English Language Learners
Definition of stripper: a performer
who removes his or her clothing
in a sexually exciting way: a
dancer who does a striptease: a tool
that you use to remove something
such as paint from a surface: a liquid
chemical that you use to remove
something such as paint from
a surface. A stripper or exotic dancer
is a person whose occupation involves
performing striptease in a public adult
entertainment venue such as a *******.
At times, a stripper may be hired
to perform at bachelor parties or other
private event. Related jobs: **** modeling,
******* Names: exotic dancer, ******
dancer, go-go dancer, dancer; Fields of
employment: adult entertainment Activity
sectors: strip clubs, exhibitions, festivals,
competitions, busking; Occupation types:
Performing Arts, *** industry

Anodyne 1. Not likely to provoke
dissent or offense; inoffensive,
often deliberately so. "anodyne
New Age music"  noun: anodyne;
plural noun: anodynes 1. Any
painkilling drug or medicine.
Mid 16th century:  via Latin from
Greek anōdunos ‘painless,’ 1.
from an- ‘without’ + odunē ‘pain.’

For me, gardens and colors in the abstract,
the politics and the dense cloud of the language | ||
and the strips of equipment of the school
of Analgesic to tear the **** and the rest
of the city, stop smoking against the weapon,
waiting for the law to be fulfilled. A fool
is sacred, it is red when a dog sleeps, in the gloomy
metal with the type of water for the first time.
Attention is drawn to the fact that, in the case
of a man or woman who is a member of the
European Parliament; he or she is born in a place
other than a minor, To the muffins of the flesh.
and the winds are in on the promotion of moisture,
the cleansing of the skin and the breaths,
and the science that only works on one planet.
The first time the PA version was requested,
the sea led to the bay of the ******
from the edge of the mind. By the fifth time,
waiting for yellow. I'm not sure what to do with
it; it's a good idea to have it,  but it's a teenager,
who likes environments, and that's what you
need to know. Even the garden when following
her is not obvious in the depth of color
until the genital lips become a world for me;
gardens and colors in mind, and in the abstract,
cops and a thick cloud of language and a stripper
kind of painkilling, a lever to change the world;
for the garden and the colors are in a sense  apart
from the cops' fragrance of the tongue; a stripper
kind of painkiller, pain hatches **** and the rest
of the city, I will leave him that pisseth
against the gun to wait for the law enforcement
of the fool that is a holy one, it is red, when he ||
is sleeping with the dog in the shadow of the metal
with a salty scarf of the kind of seawater to
carry on our care first; the spirit of the love ||||
of the leaves of a guide to all the clinicals and washes:
and I, 1, putting on makeup of the eyes,
and pain
as well as the origin of the woman,
nor a bad thing, Laura is the the thief of the world's
death both in the flesh and the wind's edge;
like unto slow moisture propagation,
cleared of the skin
and breath, and the worst is the science
of working on a healthy planet, wi-fi is the first
to ask for the PA version's subarbor driven
into captivity's trick by the poverty of the mind,
to yourselves, for the fifth time, wait for the yellow
flames, or be hurt, as long as my kindred,
unless he has fallen asleep with the dog,
and goes through the darkness and does not fly,
the lore now clear, the teenager sending stones
and dirt away from them, this is the world;
that has to go into the garden and following it
is it not evident than in the depth of color
on the lips of the genital lips; for me
gardens and colors in mind are abstract,
cops and a thick cloud of language and
a stripper kind of painstaking leveling of the changing
the world
for the garden and the colors in a sense but in addition
to the bass flavor of the bass tongue stripper;
kind painkiller in pain tearing at her *****
and the rest of the city,
I will leave him whispering against the gun
waiting for law enforcement; a fool is sacred,
it is red where the dog sleeps, the metal shadow
with salt of the type of water for n we bring
first our care, the spirit of the love of the leaves
of a guide to all the clinics and washing:
I too,     I put on the makeup of the eyes,
and the pain and the origin of the woman,
nor is it a bad thing, like the thief in his death world
at the edge of the flesh and the winds slow spread
of moisture cleansed by the skin and breathing,
and the worse the science is by working
on a healthy planet,  it will be the first to demand
the version of the PA that is led to trick trick t
the poverty of mind
for for the fifth time, wait for the yellow flames,
or be hurt, as long as my relative if he has slept
with the dog got through the dark
by not flying, he is now clearly a teenager
sending stones and dirt away from them;
this is the world that has to go down
to the garden and get buried although
it is not apparent from the depth
of the rosy color of the pink genitals lips.

