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"Wagons East (1994) - IMDb www.imdb.com/title/tt0111653/ Internet Movie Database Rating: 4.7/10 - ‎3,545 votes (stylized onscreen as ‘Wagons East’) is a 1994 western comedy film directed by Peter Markleand starring John Candy and Richard Lewis. The film marked one of Candy's last film appearances although it was not his last film release. His last film, Canadian Bacon which he had completed before “Wagons East,” had a delayed release in 1995. The film was notable for its leading actor Candy dying of a heart attack during the final days of the film's production. A stand-in and special effects were used to complete his remaining scenes and it released five months after his death."

And it’s Wagons East!
John Candy’s last mega-bomb,
Released 5 months postmortem.
Alas, even the sympathy vote stayed home,
Reject the we-owe-it-to-him-for
“Planes, Trains & Automobiles”(1987, IMDB).
The role, like money in the bank,
Earning diminishing returns,
Yielding interest but losing value over time.
The myth of INTEREST:
Das Capital, 2015.
The Prime is at 0%,
Yet, Inflation soars at, well,
At inflationary rates,
Digit-pounding inflation,
Higher food & shelter prices,
Masked ever so cleverly,
So deftly obscured by benevolent gasoline prices.

“Planes, Trains & Automobiles” (1987, IMDB)
Meet Del Griffith,
An obnoxious slob,
A complete schlemiel
(Also shle·miel (shlə-mēl′),
A serene shower curtain ring
Salesman and tour de force.
A film illustrative of everything
We love about farce,
(Merci beaucoup, Molière!)
And love about any
John Hughes/Steve Martin collaboration.

Needless to say,
I watched “Wagons East”
On TV the other day.
It was ten o’clock in the morning.
Will-o'-wisping in the ashtray,
Smoke from my first joint of the day.
The ashtray, a mosh pit carbonara--
Actually, an inverted exoskeleton dome--
One of dem big muthas,
I once free-dived for,
Offshore Mendocino Coast,
Back in the day,
Back when THE FRENCH LAUNDRY . . .
(The French Laundry: Thomas Keller Restaurant Group, www.thomaskeller.com. Chef Thomas Keller visited Yountville, California in the early 1990's on a quest for a space to fulfill a longtime culinary dream: to establish a destination for fine --314 Google reviews · Write a review 6640 Washington St, Yountville, CA 94533 (707) 944-2380. Daily Menus - ‎Make a Reservation - ‎Restaurant)
Back when THE FRENCH LAUNDRY
Paid beaucoup bucks for
Well-tenderized,
Sledge hammered slabs of illegal,
Black Market abalone.
Most assuredly, I digress.

So where else would I be?
My laptop was open & willing,
Legs spread, wet and waiting for
Whatever comes what may.
What came was a film
Earning pitch perfect
Dramatic chops for Candy.
We owe you, Del.
We owe you for this Anthem:
“You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right, I talk too much. I also listen too much. I could be a cold-hearted cynic like you . . . but I don't like to hurt people's feelings. Well, you think what you want about me; I'm not changing. I like . . . I like me. My wife likes me. My customers like me. Cause I'm the real article. What you see is what you get.”
But that was then,
This is now.
Wagons East:
A disastrous ****** bomb.
A vapid character jambalaya:
(1) A defrocked doctor
(2) A sagebrush *****.
(3) A queer book vendor.
(4) A Donner Party Survivor
Sounds can’t miss, right?
Or was it a classic Broadway/Hollywood sting?
Redux: “Spring Time for ******.”
N'est-ce pas?
Four *******
Heading east by wagon train;
Giving up on The West,
Heading east for Saint Louie,
Where freaks & geeks go undercover.
Down go their guards.
Camouflaging the chimera,
Transits the urban Wasteland,
Vast & nasty, as it were.

St. Louis, Missouri:
A much more tolerant
Hideout place.
THE WEST:
Just too much of
A hassle, I guess,
Too much for one’s
Flat-lined human mind,
Bored too shitless by
Buffalo turds to venture thought.
THE WEST:
Neorealismo italiano.
Complete Jolting-Joe reality,
A veritable wake-up call
Devouring any & all
Residual romantic fantasies . . .
THE WEST:
Struggle & Drudge,
Life lived west of the Mississippi.

