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Connor Reid Apr 2014
A duality of elan vital, two people
Spectres of emotion
Intertwined by a fuselage of bruised skin & tendon
Tissues become orbital, gushing towards grafts
Helixes of snot, **** and lymph
Boy & girl
As they embrace the animating principle and eachother, they fuse
A one piece tapestry adorned seamless with no hem, beginning or end
Always was, always is
Patiently turning to liquid as their being unzips
Lying figures of runny makeup and genetic *****
Quintessence, a texture of synaptic potential
Corpus Callosum
An entirety of self, lost in imbued disintegration
Theory of mind, looped & bound
I will water the thought
Roots envisaged in dystopian amygdala
Piercing data packets with a frost-like intensity
Forgetting our obsolescence moments ago
A neuron dipped in nylon
Theta waves and the non-euclidean crux of dissociation
Ghosts in the machine, your macro god
The sympathies of fractional distillation
Digitised/assimilated unto the nanosphere
Cold hands and brass backs galvanised in oscillated tears
Commodified, sold out and bought
Stretching, from purple, white and black
slowly losing its colour, amorphous in shape
brushed across a smudge, ambiguously chromatic
Monetised flesh god
An eternity bathed in starlight
Cutting an incision in the sky to allow entropy
Divided dimensions of energy
Fleeting and intangible
No longer a delirium of seperation
All semantics become light
As a rusted vehicle passes overhead
And all the worlds questions fade out of existence
Flutters of red tape and foregone growth of practice
Sinew flayed, integrated towards information
Our minds shared
In circuits and resistors
Photons and electrons
We radiate
Just Melz Dec 2014
They're feverish with desire
Eclipsed in love
Raging like a black smoke fire
****** scents rising above
The pheromones they release
Must be smelled miles away
They've missed this, the tease
And liquid glances, it's been days
Since, either have touched the other
But they still feel that ****** tension
On every inch of their skin
When they're finally away from prying eyes
Their lips mesh, his hands move to her thighs
And hers slide up through his hair
Gripping on tight
They could be spotted, but neither cares
He pushes her hard against the wall
Bringing her legs around his hips
She thanks heaven she wore a skirt
And quiets a moan by devouring his lips
He quickly, fervently unzips his jeans
Releasing himself and promptly
Entering her sweet, wet heat
He groans as he swallows her scream
Then pounds in hard, fast, ferociously
She rocks her hips with a delicious little motion
Squeezing her core tight, biting his lips
Coming almost instantly when he growls with delight
He thrusts harder, incessantly feeling her getting tight
Moving her ankles to rest on his shoulders
He delves his shaft as deep inside as he can reach
She scratches scars along his back
And they kiss so deep like it's the final feast
She throbs in her core as another wave hits at full force
Starts going weak as she comes once more
Feeling her liquid pour, brings him to the edge
He grips her ankles stretching the limits of her flexibility
Then roars into her sweet mouth as he comes, vigorously
He lets her legs go, but holds her upright
They both sigh knowing it's the beginning of the night,
And that was just a quickie
Johnson Hagood Sep 2010
as RNA polymerase
quietly unzips your
DNA and moves along
the length of your genes
and a bit of RNA
emerges and moves
through the cytoplasm,
after the snRNPs do
their work, of course
and your ribosomes
attach and tRNA does
its noble job fixing
to its anti-codons
linking the peptide chains
of the building blocks
of life

as all this happens
I close my eyes
and kiss you
gently on the cheek
and you smile a little
Skinny Genes by Johnson Hagood is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
jessiah Aug 2014
Sleep like when quiet
Monopolized your ears
Except maybe a ting
An occasional ting
Of a wind chime

Sleep like when diligence
Granted you rest
From your day of completions
You were so thorough and
Always on time

Sleep safe
With the noises and clatter
Of all you hold dear
Knowing they are close

Sleep like when exhaustion
Squeezed the last lucid bit out
Made you pay for your excess
With a punishment
Kinder than most

Sleep with innocence
Not only in the night
But when dust swims across
The warm, thick daylight

Sleep in transit
While the bright yellow dash
Unzips dark highways
And your warm forehead
Bounces on the cold window

Sleep like the way
It takes me now
Lords over all
You ever become
Written some time between the dark days of 2008 and 2011
judy smith Sep 2016
Local designer Vanessa Froehling has denim on the brain. Stonewashed, herringbone print, chambray, stretch and black denim, to be sure.

In her home studio, Froehling flips through hangers of designs, including sailor-style high-waisted women’s shorts, a men’s blazer and a women’s jumpsuit.

“It’s something that’s in everyone’s closet and it will never go out of style,” says Froehling of the French-born fabric (denim’s etymology comes from “de Nîmes,” the French town where Levis Strauss first procured the tough cotton twill for your 501s). But, she adds, “people are stuck on what denim can do.”

The line is called Carpe Denim and it’s Froehling’s entry into FashioNXT (self-described as “Portland’s Official Fashion Week”) — not to be confused with Portland Fashion Week — three days and nights of runway shows in early October. She will present Carpe Denim in the UpNXT competition, the “emerging designers accelerator,” alongside four other Pacific Northwest designers the evening of Oct. 5.

