well, ain't that an oklahoma sing-along sounding title; pretentious *** gives me all the jitters.*

the parody of pronouns, Walt Whitman's
and Jack Spicer's collected poetry - both
are always the front-running jokes
with someone else's selected compilation -
the parody of pronouns:
the father the son the holy spirit -
me, myself and i -
philosopher practice the same parody -
deluded ******* think they're kings -
the royal we - the royal we meaning
the entourage included -
the clown juggling both the philosopher
and the king and himself (reflexive compound,
not a reflective compound - oddly enough
the Oxford dictionary has a time period
where new compound nouns are in
purgatory of hyphen usage, before
being admitted to the heaven of no red line
underlining a "spelling mistake") -
it's the profanity of pronoun usage -
poets ease in and out of pronoun variations
almost unconsciously - prose writers tend to
get lost in creating characters / puppets -
no out of body experience in fiction -
just truths that are supposed to be lies.
but you know what? schoolchildren
are taught that poetry exists, sure as **** they're
taught it exists - but they're taught it
with too much emphasis on a scientific approach
to it: spot a metaphor... spot a pun!
are bird-watching or something? is there an app
on your phone that might recognise a type of
flower or a type of bird? (snigger) - but you
caught your Pokemon, haven't you?!
cultures that respect poetry are caustic -
if they take it to their heart - like Iranian schism
early on with Islam - no ultimate truth with
a schism, just do it like the Blue Indians,
allow more and more schisms, give it all,
you have a ruler, on it 12 inches or 30 centimetres...
for it to be effective you can't have division
according two one judo chop, down the middle -
**** it, let's go down to a sensible division,
i'm not talking nano-metres, but centimetres -
we won't get any Pisan anomalies that way;
but are those scientists really telling as that
the mystery of life is how far we can divide things up?
sub-atomic clever are they? really?!
you see what happens when civilisations undermine
art - make fun of it... the dementia epidemic -
oh sure... don't read a poem, instead play
cognitive games, do a crossword, get mindful,
complete a su doku - but don't read a poem,
don't even try to make conversation interesting -
poems ought to stimulate involving conversation -
the way the art sees it? we're living under a
dictatorship - swear to god, the poet sees it like that -
we're not living in a democracy -
you have charities concerned with gross
negligence of dogs - gross negligence of poets?
you 'avin a laugh - which means many are
put off it, they write 10 or 20 and then fade away -
they think the ease of writing a few words
because they're from the generation where universal
education was permitted can make a buck from
a few ooh ah repercussions when a piano fell
from the sky and they had to crab-walk two metres
into the gutter - then walk on.
you neglect something precious it bites back -
the dementia epidemic is one such example,
the current problem: premature depression
in your people is another - the 21st century
sandwich; but the ease that poetry handles pronoun
usage is akin to kings - technically mistaken
for personas - fake - we write like we walk on airs
and superstitions of the gnawing paranoia of
power and subsequent respectability of the power's
authority up-kept and constantly implemented
for proof of its effectiveness -
getting a trained monkey is one thing,
but getting a monkey that can train itself is another -
as it stands, Oxford treats nibbling on
Germanic with unease - the Oxford hyphen
is the purgatory of necessarily compounded words -
an optical loon brigade loop of adding necessary
complexity to a language and making mathematics
simpler, more atomic, we don't need an atomic
shrapnel language construction -
and yes, this is an old attachment of mine:
reflective pronoun compounds - e.g. my self -
and reflexive pronoun compounds - i.e. myself.

dear western society,

no one cares for the peasant who provides
the pheasant for the royal table -
but when the pheasant isn't there -
the royal orchestra cries out:
where's the pheasant! where's the pheasant!
as if both pheasant and peasant were alike...
indeed, the peasant isn't there to
provide the pheasant for the feast-
and with such vitriol you proudly say:
once these roaming stars that go against
all reason in cosmology disappear, you'll
know that i was here - you'll know -
perhaps the pyramids were only overshadowed
by the Eiffel tower, but many more pyramids
were mentally tattooed into the minds of men -
and rose far greater and were more
harder to overcome that man took to
climbing Everest - stone by stone his legs
encountered a new form of laying brick-on-brick -
for if western society deems me mad
to purge the old hopes of colonial rule - then
i have already chastised my body to have no heart,
and let it be carried on course toward Iran
or Afghanistan - and there entombed -
i hope Western society loves its humour as much
as it loves it's panic and paranoia and picnics
of waiting for the far right to wake up -
and this liberal-leftist mush of kind words to
be shoved into Disneyland of other fantasia.

yours sincerely,

                             Vermin.

