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"swagger" poems
You want me to wear logos in my hair and purchase the matching scarf? A billboard for sale at the human scale Sporting your brand Oh, what a larf! Go Team Go! Print on a throw For the low price of fifty-four dollars I'd rather be happy not buying your sappy stuff that you sport on your collars you tell me to buy because i'll look fly and fill up my closet with swagger Believe when I say not one single day I'll fall to the dance of your dagger!
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Sep 6, 2018
Sep 6, 2018 at 4:47 PM UTC
The Official Poem of the NFL
My ascent into adulthood was just that, an ascent. It has come slowly with little consistency and massive amounts of determination, stamina, and a reassuring trust in the universe. But the idea of adulthood has slipped its way into my expanding comfort zone with ease, which I think has come from the preparation I received throughout my childhood. The importance of perseverance and hard work in achieving anything at all was beyond emphasized in the parenting techniques of my immigrant mother and father. They sent the babies straight from their unemployed bellies into the best forms of higher education they could find because My achieving of adulthood was more of just a gradual shift in mentality and perspective that developed into my addiction to change and new experiences, distaste for dependence, and denial of my previous nostalgic tendencies. With more maturity also came a more logical understanding of the world around me. The more I understood the working ways of my surroundings, physical and psychological, the better I could feel my drive to achieve. The achievement I sought was not economic or career oriented in any aspect. It was based off of my ceaseless search for something new or for the rad or for the gnar or for swagger or for living a life that could inspire a minimum of 3 people including myself. The seed of this search was planted in me during my childhood by my five older siblings who all held within their bellies a fire of the same breed.
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Jul 7, 2014
Jul 7, 2014 at 2:35 AM UTC
adulthood-start bad
Paved thoughts They lay In naivity Youth Born into homogeny Told "Different is beautiful" But taught To fall in line With the swaying ways Society's norms form Pin-up billboard smiles Flash magazine swagger On surgeon made bodies Guide retinas of wide eyed Youth To mirrors With disgust "Different is beautiful" We'll say Yielding our whitened smiles "Different is beautiful"
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May 1, 2014
May 1, 2014 at 11:28 PM UTC
"Different is beautiful"
Here she comes Check her out You can see it in her walk Listen, to that velvet voice It's even in her talk She has a certain swagger That's so **** and not lewd The girl knows where she's going She's got that country attitude She's got the look Of country cool She's got country attitude This girl's in charge She breaks the rules She's got that country attitude Like a good smooth bourbon From Kentucky To be with her You must be lucky She wants man not just a dude To share that country attitude She'll chew you up and spit you out So, treat her good With out a doubt The way she looks Is misconstrued She's full of Country Attitude She's got the look Of country cool She's got country attitude This girl's in charge She breaks the rules She's got that country attitude
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Sep 2, 2013
Sep 2, 2013 at 1:28 PM UTC
Country Attitude
Give him a skinhead, insignia, boots Less scruples, a swagger-stick, crowds, money. No black shirts visible. Just business suits, and pride is restored: tragic but funny. Proud like a skyscraper, godless as sin Babylonian promises, towering lies Reality shows when plutocrats win, Their rhetoric raining from empty skies. She-wolves, elected by uninformed sheep behave predictably, eyeing the flock Their wool (and the lamb-chops) are hers to keep Grazing voter—this should come as no shock. It’s a bitter pill (more like pilloried) So shall we now be ******* or Hillary-ed?
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May 9, 2016
May 9, 2016 at 8:59 PM UTC
Dual Airbags
EVERY SINGLE DAY I vibe your electromagnetic waves THERE IS NO WAY to shake your swagger babe NORTH WIND TAKE ME AWAY sinking into the feel of it. The reel of it. Making a meal of that swirling lay. PLAY BY PLAY ~Rachael Hays 9A15
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Aug 15, 2015
Aug 15, 2015 at 2:17 PM UTC
WAVEs
Puissant piquant and predatory And observant from afar He looks down on your slumber Like a door that's left ajar Plying with his manly vice A reckless male visage A rogue of masculine device Seeks entrance to your mind He saunters with a swagger A macho savvy moxie To personify virility's incarnate His dream zone's metier He sifts your ****** entourage In search of sprawls recumbence To tantalize climactic fervor With lambent photic scenes Grasping at your revelries He spies the wanton lust With swanky strut appealing Your primal urge to sate He leaves undone resistance With innate resilience seized The lavish wayward implications Of unrequited livid deeds Like passion's lurid lecheries An insatiable torrid sooth You wrestle with his adamance Your  carnal ecstasies revealed You pounce on his exsertion You splay your agile form wriggling like a supple nymph You accept his blatant storm You writhe in your abandon In a euphoric supplication His machismo ****** enveloping Your wildest latent needs With no regrets or reticence you awaken from this dream To find yourself alone again Like it had never been
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May 19, 2018
May 19, 2018 at 9:51 PM UTC
Incubus
Getting it's easy. Everyone wants it, everyone's given it, everyone gets it. We play a different game, but it's all the same. You buy your fancy clothes and cars, eat your fish eggs and drink down your expensive bars. I don't need that **** It doesn't take much, anything and everything goes. Just do it with some swagger, some flare, an apathetic stare and you'll be walking on air. Get them wet and you're set.
