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Zach Gomes Feb 2010
When, torpid, the sun begins to grey
In the outlines of clouds on the move
But in no hurry, autumn reaches for its full potential.
What leaves there could have been
Were shot away, we’d have paid them no mind, anyway.
There is a roughness tangled in your hair,
It’s best, I think, to let it be
And, instead, to view the wide expanse of beach,
Which marches into the frigid sea,
Debating with itself and at last achieving a landscape
Pure enough to match the temperature: 40 degrees F.

I can feel your hand stiffen and I
Too sense the tension in the afternoon,
A resistance to our huddled, timid presence; we’re nearly frozen in the process.
Drawing closer, hoods, tightening our jackets
Won’t do much to prevent the
Days from shortening and the hours’ agonizing stretching-
Out.  It’s not time enough
To take in the red and white display
Which umbrella shades act out tiredly before us.
Then the waves, mischievous as ever,
Creep up the sand to ****** at our shoes
Before they swagger back to the sea.  Love
Is lounging in the break, sopping wet
And fully-clothed—boots and all.
In the brief moments when our thoughts and talk collide, hours fit for memory
Flit us by.  Hairy swathes of weedy dunegrass
Wilt with hindsight.

Please, slow.  A rushed gaze and a blink are futility
At the shore; looking, here,
Is tenderer than you’d imagine.
Finalized versions of the day are worth one short glance,
But no more than that; you see
Too many things are
Strewn about these days; it is unclear who is
At fault for these mysteries, only that today,
At the boardwalk there are many brooding melancholies.
Silently, a hard wind licks the sand.
Zach Gomes Feb 2010
The stiff cold
In the air today, and
I was thinking what I might like
To become
Of me once I’m good
And dead.

There are really so many options, but right now,
I think I’d prefer
To be cremated,
Or something like that.

A starchy cotton jacket was
Such a bad idea,
Now I’m cold!
Sheer buildings leaning
Over me, on almost all sides.
Are crematoriums like that?
Must be, here,
I suppose...

But how warm I bet they are
And then you slip into death
At the end of it all and into
Those lovely, gorgeous urns.
Zach Gomes Feb 2010
I.
Coffee, with some cream—
Why not drink it this morning,
Like all fall mornings?

II.
Don’t pull off the sheets!
Our white legs will be exposed
And we could be cold.

III.
On Sunday morning
I feel the workdays looming
In my tensed, clenched chest.

IV.
Wake in aching light.
Groggy and still, electric
From the heat of dreams.

V.
Hardboiled eggshell flakes
Litter a clean saucer, flecked
With pale morning light.

VI.
Local headline reads:
‘Vile window graffiti taints
Pharmacy’s image.’

VII.
It’s raining; the sight
Of puddles in the grass meets
The smells of bacon.
Zach Gomes Feb 2010
Winter rain falls like rushed snow,
hurried free of its intricate lattice,

setting down on your silvery snow-jacket,
seeping through its outer layers, now damp—

your sodden nylon sleeves cling
to the limited space of your figure.

Look around, there are no other children
in the wide, dusk-bright park,

there is just the rain tapping against the path.
Best to go home now

before the chilled rivulets forming in the street
begin to freeze.
Zach Gomes Feb 2010
Our steps echo inside the mist—
A foggy midnight on some suburban road.
We plod into the pale
Light of vapors hanging on the sheet of night.
In two hours on this road, not a single car
Has passed.  We are tensed, hunching
In anticipation of some visit, the hiss
Of rolling wheels on the pavement.
Its cool and the night is wet
With a thick mesh of mist.  
“Where are we going?” she asks us.
A small shape skips by, maybe a fox, edging the road;
It kills a mouse.  The fog drapes itself across
The pines, the hooked iron barrier, the weak orange
Blur of streetlights, and our black figures.
I slide pine needles out of her hair
And, as the thing leaves its **** to rot,
Wipe traces of blood from her collar.
The glossed yellow lines curve, unseen
Into more mist and the silhouettes of trees:
Writhing shapes against the inky
Background of night.  The three of us walking,
Wreathed in misty veils, like death-hoods.
Zach Gomes Feb 2010
It was warm in Emilio’s backyard,
The site of their game of explorer.
Emilio cleared the overgrowth;
Michael complained.
He was bent over, trying
To have a conversation with the blood lilies,
But he couldn’t hear them
Above the soft sliding hiss sent up by
The passing snake herd.
(Past the Huano palms, Emilio could see them,
Moving like a fleshy woven mattress)
Both boys noticed
The glut of termites
Crawling over their sneakers.
Michael complained more.
How could he explore
Amid so many noisy distractions?
This was when Emilio went inside
To get his father’s gun.
Michael watched as he fired
Three shots
Into the clouds threading the sky.
Both explorers presumed it was the shots
That punctured the clouds and caused the snow;
In the surprising silence of snowfall,
The two boys trotted across the yard,
Catching flakes in their butterfly nets.
Zach Gomes Feb 2010
Press it to your lips, breathe in deep,
let the smoke fill the car with guitar riffs
while you tear down the street.

‘This stuff will give you a lift,’
says John from the driver’s seat.
I pass him the joint and turn the volume up.

Good hard rock pumps our blood with a wild beat
and the heat of summer night keeps us on top
of the world, the six of us, crowded

in a rusted, five-seat pickup,
pushing eighty, with the music loud, and
the backseat flirting getting rough.

We’ll pinch and tease the girls ‘til they
sink, slyly, into our arms
and enrage us with eyes begging for mischief.

So we give them mischief, and pull the car
up to a gas station.  John turns to me to ask if
I’m up to try this place.

‘It’s just right.’
We step to the asphalt in pace
with the radio’s thump, the white

glare of the floodlights hard
against the damp black night
and the shadows of trees.  I start

to review the plan, but I know it alright;
the door jingles lightly as we step inside
to rows of multicolored bags of chips.

Inside it’s cold and quiet.  John coolly strides
to the back for the drinks, and I pick
out a pack of cigs from in front of the counter.

The man is reaching, John is ready, then lightning quick,
we bolt from the store; round the
corner, find the truck; ‘Hey you *******!’

But he’s too late, we’re racing away
and flipping him off.  Our laughter
is loud, the girls are blinking in the spray

of beer popped open.  That’s just after
coming back all smiles, the victors;
flying into the truck, I sat

a girl, Joanne, next to me.  We soaked her,
freed her, ourselves, with foamy suds,
the alcohol, and young nights on the road.

There, signs and shadows rushing past,
we sing to the radio: “I hope I die before I get old!”
and drum on the dash.

Throw the bottles out the window,
who cares what happens!
Spread the glass shards, let the whole world know!

Press it to your lips, drink to the intoxicating purr of the engine.
You laugh, listening to the tinkling
as bottles shatter, one by one, on the pavement.
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