The fashion week has a cozy relationship with Project Runway, the fashion-designer reality show running since 2004, and, in fact, two of the judges assessing the competition are Seth Aaron (winner of Project Runway season 7) and Michelle Lesniak (winner of season 11).

In 2015, Froehling applied to both Portland Fashion Week and FashioNXT, but was only accepted by the former that time. She says auditioning in front of the FashioNXT judges was intimidating.

“My nerves were like, ‘What do I do with my hands?’” Froehling says, shaking her hands by her sides and laughing. The judges were tough, she recalls, and they recommended that she develop the marketability and cohesion of her line.

Over the past year, she took their advice to heart and decided she would try out again, this time with a denim ready-to-wear line, a departure from the couture gowns that have distinguished her style. She took inspiration from the city — recalling watching the denizens of Portland walk by, falling in love with their street-wear style — and the layers of people, buildings and traffic.

Eight jean looks — five for women and three for men — will walk the runway, but rest assured, this will be no **** of Canadian tuxedos. Although denim is the common thread, the designs feature smart juxtapositions against black leather and a colorful textile that looks like a cross between gas puddles and graffiti.

The self-taught designer has also developed several innovative details: a woman’s denim peplum jacket that unzips at the waist, transforming it into a more casual cropped jacket; women’s stretch leather pants that zip open at the knee, a nod to ripped jeans; and a men’s chambray shirt with the illusion of a double collar creating a fresh origami effect.

This summer, the judges welcomed Froehling on the FashioNXT train.

Froehling says one judge told her that she’s the first designer to return the following year to try out again after being rejected.

“It’s the highest fashion production in Oregon,” she says.

The winner will be announced at the after-party Oct. 5, and the prize package secures a spot for the designer in the main runway show in 2017 and includes business mentorships, feature stories inPortland Monthly and Portland Mercury, and a strategic marketing course at Portland Fashion Institute.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Edward Coles Sep 2013
The wicked, they come
In a cerulean dream.
The cellar door opened,
With an opposable thumb.

A disposable past
And no ties in the future,
They live within ******
And die through their caste.

Oh, Ford! They cry out
For all of their blessings.
Oh, Ford! I cry too,
To drown silent doubt.

“Take me to your room.”
She breathes, voice coppered,
She conducts me. Unzips in
One movement, fit to bloom.

“Lenina,” I call,
Eyes blinded by her colour.
In a world so built and grey,
I live only in her sprawl.

We finish, my heart descending.
She nicks her lips to my ear,
Then reminds me thus;
“Ending is better than mending.”

To bed we fall; once, twice, thrice.
Each time I cling longer,
Wrap her in bedsheets,
‘Till she feels our ****** splice.

With no use, she’s gone
To some other embrace.
Some cold shouldered support,
Then to the salon.

She’ll tell all to her friends,
A gaggle of giggles.
And he’ll speak of her,
Like some means to an end.

“Pneumatic,” is she,
He’ll say with no stutter,
“You should have her,” he’ll offer,
Like the fruit from a tree.

No, like meat, like meat,
She is passed around.
Like animals, the Alphas
Bruise, **** and maltreat.

Community. Snake-like,
It moves as if one.
Each person a muscle,
Not separate but a part.

Identity. It blurs,
‘Till I forget the use
Of my name. Push it out,
Repeat in my dreams.

Stability. It comes,
A two-gramme holiday.
A superficial guffaw
That veneers my face.

Oh, Soma! Come take me,
From where I don’t belong.
To where passions are birthed
Far from the hatchery.

To where feelings are heartfelt,
Not found in a pill.
Where waistlines aren’t throttled
By a Malthusian belt.

A savage I am,
In my pursuit for more.
When I long for freedom,
And not another half-gramme.

Gaia, she held us in her womb.
From fish to ape, she mothered too.
Now all that’s left is this soulless gloom
Where man is born only to consume.
Laura D Nov 2014
My best friend has superpowers. She’ll go outside and strip off her clothes and show herself to every person passing by. She screams too loud and loves too hard and feels everything. She’ll hold you and lift you up and make sure you feel everything too. You’d want to wear her words on your feet everyday because they make you feel taller. They never go out of style and they never bore you. The things she says are the things you couldn’t.

There are so many types of beautiful and my best friend's the best one. She’s the kind of person you can’t control. The more you try to settle her flames, the bigger her fire grows. She is a bursting flame.
Sometimes my best friend is a candle. She feels too bright and burns herself up to give others light. I feel she should dance in her own spotlight. I feel others should warm their hands by her bonfire, but they should not steal her light. I wish I could let those who do burn.

My best friend is the kind of person that doesn’t catch herself when she falls. She falls and relishes in it. She lives for the fall, loves the thrill of it.

My best friend unzips every part of you. She opens you up and holds your insides and keeps them warm. You wish she wouldn’t zip you back up. You wish she’d take you with her and tell you stories about the stars in her mother’s eyes and the way her boyfriend always gives her what she wants. She always gets what she wants.

My best friend is the best storyteller. Her stories make your eyes flutter. You can’t help but smile because her vocabulary is too large for this world and I drown in it. She is never a ******* step to climb. She is your knight in shining armor, the apple of your eye. Your first choice. She gets you places.

