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"tos" poems
We are polar opposites You are West, I am East Our views always contradict You have a sweet tooth, I don't like sweets You are white, I am black Not literally, but just in life view Sometimes you're ***** white and I'm clear black It varies from half empty to half full You are an extravert While I am an introvert You like being surrounded by people I'm fine being secluded in the darkest corner You're frank and always true I lie so no one will have a clue But you always know what I hide While I am oblivious if you're really fine You are a cat-lover, I am a dog-lover It rain cats and dogs when we're together You sing the sweetest meow at my whimper I happily wag my tail at your purr We both like music though But we listen to different genres We never even shared on one earphone So sometimes we just endure the silence You are a sadist, I am a ********* You leave bite marks on my skin Whenever you're overwhelmed But I'm really fine with it You like Vampire Diaries and Victoria's Secret While I like TVXQ and anime We'll never agree on a TV show Now who's gonna hold the remote control? You are a clean freak I am not that very clean You're probably next to Godliness While I'm second to the last in that list You are very hardworking, I am lazy While you are being busy I'm being a potato on the couch "Sweep the floor.", you said as the broom flew on my face, "Ouch!" I like food trips But you are on a diet You like to eat healthy I like to eat anything but veggies True, we don't have anything in common Except for the dislike of the black part of the fish's meat But we are familiar of our demons And the how-tos for its defeat Yes, we must be polar opposites And yes, we're like magnets Positive plus negative To each other, we are attracted I am salt, you are pepper And we complement each other We are each others' puzzle pieces Completing each others' emptiness We are yin and yang We cannot live without either one And most importantly, you and I We rhyme
0
Jun 15, 2015
Jun 15, 2015 at 11:27 PM UTC
Polar Opposites
We are polar opposites You are West, I am East Our views always contradict You have a sweet tooth, I don't like sweets You are white, I am black Not literally, but just in life view Sometimes you're ***** white and I'm clear black It varies from half empty to half full You are an extravert While I am an introvert You like being surrounded by people I'm fine being secluded in the darkest corner You're frank and always true I lie so no one will have a clue But you always know what I hide While I am oblivious if you're really fine You are a cat-lover, I am a dog-lover It rain cats and dogs when we're together You sing the sweetest meow at my whimper I happily wag my tail at your purr We both like music though But we listen to different genres We never even shared on one earphone So sometimes we just endure the silence You are a sadist, I am a ********* You leave bite marks on my skin Whenever you're overwhelmed But I'm really fine with it You like Vampire Diaries and Victoria's Secret While I like TVXQ and anime We'll never agree on a TV show Now who's gonna hold the remote control? You are a clean freak I am not that very clean You're probably next to Godliness While I'm second to the last in that list You are very hardworking, I am lazy While you are being busy I'm being a potato on the couch "Sweep the floor.", you said as the broom flew on my face, "Ouch!" I like food trips But you are on a diet You like to eat healthy I like to eat anything but veggies True, we don't have anything in common Except for the dislike of the black part of the fish's meat But we are familiar of our demons And the how-tos for its defeat Yes, we must be polar opposites And yes, we're like magnets Positive plus negative To each other, we are attracted I am salt, you are pepper And we complement each other We are each others' puzzle pieces Completing each others' emptiness We are yin and yang We cannot live without either one And most importantly, you and I We rhyme
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60
Walkin' thru the grocery store section, To that aisle, yeah, it's not just con-cession... Turn every crunch into Hea-ven, -yeah (Oh, you are...) Crun-chee on the coldest day Taste buds explode, every, 'kind-of-way' Make me wanna savor every moment of cheese-y, slow-ly You pleasure me, my taste, taste buds, you put it on! Got the taste-y, know how to turn it on... The way I nibble on a pair, a clutch of fried corn, not an ear... I take it easy, baby, so we can last long! Oh! you, you feel crunchy 'in-my-mouth,' salivated, not full... Mouth like tasting, like an, an amazing plan Feel your taste, my mouth a pulse-Oh! Oh, yeah -Ya, ya me in store aisle, so nor-mal Tostitos and Doritos, I say No Mas! And so, no chip will, will replace you! Des Puh -CHEE-TOS! Please respect, it's just Cheetos, No, no, I don't want no Doritos! No matter what you ask it's not Dorit-o-os! Des Puh -CHEE-TOS! Nothing taste quite like Cheetos, No Tostitos, no Doritos, nor a burrito. I sound Spanish or Latin when I end words in a -oh, Oh, OH YEAH, Oh-o... When I end my words in 'O' Sounds like I know Something like, I'm not loco? Cheetos brands, -favoritos (Favorito, favorito, ba-by) Morning I don't like to 'Eat-oh' Breakfast, eggs or -gritos Instead I woof, -the Cheetos! And know I voted, twice for Obam-ma, Didn't even have, -American Mom-ma! Car tires, Yoko-hama... Back to my Latin voice, now, Oh-o... You say to get that face and taste -eh he bang-bang You say why doesn't it explodo like me mi bang-bang? For me those chips you know there is no other No question, fill your mouth, tongue, smother Yo no other makes me sing it so suave Impressive crunchy, disputes 'saliv-eh' Pass it to, pass it too, suave to cheese oh? No want your Doritos, doritos, ha doritos Put that bag back in front, me, I'll destroy ya Stop being malicious or I'll destroy yah! Pass it to, pass it too, suave cause it Cheetos, No want your Doritos, doritos, ha doritos You want friends you better break out cheesus There's no other way now to please us! Oye! crunch Des Puh -CHEE-TOS! When I end my words in 'O' Sounds like I know I know... Something like, I'm not TA-CO? Cheetos brands, -'favor-AH-ri-tos' (Favorito, favorito, ba-by) Morning I don't like to eat no Breakfast, eggs or -gritos Instead I woof, -some Cheetos! Des Puh -CHEE-TOS! This is how we do it up in Long Island,  boroughs, No tacos, burritos and no churros all we ever want is those Cheetos! Ay-o no burrito Pass it to, pass it too, suave to cheese oh? No want your Doritos, doritos, ha doritos Put that bag back in front, me, I'll destroy ya Stop being malicious or I'll destroy yah! Pass it to, pass it too, suave cause it Cheetos, No want your Doritos, doritos, ha doritos You want friends you better break out cheesus There's no other way now to please us! Des Puh -CHEE-TOS! Des Puh -CHEE-TOS!
