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Test Ting Won To Tree
By
Charles Fleischer







Rifleman decal water is to Tiny basket liners as Strained yo-yo string is to?
Dark wool glowing is to Oldest lost oddity as First genetic engine is to?
Black quail taint is to Nut curdled paint as Hemp biscuit dominoes are to?
Steam traced paper is to Lemon ash vapor as Digital ****** wig is to?
Eccentric brine mimes are to Electric silk slacks as Spark formed lava is to?
Sunchoked black hornets are to as Rescued orphan doves as Retold cat jokes are to?
Hand traced videos are to Braided rubber spines as Opal rain dancers are to?
Halogen anchor gong is to Annoying bread portraits as Soft bracelet lockers are to?
Old troll bios are to Select cherub echoes as Broken matchstick parasols are to?
Dome nine chariots are to Frayed lunar remnants as Fuming honey flasks are to?
Bluing assault operas is to Beading fluted flowers as Magnetic lawn tweezers are to?
Converted flea sponges are to Floating dog murals as Frozen Archie comics are to?
Molded road pads are to Crusty gumdrop thread as Straw ribbed pelicans are to?
Inflatable diamond vowel is to Single gender raffle as Groovy desert coffee is to?
Temporary solution radiation is to Idiotic witness mumble as Motorized marshmallow kit is to?
Panoramic utopian paranoia is to Aggravated **** silhouettes as Unhinged gun sellers are to?
Homesick ghost pajamas is to Virtuous fly fungus as Royal sandpaper gloves are to?
Gangster hayride tickets are to Deer milk Oreos as Turnip fairy maps are to?
Glue gun **** is to Nocturnal cabin mice as Cab fare corn is to?
Speckled fish nickels are to Under water bric-a-brac as Epic snakeskin paisley is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Raunchy snail kimono is to Coiled time dice as Smeared equator malt is to?
Metallic centaur franchise is to Transparent cheese chess as Spotted glacial remnants is to?
Sky fused pong is to Rustic mothers brattle as Granulated canister ointment is to?
Overgrown maze mule is to Mated smugglers hugging as Floating thesaurus exam is to?
Sliding coed sprinkler is to Soapy whitefish rebate as Precious lamb diaper is to?
Mushy acorn luster is to Lilac protein rings as Slapstick wrestler dialect is to?
Freaky plankton bells is to Rolling horse divorce as Morphing morphine lips are to?
Sticky razor sparkle is to Emerald muscle spasm as Glaring cat cipher is to?
Peppy unisex mustache is to Pelican fighter syndrome as Clumping night grumble is to?
Scanning paired pearls are to Ruby rubbed roaches as Satanic sailor flotsam  are to?
Glowing asteroid solder is to Ideal shark data as Failed frail doilies are to?
Numb nuts boredom is to Fantastic icy phantoms as Sporadic silk creations is to?
Crooks crow chow is to Loading spackled bonder as Gargled snowdrop blasters are to?
Outdid myself today is to Outside myself again as Outlived myself controls is to?
Venting shuttlecock upset is to Texting badminton kitten as Settler tested motels are to?
Prepare paired vents is to Prefer paid events as Pretender predicts fiction is to
Crunchy mental fender is to Catching mentor menace as Poorly seasoned lettuce is to?
Outside sidewalk inside is to Seaside outcast input as Sideways landslide victory is to?  
Compile fake password is to Compost world poo as Compose village anthem is to?
Crooked crotch blunder is to Loud crowd thunder as Divine vine finder is to?
Chucks’ wooden truck is to Bucks good luck as Sticky ducks tucked is to?  
Overhaul underway overseas is to Overturned downsized pickup as Underground onramp overloaded is to?
I’ll bite there is to Aisle byte their as Isle bight there is to?
Gnat gnawed wrist is to ***** show beans as See through putty is to?
Flapping floppy guppies are to Buzzing zipped dozers as Muddy ****** strippers are to?
Dark diagonal dialogue is to Diabolical dihedral die as Interesting circadian exposition is to?
Experimental flossing expectations are to Waxed dental traps as Permanent impermanence resolution is to?  
Outran ringside intrigue is to Sidetracked onboard boatload as Loaded firearm topside is to?
