Some say love's a little boy,
And some say it's a bird,
Some say it makes the world go around,
Some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like Classical stuff?
Will it stop when one wants to be quiet?
O tell me the truth about love.

I looked inside the summer-house;
It wasn't over there;
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn't in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories ****** but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on my door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

There are streets and alleys
downtown Minneapolis
where force of wind
refuse me another step
lascivious, storming breezes hot,
syrupy, and summer-like,
plastered dress against bare thighs
gods of sun and moon
insist
their weight upon my body
and make love
wildly
throughout my soul

Sunday morning
Light, warm and golden
One glass of wine, and Tori
Removing much more than clothing
Inhibitions, self consciousness
Falling to the floor
Dressed in empowerment  
The strength of woman
Long time family friend
Memorize my totality
Enshrouded in flesh
One morning, in May

My aunt Ruth wore red hair
a deep smokers voice
and matte lipstick.
She would implore me
for a hug
at frequent family gatherings
where the women were loud
so I stayed with my dad.
One day, the women coerced me
to embrace, by scolding me
for being rude.
My young brain could not connect
my fear with her voice,
but Ruth knew. She also
knew she was dying;
you don’t say “lung cancer”
in front of the children.
If it weren’t for the voice,
I think I would have liked her  
because most people in my life
told me to go away.

Brown and furry
Caterpillar in a hurry,
Take your walk
To the shady leaf, or stalk,
Or what not,
Which may be the chosen spot.
No toad spy you,
Hovering bird of prey pass by you;
Spin and die,
To live again a butterfly.

I read stories of women,
dressed in silk and wool,
quiet, passive, faceless ladies
defined only by their spontaneous romances
with strangers on trains,
who dug out childish notions in their heads,
as they forsook their loving husbands of twenty years
for slick haired young men,
who pretend not to mind their sagging *******.

Madam Bovarys for a modern age.
Afraid of fading youth, dying embers,
bringing up the same high school insecurities,
they felt when their prom date flirted with the cheerleading captain.
And quenching them just as quickly
when they fogged up the windows of his father's car.

But maybe I should keep quiet.
What do I know?
A thin, ******, school girl,
who has known little of passion, but some of love.
And when I learned love, I learned loyalty.

I hear echoes that have no voice,
Sad before the vaulted tongues
Over brimmed, who spill on shunted ears
The sour milk of pressed pictures
And sooted lights of lime
And the golden knobs taste
Jarring-dry to their saw dust toes.
Must the babe be chosen
By its mother?

The sea dirt is lined with woolen shawls
And the chasm shout shall dig our graves,
Throated hollow, to the abyss, we sink our six
And ***** the dirt, call not them the spades.

I hear echoes that have no choice,
But to skim the moated land
And wash well eyes with leaven walls
That tease and **** the sum to crushing
Columns lifted shoulder 
High by zeros of kneeling numbers
Worming in bedded slumber.
Must the maker of builders
Be dismantled?

*The sea dirt is lined with woolen shawls
And the chasm shout shall dig our graves,
Throated hollow, to the abyss, we sink our six
And ***** the dirt, call not them the spades.