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"unload" poems
This is the light of the mind, cold and planetary The trees of the mind are black. The light is blue. The grasses unload their griefs on my feet as if I were God Prickling my ankles and murmuring of their humility Fumy, spiritous mists inhabit this place. Separated from my house by a row of headstones. I simply cannot see where there is to get to. The moon is no door. It is a face in its own right, White as a knuckle and terribly upset. It drags the sea after it like a dark crime; it is quiet With the O-gape of complete despair. I live here. Twice on Sunday, the bells startle the sky ---- Eight great tongues affirming the Resurrection At the end, they soberly **** out their names. The yew tree points up, it has a Gothic shape. The eyes lift after it and find the moon. The moon is my mother. She is not sweet like Mary. Her blue garments unloose small bats and owls. How I would like to believe in tenderness ---- The face of the effigy, gentled by candles, Bending, on me in particular, its mild eyes. I have fallen a long way. Clouds are flowering Blue and mystical over the face of the stars Inside the church, the saints will all be blue, Floating on their delicate feet over the cold pews, Their hands and faces stiff with holiness. The moon sees nothing of this. She is bald and wild. And the message of the yew tree is blackness -- blackness and silence
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36.3k
The Moon And The Yew Tree
Drawing images using some words Telling some stories that are unheard Stealing the moment, freezing the time Killing the beast that vultures the mind Spilling blood, the pen is our knife Collecting traces from this mysterious life Connecting dots to create a line Polishing stones to make it shine Our words are riddles, a must to decode Giving multiple key for them to unload The meaning of some could make readers insane If wrongly unlock it will conquer their brain We are a shape-shifter just like the cloud Painting angels and demons to enlighten the crowd Hoping they’ll listen to our joy and our pain Wishing they’ll get the lesson of our every rain 11/03/2015 Mysterious Aries
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Nov 3, 2015
Nov 3, 2015 at 8:45 AM UTC
Who We Are
Perhaps I'm encased in a box made out of two-way glass. A biased one-way mirror... Mutual vision doesn't meet nor pass. When you look at me, you only see, yourself for all that you care... Me? Just a faint suggestion that I'm even there.    Maybe that's why...       you ask about my life,       about my strife.       When I'm about to unload my       head,       I end up having to hear about yours       instead. Perhaps at times I travel around in a bubble of frosted glass. Only a blurred version of me... Clumsily ploughing through the mass. Incoherent, misunderstood and unclear. Unintelligible muffles of hopes and fear.    Maybe that's why...       My words are just perceived as       playful rhymes.       Never keeping up with the times.       Words regurgitated but no one       realises what's coming undone... Perhaps what I need is an armour of bulletproof glass. One of unique quality... One ahead of its class. You can do and say what you want. A shell that would bear most of the brunt.      *I'll be impervious.           I'll be protected.                I can be indifferent.                     I can be jaded.*    Maybe that's all I need...            *A shocking stunt.                  A fresh perspective.                       A new plan.                            Revised objectives.*    Maybe a different name to start all    over...       To tie the binds and thoughts that       scatter...       Hoping of holding everything       together... Come morning, all will be       forgotten... Maybe I'd still be beaten.    So for a chance that's,      fat as hell            or      thin just a sliver... Truth is of the three, I have neither... So...     what I've said doesn't really matter.
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Oct 18, 2014
Oct 18, 2014 at 1:36 PM UTC
Maybe
Perhaps I'm encased in a box made out of two-way glass. A biased one-way mirror... Mutual vision doesn't meet nor pass. When you look at me, you only see, yourself for all that you care... Me? Just a faint suggestion that I'm even there.    Maybe that's why...       you ask about my life,       about my strife.       When I'm about to unload my       head,       I end up having to hear about yours       instead. Perhaps at times I travel around in a bubble of frosted glass. Only a blurred version of me... Clumsily ploughing through the mass. Incoherent, misunderstood and unclear. Unintelligible muffles of hopes and fear.    Maybe that's why...       My words are just perceived as       playful rhymes.       Never keeping up with the times.       Words regurgitated but no one       realises what's coming undone... Perhaps what I need is an armour of bulletproof glass. One of unique quality... One ahead of its class. You can do and say what you want. A shell that would bear most of the brunt.      *I'll be impervious.           I'll be protected.                I can be indifferent.                     I can be jaded.*    Maybe that's all I need...            *A shocking stunt.                  A fresh perspective.                       A new plan.                            Revised objectives.*    Maybe a different name to start all    over...       To tie the binds and thoughts that       scatter...       Hoping of holding everything       together... Come morning, all will be       forgotten... Maybe I'd still be beaten.    So for a chance that's,      fat as hell            or      thin just a sliver... Truth is of the three, I have neither... So...     what I've said doesn't really matter.