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Feb 18, 2014
Feb 18, 2014 at 11:39 AM UTC
Wet
Mud is good, Its dead good mud, It's in me blood, But where not understood, Us people of mud, In the shadow of a gas tank and born on a Mersey bank, I lived on cobbled streets dark and dank, I played on a ship that sank, and for anything else I wouldn’t thank....... you On king street docks, girls in cheap frocks, curly locks, time tocks, the boat rocks, The tanyard smell made life hell for all that dwell, under the bridge, In Garston L19, it’s the scene, its clean, it’s where I’ve been, it’s not obscene or green, if you know what I mean. Its community security sincerity and every other word that ends with erity, But it’s fallen apart, Don’t lose heart. I go into town when I’m down, it clears me frown, I don’t go in me jarmies or me dressin gown, There’s men with round bellies, toddlers in wellies, Posh ladies gather in their marks and spencer swagger, There’s scouse brow teens, sunbed queens, Hunks and punks, lonely drunks, Suits in boots forgetting their roots and hens in ***** Big issue sellers, statue fellas holding golf umbrellas, Coz of all the rain, But it’s all good, coz we come from mud, Let’s cheer, why? Coz I’m here, I’m me, me names T, and me hubbys P me best friends she..... lagh, I like coffee and toffee and Roger Mcgoughy, I like statistics logistics eye shadow and lipsticks, I like bags and wags and cigarette **** but not beer, I’m fine on wine if I take me time, I don’t do a line, unless I’m hanging me washing on it, I work in a bar, not far, I don’t drive a car, and I don’t say Lar or kid or lad or lid or mar, I’m proud and loud, don’t live on a cloud, and I don’t follow the crowd, I’m a mum to some, I’ve got a big round *** but I’m me you see, I’m not square, I dye me hair, I swear but you can take me anywhere, Coz I care, I’m good, I’m mud; it’s in me blood, Understood By Christina Ford
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Feb 3, 2014
Feb 3, 2014 at 7:23 PM UTC
Mud
Mud is good, Its dead good mud, It's in me blood, But where not understood, Us people of mud, In the shadow of a gas tank and born on a Mersey bank, I lived on cobbled streets dark and dank, I played on a ship that sank, and for anything else I wouldn’t thank....... you On king street docks, girls in cheap frocks, curly locks, time tocks, the boat rocks, The tanyard smell made life hell for all that dwell, under the bridge, In Garston L19, it’s the scene, its clean, it’s where I’ve been, it’s not obscene or green, if you know what I mean. Its community security sincerity and every other word that ends with erity, But it’s fallen apart, Don’t lose heart. I go into town when I’m down, it clears me frown, I don’t go in me jarmies or me dressin gown, There’s men with round bellies, toddlers in wellies, Posh ladies gather in their marks and spencer swagger, There’s scouse brow teens, sunbed queens, Hunks and punks, lonely drunks, Suits in boots forgetting their roots and hens in ***** Big issue sellers, statue fellas holding golf umbrellas, Coz of all the rain, But it’s all good, coz we come from mud, Let’s cheer, why? Coz I’m here, I’m me, me names T, and me hubbys P me best friends she..... lagh, I like coffee and toffee and Roger Mcgoughy, I like statistics logistics eye shadow and lipsticks, I like bags and wags and cigarette **** but not beer, I’m fine on wine if I take me time, I don’t do a line, unless I’m hanging me washing on it, I work in a bar, not far, I don’t drive a car, and I don’t say Lar or kid or lad or lid or mar, I’m proud and loud, don’t live on a cloud, and I don’t follow the crowd, I’m a mum to some, I’ve got a big round *** but I’m me you see, I’m not square, I dye me hair, I swear but you can take me anywhere, Coz I care, I’m good, I’m mud; it’s in me blood, Understood By Christina Ford
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40
583 A Toad, can die of Light— Death is the Common Right Of Toads and Men— Of Earl and Midge The privilege— Why swagger, then? The Gnat’s supremacy is large as Thine— Life—is a different Thing— So measure Wine— Naked of Flask—Naked of Cask— Bare Rhine— Which Ruby’s mine?
