And I really do mean men. And mostly white men.
I learned that at Columbia film school
In LA, at USC, all those male filmmakers were somewhat suspect
What they made, could not often be called "art" but even worse
they tended to extreme geekines
They wore ***** athletic shoes everywhere and spent long hours on sets
in t-shirts, wearing caps with the name of their film on them and not smelling particularly fresh
They were not particularly athletic in a city that sport "muscle beach."
But here, they were MEN. They could hold their own in any test of masculinity
as art is a serious undertaking, and requires great powers of the intellect
And here, where most life is spent indoors, the men dressed well,
in proper leather shoes that had names, and followed the fashion of the bohemian moment
which was not considered bad, maybe because you need clothes so much there
You are always freezing or sweltering and sweating. You freeze outside in winter
and you sweat when you come indoors. In the summer you boil outside in hot
and air conditioned New York, like you are in purgatory, and then freeze again in the air conditioning
To have that artistic authority, no woman can come close
It isn't a woman's world, at least in the early nineties in New York, it wasn't
Such a dissapointment for me since I thought I could somehow slip through by sheer cleverness
It's like a black person hoping to be identified as white. It can't be done.
There was a place for me, like no matter where I hid in a cinematography class
in the front, middle or back I always became the woman who is photographed
to demonstrate lighting
"You learn the most up here" said Beta Badka, in a thick Ukrainian accent as he set me on a stool
But that's not where I wanted to be
I longed to be taken seriously, telling stories about women, about girls
and having them be respected with that same cache
that came with stories of men