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"wracked" poems
* red - her lips tasted of wine and blood and all the pain she felt in her heart. she was driven by wild passion and survived solely on her intensity and strength. each breath she took was like fire; so absolute, so empowered. orange - her hair was crafted from the bright ashes of a phoenix, kindled with streaks of gold. she always seemed to be her own lick of flame from the embers that burned in her heart to the coals that touched her soul. yellow - her smile was light at your darkest hour, sunshine after a rainstorm. inspired by everything and nothing at all. she was the sun personified, the epitome of radiance. green - her eyes were so deep and magnificent and ethereal, while still lit with puerility. she could look at you with those eyes and show you that she cared so passionately for you, no matter your mistakes or your faults. blue - her skin drowned in an ocean of tears, storm after storm, each wave wracked her body. she trembled with heartrending sobs, each breath heavier than the last. her sorrow painted the depths of her, unseen to those who had not genuinely looked into her eyes. purple - her organs were stained an ugly shade by the darkness she consumed. her hunger was insatiable. she filled her mouth with poison and swallowed it with a smile on her face. the air traveled from her bruised lungs, through her macerated throat, and out her smiling, stained lips.
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Nov 22, 2015
Nov 22, 2015 at 3:44 PM UTC
"how would you explain color to a blind man?"
*Morpheus has never been kind to me His somniferous ways leave me wanting Grasping at the cusp of a reality As evanescent as the morning mist That greets this reluctant gaze. He exists to these sheathed Bourbon eyes Within the veiled carapace Of the only form I've ever wanted more Than necessity and air. His torment lies In false reunions, in joining and parting lips In forest eyes that linger behind in my thoughts Like the echo of a cannon Long after it's wrought its own havoc. Yes, that twisted Lothario That Grecian sandman Exists to overcharge the soul with Hope so poisonous Bodies and minds are wracked with it Inspired by it Haunted on into the waking world Where he waits on the periphery Eyes narrowed in the light Of the waking world that renders him useless.
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Sep 14, 2015
Sep 14, 2015 at 9:37 AM UTC
Sleep Has Never Been Kind.
The blackbird’s footprints seemed to trace A footpath to the resting place; Through the bright new layer of snow They led the way, showed where to go. They laid your baby in the ground A tiny heart that made no sound; I scattered earth and shed a tear Scared and lonely, wracked with fear. For two weeks before we’d tied your hair With a band from mine as you lay aware; Things would never be the same A tiny being would have no name. I never saw you cry that day So I hid my sadness as I walked away; I saw the blackbird that day too Wise eyes watching, I think he knew. The year is new, joy may it bring As Winter changes into Spring; And when dragonflies dart in the sun I’ll think about your little one.
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Sep 26, 2015
Sep 26, 2015 at 3:23 AM UTC
The Blackbird
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
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Dec 15, 2011
Dec 15, 2011 at 4:22 PM UTC
The Golem
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
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9
I know you have another and I know that you will go But I have seen the doctor, my life is nearly done Any feelings you once had are history, are gone At least have the decency to wait until my life is done The arguments we had over the most trivial things These are the things that happen between two different beings When we met you said the age gap was not a major thing That’s why I was so happy on the day you wore my diamond ring The hours when I’m wracked with pain, find it hard to breath The only lucid vision in my mind is your body pressed to his No fault of mine the sickness raging through my veins No fault of mine the cancer eating at my brain You scorned me when I told you, said it was all a plan To keep you as my wife when you wanted another man I find it hard to write these things as the salt tears blind my eyes I beg you please stay by me until my untimely demise You can’t lose now my darling for I am soon to go You will soon be with the new man whom you love This is not a sweet goodbye but one of pain and misery I can write no more words to you for my eyes no longer see