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4.9k
A Toad, can die of Light
It’s early Friday afternoon and, over plates of greasy spoon dinner, the musician and the businessman repeat their weekly ritual. The businessman has his problems at home and spills his guts to his musician friend. “It’s been a real long time coming, but she’s still been such a bitter ***** They’ve met this way since their college days and nights spent studying the bottoms of whiskey bottles. And, as usual, the businessman’s hair sits sprawled on his head like a rag, and his tie is loosened. The musician doesn’t understand divorce: “You look like hell. You know, if you need a place to stay, Helen and I and the boy can always make some room for you.” They light a pair of cigarettes and wait for a waitress to kick them out. Into the haze of a Lower East Side crowd the musician and his band play his newest pieces, riffs on the happy swagger of the Duke. His critics— and he has many— write that his jazz sings the inescapable *********** of suffering through the life of every oblivious body, which makes the musician’s music sound more like the blues than jazz. But it’s jazz all the same and perhaps it was the intensity of the growling bass that shot spirits down the throats in the audience, reeling drunk in time to the beat of the musical suffering. The weekdays die and it is Friday again. He has a big view of midtown, the businessman, and though the window the falling sun horizons over his socked toes, parked on his desk in triumph over all those stockholders. It’s a pain to lose your family, but the businessman puts on a good face, and drinks. This Friday, the musician and the businessman are not in the mood for talking. But a scotch thrown down, and the two are tighter than thieves. The businessman complains of life at home and the musician’s eyes cross. That night, the musician skips his performance. His wife cries in their bed, shuddering with worry and asking him what makes him so distant? she asks— it’s a mystery even to himself. He is sweating whiskey— which suits him fine— and he spends his night on the bridge. One week later and it is Friday, finally. Today, the businessman will see his children at his former home for the last time for a handful of months at best. The musician has not been home for three days. He stays at a friend’s apartment, puts on his ***** blazer and a record of the Duke’s before he throws himself down the airshaft. The businessman jumps on the 5:44 out of town and calls his friend the musician to cancel their usual Friday meeting, but his phone keeps ringing, ringing, ringing, ringing, ringing.
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Apr 12, 2010
Apr 12, 2010 at 10:01 PM UTC
The Musician and the Businessman
It’s early Friday afternoon and, over plates of greasy spoon dinner, the musician and the businessman repeat their weekly ritual. The businessman has his problems at home and spills his guts to his musician friend. “It’s been a real long time coming, but she’s still been such a bitter ***** They’ve met this way since their college days and nights spent studying the bottoms of whiskey bottles. And, as usual, the businessman’s hair sits sprawled on his head like a rag, and his tie is loosened. The musician doesn’t understand divorce: “You look like hell. You know, if you need a place to stay, Helen and I and the boy can always make some room for you.” They light a pair of cigarettes and wait for a waitress to kick them out. Into the haze of a Lower East Side crowd the musician and his band play his newest pieces, riffs on the happy swagger of the Duke. His critics— and he has many— write that his jazz sings the inescapable *********** of suffering through the life of every oblivious body, which makes the musician’s music sound more like the blues than jazz. But it’s jazz all the same and perhaps it was the intensity of the growling bass that shot spirits down the throats in the audience, reeling drunk in time to the beat of the musical suffering. The weekdays die and it is Friday again. He has a big view of midtown, the businessman, and though the window the falling sun horizons over his socked toes, parked on his desk in triumph over all those stockholders. It’s a pain to lose your family, but the businessman puts on a good face, and drinks. This Friday, the musician and the businessman are not in the mood for talking. But a scotch thrown down, and the two are tighter than thieves. The businessman complains of life at home and the musician’s eyes cross. That night, the musician skips his performance. His wife cries in their bed, shuddering with worry and asking him what makes him so distant? she asks— it’s a mystery even to himself. He is sweating whiskey— which suits him fine— and he spends his night on the bridge. One week later and it is Friday, finally. Today, the businessman will see his children at his former home for the last time for a handful of months at best. The musician has not been home for three days. He stays at a friend’s apartment, puts on his ***** blazer and a record of the Duke’s before he throws himself down the airshaft. The businessman jumps on the 5:44 out of town and calls his friend the musician to cancel their usual Friday meeting, but his phone keeps ringing, ringing, ringing, ringing, ringing.