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58
Sometimes maybe the dreams should go away --What do you dream about? Last night I dreamt I journeyed into that dark part of the city where even hard-armed truck drivers refuse to unload alone. It was late. Street lights knifed the false dawn and wet sidewalks shivered off shards of glass. Perhaps I had come there for a pack of cigarettes or maybe I had a message to deliver. It was dark. I was dreaming. I knew I was dreaming. When they met me outside at the bottom of the long ramp and told me all the stores were closed, then I could see the bars across the door and the sign that said, open at seven. It all seemed too obvious but I had found some friends and they didn't seem to mind the long walk back to my car. This was only a dream, after all, so it came as no surprise how my blood drenched the dark pavement. I waited for flowers to bloom or butterflies to rise from the spot, but nothing happened. I think I killed them then, but it's not clear how I got to to the soft lights of an all-night drugstore and cuddled up between the rows of witch hazel and staionary supplies. --Is this what you dream? This is what I dream. I have yet to find a satisfactory substitute for the warmth of sleep, so I dream.
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Jul 21, 2018
Jul 21, 2018 at 2:08 PM UTC
What I Wrote While The Computer Was Down
With mechanical portals known to be doors That either lead to different worlds or take you home, These cabled vehicles like tunnels on wheels fastened on a railroad track Stretch to both ends of the universe under a single route. And as you get in for closure, You put your trust on the obscure. Just say the magic words; It will take you anywhere you wish to be. Even though magic always comes with a price, The only cost are countable units of your time And also a few dimes, In return for the travel of your life. Across the carpeted walkway of reaching out, Through the glass windows of visible silver lining, Behind the blank and arid faces that lure the soul to sink in deep wonder, The lights and skyscrapers, and mist silhouetting the scenery, All appear in bokeh, all blend in your eyes; Your eyes that glow brighter than fire on ice. The coldness lashing perennially on your skin And shaking your bones to its final breakage, Couldn't beat the absolute zero amity between these strangers. But your fascination has enough radiation To melt the tip of the iceberg And shine over what's behind their opaque walls. Settled on the plastic seats that serve as time machines, They nestle between unfamiliar bodies; Static, in a state of inertia. Blocking out force, resisting change; Like cars stuck on parking mode, Couldn't bring themselves to unload. Grasping on loose handles With a grip more secure than seat-belts, Some tend to pull away despite of the constant push. Like engines on reverse, they take time to backtrack. For all we know, for every action, Is an equal and opposite reaction. The brakes hit; there goes a screeching sound. But when it comes to a break, we don't really hang back Or fall to a complete stop; We only slide forward. For we must keep moving ahead, In order to keep our balance. The portals once again unlock to let you out to the open galaxy And let in another for the same adventure. You've reached the end of the trip, But not the end of the road; nor the destination. For the journey is infinite; you know you are going to ride again and again, Until you've run out of wishes of where you want to be where.
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May 31, 2013
May 31, 2013 at 12:33 AM UTC
Wanderlust Through Railroad Dust
With mechanical portals known to be doors That either lead to different worlds or take you home, These cabled vehicles like tunnels on wheels fastened on a railroad track Stretch to both ends of the universe under a single route. And as you get in for closure, You put your trust on the obscure. Just say the magic words; It will take you anywhere you wish to be. Even though magic always comes with a price, The only cost are countable units of your time And also a few dimes, In return for the travel of your life. Across the carpeted walkway of reaching out, Through the glass windows of visible silver lining, Behind the blank and arid faces that lure the soul to sink in deep wonder, The lights and skyscrapers, and mist silhouetting the scenery, All appear in bokeh, all blend in your eyes; Your eyes that glow brighter than fire on ice. The coldness lashing perennially on your skin And shaking your bones to its final breakage, Couldn't beat the absolute zero amity between these strangers. But your fascination has enough radiation To melt the tip of the iceberg And shine over what's behind their opaque walls. Settled on the plastic seats that serve as time machines, They nestle between unfamiliar bodies; Static, in a state of inertia. Blocking out force, resisting change; Like cars stuck on parking mode, Couldn't bring themselves to unload. Grasping on loose handles With a grip more secure than seat-belts, Some tend to pull away despite of the constant push. Like engines on reverse, they take time to backtrack. For all we know, for every action, Is an equal and opposite reaction. The brakes hit; there goes a screeching sound. But when it comes to a break, we don't really hang back Or fall to a complete stop; We only slide forward. For we must keep moving ahead, In order to keep our balance. The portals once again unlock to let you out to the open galaxy And let in another for the same adventure. You've reached the end of the trip, But not the end of the road; nor the destination. For the journey is infinite; you know you are going to ride again and again, Until you've run out of wishes of where you want to be where.
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48
Beat the rhythm empty hand, Iron cast chains rattles command. Ol' Boss Hogg, baton raised Self righteous fool has need of praise. In order that he gain acclaim, thinks with hate, acts with shame. Human beings, commodity, ships hold stacked with those once free. Bodies piled upon high you will not see the strong ones die. Scars embedded on their backs chained and shackled to the racks. We deal in branded breathing stock, Unload black vassal from our docks. Beat the rhythm empty hands. Iron cast chains in far off lands. We keep our skivvy, wired hair blacks. We work them hard, we score their backs. They do for us, they work the field. Grow the cotton, pick the yield. Keep the body, take the mind. Labour whatever's left behind. And if demeanour does ever flinch. We'll introduce you Willie Lynch. Beat the rhythm. Empty hands Iron cast chains. Unfair demands. Beat the rhythm, shackled feet. We take their worst but can't be beat.