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That’s right: another advertisement,
Smack dab in the middle of
Of the ******* poem!
My invention, by the by,
Putting herein another plug for
A preferred memorial gravesite,
The Shrine To Me!
Situated in Scituate,
(Always wanted to say that.)
Scituate MA (www.scituatema.gov)
Knowing my kryptonite crypt,
My not-marble-nor-gilded
Princely-monument,
Had no chance to outlive
This fakakta rhyme scheme . . .
The Shrine To Me!
My final resting place:
My very tony, exclusive
Sub Zip Code?
The South Transept
Westminster Abbey
The so-called Poets’ Corner,
Of course!

Which brings me to my true purpose:
My true intentions for you this morning?
To publicize the strange Case of
CHARLES ROCKET:
(Go ahead, ******* Google him!)
“Charlie Rocket, found dead in a field near
His Connecticut home on October 7, 2005,
His throat had been cut.
He was 56 years old.
The state medical examiner
Later ruled the death a suicide.”
And if you believe the Coroner,
A Medicine Man &
Master of Self-Interest;
If you give that sharp-dealing,
Proverbial Connecticut Yankee his due,
Then you will probably also think
That millionaire Robert Durst
Didn’t **** Susan Berman,
Even as we see him
Getting away with ******.
Again.
bones Jun 2016
Carrickfergus (1937) - poem by Louis Macneice.


I was born in Belfast between the mountain and the gantries
To the hooting of lost sirens and the clang of trams;
Thence to Smoky Carrick in County Antrim
Where the bottle-neck harbour collects the mud which jams

The little boats beneath the Norman castle,
The pier shining with lumps of crystal salt;
The Scotch quarter was a line of residential houses
But the Irish quarter was a slum for the blind and halt.

The brook ran yellow from the factory stinking of chlorine,
The yarn mill called it's funeral cry at noon;
Our lights looked over the lough to the lights of Bangor
Under the peacock aura of a drowning moon.

The Norman walled this town against the country
To stop his ears to the yelping of his slave
And built a church in the form of a cross but denoting
The list of Christ on the cross in the angle of the nave.

I was the rectors son, born to the Anglican order,
Banned for ever from the candles of the Irish poor;
The Chichesters knelt in marble at the end of a transept
With ruffs about their necks, their portion sure.

The war came and a huge camp of soldiers
Grew from the ground in sight of our house with long
Dummies hanging from gibbets for bayonet practice
And the sentry's challenge echoing all day long;

A Yorkshire terrier ran in and out by the gate-lodge
Barred to civilians, yapping as if taking affront;
Marching at ease and singing 'Who Killed **** Robin?'
The troops went out by the lodge and off to the Front.

The steamer was camouflaged that took me to England-
Sweat and khaki in the Carlisle train;
I thought that the war would last for ever and sugar
be always rationed and that never again

Would the weekly papers not have photos of sandbags
And my governess not make bandages from moss
And people not have maps above the fireplace
With flags on pins moving across and across-

Across the hawthorn hedge the noise of bugles,
Flares across the night,
Somewhere on the lough was a prison ship for Germans,
A cage across their sight.

I went to school in Dorset, the world of parents
Contracted into a puppet world of sons
Far from the mill girls, the smell of porter, the salt-mines
And the soldiers with their guns.




Louis Macneice
I looked for Louis MacNeice on HP but couldn't find him, so have posted some of his poetry in case someone else comes looking too..
David Champion May 2017
___________

As a child, there was a place that was
so deeply familiar to me
that I never had to think
about it, for it was simply there,
and in it I lived quite happily, alone,
but, as the long summer of my childhood
began to turn to a more turbulent season,
I somehow lost the way there, and
even the memory of that place
slowly faded from my mind
until no trace of it was left.

Many years passed, until as a man
at the cross-roads of his life, and feeling
a deep need to commune with nature,
and for the peace of solitude, and a need
to escape the narrow streets of the city,
I took to walking alone in the country-side.
Thus it was, as I was wandering, one day,
in a lonely forest, that I became lost
in a dark and unfamiliar place,
and, while searching for the way
through thick and tangled foliage,
I came across an overgrown path,
long unused, and followed it, in the hope
that it may lead me to where
I could recover my direction.
But the path led on, and on, and deeper in,
until I came to a place, that,
like the faintest waft of a long forgotten aroma,
a memory buried deeply in my soul was stirred.

