,
holding the beach against
the hurricane.
That it stands and so do I
is not a measure of what
I’ve known, or even the truth,
but all that I’ve lost.
Jonathan Moya May 2022
A bicycle splashes
over a puddle
and its aura
reflects down
the streetlights
praying halos
on the umbrellas
of the pedestrians
that pass under.

Down the block
two stop signs
on opposite streets
both signal WALK,
letting the crisscross
of the quotidian begin.

This moment it’s
a blue umbrella
******* around
a red one.

Earlier a chihuahua
in a poncho sniffs
and wants to nip
at the English bulldog
wearing a Mac
in the pouring rain.
(Is it so strange.)

Hours later a woman
in a white dress
and black high heels
will struggle with
the designer handbag
slung on her left shoulder
and the Bergdof’s bag
grasped tight in her right.

The crossing mother
with the black stroller
sings a shushing lullaby,
hardly noticing
the little stumble.

Oh how,
The city releases
its spectacle of life
when it rains.
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