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May 5, 2013
May 5, 2013 at 11:03 AM UTC
PLEASE DON'T LEAVE ME NOW
slipped glyph. this and that; wracked in some silly, heady packrat skyscraper of leaning light. then's flicker of vague regret hangs around, because life. because letting go is never really, ever, fully possible. misremembrance -now- retracing my.. *it was as though you had written, signed and sealed those few words themselves, with your own blood and bone* and yet i can- not recognize my own penmanship anymore, nor this, here, outstretched hand. howamievenhere? *because a winged thing, other, has this history by the tail, and your thoughts are not your own*
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Jul 11, 2016
Jul 11, 2016 at 5:15 PM UTC
i meme now
When the crying sobs Wracked with pain Finally cease They open the gateway To entrapping numbness And honestly I can't say If I would rather have The horrendous pain Or the ghostly numbness
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Nov 3, 2013
Nov 3, 2013 at 12:03 AM UTC
Pain to Numbness
stop be still and listen hear ye not that soulful song of endless motion that tireless voice of storm wracked potion her swollen bosoms' rising, falling her shameless cresting foam flecked devotion pouring out her effervescence on lips that drink her adoration yet never taste her vital essence her drumming chorus a roaring thunder on rocky clefts torn asunder as mourning rays of misty raining her teardrops falling gently tracing our loves our sorrows engraved each day on these mortal paintings on granite shoulders her message beats that pounding drum of thunderous need as she flings her ageless storm tossed beauty onto granite arms etched and fluted from hollowed cheeks her kisses pouring as sea birds cry on stiff winds soaring and ever on throughout the ages enduring her ravenous inclinations never wincing from her brazen charms her surging seduction's voiceless call immersed within her warm caresses glistening in her wind tossed tresses enfolding him in her flowing graces in dulcet tones of annihilation . . http://oi62.tinypic.com/vuya0.jpg .
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Feb 9, 2018
Feb 9, 2018 at 7:02 PM UTC
Dulcet Tones of Annihilation
pisces: stop claiming you are weak. it doesn't come down to strength, it comes down to self-discipline.it comes down to there should've been something there (love),, every time he looked at you, every time he needed you to hold him. you scorned him, when you were both on the floor but it showed on his face more. it comes down to you left his body wracked with sobs, gasping for breath because he didn't think you would. everyone believes you when you say you love them except after a while they don't. he was spellbound and starstruck and delusional. everyone thinks you are kind. but there are five people who might be able to tell how you are cruel and self-absorbed when you are bored. you tire of your toys and the people who fell for you first got the worst of it. when you know you;ve got it you don;t want it anymore. so you pretend to cry, tell everyone youve never been loved back. but get a grip on your head and your heart, pisces, if you really want everything to stop falling apart. surrender that cruel magic of yours, have more truth; puke out the pain you've enjoyed, [give up] the shallow joys for profound ones. pick your soul up off the floor. beat some sense into it. go out there with everything in the right place and when you know want to do, go do it.
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Feb 15, 2015
Feb 15, 2015 at 4:21 PM UTC
horoscope (#1): pisces
I wrote a poem you'll never see – a masterpiece; it took me weeks. I love you and I wanted you to know. I achingly described your lips with tender, breathless craftsmanship; it was a soulful, sinful epic wracked with lust. Poetry herself, intrigued, shook her head in disbelief; no mortal girl could ever love so much – and so, enamored by my words, she decided to ****** you first. I'm sorry, lover, but she had to go.
