She was kneading the crevice
under my left shoulder blade with a forefinger
which had a tremor when she pushed hard
or “did anything with intention.”
Said it was only her right finger, a family trait,
(honestly, not an ineffectively way to argue
with a muscle).
I could hear the voice of an old man on a table
behind the curtain. His relaxation was a confession,
(maybe the knee **** response to premeditated touch),
and I was like the otherwise engaged
priest. There was a surgery
and he was eight years addicted to pain
pills. One-hundred days sober now,
getting self care, (as Oprah would say),
he was enjoying his wife’s cooking again,
looking forward to some ice fishing
out at Eagle’s Nest, (something
he hadn’t done for 10 years).
“The canyon bowl is so quiet,” he said.
“Even if you don’t catch any fish,
you'd be content to sit there all day.”
“It’s Zen-like,” he said, “the ice caps
surrounding you, the elk and the coy-oats
frolicking out there on the ice.”
(Not with each other I presume.)
The old man’s masseuse
was a young man who never said a word
except, “Is the pressure too much?”
“It’s not like I have respect,”
the old man on the table continued,
“for those who get addicted to illicit drugs.
But now I have a great respect for the pain
they go through.” His masseuse and my masseuse
went on kneading.
“At least I have a life to go back to.”
Doing this week's workshop class assignment: a lyric narrative. This is a completely found poem, overheard verbatim while I was getting a massage last week.