There was a high wall overhung with branches, a place
that might easily have passed unnoticed, most of the wall
being lost to sight beneath a mass of vegetation
clinging to its stony cracks and ledges,
creeping, and twining, and flourishing there,
tendrils of new growth, ivy, and jasmine,
fragrant in the warmth of the sun,
reached out greenly above dead and tangled
undergrowth, such was the age of the wall,
and climbing roses, whose pink buds,
swayed weightlessly in a gentle breeze.

Noticing another detail, strangely familiar,
I pushing though the foliage towards it,
to find, half-hidden in the shadows, an ancient gate,
set back within two great stone pillars,  
atop each of which was an urn, cracked and old
and encrusted with lichen and wound round with ivy,
suggesting that this gateway had been lost
for centuries, and suggesting, also,
where the rusted bars reached up
becoming lovely twisted forms and leafy shapes
wrought by some long-forgotten artisan,
ancient craft and, more, a deep love of workmanship.

Deep and long-lost memories began to stir in me,
and grow, both with a rising sense of joy
and filled with wonder, yet, disbelief
that this could really be, which sharpened
further my senses, and I somehow,
managed to turn the rusted latch,
and though the heaviness of the gate
resisted me at first, put my weight against it firmly,
until it creaked slowly inwards on its stiff hinges,
and, as spellbound as a child, I stepped through
into the calm and peace of a place
I knew as deeply as myself,
a place that had remained unchanged,
these many years, like a once-loved part of myself,
so long neglected and found anew.

Inside this lovely place, there was a soft
silence broken only by occasional bird-calls,
ringing and sounding, and the murmur of the breeze.
Where once I had chased butterflies, wildly leaping,
I was now filled with stillness, and gazed
around in awe, with more reflective, yet no less
wondering eyes than a child would have,
into this lovely garden, and up into the
soft and leafy canopy crisply illuminated overhead
in greens and golds, and the deeply shadowed places,
below the trees, and the lawns and fragrant flower-beds,
flecked with colour and dappled with the sun,
and at the light itself, the clarity of which
seemed to expand my mind, leading to thoughts
of a greater grandeur existing in this place,
with all its forms of beauty so lovely
as to lighten the heart, which, burdened
by the cares of a demanding careless world
had so long cried out for peace and solitude.

I followed the path, which went inward,
and then sloped down to where wide stone steps
wound steeply down in places, and statues,
half-hidden in the shadowed bushes, of Pan,
and woodland nymphs, and a satyr,
green with moss and lichen, emerged
like old friends to greet me as I descended,
now beneath towering elms which formed a high vault,
through which the divinely lovely light
streamed down in rays, as from the transept windows
in a dimly-lit cathedral, and then
I stepped out of this semi-shadowed place
into the sunlight where wide lawns,
bordered by beds of lilies and purple irises,
sloped down to a mirrored lake.  

There, on a headland, stood
a small temple shining white in the sunlight,
the round Greek tholos, that I knew so well,
a place of coolness on a hot day, a place
of calm and perfect beauty, where,
as a child, sitting on its steps, I would
dangle my feet in the water, sending
ripples across the lake to fracture
the reflected colours of the willows
on the opposite bank, or feed the swans.
So, here I sat, once more, so many years hence,
a grown man, with all the reflections of the lake
around me, the greens, yellows, and russet browns,
with brilliant patches of sky blue moving between them,
and watched fish lazily sliding below
the water-lily pads at my feet, and the dragon-flies
hovering and sweeping above the mirrored surface.

The warmth of the sun,
the peaceful beauty of the place,
and the enchantment of finding it once again,
drew me into a state of deep repose and reflection,
in which my mind was filled with a sense
of mystery, and a sense of the vastness of time,
and a strange understanding came over me
that this lovely place had always been here,
close to me, but lying just beyond my perceptions,
simply waiting for me to remove the masks and veils
of mundane adult life, and regain once more
the child's wonder at the world and innocent ability
to see and accept it as it is, and thus
had been able to find the path once more.

And, on the distant edge of these deep reflections,
I heard a sound behind me, and
as I turned towards it, that lovely woman
I used to know so well, the woman
who used to come to me in my dreams,
whose smile is like sunshine and laughter like music,
and whose grey-eyed soulful gaze I could never escape,
sat gently down beside me and, without a word,
slipped her arm through mine,
my soul, my dear, dear soul, clad in a dark red gown,
that lovely being of the deepest sensibility,
that lover of goodness and tranquility,
she met me there and sat beside me silently.  