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Apr 28, 2011
Apr 28, 2011 at 2:29 PM UTC
It was that good
you love him you love his smooth hands and his rough cheek you love your hands in his denim shirt and the cinematography of you together everything else is an afterthought the knife in his eyes that is not always pointed at you but when it is you kiss the fist that rattles plates the lips that wrap around clenched teeth melt him fail to understand his poison tipped arrows that are aimed at the mother who threw bottles if he could only pick one more fight it'd be with his father you kiss him when he knocks his brother's teeth out he leaves in the morning for coffee and comes back a day later welcome him with open arms and abundant questions he will be a tower of irritation and concrete he will point fingers that will curl into fists but they are not fists for you they are for the devils that dance within him and behind his wild eyes and in his childhood home you will not be fooled he loves you you know by every sweetheart and the lips on your forehead and the way he smells in between the sheets each night he leaves he comes back purple flowers that bloom around his eyes are the bouquets he brings home for you the front porch sags when he puts his hands in his pockets his face buried in your chest on nights when the lamp swings a little too low and his body is wracked with sobbing and shoulders shaking he mourns the gentle temper he never had he mourns what he would be like without you he mourns what you would be like without him this is how he loves you your hands in his hair easing soothing shh shh you are the mother who left you are better than every last ex-girlfriend for reasons he will be happy to name this is how you love him you came because you are drawn to the shipwrecks but you stayed in the water for him ancient child furious soul you salt his wounds and then you clean them this is how you love him
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Mar 25, 2014
Mar 25, 2014 at 12:46 AM UTC
for girls who love angry men
you love him you love his smooth hands and his rough cheek you love your hands in his denim shirt and the cinematography of you together everything else is an afterthought the knife in his eyes that is not always pointed at you but when it is you kiss the fist that rattles plates the lips that wrap around clenched teeth melt him fail to understand his poison tipped arrows that are aimed at the mother who threw bottles if he could only pick one more fight it'd be with his father you kiss him when he knocks his brother's teeth out he leaves in the morning for coffee and comes back a day later welcome him with open arms and abundant questions he will be a tower of irritation and concrete he will point fingers that will curl into fists but they are not fists for you they are for the devils that dance within him and behind his wild eyes and in his childhood home you will not be fooled he loves you you know by every sweetheart and the lips on your forehead and the way he smells in between the sheets each night he leaves he comes back purple flowers that bloom around his eyes are the bouquets he brings home for you the front porch sags when he puts his hands in his pockets his face buried in your chest on nights when the lamp swings a little too low and his body is wracked with sobbing and shoulders shaking he mourns the gentle temper he never had he mourns what he would be like without you he mourns what you would be like without him this is how he loves you your hands in his hair easing soothing shh shh you are the mother who left you are better than every last ex-girlfriend for reasons he will be happy to name this is how you love him you came because you are drawn to the shipwrecks but you stayed in the water for him ancient child furious soul you salt his wounds and then you clean them this is how you love him
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48
an old familiar, an adversary of the first degree, when we wrestle, me and this god disguised as an angel disguised as man, the door to where we tangle, clicks shut with a perceptible oval sounding, a trumpet announcing commencement of the festivities, that we are Occupado no stray observers permitted in, the room entrances locked, someone's two hands upon each temple, (cannot be mine, for) inside we combat literally, "mano-a-mano" hand to hand, word to word, gradually, continuously, up close and personally, one on One over the course of a lifetime, each battle named, famously borrowed and thus recorded, Agincourt, Waterloo, Gettysburg, Leningrad, Ðiên Biên Phú, for the record keeping purposes of our unforgiving ****** historian the rules of engagement somewhat flexible, biting, choking, eye gouging, kicking when down, not just legal, encouraged, no holds barred, when we wrestle, the dirtier the better take turns declaring a victor, for