My best friend is free. She has too much soul to be hung up on a person or a thing. She loves herself too much. She can’t possibly love anything or anyone else more.

My best friend taught me not to make homes out of people. “Doing so will leave you homesick and sad”, she said. I didn’t listen to her and found she was right. Missing arms that cannot hold roofs, hearts with shaky foundations.
She taught me people like us weren’t made to be pretty. “You were meant to burn down the earth and graffiti the sky.” We are the sun, she and I.

My best friend is the crazy kind of crazy. The kind of crazy people laugh about. The kind of crazy people try not to fall in love with. It takes some time, but falling in love with my best friend is inevitable. I’m glad her kind of crazy exists.  

I can’t help but feel that I don’t have this kind of crazy. I feel like everyone’s a little insane and we all walk around with this armor of sanity, and she’s just able to cast it off completely. I’d almost like to join her and run around the city and scream as loud as my ears can hear. I’d like to let everyone know how much I love and appreciate myself, even if it comes out as braggy. I would love to be able to bear myself completely naked without hesitation and without second thoughts. I wish I were as terrifying and strange and beautiful.

My best friend’s heart bleeds sometimes. Sometimes, she breaks her fingers because she doesn’t like the way she touches life. She was born with glass bones and paper skin. Whenever the sun doesn’t rise for her, she crashes and she questions her magic. She tells me it’s an illusion.
My best friend is never an illusion.

I believe that when my best friend is gone, she will leave everything behind. I don’t believe that she will ever need someone to teach her to set her heart free. I hope she will find enough fire in her soul to do that all by herself.

My best friend will never be alone, though.
Skaidrum Feb 2018

Full Lakota moon,
unzips me from her womb &
dismantles this love.
Of the haiku series
iii. spells

© Copywrite Skaidrum
Samy Ounon Aug 2013
I saw it a few days ago
I chanced a glance into the void
The place in which all emotions fall and seclude themselves
The place where there are no stars and there is nothing but loud space
She'd just tore away from me
A small tear in the muslin
But she pulled and pulled
Until the void was exposed in my shredded star chart
That subtle darkness in the undertones undulating thickly
Turbulent waves beneath the glorified surface thinness
And behind the closed door it-
It was just a second really
And the hopeless scientist behind me
The dark and big and pragmatic and meek
He didn't see
But he knew
And he wanted it back
And again
She left me frayed

In another winter
Before I could look to the skies and find meaning
When our world was lit only by the fires of forthcoming fears and futile flickers
What clouded the far-off pinpricks, the soft pinching of reality knocking at my door?
It was her straight-edge fragility
And her straight-edge solution
Now her world is lit by a different kind of fire
A fire that numbs
So she said
A fire that heals
So she claims
A flickering flame that destroys every membrane of my being
And binds my hands to my feet
And shoots wildly across the sky
So I cry
And I weep
And I, a universe of atoms
     feel like a lost atom in her universe
I safely encased in my crinkled paper, but
Hot holes slowly eat their way through

No maps or constellations face any competition before her
But all she sees is a world of comets and fire
My short fuse is wilted
So she unzips her skin with a zippo
And she freezes time
And she runs across my horizon
Bright, beautiful, blazing
She is forever above my hands
Her path unseen and unforseeable
A spectators daydream
The astrologists' nightmare
Phosphorimental Sep 2014
Rolling in wave upon wave of words.
Sentences dressed right, en echelon, like pretty hued soldiers
with armor and frills of meaning unfurled.
I can see their smiles gleam
with the slap-dash of their waving standards.

The gypsy, unzips her paragraph
like the Red Sea before Moses;
she has rewritten the song of the seducing hand
that writes the words, that pens the curve of a gentle wrist,
that drains of the belletristic wells of the heart.

All to flow from Egypt through the canyon of the mind,
Weathered words, crumbled from the cave of allegory
Sliced from the loaf of pharaohs love.
Flow on river, flow by
leaving green brush in the crags where eagles nest.

Friend of ******, swelled by spells of copulation
Hers is the scent that draws the sleeping bear
From carnal dreams, dripping blood-words.
Bleed for waxing moon, bleed the scent of still stars,
oh do I love this vicious bearer of words in sun struck birth.

Die dear gypsy on the battlefield of parchment
Expel the reek of your pen impaled body
Rise hoary hope on the wind inhaled by God.
He who draws her up, heart first
Through those once read lips, but forever colored…