0
Aug 21, 2017
Aug 21, 2017 at 9:00 PM UTC
Des Puh -CHEETOS(remɪx)
Walkin' thru the grocery store section, To that aisle, yeah, it's not just con-cession... Turn every crunch into Hea-ven, -yeah (Oh, you are...) Crun-chee on the coldest day Taste buds explode, every, 'kind-of-way' Make me wanna savor every moment of cheese-y, slow-ly You pleasure me, my taste, taste buds, you put it on! Got the taste-y, know how to turn it on... The way I nibble on a pair, a clutch of fried corn, not an ear... I take it easy, baby, so we can last long! Oh! you, you feel crunchy 'in-my-mouth,' salivated, not full... Mouth like tasting, like an, an amazing plan Feel your taste, my mouth a pulse-Oh! Oh, yeah -Ya, ya me in store aisle, so nor-mal Tostitos and Doritos, I say No Mas! And so, no chip will, will replace you! Des Puh -CHEE-TOS! Please respect, it's just Cheetos, No, no, I don't want no Doritos! No matter what you ask it's not Dorit-o-os! Des Puh -CHEE-TOS! Nothing taste quite like Cheetos, No Tostitos, no Doritos, nor a burrito. I sound Spanish or Latin when I end words in a -oh, Oh, OH YEAH, Oh-o... When I end my words in 'O' Sounds like I know Something like, I'm not loco? Cheetos brands, -favoritos (Favorito, favorito, ba-by) Morning I don't like to 'Eat-oh' Breakfast, eggs or -gritos Instead I woof, -the Cheetos! And know I voted, twice for Obam-ma, Didn't even have, -American Mom-ma! Car tires, Yoko-hama... Back to my Latin voice, now, Oh-o... You say to get that face and taste -eh he bang-bang You say why doesn't it explodo like me mi bang-bang? For me those chips you know there is no other No question, fill your mouth, tongue, smother Yo no other makes me sing it so suave Impressive crunchy, disputes 'saliv-eh' Pass it to, pass it too, suave to cheese oh? No want your Doritos, doritos, ha doritos Put that bag back in front, me, I'll destroy ya Stop being malicious or I'll destroy yah! Pass it to, pass it too, suave cause it Cheetos, No want your Doritos, doritos, ha doritos You want friends you better break out cheesus There's no other way now to please us! Oye! crunch Des Puh -CHEE-TOS! When I end my words in 'O' Sounds like I know I know... Something like, I'm not TA-CO? Cheetos brands, -'favor-AH-ri-tos' (Favorito, favorito, ba-by) Morning I don't like to eat no Breakfast, eggs or -gritos Instead I woof, -some Cheetos! Des Puh -CHEE-TOS! This is how we do it up in Long Island,  boroughs, No tacos, burritos and no churros all we ever want is those Cheetos! Ay-o no burrito Pass it to, pass it too, suave to cheese oh? No want your Doritos, doritos, ha doritos Put that bag back in front, me, I'll destroy ya Stop being malicious or I'll destroy yah! Pass it to, pass it too, suave cause it Cheetos, No want your Doritos, doritos, ha doritos You want friends you better break out cheesus There's no other way now to please us! Des Puh -CHEE-TOS! Des Puh -CHEE-TOS!
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83
Some people call them toe-mae- tos. They’re toe- mat -toes to other folk. Monsanto has patented versions that may poison us and leave us broke. Their genetically modified brand belongs neither on plates nor in cans. Their health effects may include cancer In some other countries they’re banned.. They are touted for being resistant To herbicides, thus reducing toil- But herbicide residue is persistent How quickly it poisons the soil. If farmers, each season, must purchase Genetically modified seeds Monsanto will corner the market For supplying nutritional needs. How many Monsanto execs infiltrated the executive branch? With so much political sway Its no wonder that they get their way.