He must imbibe, he must throttle their fear.
Father to tribe, demons hold him dear.
This drunkard devil, this fiend to sin.
What cage shall they next hold him in?

His throat is parched! Their vessels full.
If he took one bite, would it be harmful.
These animals, they litter the streets,
For what good are they, except to eat.

He roams the towns, he roams the dale.
To satisfy him, no man may prevail.
His cold red eyes, his calloused hands.
He will reduce the world, to empty sands...

The marching procession of his feet.
Mounting, fleeting, death, upon all he meats.
Blood drips from his hair, tears in his eyes
To this feral man, no one tends to his cries.

There he may ****, and here he may choke.
Blood he may drink, as if milk were a joke,
But why pursue his death, when you are worse?
You are no victim, he suffers insatiable thirst.

Those who cross, this nighttime terror, will be sure to know his name,
From ocean blue, to Timbuktu, the ghost of the man is to blame.

He rides upon, a howling steed, he sets women's hearts aflame,
He will dismount, only to pay no heed, to the life, the gods call, 'game'.

Beware, oh Bandit, do not pierce, the eyes of the open believer,
For what you have seen, on the journey of one, has made thy soul, cleaver.

Hated still, the tainted will, of the man who rides, in the palm of despair,
Points his fingers to the sky, in faith, that the heel of truth will be there.

The bandit will leave less on hands and feet, when he comes through,
Yet, he will leave more than tears, when with your ******, he must make do.

So true is his arrow, nailing to the tree, the reigns which he has overcome,
Out of sight, he is a patriot to the desires of his heart, serving no one, but one.

Where will you go next, bandit, what treasures will you next seize?
What of the riches in your heart, crucified by forgotten responsibilities?

He searches, this bandit, for the one elusive key to his caged soul,
As if it were on race ahead of himself, always out of reach or toll.

Aghast! He halts in treasure cove, at odds with the sight before him.
What layeth on the ground, is a sight that attempts no boredom.

Here! Is a sight for eager eyes, here! Is the quencher for desire.
That which is in front of him, will extinguish his mind's wild fire.

One foot, in front of the other. As if he had no longer the ability to walk.
Made the bandit, his way over. To the treasure that made him gawk.

It lay in fragile casing. It had a lustrous stare.
Even though it was alluring, it should have made the bandit beware.

But, oh! He was too hasty. For the jewel, evidently tasty,
Incited him to grasp it firmly, like a gluttonous man upon pastry.

What was it, in the cave? The treasure that could powerfully ensnare?
Oh child, I cannot tell you, for fear, that you will go there.

From the depths of the sea, they came. Homeless.
Creatures of hapless form, and formless bodies.
Animals carved in the nature of blindness,
without godly supervision; deities.

Convicts they were; that which is wrong,
Leaving behind a world lost to them. Alas,
Their crime is that they did not belong.
But even in exile, they hold debt to their past.

They flopped, they crawled and oozed,
Out of old skin, they became something new.
So the years passed and frequently bruised,
They became gargantuan and further still; grew.

Inhabiting a land, once uninhabitable; now tamed.
Creating dominion over raw nature, they climbed.
Hills, valleys, mountains, volcanoes! They claimed.
Even in the face of annihilation, they climbed.

Above it all they choose to rest, touching the sky.
The creatures learned time, then they chased it.
Always pursuing it, always getting one step ahead. Fly,
They soon did, faster, faster, faster, they chased 'it'.

Until they broke out of the awesome surface.
Like once before they made prints on lands once untouchable.
The creatures are creatures no more. At least not all.
But, soon. All the creatures will float away 'pon solar winds.

I look back on the first of them all. The scared,
Unsheltered and curious creature of the old world.
It looks upon me, with questioning, unaware of destiny. Unprepared,
In its dark eyes, I see light. Light that I am closer to taming. Knowledge unfurled.