Red, red! For they are still read by my heart
Hewn homonym from the hue of her lips kiss
There is a silent word mouthed in this nymphs holler.
And I press my ear closer to that womb.
To read, to read… listen please, my erudite heart.
It's Sister Poem:  My Unseen Heart
http://hellopoetry.com/poem/857535/my-unseen-heart/
Georgia Feb 2013
Chair scrapes lino
Dark eyes gaze
Over every facet
Of smokey haze
Spearing the duck
Pursing your lips
Yell in your head
Your voice unzips
A fraudulent noise
A family poised
Dinner.
draft one
Darkly Nov 2015
The cold dissonance formed like the frost on a leaf of late October - It's the way it crumbled.
They believed in what they were subject to
like not conveying feelings is in fashion
I tell you its a flawless fall
Thus closes the locket shaped like love that held it all side by side, a thousand words less.
And you flash your teeth as a smile unzips across your face, gaze at your reflection and all you see is an endless maze.
We have reached the point of no return, you have no choice but to embrace the gathering dark.
The currency is forgiveness but our pockets are empty.
You think that dying alone is inevitable and the "antihero" of our hearts never gets the girl.
But it doesn't have to be that way just for the sake of poetry. Drop the broken sword.
Indelible feelings brought us to the table, a setting of conjecture and dying settlements. The question is "Who deserves peace?"
Pick up the pen and write your name.
Hearts (not optional)
I sit in the pew
Early Sunday morning
Looking at everyone dressed so nice
With thoughts invading my mind
Some are impure yet, I continue to pray
With my hands trembling
I wish he knew
As little children try not to make a sound
They stomp their little feet upon the ground
There parents say hush
I really hope you are here
Watching over me in this cruel complicated world
If he knew I was here
I would be black and blue
This is the only place, where I feel peace and new
Among people who really care
Not like him with his commands
As he would yell sit in that chair
Dinner can't be cold or else I would get it
I had to do everything for him on command
I make the trip home after church
Feeling a little better, I had some time
He will be home soon with whiskey on his lips
Then he would force me to kiss
Its the same old story all over again
I prepare the house and lunch for him
I can't eat my stomach hurts again
He was so rough when he took me to bed
My thighs are bruised and my *******
I have impure thoughts that God may not like
But I want to destroy this man
I don't want to lose my sense of faith
I hear his truck come up the drive
It takes several minutes for him to step inside
He slams the porch door, and stomps his feet
So angry not like little children's feet
My heart starts to race, as he approaches me with a raised fist
He don't hit me instead he laughs
Calls me a coward and a *******
What is for lunch he asks with a grunt?
I say I made some soup and ground sandwich spread
Well he replies,  I know what your going to eat
He says sit in that chair
As he unzips his pants
They fall quickly past his waist
He shoves my face into his groin
Good girl work me until I finish
My stomach is churning with the taste of him
When he is done he says, later you will do it again
As I go to stand up,  from the chair he hits me out of nowhere
Next time you need to act like you enjoy it you hear?
I shake my head and eat my tears
As the week past
I attended church
Sat in the same pew
Looked at children so innocent and sweet
With my trembling hands and my nervous feet
This was not going to happen again
And God already knew
I have tried so hard to please you
God I know thou shall not ****
But please allow me a place in heaven
Because hell is where I live
With my sore ribs and blacked eye, I trudge home bible at my side
I prepare lunch and wait for the door to slam
That taste of him that makes me sick
But today is different and he don't know
I have his 30 odd six he uses for deer
If only he knew
After he eats and goes to sit in his chair
He starts to drift off from to many beers
That whiskey kiss that I won't miss
I take that 30 odd six he uses for deer
Put it to his head, and say wake up dear
Now its my time to make this right
You put me through hell and tried to ruin my life
I close my eyes for just a second
And fired that gun
As the blood rushed out of him ,he fall off the chair
Well God I know that was not right
But I would rather sit in jail , then be confined here with him
I will serve my time that is nothing new
So sick of being abused
He is laying on the floor,his blood starts to ooze
I don't want to waste my time watching you die
I have my lunch and feel as free as a bird
I have strength
I never knew
When I called the local police
They came to the house and he was already dead
I confessed what I did so they took me in
My heart felt heavy but no remorse
He was not a man he was evil and unkind
You may of bruised my sense of body and mind
But I'm going to be stronger with you gone
You will not ever erase my faith  
If only you knew
I would like to say I'm horrible at punctuation so I apologize.
CR Jan 2013
Nineteen forty four: A broad shoulder silhouette in the milkwhite skyscape.
Winged coy mortality whispers lovewords to his temple
touches fire to his inner thigh and he
pushes her aside and says Maybe tomorrow,
I'm working late tonight.

And he is cold and american but he tells himself
He is Cold! and American! And even in the
sandbag eyelid opal gray morning when his skylegs shake
he is cold and American and his copper girl's
thrilling reproach cannot warm him red
until he unzips his vest and invites her in.



but in forty nine he is twenty seven and American. in forty nine, to be American is to have no skylegs.
but baby death writes him letters while jean marie in her cap-sleeves looks pretty at his side.
and he likes jean marie, he tells himself he likes her better. she is pretty and she is sturdy.
she can make love without leaving burn marks.

but he wears slippers and housecoats and he has no skylegs.
and jean's cap-sleeves show no skin. fire hurt to touch but at least she let him.

and so twenty seven and scared, he reads baby death's neat tiny scrawl
and feels her breath on his earlobe
and winged
coy

he falls to forty four
and flying
Liz Humphrey Oct 2015
I behind her watching in the cold room she unzips
my gift blue bagged and pink skinned pungently
I exhale she inhales turning away from
my half-closed eyes closing her eyes
stinging from the stench of
my body given for her
for the blade of her scalpel to
slice she cuts along my spine
and I trace ghostly fingers in a line
down her shivering back to say there
that is the place where
what you see beneath in me is you.
From my anatomy lab experience in med school-the ghost who taught me what it means to be human underneath the surface.
Laura Feb 2015
Hello dear friend
how do you do
heard from a little birdie
you found a new boo

now I know it might be pretentious
what I dare to assume
but darling we both know
what I'm about to say is true