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Jul 19, 2015
Jul 19, 2015 at 6:20 PM UTC
Dixieland Chant
Early morning comes too soon. Fish are biting by the moon. Father and son make their way Out of the house to meet the day. The men of the house are outward bound Seeking their fortune on the water sound. Fishing poles and tackle boxes in hand Off they go, to the dock to be manned. Eyes gleaming bright, with the wind in his hair, My son grins wide, and says, "Dad, Look There!" Sure enough my son sees, fish to be caught, Their trip is promising, will not be for naught. His father smiles at the look from his son, Saying, "Yes, son, you've found them, quite well done." Bringing their boat to a stop they let glide, Unpack their equiment, and come along side. Taking their time and setting their hooks, Plenty of fish here, judging by the looks. There's sunfish and carp, some salmon and trout, Walleye and crappie, and catfish so stout. As the sun rises higher, they reel those fish in. There's plenty of fish, with tail and fin. The father and son are laughing together. Can't believe their luck, or such perfect weather. Returning home from a long day of fun, They unload their catch and in they run. Fish stories abound, They can't say enough, The fish they missed, get bigger and rough. I watch my two men, with quiet delight. Enjoying the warmth, they create in my sight Fishing is fun, fishing is great, My men bonding, makes my heart elate.
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Aug 28, 2010
Aug 28, 2010 at 11:30 AM UTC
Bonding
Kimos, son of Menedoros, a young Greek-Italian, devotes his life to amusing himself, like most young men in Greater Greece brought up in the lap of luxury. But today, in spite of his nature, he is preoccupied, dejected. Near the shore he watched, deeply distressed, as they unload ships with ***** taken from the Peloponnese. G r e e k l o o t: b o o t y f r o m C o r i n t h. Today certainly it is not right, it is not possible for the young Greek-Italian to want to amuse himself in any way.
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3.5k
On An Italian Shore
Yahya Kemal Beyatli translations Yahya Kemal Beyatli (1884-1958) was a Turkish poet, editor, columnist and historian, as well as a politician and diplomat. Born born Ahmet Âgâh, he wrote under the pen names Agâh Kemal, Esrar, Mehmet Agâh, and Süleyman Sadi. He served as Turkey’s ambassador to Poland, Portugal and Pakistan. Sessiz Gemi (“Silent Ship”) by Yahya Kemal Beyatli loose translation by Nurgül Yayman and Michael R. Burch for the refugees The time to weigh anchor has come; a ship departing harbor slips quietly out into the unknown, cruising noiselessly, its occupants already ghosts. No flourished handkerchiefs acknowledge their departure; the landlocked mourners stand nurturing their grief, scanning the bleak horizon, their eyes blurring... Poor souls! Desperate hearts! But this is hardly the last ship departing! There is always more pain to unload in this sorrowful life! The hesitations of lovers and their belovèds are futile, for they cannot know where the vanished are bound. Many hopes must be quenched by the distant waves, since years must pass, and no one returns from this journey. Full Moon by Yahya Kemal Beyatli loose translation by Nurgül Yayman and Michael R. Burch You are so lovely the full moon just might delight in your rising, as curious and bright, to vanquish night. But what can a mortal man do, dear, but hope? I’ll ponder your mysteries and (hmmmm) try to cope. We both know you have every right to say no. The Music of the Snow by Yahya Kemal Beyatli loose translation/interpretation by Michael R. Burch This melody of a night lasting longer than a thousand years! This music of the snow supposed to last for thousand years! Sorrowful as the prayers of a secluded monastery, It rises from a choir of a hundred voices! As the organ’s harmonies resound profoundly, I share the sufferings of Slavic grief. Then my mind drifts far from this city, this era, To the old records of Tanburi Cemil Bey. Now I’m suddenly overjoyed as once again I hear, With the ears of my heart, the purest sounds of Istanbul! Thoughts of the snow and darkness depart me; I keep them at bay all night with my dreams! Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer. Keywords/Tags: Beyatli, Agah, Kemal, Esrar, Turkish, translation, Turkey, silent, ship, anchor, harbor, ghosts, grief, Istanbul, moon, music, snow
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Oct 30, 2020
Oct 30, 2020 at 4:28 AM UTC
Yahya Kemal Beyatli translations