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75
To a Louse by Robert Burns translation/interpretation by Michael R. Burch Hey! Where're you going, you crawling hair-fly? Your impudence protects you, barely; I can only say that you swagger rarely Over gauze and lace. Though faith! I fear you dine but sparely In such a place. You ugly, creeping, blasted wonder, Detested, shunned by both saint and sinner, How dare you set your feet upon her— So fine a lady! Go somewhere else to seek your dinner On some poor body. Off! around some beggar's temple shamble: There you may creep, and sprawl, and scramble, With other kindred, jumping cattle, In shoals and nations; Where horn nor bone never dare unsettle Your thick plantations. Now hold you there! You're out of sight, Below the folderols, snug and tight; No, faith just yet! You'll not be right, Till you've got on it: The very topmost, towering height Of miss's bonnet. My word! right bold you root, contrary, As plump and gray as any gooseberry. Oh, for some rank, mercurial resin, Or dread red poison; I'd give you such a hearty dose, flea, It'd dress your noggin! I wouldn't be surprised to spy You on some housewife's flannel tie: Or maybe on some ragged boy's Pale undervest; But Miss's finest bonnet! Fie! How dare you jest? Oh Jenny, do not toss your head, And lash your lovely braids abroad! You hardly know what cursed speed The creature's making! Those winks and finger-ends, I dread, Are notice-taking! O would some Power with vision teach us To see ourselves as others see us! It would from many a blunder free us, And foolish notions: What airs in dress and carriage would leave us, And even devotion! One Sunday while sitting behind a young lady in church, Robert Burns noticed a louse roaming through the bows and ribbons of her bonnet. The poem "To a Louse" resulted from his observations. The poor woman had no idea that she would be the subject of one of Burns' best poems about how we see ourselves, compared to how other people see us at our worst moments. Keywords/Tags: Robert Burns, louse, church, bonnet, lace, Scotland, Scots, dialect, translation
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Apr 21, 2020
Apr 21, 2020 at 5:26 AM UTC
Robert Burns "To a Louse" translation
To a Louse by Robert Burns translation/interpretation by Michael R. Burch Hey! Where're you going, you crawling hair-fly? Your impudence protects you, barely; I can only say that you swagger rarely Over gauze and lace. Though faith! I fear you dine but sparely In such a place. You ugly, creeping, blasted wonder, Detested, shunned by both saint and sinner, How dare you set your feet upon her— So fine a lady! Go somewhere else to seek your dinner On some poor body. Off! around some beggar's temple shamble: There you may creep, and sprawl, and scramble, With other kindred, jumping cattle, In shoals and nations; Where horn nor bone never dare unsettle Your thick plantations. Now hold you there! You're out of sight, Below the folderols, snug and tight; No, faith just yet! You'll not be right, Till you've got on it: The very topmost, towering height Of miss's bonnet. My word! right bold you root, contrary, As plump and gray as any gooseberry. Oh, for some rank, mercurial resin, Or dread red poison; I'd give you such a hearty dose, flea, It'd dress your noggin! I wouldn't be surprised to spy You on some housewife's flannel tie: Or maybe on some ragged boy's Pale undervest; But Miss's finest bonnet! Fie! How dare you jest? Oh Jenny, do not toss your head, And lash your lovely braids abroad! You hardly know what cursed speed The creature's making! Those winks and finger-ends, I dread, Are notice-taking! O would some Power with vision teach us To see ourselves as others see us! It would from many a blunder free us, And foolish notions: What airs in dress and carriage would leave us, And even devotion! One Sunday while sitting behind a young lady in church, Robert Burns noticed a louse roaming through the bows and ribbons of her bonnet. The poem "To a Louse" resulted from his observations. The poor woman had no idea that she would be the subject of one of Burns' best poems about how we see ourselves, compared to how other people see us at our worst moments. Keywords/Tags: Robert Burns, louse, church, bonnet, lace, Scotland, Scots, dialect, translation
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52
How long my days, my nights listening to swagger jaggier Since the seagulls, dance broke the sand-bags Last year have been widely criticized as the torture year How long my days, my nights listening to swagger jaggier Last year hurt more than ever the attitude of the unions lecture How long my days, my night listening to swagger jaggier Since the seagulls, drove the dagger deeper. Author note... sometimes in life we just have to take the good with the bad remembering the storm of 2012.. I was aiming for: The Triolet Form of poetry
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May 1, 2013
May 1, 2013 at 5:36 PM UTC
The Seagull Dance Broke The Sand-Bags