Such was the reverent and expansive feeling of her
presence, I was filled with awe
that I had found her once again, my beloved,
so long lost to me, and I was inspired with
the deepest gratitude that the ancient gate
had appeared before me, and had opened to my touch,
and I had been allowed to return once more
to this tranquil place, to be with her once again,
and to walk with her, arm in arm, in our garden.
Sirenes Jan 2016
You stood in the middle of a Cathedral
In the center of the Nave
Wondering how it was built
lovers kissing in a confessional
Light soaring in
Through the Rose Window
Filtering colors on the floor
Crafted with such care
Illustrating a witch burning
Sacré Dieu, Blasphemy!
Angels wheeping at the cruelty of man
A dream-like setting, bells chiming
Defying their purpose
Chiming ever so softly

The arches gracefully curving above you
A Saint standing in each Chapel
The echo here is beyond compare
Vast choirs caressing these walls with their voices
A white dove crosses the Choir
Landing in the North Transept
A sign of purity, the grace of God
This is my mind
And you wonder why I left the witch faceless
But how does one portray
100,000 faces?

"I'm going to have to fail you for 2-dimensional art" he says disappointed, marks a 4 in his book and moves on.
That escalated quickly! Suppose he didn't like blasphemy...
Caroline Shank Oct 2022
Purgatory

I forgot about Purgatory, the bus
stop of Catholic needs must have.
The clamor of prayers, the knee
in genuflection.  

Tomorrow I will go to mass.  I will
arbitrate with the voice in
confession.  To die in mortal sin
is my childhood's torment.  The
black robes of St. Patrick's priests.
Early mornings
with my Dad

The brown robes of the Franciscan
who stole my sins in high school.
I wasn't done with them.  I wore
pants and that angered him.  I was
not unholy just skirting the borders
of adolescence my own way.

But I digress.  Purgatory with all
those flapping carers preparing
my way to God Finally and
Absolutely. My prayers tabulated,
my envelope is unsealed.

I am old now and return the
Purgatorial wicker plate to the
transept under which lay
the dust of the unforgiven
travelers.
        Strangers in a strange land..  

The curtains whisper.,
I say penance.

Ten times.

Oh My God I am heartily… .

Amen.


Caroline Shank
10.17 2022

Italics Robert Heinlein
David Champion Aug 2017
In the morning light,

When the air is still,

Before the noises of the day

Intrude upon the mind,

A certain clarity 

Becomes a possibility,

When in moments of repose,

One can turn inside

To find deeper moods, 

Both beautiful and darker spaces, 

Places of uncertainty,

Tinged thus with anxiety,

As if, when walking in wild hills,

One comes across a vantage point,

A jutting outcrop of rock,

Overhanging a plunging valley,

And standing there alone,

One's consciousness sinks into the abyss,

Its tumbled sea of wooded slopes, 

Above which rise rugged pinnacles

Wreathed round with mountain mist.



Across a vault so vast, 

A tiny bird,

Caught in a ray of sunshine,

Seems to hang and float,

As might a dust-mote,

In a beam of tinted light,

Streaming down 

Into the transept of a great cathedral,

Illuminating the space

With divine renown, 

A sacred sense of depth,

With perspective so beyond 

All human understanding,

As to still one's breath

And overwhelm the viewer

With a sense sublime,

So near the dread of death.



Pondering thus, 

In awe,

I follow with my eyes 

The rugged forest,

Sweeping steeply down
Towards the valley-floor,

Those silent soundings

Somewhere out of sight, 

Which seem to promise 

More than I can see,

Invoking a sense of mystery

Of something hidden 

In the unseen depths below, 

And a sense again,

Of something closer still,

An abiding presence 

Of a far more intimate kind,

Calling me downward,

And, in my mind,

I begin to descend, 

Over great granite boulders,

Hand-holds found on branches, 

Offered here and there

In the tumble of mighty rocks

By trees clinging to crevices between,

Bending as they take my weight,

Shaking rustling leaves,

As I climb downward carefully,

Hand over hand,

With lack of sureness,

And fear of a poor foothold,

A slide of rock, a slip, 

A fatal fall,

Into the abyss.