Phony ****** phone is to Chewy ego honey as Yogi Mama’s dada is to?
Nimble teardrop squiggle is to Humble cage curtains as Loyal truckstop morals are to?
Torching curled elastic is to Sonic neighbor clamor as Golden droplet integers are to?
Duplex pupil scanners are to Nacreous cloud clocks as Shrouded flute shops are to?
Lawn rocket tendrils are to Finding surreal borders as Sheep monarchs children is to?
Gloating ungloved squires are to Busting double doubters as Pushing woeful doctors are to?
Tricking snowbelt firedogs is to Panmixing blackened haywires as Unclothed shameful leaders are to?
Malicious ranch ritual is to Internal puppet bubble as Ornate underworld masquerade is to?
Rustic debonair Eskimos are to Mindless sassy elves as Gorgeous somber acrobats are to?
Learned earthy pimps are to Fearless sneaky Queens as Somber gentle vagrants are to?
Shocking horse wear is to Glossy sled fluid as Damaged chipmunk tongue is to?
Traditional agony chart is to Damp voodoo motel as Backwoods museum quote is to?
Magical cat cabin is to Dapper porpoise humor as Malicious graveyard foam is to?
Therapeutic gazelle cushion is to Stored alibi equipment as Stunning tempo light is to?
Fantastic rascal art is to Wasted prune dust as Jupiter’s ****** law is to?
Little nut razor is to Gigantic hyena shield as Hourglass pillow fever is to?
Coiled rain clouds are to Dizzy tycoon clowns as Lime eating cowards are to?
Possessive epicurean demonstrators are to Faded eavesdropping giants as Determined swanky drunks are to?
Aquatic preview pocket is to Soggy judicial topiary as Finicky hamster fabric is to?
Enlarged fruit cuff is to Obedient mumbling orchestra as Dark tenant tariff is to?
Recycled flash thermometer is to Botched temptation probe as Pet glider grid is to?
Seriously shy idols are to Costly driving perfumes as Ferryboat chapel wine is to?
Winged jalopy details are to Faithful spectral fathers as Sprinkled mint rainbows are to?
Spelling unneeded words is to Sprouting donut ***** as Blaming mellow mallrats are to?
Eroding loom keepsake is to Magnificent accordion canoe as ***** bongo fumes are to?
Souring violet ink is to Juvenile insult park as Periodic ferret envy is to?
Obedient boyfriend aroma is to Sanitized fat lozenges as Dramatic jailer garb is to?
Mysterious patrol group is to Dynamic maiden discharge as Captured hurricane ratio is to?
Lackadaisical bigot bingo is to Oblong care merchant as Expensive swamp shampoo is to?
Petite orifice worship is to Atomic barge pet as Plucked hair exhibit is to?
Elite officer wallop is to Automatic yard rake as Healing ****** glitter is to?
Needless swan costume is to Giant jungle goat as Organic picnic napkin is to?
Leaky jet steam is to Innovative fascist whistle as Enchanting idol evidence is to?
Plastic mascara seduction is to Greasy thermal ointment as Attractive muskrat crease is to?
Lucky camel pills are to White coral Torah as Eternal stage clutter is to?
Roasted oat **** is to Sloppy *** glue as Nylon table debt is to?
Steep nook catastrophe is to Empty dome damage as Pulsing breeze powder is to?
Empty sack power is to Hitched buck stroke as Red claw warning is to?
Ultra brief slogan is to Yummy lab mutant as Pathetic ball armor is to?
Nauseating fish splatter is to Obstinate ****** twitch as Strained ***** coffee is to?
Mezzanine intermission fossil is to Proven **** apathy as Golden duck shroud is to?
Civil tutors torment is to Thor’s posted theory as Yellow melon rain is to?
Immense olive raft is to Exploding kangaroo buffet as Ethereal witness index is to?  
Marching dark speeders are to Searing scribble fighters as **** tripping sinners are to?
Seeping viral angst is to Aged hermit tea as Murky bowl nibble is to?
Condensed blister guzzle is to Pink dorsal pie as Lavish speckled runt is to?
Needy insult poet is to Sedated acorn trader as Dry honey zoo is to?
Veiled trust flicker is to Deranged poser fashion as Flat sizzle tangent is to?