I don't doubt one day
this pretty young thing
will be giving you those ***** bedroom eyes
as she slowly unzips your fly
she takes you in whole
performs that sickly divine act

inevitably your mind will wander back
to a time before
where this was our norm

a dissatisfaction will arise
one you won't ignore when you realize
this new girl can't **** like a *****
her lips aren't mine and that's such a shame
because baby we both know
I had no trouble making it rain
Melissa June Dec 2013
I find myself unconsciously knowing
What's been held all my years vastly growing
Deeply imprinted within my soul
Always open, sore, an empty hole
Feeling wounded, bleeding but nothing drips
Unveiling a heart that unzips
Open for all to see
What lies beneath, inside of me
Covered,drowning in tears
Consumed, overwhelmed, I hold many fears
Knowing this embracing it will set me free
Understanding, realizing this is who I'm meant to be
I feel it, you hear but cover your ears
I am alright the blur that was swiftly clears
Can't you see, put down your hands, uncover your eyes
Yes, I have a heart that always cries
I am built of sorrow, I say this strong
This is who I am, why change there's nothing wrong
I pray the way I am never ceases
That the sorrow that made me never vanishes.
A W Bullen Jan 2017
As above...


...Your sky-dial feline mind, unzips
Bold rose-hip teems of fervour, kept
On ice, throughout the needle of
the duty-bound laborious.

You have geared the slug of
greased machines have
waited tables overseas,
have moved your shoes
to rythms of inconsequence.

So below...

Call talons from your lava skin,
in tracings of a milky way, step
ladders through the cotton fields
to set aside a broken string.

Float, leaf, about your symetries
to crook your spine in Gothic arches.
Sovereign , deep in quicksand warmth
through paths of least resistance.

Dissolve in waves of ageless truth
dashesd amber over Roman tiles.
In wild writhes of curling fern,

Your body shines obsidian.
R A Sanders Dec 2011
She's wrapped up tightly, with one leg dangling off the bed,
He enters, She hears his every move,
She wonders if there's any use in begging anymore,
His draws open, He unzips the empty suitcase,
She feels her chest tighten,
He tosses things in the bag,
She tries not to gasp for air,
He closes his draws,
She tightens her grip on the sheets,
He walks to the closet,
She chokes back the lump in her throat,
He grabs his shoes,
She can't bare to move,
He walks to the bed, watches her struggle,
She wants to stop him,
He doesn't want to leave,
"Please, no." She pleads to herself,
"Tell me don't go" He continues to think.
Heather McCorkle May 2018
The aroma is hot, people heaped together like the pooling of the water fountain as it sprays on the grass
People have set up lawn chairs
Mostly elderly people who have time to sit in the park
Flies wiggling around them
As they listen to a rock band that sways like perplexed grass and sings like the words don't matter and only the guitar, the absolute intricacy of the guitar, is heard
I notice
Ahead of me
an elderly lady
Brown hair cut into a blob on her head
Lipstick, floral dress
Skin that is starting to fold
She feels hungry and opens the cooler
To display a pre-bought sandwich and a plastic bag
She unzips the bag carefully and gingerly takes out a
crisp, pressed white napkin
Which she doesn't end up needing anyway
I can't help thinking that there is irony to this
How something as trivial as napkins can point back to generations before
When the lady was younger
She sat in the glimmering sun in the tall, waving grass
A young man sat beside her
They laid on the gingham
Together
As watermelon juice trickled down his chin
"Poor you!" she laughed. "I forgot to bring the napkins!"
The reality is, she didn't forget
There was no mess to be cleaned up
There was only youth speckled with love and you would be a fool to miss the opportunity when watermelon stuck frozen to his chin so that when you kissed him you could taste the lingering fruit
Years later
She's bouncing in the living room with her little girl
Brown ringlets, just like her
They're eating spaghetti
The kind that is doused in a crimson sauce so that when the strands wiggle on her chin it leaves a trail of red
"Poor you!" she laughs. "I didn't give you a napkin."
The reality is, she didn't forget
There was no mess to be cleaned up
There were only children speckled with love and you would be a fool to miss the memory of crusted spaghetti sauce and that dimpled smile with holes in her mouth
Years later
She thinks about the times when she forgot the napkins
Thinking she'll be practical this time she swipes a few
But she forgets the plastic bag
One day she remembers it but she forgets to close it
The surprise is a family of ants
Now
With the music fading and the air electric
She knows there is no mess to be cleaned up
But she brings out the plastic bag of napkins anyway
She holds on to the velvety scrap and breathes
It is the one connection to her past life
Someone spills something
Finally
"Poor you!" she laughs. "I forgot the napkins."
The reality is, she didn't forget
She hides them in her purse - that Mary Poppins of a possession
And smiles
Because she would be a fool to miss it
Just thought of this while I was in the park listening to a band. I noticed the lady ahead of me take out a bag of plastic napkins. Well, inspiration comes with the oddest things.
BAM Feb 2013
She unzips slowly down her spine
Will you be her valentine?
Lips to linger at your kiss
Soft hands reach for wanted bliss

Who will save this girl defined
Untamed, reckless valentine

Someone love her as she’s wished
Hold her tight, do not vanish
Show her there is love this time
Since you’ll be her valentine
septemb3r May 2015
White shirts,
Chicken nuggets,
Kisses your brother,
Writes to your mother,
Reeks of stale cologne,
Always misplaces his keys.