that matters little, truly, just a record keeping notation, the battle and its aftermath, the waves of pain inflicted, the casualty count engorged, is the greatest glory, dans une manière de parler though sent away the children, our earthly goods, designating them purportedly, non-combatants observers, yet 'no rules' meant they could be accidentally drawn in, non-combatant status does not prevent them from being freely captured or killed the conflict ongoing, no one ever calls for a truce, for both unequal adversaries know, no quarter will ere be given, and though the tide shifts, each individual battle produces as always, a winner and a loser noisy affairs, long after the battle, the slain yet scream, perhaps I am confused, perhaps it is the day's survivors, announcing that sadly, they are still alive it must be the latter, for here I am writing and recording, and though alone, I hear an ever growing louder, gouging sine wave scream piercing, daring my soul to leave my wracked body for though mortal wounded, I am therefore both dead and alive, but which more so, none can surely say this conflict remains unconcluded the pain in my hip, now everywhere, my Jacob, now, Israel, marker so visible even if itself, unseen 3:59am
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May 17, 2014
May 17, 2014 at 4:03 AM UTC
Wrestling With God
an old familiar, an adversary of the first degree, when we wrestle, me and this god disguised as an angel disguised as man, the door to where we tangle, clicks shut with a perceptible oval sounding, a trumpet announcing commencement of the festivities, that we are Occupado no stray observers permitted in, the room entrances locked, someone's two hands upon each temple, (cannot be mine, for) inside we combat literally, "mano-a-mano" hand to hand, word to word, gradually, continuously, up close and personally, one on One over the course of a lifetime, each battle named, famously borrowed and thus recorded, Agincourt, Waterloo, Gettysburg, Leningrad, Ðiên Biên Phú, for the record keeping purposes of our unforgiving ****** historian the rules of engagement somewhat flexible, biting, choking, eye gouging, kicking when down, not just legal, encouraged, no holds barred, when we wrestle, the dirtier the better take turns declaring a victor, for that matters little, truly, just a record keeping notation, the battle and its aftermath, the waves of pain inflicted, the casualty count engorged, is the greatest glory, dans une manière de parler though sent away the children, our earthly goods, designating them purportedly, non-combatants observers, yet 'no rules' meant they could be accidentally drawn in, non-combatant status does not prevent them from being freely captured or killed the conflict ongoing, no one ever calls for a truce, for both unequal adversaries know, no quarter will ere be given, and though the tide shifts, each individual battle produces as always, a winner and a loser noisy affairs, long after the battle, the slain yet scream, perhaps I am confused, perhaps it is the day's survivors, announcing that sadly, they are still alive it must be the latter, for here I am writing and recording, and though alone, I hear an ever growing louder, gouging sine wave scream piercing, daring my soul to leave my wracked body for though mortal wounded, I am therefore both dead and alive, but which more so, none can surely say this conflict remains unconcluded the pain in my hip, now everywhere, my Jacob, now, Israel, marker so visible even if itself, unseen 3:59am
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91
. Cohesion has been fragmented, merely an old dissolved memory. A shroud darker than pitch black heralds the omni-directional strangler, seeking to crush the fragile neck and slowly asphyxiate the minds reality. The turbulence of mute non-existence, trapped in an endless glass sphere, a cold snow-globe paper weight, screaming for the end of the world. Terror dissipates all common sense, the inner head explodes and implodes. A wracked skeleton of fevered flesh, the violated remains, beautiful and torn, left, when the butterflies of darkness ****** the fire. © Pagan Paul (2017/19)
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Jan 26, 2019
Jan 26, 2019 at 7:15 PM UTC
No Way Out
and in that deafening silence, i’ve never wished more to be heard, wracked with endless demurs of regret and remorse – impure, impure, impure. ii. but it’s my choice, isn’t it? to bear the knot of pearls come undone, to feel it shift from skin to soul, to speak of loving, and then let go. (i see this now as a luxury i could not afford.) iii. if i don’t rise come blooming spring, ring the church bells for those left unheard, wash the red from the bed sheets, please unhinge my strife from the earth; and know this: a man is no longer a man, after his unbidden pillage, has left an innocent soul shaken; unholy. holy, holy, holy.