Purified diet spray is to Nebulous wishing target as Thrilling screen dope is to?
Majestic ribbon astronomy is to Bizarre formation sector as Rebel bell gimmick is to?
Sealed dart whisper is to Green silk draft as Cold vacuum varnish is to?
Clumsy raven power is to Insect island circus as Minted mink drapes are to?
Curved map ruler is to Tiny lethal radio as Blue fused metal is to?
Inverted laser invasion is to Damp sheep dump as Puffy gown smoke is to?
Saucy Channel blazer is to Leather goat filament as Starched locomotive hat is to?
Broken jumper leads are to Disgraced mini exorcists as Designer shamrock caulk is to?
Tweaked poachers smokes are to Assorted sulfur pathways as Collected bedlamp trickle is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Crawling battle worms are to Vibrating metal pedals as Mentholated matrix wax is to?
Missing meshed rafts are to Liquid rock pipes as Crinkled bean bikinis are to?
Tithing **** joggers are to Perforated buck fronds as Leather zither picks are to?
Fearing truthful cowards is to Rambling preachers mumble as Gazebo ambulance gasoline is to?
Shelving elder’s whiskers is to Poaching goalies pesto as Radical tricycle angst is to?
Mucky gunboat polymer is to Primeval maypole flameout as Cathedral greenhouse intercom is to?
Diaphanous safety prize is to Unleashed saucer lion as Dorky blonde ropewalker is to?
Tapered spring meter is to Silver silo mythology as Misguided judges medallions are to?
Alligator x-ray money is to Cherry unicorn water as Coyote cactus toy is to?
Cowardly dorm scrooge is to Atomized pewter script as Flattened spore smoothies are to?
Trash can yodel is to Flashing wired spam as Exploding chocolate pudding is to?
Sonar blasted bushings are to Threading ruined wheels as Forty shifting boxes are to?
Tiny balloon rebellion is to Softened square cleanser as Iconic soul sucker is to?
Harmony night light is to Spanish nitrogen desire as Squirrel cavern iodine is to?

Lazy winter secret is to Slow airport widget as Silly mustard binder is to?
Elephants raising raisins are to Microscopic lamb planet as Purple hay puppets are to?
Caribou venom vaccine is to Electronic lemonade choir as Demonic princess massage is to?
Beet coated bridge is to Fattened needle point as Mylar monkey spine is to?
Ashy ink dust is to Youngest rabbi planet as Orange cartoon geometry is to?
Cold green chalk is to Cobalt ladder farce as ***** river filters are to?
Sublime sheep master is to Sleeping past rapture as Subliminal bliss jelly is to?
Ocean crust slippers are to Twigged germ radar as Popping sharpie scope is to?
Zen wrapped beep is to Oak foamed code as Wicked flashing sizzle is to?
Dew eyed sleigh is to Say I do as Act as me is to?
Humpback on hammock is to Ham hocking hummer as Hunchback with knapsack is to?
Corned flag jelly is to Draped wing chewers as Tripping swan acid is to?
Futuristic Rembrandt chant is to Almond likened meadows as Asian timber blue is to?
Nap in sack is to Flap on Jack as Ducks dig crack is to?
Flowing flavored lava is to Gleaming optic layers as Enhanced goose gibberish is to?      
Flag tied pajamas are to Saline checker choir as Speed reading quotas is to?
Whipped spam spasms are to Misted shaman scripture as Testing pitched bells is to?
Cave aged eggs are to Crowded tiger cages as ****** wagon pegs are to?
Pigeon towed car is to a Man toad art as Wolf whisker wish is to?
Second hand clothes are to Minute hand gestures as Final hour prayer is to?
Slick wicked shavers are to Tricky watch boxes as Sprouting pine tattoos are to?
Waxed stick ravens are to Match stick foxes as Narrowed thermal towers are to?
Ice cave rice is to Laced face lice as Gourmet pet **** is to?
Diamond lane anniversary is to Space age appropriate as Time travel agency is to?
Lime bark violin is to Lemon twig guitar as Lunar sky waffles are to?
Fake rat **** is to Smart cake batter as Rugged fur tax is to?
Tarred raft fluff is to Flaked rafter dust as Lined liquor flask is to?