Yahya Kemal Beyatli translations Yahya Kemal Beyatli (1884-1958) was a Turkish poet, editor, columnist and historian, as well as a politician and diplomat. Born born Ahmet Âgâh, he wrote under the pen names Agâh Kemal, Esrar, Mehmet Agâh, and Süleyman Sadi. He served as Turkey’s ambassador to Poland, Portugal and Pakistan. Sessiz Gemi (“Silent Ship”) by Yahya Kemal Beyatli loose translation by Nurgül Yayman and Michael R. Burch for the refugees The time to weigh anchor has come; a ship departing harbor slips quietly out into the unknown, cruising noiselessly, its occupants already ghosts. No flourished handkerchiefs acknowledge their departure; the landlocked mourners stand nurturing their grief, scanning the bleak horizon, their eyes blurring... Poor souls! Desperate hearts! But this is hardly the last ship departing! There is always more pain to unload in this sorrowful life! The hesitations of lovers and their belovèds are futile, for they cannot know where the vanished are bound. Many hopes must be quenched by the distant waves, since years must pass, and no one returns from this journey. Full Moon by Yahya Kemal Beyatli loose translation by Nurgül Yayman and Michael R. Burch You are so lovely the full moon just might delight in your rising, as curious and bright, to vanquish night. But what can a mortal man do, dear, but hope? I’ll ponder your mysteries and (hmmmm) try to cope. We both know you have every right to say no. The Music of the Snow by Yahya Kemal Beyatli loose translation/interpretation by Michael R. Burch This melody of a night lasting longer than a thousand years! This music of the snow supposed to last for thousand years! Sorrowful as the prayers of a secluded monastery, It rises from a choir of a hundred voices! As the organ’s harmonies resound profoundly, I share the sufferings of Slavic grief. Then my mind drifts far from this city, this era, To the old records of Tanburi Cemil Bey. Now I’m suddenly overjoyed as once again I hear, With the ears of my heart, the purest sounds of Istanbul! Thoughts of the snow and darkness depart me; I keep them at bay all night with my dreams! Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer. Keywords/Tags: Beyatli, Agah, Kemal, Esrar, Turkish, translation, Turkey, silent, ship, anchor, harbor, ghosts, grief, Istanbul, moon, music, snow
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52
I see your hand waver, now you're faced with a ghost, not the raw, killer features that were nailed to a post. Just an old, dying cowboy, trying hard to play host. There's a chair if you've mercy, and a story...come close. The liquor of youth lights a fire in you, son. Puts that flame in your eyes and the heat in your lungs. I wore that expression, before your thread was spun,   so let me unload, you can shoot when I'm done. Growing sore in my saddle as the nag became lame,   I sold off my shooters, then re-mortgaged my name. But tease out the creases, we're exactly the same; two felons of fortune, wanting someone to blame. See, I never got settled, didn't take me a wife. Sailed a ship in a bottle, on the edge of a knife. I put stock in misfortune and invested in strife, took diminished returns, paid no interest to life. But corralling cattle won't hold them for long, they're born to roam free where they know they belong. Soon the lipstick and whiskey begins to taste wrong, as the backroom piano sighs its monotone song. By a tangerine sunset I scraped off my boots and considered an orchard as it set down its roots. As a buzzing of insects idly nurtured its fruits, I was deafened by silence. My own garden was mute. So I clutched at the earth as I fell to the floor, to ask for forgiveness, as you darkened my door.   Seems redemption's eloped, like a gold digging *****   Just a name on a tombstone, for a few dollars more. Quite an end would be fitting for a fool so innate,   who has squandered his years until the hour is late. Son, unholster your weapon and wipe off the slate, I beg execution, swift vengeance,  But wait... Did I catch my reflection as it fell from your face? Like a hound in a heatwave, too tired to give chase?   Son, the trail that you're riding is easy replaced. You can stand in the sunlight, or come sit in my place.
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Jan 30, 2015
Jan 30, 2015 at 9:54 AM UTC
Legacy
I see your hand waver, now you're faced with a ghost, not the raw, killer features that were nailed to a post. Just an old, dying cowboy, trying hard to play host. There's a chair if you've mercy, and a story...come close. The liquor of youth lights a fire in you, son. Puts that flame in your eyes and the heat in your lungs. I wore that expression, before your thread was spun,   so let me unload, you can shoot when I'm done. Growing sore in my saddle as the nag became lame,   I sold off my shooters, then re-mortgaged my name. But tease out the creases, we're exactly the same; two felons of fortune, wanting someone to blame. See, I never got settled, didn't take me a wife. Sailed a ship in a bottle, on the edge of a knife. I put stock in misfortune and invested in strife, took diminished returns, paid no interest to life. But corralling cattle won't hold them for long, they're born to roam free where they know they belong. Soon the lipstick and whiskey begins to taste wrong, as the backroom piano sighs its monotone song. By a tangerine sunset I scraped off my boots and considered an orchard as it set down its roots. As a buzzing of insects idly nurtured its fruits, I was deafened by silence. My own garden was mute. So I clutched at the earth as I fell to the floor, to ask for forgiveness, as you darkened my door.   Seems redemption's eloped, like a gold digging *****   Just a name on a tombstone, for a few dollars more. Quite an end would be fitting for a fool so innate,   who has squandered his years until the hour is late. Son, unholster your weapon and wipe off the slate, I beg execution, swift vengeance,  But wait... Did I catch my reflection as it fell from your face? Like a hound in a heatwave, too tired to give chase?   Son, the trail that you're riding is easy replaced. You can stand in the sunlight, or come sit in my place.