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Jan 31, 2012
Jan 31, 2012 at 5:38 PM UTC
The Attack of the Killer Tomatoes (political)
On Star Trek: TOS;  what u'll often see is an alien woman who can assume the guise of any & every woman or an army of beautiful duplicate women; these are fembot prototypes; apart from feminist Number One there are dominants & subs
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Aug 14, 2018
Aug 14, 2018 at 8:30 PM UTC
Star Trek: ******* & Barbie
Yo, para todo viaje -siempre sobre la madera de mi vagón de tercera-, voy ligero de equipaje. Si es de noche, porque no acostumbro a dormir yo, y de día, por mirar los arbolitos pasar, yo nunca duermo en el tren, y, sin embargo, voy bien. ¡Este placer de alejarse! Londres, Madrid, Ponferrada, tan lindos... para marcharse. Lo molesto es la llegada. Luego, el tren, al caminar, siempre nos hace soñar; y casi, casi olvidamos el jamelgo que montamos. ¡Oh, el pollino que sabe bien el camino! ¿Dónde estamos? ¿Dónde todos nos bajamos? ¡Frente a mí va una monjita tan bonita! Tiene esa expresión serena que a la pena da una esperanza infinita. Y yo pienso: Tú eres buena; porque diste tus amores a Jesús; porque no quieres ser madre de pecadores. Mas tú eres maternal, bendita entre las mujeres, madrecita virginal. Algo en tu rostro es divino bajo tus cofias de lino. Tus mejillas -esas rosas amarillas- fueron rosadas, y, luego, ardió en tus entrañas fuego; y hoy, esposa de la Cruz, ya eres luz, y sólo luz... ¡Todas las mujeres bellas fueran, como tú, doncellas en un convento a encerrarse!... ¡Y la niña que yo quiero, ay, preferirá casarse con un mocito barbero! El tren camina y camina, y la máquina resuella, y tose con tos ferina. ¡Vamos en una centella!
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1.5k
El tren
El pie del niño aún no sabe que es pie, y quiere ser mariposa o manzana. Pero luego los vidrios y las piedras, las calles, las escaleras, y los caminos de la tierra dura van enseñando al pie que no puede volar, que no puede ser fruto redondo en una rama. El pie del niño entonces fue derrotado, cayó en la batalla, fue prisionero, condenado a vivir en un zapato. Poco a poco sin luz fue conociendo el mundo a su manera, sin conocer el otro pie, encerrado, explorando la vida como un ciego. Aquellas suaves uñas de cuarzo, de racimo, se endurecieron, se mudaron en opaca substancia, en cuerno duro, y los pequeños pétalos del niño se aplastaron, se desequilibraron, tomaron formas de reptil sin ojos, cabezas triangulares de gusano. Y luego encallecieron, se cubrieron con mínimos volcanes de la muerte, inaceptables endurecimientos. Pero este ciego anduvo sin tregua, sin parar hora tras hora, el pie y el otro pie, ahora de hombre o de mujer, arriba, abajo, por los campos, las minas, los almacenes y tos ministerios, atrás, afuera, adentro, adelante, este pie trabajó con su zapato, apenas tuvo tiempo de estar desnudo en el amor o el sueño, caminó, caminaron hasta que el hombre entero se detuvo. Y entonces a la tierra bajó y no supo nada, porque allí todo y todo estaba oscuro no supo que había dejado de ser pie, si lo enterraban para que volara o para que pudiera ser manzana.
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1.5k
Al pie desde su niño
kafijas pupiņas cita rūgtāka par citu bet visas kopā tās sniedz aromātu - manām nasīm nezināmu. ieliekam tās kulītē un aizsienam to cieši, lai neizbirst un nepazūd kafijas dārgakmeņi man tuvie bet tai part laikā nezināmie. tie mirgo kā zvaignzes debess malā es nolieku tos zem kāršu nama un gaidu līdz brīnumi notiks un kafijas dārgakmeņi ailidos kopā ar gājputniem uz siltajām zemēm izkusīs pupiņas un iekritīs indijas okēnā okeāns pārtaps par kafijas mājām un aromāts sniegsies līdz manai dzimtenei mani kafijas dārgakmeņi liks man dzīvot un sapņot kafijā
0
Dec 25, 2013
Dec 25, 2013 at 10:58 AM UTC
kafijas dārgakmeņi
A medida que nos aproximamos las piedras se van dando mejor. Desnudo, anacorético, las ventanas idénticas entre sí, como la vida de sus monjes, el Escorial levanta sus muros de granito por los que no treparán nunca los mandingas, pues ni aún dentro de novecientos años. hallarán una arruga donde hincar sus pezuñas de azufre y pedernal. Paradas en lo alto de las chimeneas, las cigüeñas meditan la responsabilidad de ser la única ornamentación del monasterio, mientras el viento que reza en las rendijas ahuyenta las tentaciones que amenazan entrar por el tejado. Cencerro de las piedras que pastan en los alrededores, las campanas de la iglesia espantan a los ángeles que viven en su torre y suelen tomarlos de improviso, haciéndoles perder alguna pluma sobre el adoquinado de los patios. ¡Corredores donde el silencio tonifica la robustez de las columnas! ¡Salas donde la austeridad es tan grande, que basta una sonrisa de mujer para que nos asedien los pecados de Bosch y sólo se desbanden en retirada al advertir que nuestro guía es nuestro propio arcángel, que se ha disfrazado de guardián! Los visitantes, la cabeza hundida entre los hombros (así la Muerte no los podrá agarrar como se agarra a un gato), descienden a las tumbas y al pudridero, y al salir, perciben el esqueleto de la gente con la misma facilidad con que antes les distinguían la nariz. Cuando una luna fantasmal nieva su luz en las techumbres, los ruidos de las inmediaciones adquieren psicologías criminales, y el silencio alcanza tal intensidad, que se camina como si se entrara en un concierto, y se contienen las ganas de toser por temor a que el eco repita nuestra tos hasta convencernos de que estamos tuberculosos. ¡Horas en que los perros se enloquecen de soledad y en las que el miedo hace girar las cabezas de las lechuzas y de los hombres, quienes, al enfrentarnos, se persignan bajo el embozo por si nosotros fuéramos Satán!