Laughs like rain,
Fixes his tie,
Melts into your skin,
Drown in his eyes,
Golden as the sun,
Bitter as the night.

Drinks too much,
Watches you cry,
Ties knots in your hair,
Screams like dad,
Mismatches his socks,
Kisses you goodnight.

***** his teeth,
Rolls his eyes,
Corrects my typos,
Sleeps inconsistently,
Drives in reverse,
Cracks eggs with one hand.

Writes you poems,
Plays you guitar,
Traces your spine,
Kisses relentlessly,
Unzips your soul,
Keeps himself in a jar.
Tender lips, slender hips
Bright red painted fingertips
Glide to where her dress unzips
And slowly she begins to strip.

He feels his heart begin to skip
He didn't fall for her, he tripped
Yet somehow he would lose his grip
Whenever she would dance...
A Mareship May 2014
Toscar and I barely know one another. We burst into the house like two lions, scrapping, kissing.
       “******* hell. This place is huge.”
I have a desperation. His parka is wet.
       “You’re so cute.” He says as he hauls me upstairs. He unzips my jeans, throwing open doors, trying to find my room.  His hair is biscuity and thick. “You’re so ****. So cute.”

At around three o’clock we sit in the cold garden, smoking. He’s put his parka back on, with the hood up.
       “So, what’s going on with your eye and all?”
“I’m not sure. I have to have an MRI.” I glance over at him. “Maybe I’m dying.”
       “You’re not dying.”
“Maybe I am.”
He exhales a ball of smoke.
“My mum died of motor neurone disease.” He says. “Horrible ******* thing. And there’s a fifty-fifty chance I’ll get it too.” He pauses and fumbles around in his pocket, pulling out a pound coin. He starts flipping the coin a little bit, before putting it back in his pocket. I think he wants to make a point about his chances, but it’s too dark to really see the coin. “I just don’t think about it. Death. There’s no point. I’m alright today, d’y’know what I mean?” There is a silence.
       “My boyfriend died.” I say, eventually.
“Yeah, I know.” He says quietly. “Anthony told me.”
I try to stop myself. I really do. But I start to cry. Toscar doesn’t care. He pulls his white chair over to mine, and he lets me cry and cry and cry.
“I don’t want to be here anymore.” I say, and I’m not sure if I mean here, in the garden, in the house, or here, in the world. It doesn’t matter what I mean, anyway.
       “Hey, mate.” Toscar says, very gently. “You didn’t die.”
Céleste Jul 2013
"I had fun tonight."

The keys are in the door,
His hand is on the small of her back.
When she turns for one more kiss,
He helps by pulling her into him.
His arms are wrapped tightly.
They can't get enough.
Suddenly the door is thrown open
And they are on the other side of the doorway.
He quickly reaches back to close it,
Keeping always one arm around her thin waist.
Her feet no longer touch the floor,
But their lips never unlock.

The bedroom is up the stairs and down the hall,
I don't think either of them can wait though,
The living room will have to do.
The coffee table is nudged,
The couch receives them readily.
Slowly, slowly he  unzips her tightly-fitted red dress.
Working his hands gently down her back,
The red dress comes off willingly with one tug.
Breathing heavily, she sits up,
Perched on his hips, she starts furiously unbuttoning his white dress shirt.
This simple task cannot take any longer.

"Wow."
They both breath taking in each other's bare chests.

Entangling her fingers in his hair,
It begins again.
His lips are so gentle and sure,
He needs no guidance,
From lips, cheek, neck, to her soft, strong shoulders.
She knows to slide one hand caressingly around his shoulder,
Down his side,
And let it sit just below the belly button.
Teasingly.

He's anxious.
She's ready.
There's nothing now to stop them.

The sun is up.
Her head is resting on his chest.
He's playing with her messy, morning hair,
With the other arm wrapped desirably around her waist.
Their eyes meet.
A wink,
A giggle follows,
Soft "Good morning," kisses are shared.
It's not long before his wandering hand finds her bare **** cheek.
Squeeze.

It begins again.


Xoxo.
Elizabeth Hynes Feb 2014
I HAVE A *****
THOUGH IT'S QUITE SMALL
IT LIVES IN MY BRAIN
AS DEFINED BY FREUD
WHEN I THINK AT ALL
IT GETS SO *****
NOT A TENT
OR MULTI STOREY CARPARK
CAN KEEP MY SECRET
WOMEN DO NOT HAVE NAMES
WHO PLAYS ONLY GAMES?
iF WISDOM [ETHEREAL] DIED
WHO COULD MEASURE OUR SIGHS
WHEN WOMEN MELT
MEN  PHOSPHOURESCENT
AND AFTERWARD
SAY
WHAT A HIGH TIDE
A MAN UNZIPS
TAKES A ****
THEN SKATES
A MAN URINATES
PLANTS A TREE
CHOPS IT DOWN
A MAN MAKES A DRINK
WOMAN THROWS UP IN THE SINK
TAKE A CARE
DESTROY DESPAIR
WHAT IS NAME
WHAT IS NAME
YES PLEASE
TAKE YOUR NAME
MULTIPLY BY THREE
DIVIDE BY 2.5
HAVE JIVE
DESTROY
CREATE
PROCREATE
RECREATE
CREATE AGAIN
WRONG
RIGHT LEFT
PUT YOUR SOCKS ON YOUR EARS
CAPITALISE ON FEARS
SELL YOUR SCENT
FOR DETERGERENT
WORDS WE CANNOT SPELL
RULE DAY TO DAY
THINGS WE CANNOT SMELL
RUN RUN AWAY
AWAY
Jay Kay Aug 2016
Zip
You know, it's funny how a person can change their style and lose their grace,
They drop their old familiar face and zip a new one back on.