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36
I offer you this innocence, come on in, condemnation judgement vitriol are left on the other side of the walls of skin. Hearts may open here tears may tumble walls may fall in this moment between you and me. We will offer truths and tenderness for every imagined sin. Life's a puzzle the pieces are in earthquake shambles scattered across the floor. There are places for each puzzle piece to put together, we may even find bliss. Sometimes this life is too complex too hard to fathom too easy to plummet, we all need a place to explore unload forgive. This is the innocence feel free to come on in, your secrets are safe here, never told by me. It has been said we are as sick as our secrets, burrowing through our eyes in dark packets of disguise. But in this sanctuary lies dissolve innocence returns, We find a chance to begin again. Put down the masks Put down the resentments Put down the propped up sorrows Our truths will set us free. The door is open the glowing warmth of connection is at your disposal, come speak to me the accumulated hurts of where you have been, through these true confessions hurts pass not forgotten but forgiven. We can begin again. The puzzle pieces lost will be found, compassion and forgiveness become our friends. Abandon all pasts seen through a child's eyes, in this time of now we can become cozy snuggle up in this warm bath embrace. Sometimes we all need a place to hide in all the necessary pillows and comforters. Either in words or in silence, we'll find that spot of transformation, begin again, once you enter this innocence, from the tangle as birds well know, we can fly free again.
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Sep 28, 2015
Sep 28, 2015 at 8:19 PM UTC
The Healing/Ties that Bind
I offer you this innocence, come on in, condemnation judgement vitriol are left on the other side of the walls of skin. Hearts may open here tears may tumble walls may fall in this moment between you and me. We will offer truths and tenderness for every imagined sin. Life's a puzzle the pieces are in earthquake shambles scattered across the floor. There are places for each puzzle piece to put together, we may even find bliss. Sometimes this life is too complex too hard to fathom too easy to plummet, we all need a place to explore unload forgive. This is the innocence feel free to come on in, your secrets are safe here, never told by me. It has been said we are as sick as our secrets, burrowing through our eyes in dark packets of disguise. But in this sanctuary lies dissolve innocence returns, We find a chance to begin again. Put down the masks Put down the resentments Put down the propped up sorrows Our truths will set us free. The door is open the glowing warmth of connection is at your disposal, come speak to me the accumulated hurts of where you have been, through these true confessions hurts pass not forgotten but forgiven. We can begin again. The puzzle pieces lost will be found, compassion and forgiveness become our friends. Abandon all pasts seen through a child's eyes, in this time of now we can become cozy snuggle up in this warm bath embrace. Sometimes we all need a place to hide in all the necessary pillows and comforters. Either in words or in silence, we'll find that spot of transformation, begin again, once you enter this innocence, from the tangle as birds well know, we can fly free again.
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73
he asked me why I'd absorb his ardent spirits and chain want of soul he knows why I demand total control ...to convey my lust for pleasurable pain this ache in thighs denies an uttered sigh as I cry inside with lust strutting before him in nylon and pumps he jumps through hoops, leashed; he begs and flex, hungry for what is next while I slap his hardened **** tick tock its almost time unwind and rock to tease and please I think not; as heat of breath taunts each slap of **** his moans go unclocked ...as he loses control Mistress, please he begs and moan how long? watching hardness grow long, strong in fits of hunger he whispers and drools, Mistress!!!!! ...your sweet ambrosia I know eager beggary to be unleashed ready to pounce unload every ounce but, I won't as I blindfold and ring his **** fore, his time is still on the clock...tick tock I smile, while he gropes in the dark...leashed...now bark! tell me! are you hard enough? ...I tease and taunt him some more **** now hard as a rock...lash of whip...whack ...in your corner...I'll be back...after Jack laps wet ******
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Jun 12, 2012
Jun 12, 2012 at 3:39 AM UTC
Dominant Stroll
*I unload your god in that laissez-faire way where the bandages mend and have no need to be placed, formidably, regret to admit the moonshine in my hair looking Gothic, but beautiful: sober the men’s breath as it falls, falls, falls not more mild than a snowstorm in its final lapse. Sat there to be dreamt. He put his hand to his beard, and I would have kissed if had I believed that he was not merely trying to haunt my body, the hair I kneaded into air. It flowers, and flowing these marzipan sands where God lays man next to his wife, she bears the peaches: juicy, ripened, but not to eat expecting us to swallow ourselves in turn, spin the bottle. I could not care less for the braces in his lips – or their fur, but gums beneath like peaches. **** it out until the pulps mirror, you have the skin of a four fruit, or an eighty, flames high as kites. But suffering for each flicker-knob and dating a girl who smokes cigarettes in bed, I know he could not support that, your god. Morning comes with a glare, now eating her hair the involvement of some odd raconteurs. I beat them and they beat my ******* for their heat – God is a cabin boy with genitals in his palms, said he would love the women as long as they are gone; if he does not see me, the flames, I cannot exist not more than falling falling falling hair.*
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Nov 6, 2012
Nov 6, 2012 at 11:07 AM UTC
a bald god
There they were… Lying on the bed, with her head resting below his shoulder, listening to his heart beat, and praying it never stops. One leg draped over him, as if she was afraid he’d free from her embrace. As though her leg, a restraint, holding him in place, keeping him from leaving. Her arm resting on his body with her hand on his chest. There they were… The safest place she could think of. Her favorite place to be. She was with him. Their love, shielding them from the chaos of the outside world, while she silently worries, that he’ll someday leave. He notices, and reassures her… he’s here to stay. “He’s here to stay!” She thinks to herself. She’d finally won the fight against her own mind. He said it himself! He won’t leave! She could finally feel at peace. His reassurance and validation was all she needed to believe. And just like that, she could finally sleep. See… he made her feel safe. He said “Let me love and protect you! That is the job I want!” So she let her walls crumble, opened the door, and she let him step in. He dusted the cobwebs, and drew back the drapes. He painted the walls and straightened the frames. He fixed the creaky doors and floors, and mended broken shelves. He brought light to the darkness, and color to the grey. He even bought flowers for the empty vase, that had seen better days. He just strolled in, and he made it a home suited for two. He said “no more need for walls” and he put in a sparkling moat. “You’re safe with me, you can rest and unload.” She didn't yet know, that what she’d need protecting from, was him. For when he’d rip it all away. He loves her. He loved her. Up until one day… And there they were. Both, unaware and unafraid.