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1.3k
Escorial
A medida que nos aproximamos las piedras se van dando mejor. Desnudo, anacorético, las ventanas idénticas entre sí, como la vida de sus monjes, el Escorial levanta sus muros de granito por los que no treparán nunca los mandingas, pues ni aún dentro de novecientos años. hallarán una arruga donde hincar sus pezuñas de azufre y pedernal. Paradas en lo alto de las chimeneas, las cigüeñas meditan la responsabilidad de ser la única ornamentación del monasterio, mientras el viento que reza en las rendijas ahuyenta las tentaciones que amenazan entrar por el tejado. Cencerro de las piedras que pastan en los alrededores, las campanas de la iglesia espantan a los ángeles que viven en su torre y suelen tomarlos de improviso, haciéndoles perder alguna pluma sobre el adoquinado de los patios. ¡Corredores donde el silencio tonifica la robustez de las columnas! ¡Salas donde la austeridad es tan grande, que basta una sonrisa de mujer para que nos asedien los pecados de Bosch y sólo se desbanden en retirada al advertir que nuestro guía es nuestro propio arcángel, que se ha disfrazado de guardián! Los visitantes, la cabeza hundida entre los hombros (así la Muerte no los podrá agarrar como se agarra a un gato), descienden a las tumbas y al pudridero, y al salir, perciben el esqueleto de la gente con la misma facilidad con que antes les distinguían la nariz. Cuando una luna fantasmal nieva su luz en las techumbres, los ruidos de las inmediaciones adquieren psicologías criminales, y el silencio alcanza tal intensidad, que se camina como si se entrara en un concierto, y se contienen las ganas de toser por temor a que el eco repita nuestra tos hasta convencernos de que estamos tuberculosos. ¡Horas en que los perros se enloquecen de soledad y en las que el miedo hace girar las cabezas de las lechuzas y de los hombres, quienes, al enfrentarnos, se persignan bajo el embozo por si nosotros fuéramos Satán!
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59
Relationship You used to bring such longing for me. Such hope. Such solace that, Once I obtained the contents of your letters, I could be happy. I could be complete. relationship What a different relationship we have now. relationship GAH-     **** Where did you come from?? I was just reading an article and there you were. Sitting there. Out of context of my constant thoughts, but I can't help but apply you. I can't help but panic. The word relationship. My new biggest fear. The collection of the consonants and vowels that make up a vocalization for my soul anxieties. Relationship I cringe at thee. Hours of pouring over videos, how-tos, books, guides, diy, people, you, me, him, her, them, we, us, future, communicate, self-love, expectations, desire, infidelity, falling in love, falling out of love, love, lust, true love, more self-love, thoughts, peace, gratitude, forever, temporary, fleeting, cheating, shame, truth, lies, all in the ******* name of Relationship I could quit. But how can you quit on someone That is only eighteen years old And has already based the foundation of their life on you?
0
Nov 7, 2015
Nov 7, 2015 at 12:40 PM UTC
Relationship
She is the living embodiment of the cliché, The song where the male sub-lead Returns from some second shift, some third drink To find she has gone, leaving some scrap-paper note, Hastily scribbled and wholly incomplete, Some variation upon Don’t try and find me, And so she is suitably unfound herself, As she has given great thought to her froms, But rather short shrift to her tos, Finding herself north of the Thruway, Looking for somewhere to spend the night (The twin motors of adrenaline and anxiety running on fumes) Happening upon, as if almost by some beneficent magic, A Travelodge bordered by an expanse of cornfield (Long since gone to seed, the stalks bowed and spent, Waiting for the patently overdue cob harvester) And after she is checked in and somewhat unpacked (The bored, bemused woman who slumps about the front desk Mercifully sparing with the small talk) The skies, which had been late-October slate blur-gray, Slightly malevolent but only implicit in their threats, Open up in a cold and unwelcome drizzle, And, whys and wherefores being things for a later date, She runs outside and begins dancing in the parking lot, Unseen and unremarked upon, And even though the rain is cold, soaking, grim in portent (The forecast dourly noting the possibility of wet snow, Nattering that accumulation is possible at higher elevations.) She is seemingly unaware and unconcerned As to the upshot of this drenching, Any whispers of the two or three other occupants of the motel, Any judgments passed upon her mad danse pour un, As she has passed beyond any notion of admonition.