Two faced Many minds Shifter of shapes Dr. Jekyll Mr. Hyde Past lives Intertwined Most mean Few kind All vie for equal time All determine to shine The writer The fighter Drama king *** machine The revolution ignite-r The brave slave One with Passion and fire The singer Dead ringer One who points the finger Conspiracy theorist Lyricist Soulful swagger Hip Hop demeanor The teacher and student The dude with attitude And no one can refute it A brother and a son The one that has been shunned One who leaves them stunned With the selfish things I’ve done The secret me The enemy The one whose heart is numb There are a lot of us No stopping us And yes there’s more to come I’ll never alter My alter selves Incarcerate them In individual cells Even when they scream and yell All are a part of me And they refuse to be veiled You ask me Is there a pill? A remedy…? Because this has to be Insanity Did you disrespect My dissociative identities? Do you really want to make all of us your #1 enemy? We’re laughing Its killing me We flip the script easily Me- and all of my inner entities Chillingly You’re triggering A very sad memory Oh, what a tragedy You’re just another casualty Unfortunate fatality Of my Multiple Personalities…
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Oct 1, 2012
Oct 1, 2012 at 12:49 AM UTC
Multiple Personalities
You were my coffee today Just walking along the road to Hell knows where on the last day of July My car made the turn onto Sheridan and my eyes caught the motion of your swagger, dark pants Black tank Probably a red shirt wrapped around your waist corded arms slightly bowed to give the impression of a badass your long hair flowing in the morning air In an instant your head came up Instinctively giving you the image of my nearing car And then you smiled
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Jul 31, 2018
Jul 31, 2018 at 9:32 AM UTC
I watched the sunrise walking
You've made me reconsider everything I thought And change all the conclusions that I've ever been brought You made me stare in adoration from the way you talk To the way you have confidence and swagger in your walk And when you dance, I see eyes filled with passion and drive And from the audience, it looks like you become more alive I see happiness, as if it's really the only time You can feel such emotion and I understand why You seem to fascinate me and I seem to admire you Cause I love to know things like your past and what inspires you How you hold yourself, your humor type, and I desire you And I can't tell you why cause usually I enjoy solitude But I'm so drawn to you, I think of you all the time I wanna be snuggled in your arms, your lips pressed against mine Cause with everybody else I'll just say oh yeah I'm fine But I actually can mean it when I'm with you and I won't lie I feel endless smiles and countless butterflies And I can't take the stare you give me from your ****** eyes So I look down, and fidget & become sorta shy When it's all realization I finally got a great guy For months it's been strange cause I haven't just cried Cause we're fighting over nonsense or cause somebody lied Or your ignoring me, cheating, beating, not treating me right Im not used to this but it's all been relieving and nice I gaze at you and I wonder if sometimes you catch me Cause I'd stare all day if I could and if you'd let me My love for you is strong and becoming very heavy I rarely get the chance to meet people who don't regret me You're what makes me happy And wake up in the morning Go to school, see you And I see now what is forming I'm just so in love and I would never ever leave you Cause I don't just want you anymore, I'm beginning to need you...
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May 7, 2014
May 7, 2014 at 5:25 PM UTC
Need You
You've made me reconsider everything I thought And change all the conclusions that I've ever been brought You made me stare in adoration from the way you talk To the way you have confidence and swagger in your walk And when you dance, I see eyes filled with passion and drive And from the audience, it looks like you become more alive I see happiness, as if it's really the only time You can feel such emotion and I understand why You seem to fascinate me and I seem to admire you Cause I love to know things like your past and what inspires you How you hold yourself, your humor type, and I desire you And I can't tell you why cause usually I enjoy solitude But I'm so drawn to you, I think of you all the time I wanna be snuggled in your arms, your lips pressed against mine Cause with everybody else I'll just say oh yeah I'm fine But I actually can mean it when I'm with you and I won't lie I feel endless smiles and countless butterflies And I can't take the stare you give me from your ****** eyes So I look down, and fidget & become sorta shy When it's all realization I finally got a great guy For months it's been strange cause I haven't just cried Cause we're fighting over nonsense or cause somebody lied Or your ignoring me, cheating, beating, not treating me right Im not used to this but it's all been relieving and nice I gaze at you and I wonder if sometimes you catch me Cause I'd stare all day if I could and if you'd let me My love for you is strong and becoming very heavy I rarely get the chance to meet people who don't regret me You're what makes me happy And wake up in the morning Go to school, see you And I see now what is forming I'm just so in love and I would never ever leave you Cause I don't just want you anymore, I'm beginning to need you...