But the zipper is obvious
Nothing but cartoon character on your T.V. set.
Killing children's dreams and wishing upon a star.

All mixed up and upside down, but the puzzle piece was right where you left it. The picture is complete.
I mean.
It looks complete.

The salamander sitting on your windowsill crawls in and out of sight until he sets up camp in your bed and doesn't move for another three years.
Even after you call exterminators, the ******* thing won't die.

You close your eyes to try to run, but your friend has been hiding behind the curtains,
Waiting for your sign so they can escape too.

The puzzle smashes to the floor,
Something rolls under the bed,
The salamander attaches itself to your ear,
A child unzips your costumes and exposes you for the regular human you are.
They scream.

Then everything is black and there's nothing but your breathing in the night.

And you wake up.
Well.
Then you try to wake up.
Then you lay there.

A sharp pin in your side....
Huh.
There's that missing piece.

You wake up.
Circa 2009. I think this is about an ex-boyfriend.
Kyle Ray Smith May 2017
Boom Boom
Bam Bam
You hear that?, It’s a heart that beats for you.

It kicks and flips and dips for you
It wraps love up and unzips for you

Boom Boom
Bam Bam
You hear that, It’s a heart that stays with you.

It drops and lifts the day for you
Would cross the milky way for you
Misses you by night, so it choses to pray for you
It would go away or stay for you

Boom Boom
Bam Bam
You hear that, It’s a heart that breaks for you.
Emmie van Duren Nov 2015
Under sultry summer heaven, lightning unzips her leaden sky
to the thunderous applause of leering, jostling clouds.
Fat tears fall slowly then hastily, weeping away the dust of drought.
© Emmie van Duren Nov 2015
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, John A. Kinney Jr., and Psalms (chap.):13
Added original content by Ryan P. Kinney, Eli Williams, and Kadie Good

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

"God not only loves a sinner, he prefers them.”
“Come to my parish. Sinners only”
“The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken.”
“The Covenant of the Sacred Heart.”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. Some newbie looks nervously into the stairwell.
From the rear, a maternal voice coos,
“You will be used to the treatments.
Don't worry about it.”
They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The maternal voice steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, discussed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”

The first interrupter asks, “How do you say No to God.”

The Man answers,
“You don’t like The Question. You are The Question.
We are relearning how to get lost, hoping to return to the birth of The Word.
Worship yourself and serve only humanity.
No one made you.
You created yourself.
It’s all the same story. The Story of I.”

“We are a beautiful blasphemy to God’s word (because we question).”

“How do you say No?
You don’t.
By understanding there is no such thing as,
No, I can’t. Only I won’t.
It was.
It is.”

A torn up, steel-studded, leather clad punk responds,
“we see others as they are
we see ourselves at every age
and all at once”

And the Man once again responds,
“All that we can think. All that we can imagine. All that we can write, paint, create, feel. All of this is real; somewhere. Depends on which universal perspective you are tuned to. Don’t like the current program playing. Change the channel.”

The professor sitting on the floor, shoeless, begins to riff,
“Yes, this is like that piece about imagination being the genesis of other worlds. About how imagination, all thought, is really tapping multiple frequencies from other universes. Our imaginative creations spawn, tap into, and play back all alternate universes in a non-linear time sense. Cause and effect are not in sequence. All that we think, all that we can come up with creates new worlds, but also accesses those already in effect and plays them. We create worlds that already existed by the time we come up with them in our imagination. They were already there and human minds are organic quantum analog receiving-broadcasting devices. We randomly switch channels with nonlinear frequency, simultaneously, and with varying signal strengths of each universe. We receive, but also feedback into a greater signal. So, we unknowingly create these universes, while also being fed from our own creations. Never, in order. We are the Father and the Son. Our own creators and creations. Our words are the genesis of all the other worlds, but also speak the gospel of the programs already in progress. All that we can imagine is as real as we can conjure.”

A black goddess queen asks, “Then, what do you call God?”

The Man retorts,
“You don't need his name, because you remember the man.
The idea of a memory of a man.
Perhaps the idea is better, stronger, more important than the man.
The idea of a man.
Sometimes, people are the absence of themselves.
And the absence of man is God.”

The semanticist-******* unzips its mask and chimes in, “When you name something you separate it and take ownership of it. We never name ourselves. So I ask you, what is your name? What do you own?”