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Nov 2, 2017
Nov 2, 2017 at 12:34 PM UTC
woman, jumping
She is the living embodiment of the cliché, The song where the male sub-lead Returns from some second shift, some third drink To find she has gone, leaving some scrap-paper note, Hastily scribbled and wholly incomplete, Some variation upon Don’t try and find me, And so she is suitably unfound herself, As she has given great thought to her froms, But rather short shrift to her tos, Finding herself north of the Thruway, Looking for somewhere to spend the night (The twin motors of adrenaline and anxiety running on fumes) Happening upon, as if almost by some beneficent magic, A Travelodge bordered by an expanse of cornfield (Long since gone to seed, the stalks bowed and spent, Waiting for the patently overdue cob harvester) And after she is checked in and somewhat unpacked (The bored, bemused woman who slumps about the front desk Mercifully sparing with the small talk) The skies, which had been late-October slate blur-gray, Slightly malevolent but only implicit in their threats, Open up in a cold and unwelcome drizzle, And, whys and wherefores being things for a later date, She runs outside and begins dancing in the parking lot, Unseen and unremarked upon, And even though the rain is cold, soaking, grim in portent (The forecast dourly noting the possibility of wet snow, Nattering that accumulation is possible at higher elevations.) She is seemingly unaware and unconcerned As to the upshot of this drenching, Any whispers of the two or three other occupants of the motel, Any judgments passed upon her mad danse pour un, As she has passed beyond any notion of admonition.
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33
Juanilla, por tus pies andan perdidos más poetas que bancos, aunque hay tantos, que tus paños lavando entre unos cantos oscureció su nieve a los tendidos. Virgilio no los tiene tan medidos, las musas hacen con la envidia espantos; que no hay picos de rosca en Todos Sa[n]tos como tus dedos blancos y bruñidos. Andar en puntos nunca lo recelas, que no llegan a cuatro tus pies bellos, ni por calzar penado te desvelas. Que es tanta la belleza que hay en ellos, que pueden ser zarcillos tus chinelas con higas de cristal pe[n]dientes dellos.
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1k
Hipérbole a los pies de su dama; que este poeta debió de nacer en sábado
Mirrors She's always liked mirrors. Anything with a reflective surface, really. Something she could see herself with. Like the windows in the classroom, so she could turn her head and check if her name tag was slanted during lessons. Or the puddles of rainwater on the damp track, which she would glance at occsionally while running to see if her hair was in a mess. Sometimes, she would even discreetly use the grainy reverse camera on her phone in the bus, in case a pimple had popped up in school. To her, they were a great friend. One that saved her from potentially embarrassing incidents. One that would point out tiny flaws that needed a bit of correcting. One that showed her best features, like the way her big hazel eyes always sparkled with enthusiasm. Slowly, the mirror became a servant. A tool to help her see where the eyeliner was going. To make sure there was no lip gloss on her cheeks. A weak nod of confirmation, that she looked like the models in magazines. So close to perfection. But never perfect. That's what her mind would repeat to her, over and over again. Just look at the mirror, it would say. And so the mirror became a weapon of destruction she detested so much. It seemingly taunted her dry and frizzy locks, the excess fat around her waist, the dry flakes of skin on her lips. It was hard to avert her eyes from those tempting reflective surfaces. Even when she smashed her own mirror, not caring about the seven years of bad luck it would bring about, she was still able to see distorted bits of herself through the sharp-edged fragments. It led her to sleepless nights, scouring the internet for beauty how-tos. It led to the pocket money she saved from skipping lunch, money she would use when sneaking to the shops to buy cheap drugstore mascara. It led to her becoming a follower of society, a follower of the trends, whatever was popular. She became a mirror.
0
May 5, 2014
May 5, 2014 at 4:43 AM UTC
Mirror
Mirrors She's always liked mirrors. Anything with a reflective surface, really. Something she could see herself with. Like the windows in the classroom, so she could turn her head and check if her name tag was slanted during lessons. Or the puddles of rainwater on the damp track, which she would glance at occsionally while running to see if her hair was in a mess. Sometimes, she would even discreetly use the grainy reverse camera on her phone in the bus, in case a pimple had popped up in school. To her, they were a great friend. One that saved her from potentially embarrassing incidents. One that would point out tiny flaws that needed a bit of correcting. One that showed her best features, like the way her big hazel eyes always sparkled with enthusiasm. Slowly, the mirror became a servant. A tool to help her see where the eyeliner was going. To make sure there was no lip gloss on her cheeks. A weak nod of confirmation, that she looked like the models in magazines. So close to perfection. But never perfect. That's what her mind would repeat to her, over and over again. Just look at the mirror, it would say. And so the mirror became a weapon of destruction she detested so much. It seemingly taunted her dry and frizzy locks, the excess fat around her waist, the dry flakes of skin on her lips. It was hard to avert her eyes from those tempting reflective surfaces. Even when she smashed her own mirror, not caring about the seven years of bad luck it would bring about, she was still able to see distorted bits of herself through the sharp-edged fragments. It led her to sleepless nights, scouring the internet for beauty how-tos. It led to the pocket money she saved from skipping lunch, money she would use when sneaking to the shops to buy cheap drugstore mascara. It led to her becoming a follower of society, a follower of the trends, whatever was popular. She became a mirror.