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34
Every Jamaican is a superstar. It's there in the carry in the step in the stand. It's there in the belief that anything that anyone that anywhere can swagger can strut can take the room and make the world stop sit up take note and smile.
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Aug 26, 2018
Aug 26, 2018 at 3:35 AM UTC
Superstar
Verdant eyes, translucent pearls speak in silent witness, wounds unfurl meaning revealed, interrupted girl. Safe in solidarity prolific eccentricity, the scandal of particularity. Pouting mouth grief - filled lips alluring, set sail a thousand ships; tempt me to leave harbor. Arousing euphoria as such, resistance, amity and distance amour sans touch her sense of humor transcends, appeasing the mind’s thirst a vogue sultana, seasoned swagger hair resplendent flame, alternating cool, black asymmetrical coiffure; nonconforming demure the renegade metaphor - singular for sure, no cure. Muted vanity, bathos piercing the jaded circumference of banality; pale protagonist servitude the sapient palaver of the urbane, covered patina of pretense, induced coercion, the commodity self appearing abased wearing lesions of lassitude. Artistic chattel - eminent domain preempting genius, subsidiary of consuming narcissism external locus of control; surrender to the tentative, fettered pendant, Venus in chains arrested visionary bane sterile savant, edifice of pain. The soubrette, dubious incarnation gravid ingénue of prevarication imperceptible venue - theatre of the absurd; withdrawn siren, solitude of necessity - skin - slender veil of shame, nearness loitering redemption; moments envisage the appointment with the soul; ambiguity eschews clarity awareness; ineluctable anxiety, imago - centric confession sacred pardon, seraphic venation intravenous textures presume, the tactile margins of liberty. Therapeutic retrieval, Sanguine, beneath the portico of individuation; Your smile I hear, recovered autonomy blessed emancipation, The scandal of particularity; peculiar treasure ironically captured film, canvas, prose profundity. Ciphering as an ambling book, I peruse you, rendered captive hypnotic avant-garde fiction, spectator of denuded opacity analogous reflection, I Mirror you. A modest proposal - pontificate the imperative, forgo the disposal, adapt your narrative, the scandal of particularity - resonate the echo, cogitate our propinquity Love, imagination and destiny. ©2008 & 2011 W.S Warner
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Sep 9, 2011
Sep 9, 2011 at 1:20 AM UTC
The Scandal of Particularity
Verdant eyes, translucent pearls speak in silent witness, wounds unfurl meaning revealed, interrupted girl. Safe in solidarity prolific eccentricity, the scandal of particularity. Pouting mouth grief - filled lips alluring, set sail a thousand ships; tempt me to leave harbor. Arousing euphoria as such, resistance, amity and distance amour sans touch her sense of humor transcends, appeasing the mind’s thirst a vogue sultana, seasoned swagger hair resplendent flame, alternating cool, black asymmetrical coiffure; nonconforming demure the renegade metaphor - singular for sure, no cure. Muted vanity, bathos piercing the jaded circumference of banality; pale protagonist servitude the sapient palaver of the urbane, covered patina of pretense, induced coercion, the commodity self appearing abased wearing lesions of lassitude. Artistic chattel - eminent domain preempting genius, subsidiary of consuming narcissism external locus of control; surrender to the tentative, fettered pendant, Venus in chains arrested visionary bane sterile savant, edifice of pain. The soubrette, dubious incarnation gravid ingénue of prevarication imperceptible venue - theatre of the absurd; withdrawn siren, solitude of necessity - skin - slender veil of shame, nearness loitering redemption; moments envisage the appointment with the soul; ambiguity eschews clarity awareness; ineluctable anxiety, imago - centric confession sacred pardon, seraphic venation intravenous textures presume, the tactile margins of liberty. Therapeutic retrieval, Sanguine, beneath the portico of individuation; Your smile I hear, recovered autonomy blessed emancipation, The scandal of particularity; peculiar treasure ironically captured film, canvas, prose profundity. Ciphering as an ambling book, I peruse you, rendered captive hypnotic avant-garde fiction, spectator of denuded opacity analogous reflection, I Mirror you. A modest proposal - pontificate the imperative, forgo the disposal, adapt your narrative, the scandal of particularity - resonate the echo, cogitate our propinquity Love, imagination and destiny. ©2008 & 2011 W.S Warner
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82