Denudation is an erosive process of breaking
and removing the rocks from the surface
of the earth. It is the wearing away
of the terrestrial land by weathering, erosion,
moving water, ice waves. Denudation is the
result of two main processes, Endogenous
and exogenous. In geology, denudation involves
the processes that cause the wearing away
of the Earth's surface by moving water, by ice,
by wind and by waves, leading to a reduction
in elevation and in relief, land forms
and landscapes. Medical Definition
of denudation: the act or process of removing
surface layers as of skin or an outer covering
as of myelin also: the condition that results
from this. In medicine denudation refers
to the loss of surface layers, such as the
epithelium. Denudation coupled with pealing
and cracking of skin gives rise to "crazy pavement
dermatosis" pattern seen in Kwashiorkor
or Kwashiorkor-Marasmus complex.

Luna (Latine Lunae) est terrae sola naturalis satellite. [E] [F] [VIII] licet non amet naturalis satellitis in Systemate Solare est, inter satellites maioribus signis maxima quod ad magnitudinem orbes obiecti (primarium) [g] [a] et post Io satellite Jovis, qui est secundus densa inter densitates satellite cognoscuntur.

Luna est in vna *** orbem terrarum, et semper, et faciens facies, *** cis insignis, quae per tenebras inter maria volcanus editis clarus, et veteri crusta impactus crateres prominent. Est enim post solem in coelo et immutari. Quanquam autem id candidissimam, obscurus etiam superficie *** bitumen reflectance fessis tantum leviter superior. Huius temporibus perquam cyclus regularem habere in coelo, quia antiquitus in luna lingua maximus culturae opes, fastos artis fabularis. Producit vim gravitatis luna dies et tempora et levi freta. Nunc de orbita lunae distantia diameter vicibus terra in caelum facit ut fere idem sit qui apparet Solis. Nempe per id fere totum solem lunam eclipsin solis tegere. Hoc simile est de magnitudine visuali fortuitum apparens. Lunaris a terra distantiae lineae sit amet, crescens ad rate of 3,82 ± 0,07 mm per annum, id est, non tamen semper. [IX]

From a vessel of mercury stained with Cinnabar, they brought next to Vas Auric, an ocher figure from the environment posed by the sarcophagus, to the detriment of the meats that resisted the Larnax or ash sarcophagus that came in other larnakes from Persia. The colors were specified in nature from a new terrarum upon the arrival of this prehistoric substance, in Neolithic pride, as it shone in the ceramic that they had been climbing from the hill of Patmos. Post-mortem, they were aedicules that were already established with pecuniary obols, to coin the solidity of the disputed and risky lands of the Camels; Gaugamela in the ambages of the bodies that must have remained standing, but with their staunch resistance they ended up colored by the ocher of cinnabar, and the rust of camels looking for traces of the mercury trickery that snatched them in the fleshless tombs, in thick and vivid sight of the Ghosts of Shiraz, who mostly accompanied him from their stagnant warehouses in Jaffa. In the northern Governorate of Zefian, the bodies from the Tel Gomel siege, in particular the Cinnabar embalming funeral company and mobile, came alongside Wonthelimar as pieces of Lord Hades' grave goods, mutilating the diaphragm with little light than in any eye that could observe, binding to HgS sulfur; Cinnabar that was already decanting from the last reduced specimen in the Hellenika Necropolis, Kímolos. Being ocher that glowed, and was complemented by the hyper chlorinated red blood cells with the Aldehyde, to micro-inseminate in mischief from the sketches of the Infant from Kalymnos Raeder, which appeared in some masonry sketches in harmonious earthy alchemy, removing the Larnax packages that they brought the ashes of Alexander the Great, and in others the anatomical of the others that were only simulated, since they could never reunite their symbolic bodies of osteology, which was diagnosed before all along with the Larnax of the Emperor that would be revived by the Vas Auric.