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Feb 1, 2021
Feb 1, 2021 at 6:46 AM UTC
Where a Poem about My Body Becomes One about being Touched
It was my best friend who asked me what I'd choose to be in my next incarnation. Honestly, she caught me completely off guard, intellectually dumbfounded by a prospect I'd never considered, nor felt I deserved. That night I wracked my brain searching for a suitable chakra from which to derive an answer. I know she believes everything is renewed, so, deferring to her convictions, I chose a jaguar, as suitable for my solitary way. She's always had a knack for surprising my existence, deflecting the metaphysical, steering for spiritual shores. I recognize this power she exudes, though she dismisses me. The jaguar I'm evolving divinely subsumes her virtues, is cognizant of the heroine from Mumbai ashrams. I'd like to tell you I hear rumblings in the sky, that there's a certain path beneath my feet, but my destiny eludes all outward signs, striving for that inner love that has no name.
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Oct 28, 2012
Oct 28, 2012 at 11:44 PM UTC
Ontology for a Nameless Tao
He stared at the cuts on his wrist Reprimanding himself for his cowardice To not finish the job Melissa had seen those cuts Dug deep  into his wrist; angry red Knowing full well the reason for them But choosing to ignore them He flinched letting out a sharp gasp As slaps  and  punches  hit him Opening old wounds  and  bruises His body a palette of suffering  and  pain Bleeding tears down his skeletal frame Melissa  watched these attacks Her boyfriend  inflicted upon him But chose to ignore them His eyes were dry from shedding tears His heart was torn from the constant crushing His body wracked and tired from the frequent beatings And his brain weary and ready to shut down forever That morning Melissa  couldn't  ignore the body Hung in her front garden Holding a bouquet of wilting roses; With a heart saying I love you
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Sep 17, 2015
Sep 17, 2015 at 4:03 AM UTC
Melissa I love you
To my own caution I will never give into mania again Still recovering from the last high rise wracked with pain from the bends Now I'm all alone keeping zen in my rock garden Rearranging thoughts not knowing how long its been It caught me by surprise with no room to vent choking on I Love You breaking down from the event 'cause the futures fast approaching with no idea whats been set in this moment, at my core while my garden can't grow anything in it.
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Oct 10, 2014
Oct 10, 2014 at 11:27 AM UTC
The Rock Garden
Strike a mark on a sun kissed shrine Cheek bones, dance within the sand's light - Lambent spore sprig -Rot - beneath the mine Lay the tourniquet fused, marble eyes. Center stark stork - wracked to atomic bliss Forked tongue minotaur, auric troubadour - Machinations of bellowed amethyst, Composed the flowered Aum, raising thy ********* Arachnid's webbing - strung of turquoise beads - By what are the viscid lines severed clean That they convolute binaural progeny, And lure the soul to breathe?
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Nov 20, 2012
Nov 20, 2012 at 7:17 PM UTC
The Breathing Mandala
a ring of stone under water a breathless figure sits between red coral-fingers blue eye-fish and from her hand the lava pours steam running away with the motion of stone leaving silent twisted images basalt black wracked back spinal cord columns to salt and become green and beautiful with algae Violent underwater mother birthing continents all mineral gem metal plant and animal birthed thru her and the sand that is the product of so many ancient fey stone and glacier meeting each other again and again and the sun and the wind the river the hoof the root the heel the rot the sand that is the mana that make the motion the Aa and Pahoehoe slowly rolling new mass of life that we are is! submerged remembering remembering a ring of stone under water a breathless figure sits between red coral-fingers blue eye-fish and from her hand the lava pours
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Jul 29, 2018
Jul 29, 2018 at 6:49 AM UTC
honua hanau
The thistledown’s flying, though the winds are all still, On the green grass now lying, now mounting the hill, The spring from the fountain now boils like a *** Through stones past the counting it bubbles red-hot. The ground parched and cracked is like overbaked bread, The greensward all wracked is, bents dried up and dead. The fallow fields glitter like water indeed, And gossamers twitter, flung from **** unto **** Hill-tops like hot iron glitter bright in the sun, And the rivers we’re eying burn to gold as they run; Burning hot is the ground, liquid gold is the air; Whoever looks round sees Eternity there.