A tie-dyed burnout rallies a battle cry protest chant,
“Who's the Boss?”
“You.”
“Who's God?”
“You.”
“Who are you?”
“I am (me).”

Another voice screams from the crowd, "I'm a monster, I admit it."

Like a rolling wave, the chatter once soft, “I’m a monster” becomes a chant. Faster and faster the adrenaline rises up, the voices rise up, thunderous shouting fills the room, threatening to burst through the walls and escape into the sky. No longer fearing what others might think they raise their fists and beat their chests, unleashing the monster they tried so hard to hide. Shrieks and guttural instinctual roars, animalistic crawling and seething anger, move through the crowd like a pack of wolves ripping apart a coyote.
The screaming voices spill out,
“God has left long ago and has taken no pity on the lonely wanderer.”
“We are not Abraham or Jesus. We are forgotten.”
“We are the forgotten demons pushed out of Heaven.”
“Or maybe we never belonged there in the first place.”

The maternal voice returns, feeling the scorch of the unrequited emotion, seeks to soothe, “Thus mollified she goes, harsh words forgiven, down highways in the dark by demons driven.”

The Man, the original instigator, adds more fuel to the fire,
“And what drive does she possess that we do not?  To seek out, to be blind to the trapping of the darkness within this corridor? We must look and see how we too can move past the shame and blame of others.  To move past the trappings of our own guilt.  To take within ourselves, our demons, true, but take and guide and build the new.  A new life that we can’t ignore, and when we fall, we feel the scorn.  We feel the bad faith and lies that keep us entangled in the want-to-be-with, the fear to be-without. But we also have a fear to be, to exist in the place of a true “self” and live out our dreams. Though time keeps happening, we remain stagnant, we remain in the place of an inauthentic being, a being-for, not a being-with.  We must seek to be-with.  To be-with our demons, our past, and our temptations toward the dark, toward the place in which the I becomes.  To be. To exist. In this.  That is the place where the divine can breathe.  Though we must remember to always embrace change, for everything is temporary, including our own pain.”

Having spent all his feeling and words carelessly and frivolously, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
I am the icing on the cake you didn't bake
the lake run dry.
The guy that gave his all
the ball that burst
the thirst that can't be quenched
I am the above
and you still love
me.
It is a touch of destiny wherein I find the fate that you once saw that I could be
and in all of me that loves all of you
sometimes I know not what to do
but you show me tenderness
In my willingness I show you too
what but what else would it serve to not deserve that which I would fight on to preserve
and you
who would suffer this
I kiss not once,not twice
but always and with all my might.

Tonight the light that shines will be the light of better times and in our better times we'll see just what the icing tastes like
be with me
be with me
my destiny is reaching out to open doors and let me in
lock me in
lock me warm against your skin
we'll watch the evening growing thin
and let us now begin the
prelude.

Play the piano
break the keys
smash the movements but let the moments surrender to me please
at ease
stand down
unzips the wedding gown
and all is still
just Jack and Jill and the hill
they need to climb.
"Everything will be irrelevant when the angel dies!"
Shouted by the black figure.
The room was shrouded in inner darkness;
shadow engulfs anything that it touches;
lights were flickering at every heartbeat,
exposing wrathful demons smiling!
The black figure unzips his fangs!

"Pandemonium it may seem to your eyes
but hell is better than paradise's lies!"
Pier Cafe at Schicks st.
Chapter 3: Hatching Hatchet

A Poem Series
Skaidrum Jan 2018
i.
"carpe noctum"
the moon breathes as she unzips
me from her womb and the stars
bow
as i flower into
greatness.

ii.
january flirts with death
and teaches the old dog some
new tricks.
"oh sweet thing,
there is an oasis
in every fever"


iii.
god of sleep,
tell me do your people roam
your ribs
at night;
do you have room for love
in your
domain;
or are you as heartless as the constellations
that decorate your ceiling?

iv.
my mother asked me once:
"are you humble
to the very walls and light switches
of your soul?"


v.
i make a nasty habit out of
fastening my grief
to the sky's front door---
when i write about the ones
death kept in his ******* pocket.

vi.
there is darkness peeling
off to my left,
when i unfold my limbs into the blackness as
lullabies leak onto the grass
and later become the dew
at first light.


vii.
why is it that when
you smile
it takes the shape-
of a morgue
you ***** sunrise, / you filthy legend
take all your diseases home and raise them
as your own children
away from here
away from here.


viii.
I am learning
that the only difference
between a garden and a graveyard
is what you decide
*to put
in
the
ground.
I'm throwing coins into the fountains
and wishing for a quicker death.

© Copywrite Skaidrum
Sag Jun 2015
Rip out my ribs with your teeth and then heal the wound with your lips because your kisses reseal the opening that vulnerability unzips.
I'll light my biggest fears on fire and lay them at your feet and watch you put out the flames only to sweep up the ashes and pour them down my smoke filled throat. And I'll gaze for hours in a trance as the blazing dance and scarlet hues mesmerize me until I'm warm inside and numb in a daze of blues.
It seems I'm only capable of flattering those flowing fingers that bend my bones rather than ridiculing the way they crush my decayed carcass.
Why is it the times in which I need the comfort of words the most, they never come? Will I ever write my way through heartbreak?

— The End —