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Mar 5, 2023
Mar 5, 2023 at 8:38 AM UTC
Unafraid.
There they were… Lying on the bed, with her head resting below his shoulder, listening to his heart beat, and praying it never stops. One leg draped over him, as if she was afraid he’d free from her embrace. As though her leg, a restraint, holding him in place, keeping him from leaving. Her arm resting on his body with her hand on his chest. There they were… The safest place she could think of. Her favorite place to be. She was with him. Their love, shielding them from the chaos of the outside world, while she silently worries, that he’ll someday leave. He notices, and reassures her… he’s here to stay. “He’s here to stay!” She thinks to herself. She’d finally won the fight against her own mind. He said it himself! He won’t leave! She could finally feel at peace. His reassurance and validation was all she needed to believe. And just like that, she could finally sleep. See… he made her feel safe. He said “Let me love and protect you! That is the job I want!” So she let her walls crumble, opened the door, and she let him step in. He dusted the cobwebs, and drew back the drapes. He painted the walls and straightened the frames. He fixed the creaky doors and floors, and mended broken shelves. He brought light to the darkness, and color to the grey. He even bought flowers for the empty vase, that had seen better days. He just strolled in, and he made it a home suited for two. He said “no more need for walls” and he put in a sparkling moat. “You’re safe with me, you can rest and unload.” She didn't yet know, that what she’d need protecting from, was him. For when he’d rip it all away. He loves her. He loved her. Up until one day… And there they were. Both, unaware and unafraid.
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We go deeper than we realize Memory of us bleeding pictures heavy Endure a number of slices from words To assure us we are very unsteady My soul has not stopped shaking since You set off the earthquake that destroyed Any defenses in okay shape Your ripples I tried to avoid Is it wrong to say I wish we'd never become Friends so I would not get caught in your net Let you entice me with flattery Today my feet aren't getting wet Crumbling but cannot show cracks Taking measures so you won't decode The variety of contradicting statements I eagerly continue to unload Leftovers of our romance Strange and out of place Feels like we are actors Or athletes in a race Despite the villian you see me as I am hurting beneath my skin Do what you like with lonely days Jealousy predestined to creep in Poetry too honest for you Been a critic at best I have found negativity can motivate Claimed strength put to test See you and I struggle as well You run, catch up to my heels There's no way you can match my pace Tired, I let you control the steering wheel Know exactly the right buttons to press Tempers over edge when we fought Dream of forgetting your incredible name In reality mind for some reason will not
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Oct 17, 2018
Oct 17, 2018 at 9:00 PM UTC
I Dream Of Forgetting
ive been going out every weekend i dont know if its bad or good i don’t know if im sad or masking I dont know if i am replacing habits with other bad habits maybe im the bad habit the liable rabbit that fell down the rabbit hole i always seem to overflow producing tears by the bucket load i didnt mean to unload too much unfold too much, save that for drunken spring brunch grateful for my team, i know that much but its hard to me to show my real love but i live and i learn, i larbour and earn i wait for my turn, the tables always seem to turn take a left, trust i’m right, work the day, come alive at night
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Mar 21, 2022
Mar 21, 2022 at 9:49 AM UTC
save it for later
* In poetry I unload to explode To break free from all the dynamite I usually kept hidden My passive nature makes me resistant to its pollutants. Sometimes they’re more like landmines Awaiting for someone Who stomp the wrong buttons Then detonate And explode between my shouts And cries.* *In all honestly No matter how resistant I am to become resilient my core is too vulnerable to crumble By a simple backslash of toxic tongues And suddenly I fall in my knees to simply walk away No battle is worth an effort When you know it’s just pride Battling himself. *
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May 30, 2015
May 30, 2015 at 3:47 AM UTC
landmines
Written by Arlo Guthrie and Pete Seeger; adapted by Mike Essig. Halfway around the world tonight In a strange and foreign land A soldier packs his memories As he leaves Afghanistan And back home, they don't know too much There was just no way to tell You know you had to be there To know that war was hell And there won't be any victory parades For those that's coming back They'll fly them in at midnight And unload the body sacks And the living will be walking down A long and lonely road Because nobody seems to care these days When a soldier makes it home Somewhere in America tonight In this strange and foreign land A soldier unpacks memories That he saved from Vietnam They said it wasn't easy Just another job, well done *Then the government in Saigon fell To the sounds of rebel guns* And the faces of the comrades Who were blown out of the sky Leaves you