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2.1k
Autumn
But rocks are hard And buttocks are soft And the two do not Good bedfellows make And I cannot remain here, And so I climb, Again, Scrabble painfully up the scarp, Again, Towards the light Of a sun which seems So very far And unfeeling In an azure sky that Holds little hope But each painful inch Is one less in the shade, Every focused lever against the Gravity of pain and loss Removes me from its grasp A little more, Until eventually the suns rays Start to penetrate the cloak Of my depressed state And even my wracked muscles Start to warm and, At the cliff top from whence I fell, I spy that rock which my back Missed still stood in place Where it always was Did I lean the wrong way Or did it wobble? Or was it a bit of both? Either way it feels stable now A rock On which I pause to lean
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Jan 17, 2022
Jan 17, 2022 at 7:43 AM UTC
Deep 3
Flowers grow through cracks Cracks in the wall Where bare brick has been torn apart by bare storms Or steel ripped apart by a hurricane of grief Cracks in the pavement Where some people refuse to step In the fear of some supernatural supernova Descending from the heavens and ripping their mind apart Cracks grow in places where there is nobody to keep them from becoming brittle Things snap when they're left for too long Like sticks and bodies and minds That have had enough of casual use Of beatings and bricks and careful abuse Pain is beautiful Is that what they told you? Be proud of those wounds and gashes you painted Show them to the world because your pain is beautiful Did it feel beautiful? When it was four in the morning and you were staring at your ceiling Wondering how everything had spiralled in iridescent lines What a beautiful thing it is, to fall To fall from that crumbling platform you built for yourself How lovely it was when your fingernails ripped As you scrambled and clutched at the edge And your stomach wracked from your mouth as you fell Did it feel beautiful, when you fell? Did you ever really fall? Everything ugly can become beautiful A thousand poppies above a sea of rotting corpses Turning to a graveyard of bones Flower heads red like the blood spilt on the dark soil Drip, drip, drip like a broken tap Slash, slash, slash like a knife slicing through flesh And that muffled, drawn-out scream mixed with gurgling of blood Bubbling from lips and staining them, staining everything That garish, bright shade of crimson And then a thump Because the end is always the softest part Even if you cling on, kicking and screaming The tide will sweep you away and your voice will not be heard Unless you can find a rock out in the waves And tear off those fingernails all over again to just Hold on Flowers grow through cracks Cracks in bones and cracks in minds Flowers of that garish, bright shade of crimson With those seeds of madness That wind you up like a little music box And twist you around like a clockwork ballerina And when you break those tiny screws It's all your fault The flowers that grow through the cracks Are the flowers that drive the nail further Until it hits soft flesh Down through to bone The bone of cracks and broken screws But you did it all yourself Why did you do this to yourself?
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Oct 15, 2017
Oct 15, 2017 at 8:22 AM UTC
flowers // cracks in the pavement
Flowers grow through cracks Cracks in the wall Where bare brick has been torn apart by bare storms Or steel ripped apart by a hurricane of grief Cracks in the pavement Where some people refuse to step In the fear of some supernatural supernova Descending from the heavens and ripping their mind apart Cracks grow in places where there is nobody to keep them from becoming brittle Things snap when they're left for too long Like sticks and bodies and minds That have had enough of casual use Of beatings and bricks and careful abuse Pain is beautiful Is that what they told you? Be proud of those wounds and gashes you painted Show them to the world because your pain is beautiful Did it feel beautiful? When it was four in the morning and you were staring at your ceiling Wondering how everything had spiralled in iridescent lines What a beautiful thing it is, to fall To fall from that crumbling platform you built for yourself How lovely it was when your fingernails ripped As you scrambled and clutched at the edge And your stomach wracked from your mouth as you fell Did it feel beautiful, when you fell? Did you ever really fall? Everything ugly can become beautiful A thousand poppies above a sea of rotting corpses Turning to a graveyard of bones Flower heads red like the blood spilt on the dark soil Drip, drip, drip like a broken tap Slash, slash, slash like a knife slicing through flesh And that muffled, drawn-out scream mixed with gurgling of blood Bubbling from lips and staining them, staining everything That garish, bright shade of crimson And then a thump Because the end is always the softest part Even if you cling on, kicking and screaming The tide will sweep you away and your voice will not be heard Unless you can find a rock out in the waves And tear off those fingernails all over again to just Hold on Flowers grow through cracks Cracks in bones and cracks in minds Flowers of that garish, bright shade of crimson With those seeds of madness That wind you up like a little music box And twist you around like a clockwork ballerina And when you break those tiny screws It's all your fault The flowers that grow through the cracks Are the flowers that drive the nail further Until it hits soft flesh Down through to bone The bone of cracks and broken screws But you did it all yourself Why did you do this to yourself?