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10
This repetitious revery is fluffy and flowery but LOVE is REAL... It's formed by us and fitted to our forms. By us. But its form is defined and real. It may have started off as fluffy as the air we breathe, filled with light and butterflies. But now it's mostly solid. It fits to me and fits to you and it doesn't float away when you blow it. It has weight and substance. I think real love is a practical thing. Love is a miner, not an artist. It works hard. It grafts. It digs deep into you. It gets ***** but it keeps going. It's honest and straightforward but at the end of the day it still wants a cuppa 'n' a cuddle wi' its Mrs. Love does change. It grows... but like a bramble, not a rose. A rose gives up too easily. A bramble pushes through, even on hard ground. It works it's way into every nook and cranny until you feel totally loved. It may die back in a hard winter, but it always stays strong and true and bears enough fruit to make a good pie at the end of a hard day's graft down t' pit. Love is a feeling but it's more than that. It's knowing that when I'm a stress head, you're concerned but not stressed. It's knowing I make you smile. It's when you text me in a morning and say exactly what I say to you. It's that even though we're miles apart and haven't got a *** to **** in, we still make do It's when you watch me sleep... and don't complain about me snoring It's knowing you want tos duck me as much as I want to duck you And our kids... Our kids get along. I think yours are ace and my kids like you. But it's even more than that... I don't feel scared now. Not now I've got you love. Not now I've got you. Because I love you **
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Feb 13, 2017
Feb 13, 2017 at 1:03 PM UTC
I love you isn't enough
This repetitious revery is fluffy and flowery but LOVE is REAL... It's formed by us and fitted to our forms. By us. But its form is defined and real. It may have started off as fluffy as the air we breathe, filled with light and butterflies. But now it's mostly solid. It fits to me and fits to you and it doesn't float away when you blow it. It has weight and substance. I think real love is a practical thing. Love is a miner, not an artist. It works hard. It grafts. It digs deep into you. It gets ***** but it keeps going. It's honest and straightforward but at the end of the day it still wants a cuppa 'n' a cuddle wi' its Mrs. Love does change. It grows... but like a bramble, not a rose. A rose gives up too easily. A bramble pushes through, even on hard ground. It works it's way into every nook and cranny until you feel totally loved. It may die back in a hard winter, but it always stays strong and true and bears enough fruit to make a good pie at the end of a hard day's graft down t' pit. Love is a feeling but it's more than that. It's knowing that when I'm a stress head, you're concerned but not stressed. It's knowing I make you smile. It's when you text me in a morning and say exactly what I say to you. It's that even though we're miles apart and haven't got a *** to **** in, we still make do It's when you watch me sleep... and don't complain about me snoring It's knowing you want tos duck me as much as I want to duck you And our kids... Our kids get along. I think yours are ace and my kids like you. But it's even more than that... I don't feel scared now. Not now I've got you love. Not now I've got you. Because I love you **
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17
ever wonder what is going on behind pretty ornate windows or not pretty windows sublime windows ornately decorated adorned with ivory lace revealing perfection with a keen eye to detail limpid glass showcasing mistress in her den sitting fancy in her pink chintz chaise curled up with a book her white persian sprawled about her lap licking her chops ordinary windows peeling blue paint with smeared glass lacking class the home-keepers contending important matters bills piling up whilst disaster pending sitting in the kitchen contemplating what ifs what nots and how tos no matter the difference windows tell the story of what is.~~lorilynn copyright~~*lorilynn 2010
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Oct 14, 2010
Oct 14, 2010 at 4:10 PM UTC
WHAT IS BEHIND THE WINDOW
Sobre las aguas, sobre el desierto de las horas pobladas sólo por el sol sin nombre y la noche sin rostro, van los maderos tristes, van los hierros, la sal y los carbones, la flor del fuego, los aceites. Con los maderos sollozantes, con los despojos turbios y las verdes espumas, van los hombres. Los hombres con su tos, sus venenos lentísimos y su sangre en destierro de ese lugar de pinos, agua y rocas desde su nacimiento señalado como sepulcro suyo por la muerte. Van los hombres partidos por la guerra, empujados de sus tierras a otras, hombres que sólo llevan ya a la muerte su diminuta muerte, vagos semblantes sementeras, deslavadas colinas y descuajados árboles. La guerra los avienta, campesinos de voces de naranja, pechos de piedra, arroyos, torrenteras, viejos hermosos como el silencio de altas torres, torres aún en pie, indefensa ternura hundida en las bodegas. Al terrón cejijunto lo ablandaron sus manos, sus anchos pies danzantes alzaron los sonidos nupciales del viñedo, la tierra estremecida bajo sus pies cantaba como tambor o vientre delirante, tal la pradera bajo los toros ciegos y violentos, de huracanado luto rodeados. A la borda acodados, por los pasillos, la cubierta, sacos de huesos o racimos negros. No dicen nada, callan, oyen a sus mujeres (brujas de afiladas miradas alfileres, llenas de secretos ya secos como añosos armarios, historias que se sacan del pecho entre suspiros) contar con voz rugosa las minucias terribles de la guerra. Los hombres son la espuma de la tierra, la flor del llanto, el fruto de la sangre; hijos de la ternura son de llanto, son de piedra y estrella, son de sol, son planetas que cantan mientras viven. ¿No hay agua, llanto, oh ramo de soles apagados? Los hombres son la espuma de la tierra. Hijos de la ternura son de llanto y renacen del llanto, diluviales, y se esparcen por siglos como campos. Bebe del agua de la muerte, bebe del agua sin memoria, deja tu nombre, olvídate de ti, bebe del agua, el agua de los muertos ya sin nombre, el agua de los pobres. En esas aguas sin facciones también está tu rostro. Allí te reconoces y recobras, allí pierdes tu nombre, allí ganas tu nombre y el poder de nombrarlos con su nombre más cierto.