They're a funny lot, some of these poets, feisty feminists, dreamers, anti-money, and even some who are very self-defecating about themselves. And then there's the literary, learned allusion lot, and some who've got their eye on eternity, that's what, and others who rub too much turps on the **** of their imagination. But it's the long-winded poets who make me squirm, and for god’s sake, give me a bottle of red wine when the ones with blue-rinse hair get up to have their turn. They're terribly nice, but they need an echidna stuffed right up you know where - at least once, if not twice. And give me another bottle of the red, even if it's rough, or better still a whole case of that stuff, just to protect me from those who bleed too much in poems. Psychoanalytic stuff makes me paralytic and I have to stifle groans. But most of all, I like the poets with their tongues on fire, the ones who lick lightening before they write and who throw a sizzling poem down like a thunderbolt from Zeus. I like poems marsh mellow soft and bitter-sweet, too, and those oozing with the juice. And if a poem's loud and flash, so what? I like a bit of swagger, with shameless **** and *** And sometimes, I just like words that rhyme with licorice, Dionysius, Priapus, Bacchus and preposterous! Also, what the **** a poem can even give offense. Poets sometimes need to do this to stop indifference. They call this poet's license, but really, indifference is the only hell from which us poets need deliverance.
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Oct 30, 2012
Oct 30, 2012 at 6:56 AM UTC
Poets
They're a funny lot, some of these poets, feisty feminists, dreamers, anti-money, and even some who are very self-defecating about themselves. And then there's the literary, learned allusion lot, and some who've got their eye on eternity, that's what, and others who rub too much turps on the **** of their imagination. But it's the long-winded poets who make me squirm, and for god’s sake, give me a bottle of red wine when the ones with blue-rinse hair get up to have their turn. They're terribly nice, but they need an echidna stuffed right up you know where - at least once, if not twice. And give me another bottle of the red, even if it's rough, or better still a whole case of that stuff, just to protect me from those who bleed too much in poems. Psychoanalytic stuff makes me paralytic and I have to stifle groans. But most of all, I like the poets with their tongues on fire, the ones who lick lightening before they write and who throw a sizzling poem down like a thunderbolt from Zeus. I like poems marsh mellow soft and bitter-sweet, too, and those oozing with the juice. And if a poem's loud and flash, so what? I like a bit of swagger, with shameless **** and *** And sometimes, I just like words that rhyme with licorice, Dionysius, Priapus, Bacchus and preposterous! Also, what the **** a poem can even give offense. Poets sometimes need to do this to stop indifference. They call this poet's license, but really, indifference is the only hell from which us poets need deliverance.
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31
Walking into the Reception Hall, they stole the show away, A regal pair they were, with a little bit of Butch and Sundance swagger shown. A confident air, not at all underserved. Dressed with just enough elegance. Their posture and hue , sleek and silky golden, like a duet of Cheetahs. Eyes alert and searching for prey. Alert for danger. Like a herd of antelope, all heads turned to look, The men perhaps out of desire, the women staring envy at them, Like the twin bores of a loaded gun. Mother and fetching daughter, From twenty feet, hard to tell which, one was one, or the other. Long blond hair, full and fine, both women tall, statuesque, moving with grace and ease. The mother my old friend, the daughter all grown up now, each having a smile that would light up anyone's darkness of mood. We greeted one another, hugs and hand shakes shared. A little conversation in the crowded room, Many pairs of eyes upon us there. Enchanted is the word that best describes my impression, this duo as intelligent and charming as they were beautiful to see. The mother sedate, classy and yet open and free, no pretense, no games just naturally at ease. As lovely as I remembered her to be. Her offspring, vivacious, spirited and bold, smart as whip, with a tongue that could draw blood if she desired it to. Chatty and funny, sure of herself, in the manner of beautiful people, yet not in a pompous way, merely Confident in self and her place in the world. She possessed all the character traits you would wish your own daughter to have. Her Mother had done well is raising her. Too soon they moved on, meeting and greeting others', out of my hearing and seeing. Some weeks have passed, a month or two and yet their strong impression has lingered, I can't keep them out of my mind. The Mother, my friend most of all.