At last when I have scrambled down

The wild and rough escarpment,

I stop to catch my breath,

Beneath the mass of rock,

The titanic building blocks

Of this timeless landscape,

I find the ancient ground gives way 

To a less demanding gradient, 

And my breathing comes more easily

Descending now less dangerously, 

My shoulders brushed 

By lighter leafy foliage, 

As I step down through dense bush,

Pushing back branches from my face,

Sliding over fallen trees,

And make my way down,

Through thigh-high bracken,

Between the trunks of mighty 

Mountain eucalypts,

Those giants marching silently

Down to the valley floor.



Down here the air is cooler,

And I hear a distant murmur, 

Not of mountain breezes 

Sighing in the tops of trees,

But rather the enticing sound 

Of running water, 

Coming from an unseen place,

Nearby, waiting to be found

In this shadowed peaceful realm,

Where sunlight touches softly,

Catching the frond of a fern,

Shining on smooth white boughs,

And I go further down and in,

Until the watery bell-clear sound

Seems all around, 

And reflected light catches my eye,

Between the trees and foliage,

Until eventually 
I step out into a clearing

An open space

Where there is a great flat rock,

Around which a shallow creek flows

Over a bed of white stones, 

And two great straight trees

Stand like sentinels, 

Guardians of this lovely glade, 

Water gurgling around and below 

Their gnarled roots built like buttresses.



Here I stand in breathless silence, 

Marvelling at the light

Filtering down

Through the towering trees

And floating fronds of tree-ferns

High above me,

Its soft and golden luminosity

Bringing a sense of mystery, 

And the grandeur of stillness 

To this peaceful place,

Where water trickles soothingly.


And as the beauty of this vale

Fills my mind with thoughts

Of Nature's splendour,

I sense the presence

Of that one,
I far too easily forget,
Who abides here in this valley,

Who appears

Unbidden in my dreams,

And whose steady gaze

Has always brought me back

To deep reflection,

For she is my mirror,

Soul, and centre of my being,

And I sense her standing 

Close beside me

By the running stream,

Arms outstretched to welcome me

To our place of blissful unity,

Where I will never be alone,

For she is ever-present here,

Always awaiting my descent,

My return to what is home, 

So felt with awe and gratitude,

Our lovely Vale of Solitude.
P Suess Apr 2020
From all around the silent sound of shadow
casts doubts, suspicion and danger, obscures the way to change.
Silent the sound yet still we flee in flight to fight the shadows    
of some supposed specter.           
White picket the sword, self-righteous the shield,          
to fend off the foe we wield.

What is this diminisher of hope and limiter of all victories gained,
that holds diminuendo till silent the hope fades away?

It grips the spirit in restrain and defeats more wonders than we will know.
Awareness, the armor against this phantasm’s game.        
All fear, but most fear change.
It is how it has always been; it is how we’ve always done:
senseless solace to safely slumber in, content, unaware of newborn’s hope,
assuaged, eyes closed, diminished once again.
In stealth through whispering wires, silent whistles on the air transept
Now Signal fears . . . of fear itself --- Great words, once meant to transcend                            
The seed of fear implanted, vilest of all sleight of hand.
Phantom fear fed the flame that forged mock yellow cake.  
The way we fed and raged on cue! In fear we were led again.  


Blood drained, gold gained . . . bow ye by loathsome men.
Now behind the wall we are fed again.    
Placebo, prophylactic farce we pretend–now safe from–them?
Demons o’er all the doors–alas, fear’s chain remains.
Fear’s vile serpent’s chore complete;
its hiss remains; we cannot change.
“’Twas ever thus, ‘twas ever thusss”
Forevermore our sad refrain?
  
In a shadow in a cage,
old things pass away,
and new things become new along the way.
Eric Aug 2020
I bustle along the old wooden pews,
With their splinters of wood and rusting screws,
Scurrying, hurrying, sniffing around,
Searching for food in this haven I've found,
Food is so scarce, in God's humble house,
That's why I'm so poor, a lowly church mouse.

I run free down the aisle in darkness of night,
When no one's around, not a soul in sight,
O'er well-worn inscriptions written on tombs,
Into the transept and quiet little rooms,
Rooms where old cassocks are neatly racked,
And velvety hassocks haphazardly stacked.

No one comes into this church anymore,
The bells never ring - no one opens the door,
The choir doesn't meet for practice each night,
The old vicar calling is a rare sight,
It seems they've abandoned God's lovely house,
And I'm doomed to die, a lonely church mouse.

— The End —