bitter and disgusted That they didn't have to die *The old men who planned that war You know they all died safe in bed With none of their rich and privileged sons Ending up torn or dead* Back home they didn't know too much There was just no way to tell You know you had to be there to know that war was hell And there wasn't any big parades For those that made it back They flew them home in secret and told them to make tracks And the living were left walking down A long and lonely road Because nobody seemed to care back then When a soldier made it home The night is coming quickly And the stars are on their way As I stare into the evening Looking for the words to say That I saw the lonely soldier Just a boy that's far from home And I saw that I was just like him While upon this earth I roam And there may not be any big parades If I ever make it back As I come home under cover To a world that can't keep track Of the heroes who have fallen Let alone the ones who roam Guess that's why nobody seems to care When a soldier makes it home
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Aug 11, 2015
Aug 11, 2015 at 6:18 AM UTC
When A Soldier Makes It Home
Written by Arlo Guthrie and Pete Seeger; adapted by Mike Essig. Halfway around the world tonight In a strange and foreign land A soldier packs his memories As he leaves Afghanistan And back home, they don't know too much There was just no way to tell You know you had to be there To know that war was hell And there won't be any victory parades For those that's coming back They'll fly them in at midnight And unload the body sacks And the living will be walking down A long and lonely road Because nobody seems to care these days When a soldier makes it home Somewhere in America tonight In this strange and foreign land A soldier unpacks memories That he saved from Vietnam They said it wasn't easy Just another job, well done *Then the government in Saigon fell To the sounds of rebel guns* And the faces of the comrades Who were blown out of the sky Leaves you bitter and disgusted That they didn't have to die *The old men who planned that war You know they all died safe in bed With none of their rich and privileged sons Ending up torn or dead* Back home they didn't know too much There was just no way to tell You know you had to be there to know that war was hell And there wasn't any big parades For those that made it back They flew them home in secret and told them to make tracks And the living were left walking down A long and lonely road Because nobody seemed to care back then When a soldier made it home The night is coming quickly And the stars are on their way As I stare into the evening Looking for the words to say That I saw the lonely soldier Just a boy that's far from home And I saw that I was just like him While upon this earth I roam And there may not be any big parades If I ever make it back As I come home under cover To a world that can't keep track Of the heroes who have fallen Let alone the ones who roam Guess that's why nobody seems to care When a soldier makes it home
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Roll up...Roll up the show is set to start One playing for your head One playing for your heart It's time for an election To see who rules the roost Time for your selection Who gives the bigger boost Matchmaker, Matchmaker make me a match Pick me a President Which one to catch Matchmaker, Matchmaker Show me a name It's doesn't much matter They are all the same Roll up, Roll up They're all set to speak A ten minute talk That may take all week Choose either party and their rainmaker head make promises of fairy dust You'll get once your dead Matchmaker, Matchmaker Show me the one Who will unload the bullets But, still own the gun Matchmaker, Matchmaker The time is now here To pick a new President Please ally my fears Roll up, Roll up The choices are few I'm voting for one But, I do not know who Roll Up, Roll Up The show's set to start with enameled fake smiles I can't tell them apart Roll Up....Roll Up...
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May 3, 2015
May 3, 2015 at 5:27 PM UTC
Roll Up, Roll Up
{•} unwanted love we, the human counting crows, tracking everything, steps, bank balances, heartbeats & especially, those dastardly calories that need burning pre yoga, her morning banana, she takes but a half, and looks to unload the balance on a sucker/victim in the vicinity because a whole is greater than a half, and God knows a whole could make you fatter! fully prepared for her desperate supplication, reply so quick, "you're forcing me to eat unwanted calories," she crestfallen, near to weeping from guilty feelings, a crime so heinous! but more than ready, added words, prepared years ago: *but to save your life gladly give you any body part, step in front of a vehicle, for a certain somebody, you may know, to preserve, life and liberty, put up with your inanities, border-lining on insanities,* answer your questions before you think of them, *and will restrict my singing to sole showers in the basement but never will I eat for two, that so undesirable, in the name of love* to which she came to my bedside, kissed my nose, whispering, "thank you for my life saving," while stuffing my mouth with said weapon, "thank you again, please don't make this into a poem"* somedays you just ain't gonna win, you see she loves me too well and knows my answers before I do...