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Nov 18, 2013
Nov 18, 2013 at 3:11 PM UTC
Mother and Daughter
Walking into the Reception Hall, they stole the show away, A regal pair they were, with a little bit of Butch and Sundance swagger shown. A confident air, not at all underserved. Dressed with just enough elegance. Their posture and hue , sleek and silky golden, like a duet of Cheetahs. Eyes alert and searching for prey. Alert for danger. Like a herd of antelope, all heads turned to look, The men perhaps out of desire, the women staring envy at them, Like the twin bores of a loaded gun. Mother and fetching daughter, From twenty feet, hard to tell which, one was one, or the other. Long blond hair, full and fine, both women tall, statuesque, moving with grace and ease. The mother my old friend, the daughter all grown up now, each having a smile that would light up anyone's darkness of mood. We greeted one another, hugs and hand shakes shared. A little conversation in the crowded room, Many pairs of eyes upon us there. Enchanted is the word that best describes my impression, this duo as intelligent and charming as they were beautiful to see. The mother sedate, classy and yet open and free, no pretense, no games just naturally at ease. As lovely as I remembered her to be. Her offspring, vivacious, spirited and bold, smart as whip, with a tongue that could draw blood if she desired it to. Chatty and funny, sure of herself, in the manner of beautiful people, yet not in a pompous way, merely Confident in self and her place in the world. She possessed all the character traits you would wish your own daughter to have. Her Mother had done well is raising her. Too soon they moved on, meeting and greeting others', out of my hearing and seeing. Some weeks have passed, a month or two and yet their strong impression has lingered, I can't keep them out of my mind. The Mother, my friend most of all.
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54
When I walk down Shop Street I shake my *** (Yeah, I do.) I swagger With the confidence That yes I am a foreigner In your country And yeah I say, You’re alright. But I Am a newly awakened goddess. And it took being heartbroken And being drunk five nights out of seven And feeling like the water is going over my head To say WAIT. I am more than this. And when you look at me It won’t be because my *** is shaking (although, that certainly helps) It will be because I EXUDE GREATNESS. And you will want to know me. I’ll be nodding my head from side to side And shaking my hips like it is my God-given right (it is) And Instead of telling you how awesome you are I’ll be telling myself. Because that is the one person whose been neglected from this equation from the start. When I ask DO YOU THINK OF ME? I’ll be asking myself. And I’ll be replying a wholehearted “YES” As I shake my *** Walking down Shop Street.
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Nov 4, 2012
Nov 4, 2012 at 4:22 PM UTC
ass-shaking.
His hands ring in the upper classes. There, in the morning light, his will Is forged, bent, as truth, on ruling   This place, underhand, underfoot. With shuttered ears divining his voice The dim pupils see only what is said. The top hand schools, topples all words Ringing hands sing the song of fools. How Headmaster trains on the heel,   A dagger strikes, the paper cuts Exalted, his close minded hands,   See a Czar in the stony swagger, And the student body, submissively lies With his feet.  Outside the college The headmaster is heard. Grossly, He is their dream and only shepherd.
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May 31, 2012
May 31, 2012 at 9:48 PM UTC
HeadMaster
His hands ring in the upper classes. There, in the morning light, his will Is forged, bent, as truth, on ruling   This place, underhand, underfoot. With shuttered ears divining his voice The dim pupils see only what is said. The top hand schools, topples all words Ringing hands sing the song of fools. How Headmaster trains on the heel,   A dagger strikes, the paper cuts Exalted, his close minded hands,   See a Czar in the stony swagger, And the student body, submissively lies With his feet.  Outside the college The headmaster is heard. Grossly, He is their dream and only shepherd.
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Sep 18, 2012
Sep 18, 2012 at 8:18 PM UTC
HeadMaster
Expectations swagger And clutter. Small talk Loiters dangerously near big talk As gazes dance between Lazy freckles. Questions are asked That require too complicated Of answers. Answers too uncertain And even once certain, Limbs putrify and freeze In the daunting path That has been figured, Fathomed, barely And never traveled. Habits, self inhibitions, Self-destructive agendas, Pull at the walker As his own mind swivels, Exhausted, Tipping into madness. He’s found the path But finds self-provoked Difficulty in walking it.
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Jul 11, 2014
Jul 11, 2014 at 12:38 AM UTC
Path “Blockades”