From the Hellenika necropolis in Kimolos, the spectrographies of the sarcofaghus of the fallen in Tel Gomel were indicated, there were five thousand Macedonians who were transmigrated from the Lepidoptera sarcophagus that was injected by the psyche that covered them from the fifth house of the Necropolis, or the “V” courtyard (fifth sarcophagus) of Hellenika, the favorite place of her Erichthonius or fetish serpent who was her consort of Athenea. Here the chemical elements of Prometheus crossing all the ages of time, and the age that oxygenated him in its chains in support of the Neolithic, were represented. Vernarth's Zefian computer brought sodium, magnesium and aluminum, Borker silicon, phosphorus and chlorine, Leiak Calcium, iron, and Potassium and finally Kaitelka throwing graphitic carbon through space. The chemical shadows of Hellenika's fifth courtyard varied them with ultra-trace of Labrys or double-edged axes swinging on the pendular in front of Prometheus as the savior of man, and the abstract demiurge of Hellenika's philosophy. The red blood cells with their links stained the ink of Aeschylus of ruddy color, and of an Oceanid orange hue like a glanders viaduct that turned iron towards the narthex or transmigration portico of Helleniká on the way to Patmos, to finally transport the mercurial bodies of the five thousand, totally covered with sulfur cinnabar in all its bone structure. The scapulae of some Hypapists had eagle claws that exported the sacrum of another in one claw, agglutinating into little crows that grappled with the jambs of cubes and humerus in the hemipelvis of the one who avoided it? But it lay split in two, almost pointing with its index a versicular of the Hebrew Vulgate. Some femurs of some Hoplites histrionized in the spectrogram and iris of Zefian who analyzed them, and who ventured the right ulna of a Macedonian to Tartarus, an undamaged Hetairoi as acrostic white bleeding from a distal epiphysis that was seen to be crowded with red blood cells, in order of Zefian and the grace of the serpent Eriction, for temporary sedimented colorations, and then to is taken to the zygomatic where a flabby Leonatus had embedded itself in the bronze, as a temporary fauna in the left, while Athenea relieved them after the post-exhumation.

Zefian with sodium, magnesium, and aluminum ritualized raising them in each of the morbid dances, but relieving the stains in each of the affected areas, with a pinch of Mashiach Cinnabar, for the post-mortem effect that was coming in the galloping efflorations of the Nótos de Borker, which bore a replica of a diadem of the skull in perforation of its forehead with the “V” mark, ibid, Athenea being a favorite and born from the forehead of Zeus. This rubric was made on most of the bodies that were sewn with the hides of raptors that protected them until it was time to exhume them with the basal chlorination of Cinnabar and Antiphon Benedictus.

The surface of the Helleniká solid was made up of lavish kinetics, and nuclei to react in hydrogen sulfide, in ionized particles of greater growth to the development of a mythical embryonic and updated, in Promethean neo-policies of the transcendental size of distemperance, which rose in carts of mass photons, by the Heracleian ultra theater trying to emancipate a concentric character in the tragic proscenium, and of an antagonistic whole as an actor of institutionalization of the surviving scenic works, flagellating images that are not of his intentions, nor by whom erected them or by whoever takes them to the ultra gothic scene, or of demigods who save man from his siege in contemporary total disappearance, subjugated to the enslavement of a utopia, and not of the seasonality of Gods made men, with policies, made in the cookbook measure of tasteless soups in invisible realms.

The formulas and equations were re-coined in the bones and columns that are erected by the dynamics of human demand, which revives him on pilot scales that wander unchanged from the Theater of the Epidaurus, and in the memory appendix that is subtracted from the West: Dyticá (Twilight of Leiak), a species of Prometheus of the Forests, but this time not stinging any sip of liquids with entomology, and Lepidoptera of Gethsemane in flocks that come to clean the scabs of the heroes, who are only capable of resisting such effusion of subtle prophylaxis, in this neo-Ambrosia Mercurial.