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943
Los viejos
Sobre las aguas, sobre el desierto de las horas pobladas sólo por el sol sin nombre y la noche sin rostro, van los maderos tristes, van los hierros, la sal y los carbones, la flor del fuego, los aceites. Con los maderos sollozantes, con los despojos turbios y las verdes espumas, van los hombres. Los hombres con su tos, sus venenos lentísimos y su sangre en destierro de ese lugar de pinos, agua y rocas desde su nacimiento señalado como sepulcro suyo por la muerte. Van los hombres partidos por la guerra, empujados de sus tierras a otras, hombres que sólo llevan ya a la muerte su diminuta muerte, vagos semblantes sementeras, deslavadas colinas y descuajados árboles. La guerra los avienta, campesinos de voces de naranja, pechos de piedra, arroyos, torrenteras, viejos hermosos como el silencio de altas torres, torres aún en pie, indefensa ternura hundida en las bodegas. Al terrón cejijunto lo ablandaron sus manos, sus anchos pies danzantes alzaron los sonidos nupciales del viñedo, la tierra estremecida bajo sus pies cantaba como tambor o vientre delirante, tal la pradera bajo los toros ciegos y violentos, de huracanado luto rodeados. A la borda acodados, por los pasillos, la cubierta, sacos de huesos o racimos negros. No dicen nada, callan, oyen a sus mujeres (brujas de afiladas miradas alfileres, llenas de secretos ya secos como añosos armarios, historias que se sacan del pecho entre suspiros) contar con voz rugosa las minucias terribles de la guerra. Los hombres son la espuma de la tierra, la flor del llanto, el fruto de la sangre; hijos de la ternura son de llanto, son de piedra y estrella, son de sol, son planetas que cantan mientras viven. ¿No hay agua, llanto, oh ramo de soles apagados? Los hombres son la espuma de la tierra. Hijos de la ternura son de llanto y renacen del llanto, diluviales, y se esparcen por siglos como campos. Bebe del agua de la muerte, bebe del agua sin memoria, deja tu nombre, olvídate de ti, bebe del agua, el agua de los muertos ya sin nombre, el agua de los pobres. En esas aguas sin facciones también está tu rostro. Allí te reconoces y recobras, allí pierdes tu nombre, allí ganas tu nombre y el poder de nombrarlos con su nombre más cierto.
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64
A need that twists cabled and gripping To be needed. A war between "I shouldn'ts" and "but I have tos" Where am I in all of this? The identity of a woman with ten thousand strong hearts and breaths All of it deflated by another Who appears to need oxygen MORE Need need need Kneed Kneed Kneed until I'm contorted into a better reflection of yourself. Unrecognizable am I I look like the surface of correspondence Here I am! Always. I am The soul mate to your dreams and descriptors and hurt and tears and all that you've ever wanted to change in your life. And you'll swear on all that you stand for that we are closer than anyone you've ever known But if you were to recite one fact about me The room would be quiet and empty. A need to be needed.
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Dec 12, 2013
Dec 12, 2013 at 11:40 PM UTC
The Co-Dependent
I have examined the concept of eternity It does and does not go Put more plainly A battle of tos and fros ***** headed cosmos ***** strings strung into dark matter Woven wormholes Like to have seen you all here before Forgive me if I'm not surprised Forgive me if I'm not moved By anything but the struggle to comprehend The actual effort to collide with thoughts The manifestation of compassion When there is so much blackness ******* on blackness It's a miracle anything survives at all It's a god **** error of probability That a few muscles can upturn lips To a smile or a kiss A ******* travesty of galactic proportions That light was allowed to break the curve Speed into my eyes Blasphemous tears So beautiful Wretched waste of a soul Touch your forehead And be blessed Touch your heart And be God Touch the earth And be gone Blahblahblah Bah baggum gom baggum Waste of waggum wu Shocckou ta cocmutu Quasaratus ben voyutan Vesu ta eturnas u ves obsidas Obsidas yet obsidas That's what she said.
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Nov 17, 2014
Nov 17, 2014 at 11:17 PM UTC
Nothing part IV point 0
we're whipping through the backroads without seat belts, kicking up the dust-- the Sangre De Cristos looming with chalky crowns above the hills, riddled with fence posts and battered lean-tos, homes with green shingles and matching john deere tractors--the mountains, the mountains. you go around every corner like it's a straightaway I still see you smiling at me through locked doors cradling me like a baby bird and hoping I might throw caution out when all around your heart there's these warning signs on big yellow placards glinting in the night. there are a dozen thoughts, all equally crippling-- staggered images of you squinting up at me on the hill above the barn in that wrinkled white t-shirt, a gray murdoch's hat pushed high up on your forehead, hip cocked out with your hands twitching at your sides rubbing brake fluid between your fingers brooke, it is pointless to you. That's so obvious to me. they tell you to stay down when shot, play dead when in danger, but i've been seeking solace in your neck trying to keep myself from telling you that I love you, feeling it at the back of my lips ready to spill over, overcome by your gentleness, asking God *why, why can't I just love him?* it's so obvious to you? that i've spent a  month telling myself that it's okay, that you're right, that you're harmless, that things can work out, so pointless goes on ringing in my ears, clattering down the airways into my heart where i love you still hangs loosely by a thread, or maybe a rope, maybe an industrial wire ready to bring the house down with its weight, a marble for each day, a stone, a boulder. county road 255 seems a whole lot shorter, I'm preoccupied with the dry shrubs the color of verdigris, the color of your laugh,  how i can't see through the tangle of my own emotions, how i really do want you to be the one, the one person that just happens to be right--it's so obvious, you said. so obvious.