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*Strip into segments the colours of life At the birth of my sons, loving my wife, Like the moment of truth when, whilst shivering clear, I went eyeball to eyeball with that, which I fear. Like the time when the engine went dead in the plane And I ditched in the pines to confirm the insane. When my Father collapsed and died in my arms And childhood departed with God and his Psalms. When I first kissed a girl’s soft velvety lips And felt, with wild rapture, my hands on her hips. Discovered ripe apricots fresh from the tree Taste sweeter than nectar collected by bee. Felt the presence of death compellingly near Though the body was wracked, the thinking was fear. Climbed impossible peaks that I dreamt I perceived To weep the hot tears in a life’s goal achieved. Laughed loud and long with the wind in my hair Yet cried when an enemy lost to despair. Pondered the mystery of what’s round the bend Concluded beginnings are part of the end. Compiling the rules to maintain my space Lie in keeping the oddballs out of my face. Clasping friends, so few, to my breast Embracing the true and to hell with the rest. Committing my time to my one darling wife And thanking the Gods for this colourful life!* Marshalg Sitting in the long summer grasses 3 Decemeber 2012
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Dec 2, 2012
Dec 2, 2012 at 9:34 PM UTC
A Colourful Life
The Culture twists and shrieks, wracked by violent spasms of regression, recoiling in pain and terror, contracting inwards like some giant spider god dying. Maybe snake oil will offer a cure. Perhaps we can purge the demons by drilling the right holes in the right skulls. We could try electro-shocking our way back to 'normal'. We might even rediscover the benefits of leeches. We're building walls and burning bridges. We're forgetting the lessons we never quite learned. We're watching ourselves watching ourselves watching ourselves on an endlessly repeating loop of tiny glowing screens. We willingly downsize our worlds until we have to make ourselves smaller, just so we can still fit. The future is closer than we realise. It's just not as big as we thought it would be.
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Jan 30, 2017
Jan 30, 2017 at 8:14 AM UTC
Shrinking Pains
The notes caressed. They opened windows when I saw no doors. They beat with my heart and ran down my face, wet and stinging and salty. And even when they were too much I could stand them when they were loud, when they were hammers on my soul, when I couldn't bear them to be gentle. The notes could laugh, and if I could see them, some would look like my smile. And when panicked they'd all left, I snatched yet more out of the air and held them to my chest. They were sobs that held me when my body wracked apart, they were all that was left to love of me. But now the pain has grown too sharp to bear within, now I'm all ache and no song. All lonely nights of strangers and dreams of those familiar with no self of which to speak. Faces have taken their place, some for whom I care, others less. Now, if I'd let them in, they'd worm their way into my cracks and weaken me till shattering. Now, they all sound like mistakes and people's voices and things I wish someone would frighten away. The notes didn't matter so when a man could take their place and I knew who he was. And they weren't needed before I knew something was missing and had at least a name to whisper. But now the notes just hurt.
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Sep 29, 2014
Sep 29, 2014 at 3:30 PM UTC
Evolution of Music