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 Dec 2013
Nat Lipstadt
If You Love Me Outside In
Then,
I will love your
insides,
till I wear them
out.


August 29th 2013
Humans: We see the exterior first and foremost, then we delve in slowly and surely.  Once inside, then real love can be fertilized and prosper.  Once inside....
Oh, come to me in dreams, my love!
   I will not ask a dearer bliss;
Come with the starry beams, my love,
   And press mine eyelids with thy kiss.

’Twas thus, as ancient fables tell,
   Love visited a Grecian maid,
Till she disturbed the sacred spell,
   And woke to find her hopes betrayed.

But gentle sleep shall veil my sight,
   And Psyche’s lamp shall darkling be,
When, in the visions of the night,
   Thou dost renew thy vows to me.

Then come to me in dreams, my love,
   I will not ask a dearer bliss;
Come with the starry beams, my love,
   And press mine eyelids with thy kiss.
 Dec 2013
Lover of Words
I am wounded. Seared with scars of broken dreams, scattered across my own galaxy and I fear they will continue to stomp into the dust, unable to be renewed. And I am fearful of my future, so grave and hard to grasp. What am I even working so **** hard for? And why? Will it even come to pass? And my heart is weary and head is full of thoughts and I wish I had some small time to stop. Just to really grasp whats going on and how to stop the constant noise. And let my thoughts settle like the bottom of my ocean. Just to work my way through things, to get to know them and understand and to stop the constant madness. I cannot handle on my own. But still it goes on like the waves of an ocean, with a very hide tide.
 Dec 2013
Nat Lipstadt
Then there are these moments

When your constant addition and subtractions,
Not finalized,
But put aside,
For the smallest of tokens become the
Largesse of life.

I am writing a long poem that is yet unfinished,
Of Richard II, Bach, and the death of a king,
King Ego, the battle infernal of vanity, insecurity,
And the constancy, the sense that one is never good enough.

Then sacked, for a loss, behind the goal line,
By the few, the kind, the genteel.

From nowhere, sought not, comes quiet thanks,
Appreciation that makes my angst seem
Petty and childish, smaller than small.

One draws a deep breath,
In no rush to exhale.

Then as luck would have it,
Pachelbel's Canon In D Major arrives,
An uninvited, most lovely, most timely guest,
and I am on the floor

Weeping unashamedly that the kindness of the
Few, the kind, the genteel lift me up and tissue my tears.

Unclear and unknown what I have done to deserve
Such affection, for all I have proffered are a few words,
An insight or two garnered from reading between the lines.

I understand less, emote more, and head spun,
I, poet, defenseless, for I am inadequate to the task.

I feel your hands upon my elbows,
Your arms around my shoulders,
I, am poet risen,
Words not insufficient, for
Words deemed unnecessary.

For I am poet risen,
Up, up, up by the
Uncompromising embrace of the
Few, the kind, the genteel.
You know who you are and I pray that as you read this, a gentle smile eclipses all, as my new minted  demeanor of laughter behind tears, has put this troubled day aside, for me.
 Dec 2013
Nat Lipstadt
The dot by your name,
The yellow lighting bolt
High tide warning
You have sent me a message private.

A tap, a flick,
We are communicating,
Comparative woes and lives
That could not be more different.

There but for history's twists,
We would share the same country.

But here comes the confess.
I do not rush to read them,
A savory, a wine that must decant,
Just knowing that you care
Put me in your prayers
Is nothing short of insanity.

Who puts me in their prayers?
Who confesses to saying prayers, anyway?

The pleasure of knowing that a you-message awaits,
Eye candy for the my mind,
But more real more truthful is
I am afraid for myself.

Distance real and virtual cannot be overcome,
Your troubles, a surrounding circle.
No angle, no escape, and I am there,
Next to you, as close as I want to be,
I, cannot be close enough.

Do you notice that I write these days
Tween midnight and six,
When the painkillers wear off?

You gift me 97 pages of reveal,
After page 2, you make me squeal.
Wordy tears are unveiled at 100am,
Force myself to open, to it, deal.

Three times a day, with food. Pain killers.
So from now on,
I will eat at midnight, take that pill,
And maybe sleep.

But for now, but for you,
There is no pill that drives away the pain
That is ten years old and still haunts.
Different pains, different pills.

But what I can do,
Is put you in something
With which, I am way out of practice,
Knee'd, put you in my prayers,
Which always get answered, tho
Ain't necessarily positive.

This pain has me hobbled.
Besides, when in the past,
Knee'd, always made Him uncomfortable, so,
I write vertical, standing up,
Overlooking the East River
And you reject my your-composure admiration,

Ok.

Here is a funny word that captures you,
And me ironically, the now stand-up poet.

aplomb
— noun

imperturbable self-possession, poise, or assurance.
the perpendicular, or vertical, position.

You possess it by the kilo.

If you say it out loud,
One of us will laugh,
And one of us still be weeping.

100am and the prayer thing comes back to me,
Way too easy.

But reciprocity of kind
All I ask for.

I know the creator is up, listening.
Cause we talk, as you know.
None will be more surprised than
He,
To see a black dotted, yellow lighting message
From his earthbound buddy.

Will it be opened,
Or like me,
Left unread, for the savory pleasure
Of knowing he has me vertical too,
Asking for his intercedence?

I don't know.
So while we wait, I give you this poem
Free and clear.  You own it.
This lighting poem,
This prayer.
For whom this belle poem rings, will know it. Let it stay that way too, please.
 Dec 2013
Nat Lipstadt
She brings me morning coffee and tissues
(Tissues, ostensibly a coaster)
for she knowing.

Poetry,
I am writing,
needing then,
to wipe up
the spilling
tears.


PostScript:
Which of the mysteries within this poem
need answers?
All or None.
 Dec 2013
JM
Waking, pale sun burning away the smoky remnants of my dreams of you.
These memories of delightful daydreams.
I create a universe where your spine is steel and our love is a featherbed in a castle.
Our heat fills the cold stones
as greyhounds and bulldogs share the halls with young boys laughter and the smells of tea and toast.
I know you devour me while I sleep
the same way I consume you while you bathe,
soaking up every fold and freckle,
memorizing every precious contour.
Waking, your pale skin burning away
shadows of the past,
my strong hands rest on
your waiting hips.
The boys and dogs come tumbling into our morning oasis with bony little elbows and bad breath and laughter like heavens manna.
This is my now.
You are my forever.
We are eternal.
 Dec 2013
Nat Lipstadt
The Sorceress, Jacob's Most Beloved

she had eyes for me
I knew it
she knew it
man among boys
stare beguiling no accident
entrancement, entrapment,
of course, her eyes hid,
but knew it anyway, for
her warmth dripped into my body,
resting happily within my centre.

why not?

her sorcery, profound,
when she cast the words,
she cast them instantly
without human fore thought,
thus pleasing and being pleasing,
when her branded magi magic
home in other people's minds
did come to rest.

the spells cast
in and on me
own me as much
as I now am possessed,
and in possession of them,
though which is more powerful
is indeterminate,
for I am stained
either way.

in a quiet hamlet,
in an ancient thorp,
the lambs, white and happy
prance on the commons,
the El god's angel disguised,
fresh and unbroken,
I observe the only one,
spotted, stained, like me,
open hid on this earth.
bleating,
I am my beloved's,
and my beloved is mine,
mine very own sorceress.
http://en.wikipedia.org/wiki/Jacob_(sheep).  This particular poem is dedicated to a particular poetess here, and there are numerous clues contained within the poem as to her identity.

— The End —