0
Jul 15, 2017
Jul 15, 2017 at 10:31 AM UTC
wanted: unwanted love
***So many things are lost in transit In haste, to unload the luggage   Unaware of the fragile things Shoved away in haste to unload   When I open the luggage Thousands of broken pieces Cutting deep into my hands Bleeding profusely from the wounds Losing valuable things in transit Wounds that will stay forever***
0
Jul 27, 2014
Jul 27, 2014 at 11:23 PM UTC
In Transit
As you can see now We've lost two men to Father Time They were your friends As they were mine They both were outlaws and they lived life their own way If we had our choice They'd still be here today But, I am not the one Who took them both away That's all I've got to say They were our brothers And they stood here dressed in black Close your eyes and they are back They're in the ether Waiting there for their return They'll tell us what they saw And then we will all learn That life's a circle And death is no concern When they do return.... We are all highwaymen And we all travel different roads We all bear witness Carry loads We will all pass this way More than once I'm sure There will be other times When we meet at death's door But as for now, I say No more than evermore For we will meet again.... Once there were four of us And the world was our domain We've gone away Come back again We sailed the seven seas And rode the highway roads We flew on starships And we followed our own code We met the horsemen And our souls we did unload And we'll be back again...
0
Aug 4, 2015
Aug 4, 2015 at 11:09 AM UTC
Highwaymen
Uniformed and re-upped, We are the mind sweepers, The navel gazers moving lint, Waiting for the image to strike. We are the missals And the launchers, Looking through cross-hairs From think tanks. We captain verse vessels to shore, Unload and return for more. We are the Romantic Ancient sub-conscious mariners Stitched in hammocks. We are rocketeers. A force To reckon.
0
May 14, 2014
May 14, 2014 at 9:26 AM UTC
Uniform Poets
“hey” is the only thing you say pressing your hand against the doorframe 
and leaning in looking past me as if you would see anything different, but it's all the same nothing has changed except maybe you and me and whoever decides to fill my body next the chain on the door covers your eyes
 and i can't help think about how different you look like a stranger; one i wouldn't expect to meet me 
at my threshold with groceries in a brown paper bag now, of course, you only bring me a heart 
and say it's nothing “hey” is the only thing i say, 
unlatching the chain, and letting you inside
 like i'm letting you drip down my throat i busy my hands with the locks,
 the locks i put there, at first, to keep you in, and then, eventually, to keep you out but now it seems, to anybody watching this exchange between our worlds, like i put them there 
to keep my back turned to you, 
to avoid you while you spread out on the couch 
and let all your dead-eyed visions collect on the coffee table “hey” is the only thing you say when you notice the missing ash tray, the one you used to use as a church, where each burnt shell was an empty prayer, and each smoke tendril was a hand to send it up to heaven now it's just a black spot engrained in the wood now you're just a black spot engrained in the wood some things did change, i guess, but nothing as much as the two of us. i remember when our old bodies fit together so well, and how they rested so easily right where you’re sitting i remember when i shared that smoke with you and helped you send it up to wherever you wanted it to go i want to talk to you about that smoke, now, among other stupid, half-symbolic things that i'm not entirely sure you’d understand or even remember, but i don't. instead i finish with the locks, which are also stupid and symbolic, and spread out next to you on the couch i wish i had my own dead-eyes visions to unload next to yours, but then i remember that i left all of mine somewhere inside of you “hey” is the only thing i say, and sometimes, its the only thing i can say.
0
Jul 9, 2015
Jul 9, 2015 at 1:13 PM UTC
spilled ink
“hey” is the only thing you say pressing your hand against the doorframe 
and leaning in looking past me as if you would see anything different, but it's all the same nothing has changed except maybe you and me and whoever decides to fill my body next the chain on the door covers your eyes
 and i can't help think about how different you look like a stranger; one i wouldn't expect to meet me 
at my threshold with groceries in a brown paper bag now, of course, you only bring me a heart 
and say it's nothing “hey” is the only thing i say, 
unlatching the chain, and letting you inside
 like i'm letting you drip down my throat i busy my hands with the locks,
 the locks i put there, at first, to keep you in, and then, eventually, to keep you out but now it seems, to anybody watching this exchange between our worlds, like i put them there 
to keep my back turned to you, 
to avoid you while you spread out on the couch 
and let all your dead-eyed visions collect on the coffee table “hey” is the only thing you say when you notice the missing ash tray, the one you used to use as a church, where each burnt shell was an empty prayer, and each smoke tendril was a hand to send it up to heaven now it's just a black spot engrained in the wood now you're just a black spot engrained in the wood some things did change, i guess, but nothing as much as the two of us. i remember when our old bodies fit together so well, and how they rested so easily right where you’re sitting i remember when i shared that smoke with you and helped you send it up to wherever you wanted it to go i want to talk to you about that smoke, now, among other stupid, half-symbolic things that i'm not entirely sure you’d understand or even remember, but i don't. instead i finish with the locks, which are also stupid and symbolic, and spread out next to you on the couch i wish i had my own dead-eyes visions to unload next to yours, but then i remember that i left all of mine somewhere inside of you “hey” is the only thing i say, and sometimes, its the only thing i can say.
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