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Amy Grindhouse Mar 2014
She was gorgeous misery framed
in makeshift bandage corsets
cinched with fall from grace
sutured lace to save face
Her battered life rife with strife
covered in the mock elegance of
a broken wing dress as
the frenzies
in her enigmatic
mascara trail of tears glare
soften slow burn devotions  
hastening their hopeless necromantic
insurrection

He was a fatal attractive
midnight black feathered wraith
Modeling trouble need scar heart genes
and a bleedwork tainted warshirt
earned by tethering himself to a mistake on
countless battlefields
his enemies' rancorous fear resonates
in a crippled ripple
across stillbirth waters
With his outspoken outrage accented
by photographic violence
knowledge of immoral history charm and
disguised threat lodge wisdom
luring her into
their surprised allegory demise

In the here and now we find
uncaring torture chamber musicians
singing in the black ground
as these two scar-crossed lovers entangle  
in a shotgun wedding
and machine gun funeral
Knowing from the start
it would always be
the two of them
together as one
against the old world
Amy Grindhouse Mar 2014
We dissected his synapses
sent him subconsciously
seeking theorized sources
of the substance
Thanksgiving is coming
and I'm stuck mute on my new path
If he comes bearing gifts
can I say anything
through the slow death mask
and scramble suit deceptions
that will make him understand
the murky depth of my regret?
*Sincere homage to one of my all time favorite books and movies.
Amy Grindhouse Mar 2014
Silas has locked himself away in a skyscraping hotel
perched atop a Vegas casino
Belongings scattered throughout
like passenger train derailments

He was a writer with a jack knife vision
Now he gathers dust next to a windowsill graveyard
crumpled up beside his follow up novel
sloppily sprawled out
unfocused unedited and unlikable

Unable to cope with fame stress addictions
the last of dwindling fortunes
afford the luxury of
having everything delivered
He hides from the maids
thus
his only face to face contact
with the outside world consists of
quick frightening glimpses -
inquiring half-faces through the door
chain

Developed this shuffling submissive
walk to keep from falling over
compensating for dizziness
from stolen prescriptions
he doesn't need
and shouldn't have
Drowning his sorrows with grandeur -
Eating nothing but eggs
Drinking like a fish
to chase runaway pills
A stuck throat refuge
lulling him to sleep

Silas  drifts away into a comatose fate
Left dreaming
Hoping someone wants to ****** him
in his sleep
and end
the dull roar
Amy Grindhouse Mar 2014
I've been looking over
my portfolio and considering
diversifying my assets
to feed this junk punk habit of mine.
Ono-Sendai is looking strong
after that Hosaka team up
But I've been told to stay away from
those weirdos at Tessier-Ashpool
and their vatgrown monstrosities -
They're all scary like dead TV grey skies.
Cyberdyne stock is rumored
to skyrocket after some microchip breakthrough
but I've just never trusted their promises -
No fate but what we make and I don't
know if I like what they're making.
Tyrell Corp is down after that
messy Nexus-6 affair -
Tears in rain and their CEO dead
Guess they should leave the synth
business to Hyperdyne instead.
(Hey...are they just a division of Cyberdyne?
I should investigate that one)
but then I've heard Hyperdyne has
some twitchy artificials of their own running
rampant through Weyland-Yutani.
Weyland-Yutani seems like a solid bet
after their merger
but I've heard they'll treat you like
an expendable crew -
Absent mother computers and derelict signals
abound.

**** it.
I'm going with Walmart.
Amy Grindhouse Mar 2014
Watercolor forests time lapse
in their creaking ancient rings
We're smearing their earth tones
as the sawblade sings
Grins of snake oil drilling
seeping speculation
on massive scales
Rigged justice with financial backing
even as the prepaid system fails
Golden ratios and timeless cycles
failing the fickle expectations of
fiscal years
But you should know dead
money tastes awful
on a trail of tears
Captive nations petrified
in amber waves not replaced
Borrowing fallen feathers
to hide all we've faced
Dialed down the stars
To depict time as
a definite place
our fragile Axis Mundi
fallen from grace
But how do you find a voice
to speak for the trees
When you’ve been living
in skyscrapers
slums
and SUVs?
As bloodshot tired eyes fail
you've gone too far away
If we meet between the rows
what's left to say?
Brief clashes of red
then long fades to grey?
Am I your keeper
or am I your slave?
Your strip mauled *** toy
to plow and pave?
If you miscarry what was it
we even wanted to save?

You know the cemetery but
I know the grave.
Amy Grindhouse Mar 2014
Just as the shadows folded
themselves into the hills
for the night
and the sun dropped its
enveloping glint into
the corner of the looking glass

I drove slowly past your suicide

I could imagine the
scene as if I was there
You were pitifully slumped
over the dashboard
the telltale spray of
sacrificial lamb's blood
across the back window
confirmed
you sold your mind
in a shotgun barrage sale
The passenger door hung opened
as if ominously
inviting all lost souls
to join you
Birds circled
but did not dare
descend

I don't know why you
wanted to be buried
so far from home
maybe you knew
that we would
simultaneously haunt
each other
with a lost love
that never fully made sense

I've been a ghost town since
your unsettling
impersonal
departure
The drive down was
haunting...waking nightmares
and dulling pain
with whatever I could get
my hands on
Mumbled ranting fever dreams
of not so sacred cows
skipped over songs
and roadside immolation

Now I'm here

and they're casting lots
for your belongings
Without explanation
my mind drifts
to the moment we come into the world
screaming as the air hits your lungs
for the first time
they put you in your first tiny
pair of clothes
and you are so loved in those first
days
We blink into existence
Dance in its splendor
Sulk in its darkness
then we are gone just as fast
as they lower us into the ground
no longer screaming
wrapped in our last set of clothes
I turn away from
their morbid possession dissection
because you already gave me
so much
the weight is heavy enough
I look to my brother
without saying a word
and he knows it's time for the
long journey home
Amy Grindhouse Mar 2014
Those mass factory
farm dairy cows
lining the highways
hardly look happy
like in the ads
I heard they smack them
with forklifts
and speaking of which
Are we almost there?
My pain pills
are running out
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