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Apr 4, 2016
Apr 4, 2016 at 4:15 PM UTC
Saudade.
we're whipping through the backroads without seat belts, kicking up the dust-- the Sangre De Cristos looming with chalky crowns above the hills, riddled with fence posts and battered lean-tos, homes with green shingles and matching john deere tractors--the mountains, the mountains. you go around every corner like it's a straightaway I still see you smiling at me through locked doors cradling me like a baby bird and hoping I might throw caution out when all around your heart there's these warning signs on big yellow placards glinting in the night. there are a dozen thoughts, all equally crippling-- staggered images of you squinting up at me on the hill above the barn in that wrinkled white t-shirt, a gray murdoch's hat pushed high up on your forehead, hip cocked out with your hands twitching at your sides rubbing brake fluid between your fingers brooke, it is pointless to you. That's so obvious to me. they tell you to stay down when shot, play dead when in danger, but i've been seeking solace in your neck trying to keep myself from telling you that I love you, feeling it at the back of my lips ready to spill over, overcome by your gentleness, asking God *why, why can't I just love him?* it's so obvious to you? that i've spent a  month telling myself that it's okay, that you're right, that you're harmless, that things can work out, so pointless goes on ringing in my ears, clattering down the airways into my heart where i love you still hangs loosely by a thread, or maybe a rope, maybe an industrial wire ready to bring the house down with its weight, a marble for each day, a stone, a boulder. county road 255 seems a whole lot shorter, I'm preoccupied with the dry shrubs the color of verdigris, the color of your laugh,  how i can't see through the tangle of my own emotions, how i really do want you to be the one, the one person that just happens to be right--it's so obvious, you said. so obvious.
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While I lay in his arms I'm as happy as can be Well, atleast that's how it seems. Deep down, though, I know I wish he was you But there is not a thing I can do You moved on Cut me off Left me behind Believe me, if I could, I would press "rewind" Go back to the way it was When I still had your trust There one thing I have to blame As always, it is lust. I miss the days I spent with you The nights on the phone when I talked to you You made my days so much brighter And better So I'm just sitting here wallowing Writing this letter You left me, you forgot me, I fell for you And I shattered But then again, I guess the past Doesn't even matter But it still hurts Knowing you're gone forever But maybe one day There will be A change in the weather If that day ever comes, And I cross your mind remember it was your decision to leave me behind. No, I'm not angry, I'm just full of pain I'm trying tos see the sunshine But I'm stuck in the rain I now know to keep my guard up And never let it down I swear to ******* god No one will ever find a way around Because you taught me that trust Is hard to find And wounds and scars and broken hearts Are impossible to bind
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Dec 6, 2013
Dec 6, 2013 at 9:35 AM UTC
I wrote this last year about a boy who never gave a ****
dreaming that you are flying while falling off a cliff wild    witty      wishes        waiting      for Wednesday testing the temperature tainting archives of how-tos to stop analyzing how green a tree should sheen
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Mar 1, 2017
Mar 1, 2017 at 1:14 AM UTC
Wednesday Poem
If I could write a new forever I'd lie beneath the ceiling splashed with the glow-in-the-dark stars that you sighed before you ever knew me but when I was poised to make you known I'd fly forever in flames and soar set in your fire to warm my cold hands (so strange that you like my cold hands on your chest -- so strange that I used to never like chest hair, but you laugh my never used tos away into smoke) I'd crack my glass heart to stay beautifully fragile but you'd cut away my fragiles from beautifuls (so strange that you like my cold hands on your chest so strange that you see me and like me at all
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Mar 17, 2015
Mar 17, 2015 at 12:47 AM UTC
If I could write a new forever
I can't wait to get away, she thought Not answering to anything except the wind. Ice-cream for breakfast, jumping on the bed. No "have-tos" all day without end. Step aside obstruction Drown me in discovery Recreate who I'm to be A ballad of anonymity
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Nov 6, 2018
Nov 6, 2018 at 8:10 AM UTC
Away
I’ve said only half-jokingly I’m a slow learner of life lessons. I was wondering about snails if they learn as slowly as they move but does our species ever learn really absorb even the basic how-tos of saving ourselves and our planet? I might never sate my appetite for ice cream, tenderloin, or fried fish but sometimes it’s hard to empty myself and make room for the other fella’s little world or for God.
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Mar 21, 2023
Mar 21, 2023 at 12:12 PM UTC
Being a Slow Learner
Something in me tries to blame The lack of guidance that i had Da lack of advice from a dad I only act right when she's sad It shouldnt reach that point. Reachin low emotions frequently Theres no longa anything she need in me No reason to be pleasin me Truth is so hard to ingest I make it so hard to invest Ive really putya to the test Ive hardened you in da chest They tell you that our kid isn't the glue Why you with him? If you always blue Even you wish dat u ****** knew Im no longa why you get up But im alway why you fed up Im Surprised you havent let up I made yo attitude become so bitter Brought the worst up out you I wanna fix this, ya i really do! I been watching how-tos But waiting on a broken record Isnt worth anotha ounce Inbox fulla otha cats Who always trynna pounce So I know the end is near That's the way the game go No needa live fear But ayo listen to dis Da OG told me Boy, she just anotha fish But she aint bitin yo bait/ So don't be trippin ***** If she ain't fighting dont say/
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Sep 22, 2017
Sep 22, 2017 at 1:19 PM UTC
Lack of guidance