Flakes will fall is to Take Bills call as Broken maze compass is to?
First faked voter is to Entombed cartoon honey as Smallest aching smurf is to?
Fancy bared ******* are to Flaky fairy treats as Kings amp filter is to?
Bone window folio is to Whittled fake pillow as Little fitted jackets are to?
Nine nuts brittle is to Ate pear pie as Six packed poppers are to?
Incandescent playground pencil is to Elastic hand worm as Perfumed piano ink is to?
Opal shifting anode is to a Windup lion decoy as Pale paisley trolley is to?
Stacked black boxes are to Old packed tracks as a Throwing micron hammers is to?
Apricot bark furnace is to Merry Orchid Choir as an Ivory rinsing funnel is to?  
Narcotic honey nuts are to Slick flag toffees as Silk fig sugar is to?
Orange coin raisins are to Low note candies as Smelling balled roses is to?
Pocket packed monotints are to Tragic ladder hayracks as Ravishing speed traders are to?
Crayon spider resin is to Coral squirrel forceps as Wolf tumbled loaf is to?  
Silver wheat flies are to Width shifting wheels as Golden blister blankets are to?
Really tiny hippopotamus is to Masked fat podiatrist as a Sad sack psychiatrist is to?
Miniature Mesopotamian monuments are to Apple minted elephants as Raising wise ravens is to?
Lathered nymph nacre is to Sonic ion constellations as Concealed iron craft is to?  
Epic gene toy is to Ladies bubble sled as Jagged data bowl is to?
Bugged dagger bag is to Pop sliced meld as Atom bending moonlight to?  
Rural madam’s deed is to Dyed dew dipper as Eight sprayed dukes are to?
Jiffy grand puffer is to Floating altar myth as Vintage dark mirth is to?
Undercover overnight underwear is to Overpaid undertaker overdosing as Overheard understudy freebasing is to?

Black grape crackle is to Red cactus ruffle as Installing padded pets are to?
Snide snobs sniffing are to Sneaky snails snoring as Snared snipes sneezing are to?
Exploring explosive exits is to Explaining expansive exports as Expecting expert exchange is to?
Shrewd logic ledger is to Puppets dropping cupcakes as Placated topaz octopi are to?
Door roof tools are to Cool wool boots as Wood cooked root is to?
Bright fight light is to Night flight fright as Mites bite site is to?
Floor flood fluid is to Wooden door Druid as Nasty **** broom is to?
Accurate police photography is to Intelligent microbe geography as Condensed aerosol biography is to?
Cowardly cowboy grime is to Corpulent corporate crime as Bosnian dwarf necromancer is to?
Jell-O clearing shaker is to Brillo cleaning shiner as Cheerios bowling shields are to?
Mumbled mindless hokey is to Fumbled found money as Humming kinder bunny is to?
Daisy’s clock setter is to Lilly’s boxer toxin as Poodles rose paddle is to?
Watch Bozo Copernicus is to Hire Clarabelle Newton as Find ***-wee Einstein is to?
Amethyst thistle whistles is to Lapis pistol whip as Diamond bomb scar is to?
Dandelion seahorse rescue is to Crabapple dogwood farm as Faux foxglove lover is to?    
Optical poppy stopper is to Polar halo lens as Day-Glo rainbow sticker is to?
Savanna leopard spotted is to Eskimo lassos kisses as Alligator lemonade standard is to?
Bill of Rights is to Will of left as Thrill of night is to?
Baptize floozies quickly is to Useless outsized nozzles as Puzzled wizard wanders is to?        
Chaps wearing chaps are to Chaps contesting contests as Consoling concealed consoles is to?
Quiet squirming squirrels are to Aeon beauty queens as Queasy greasy luaus is to?
Knew new gnu is to Sense scents cents as We’ll wheal wheel is to?
Blazing zingers ringing are to Wheezing singers flinging as Freezing finger number are to?
Lamb tomb jogger is to Dumb numb **** as Thumbed crumb bug is to?

Blue accordion casket is to Jaded scholar ***** as German mushroom circus is to?
President George Flintstone is to Funny Fred Washington as Abraham Jetson’s dog is to?
Google Desmond Tutu is to Kalamazoo Zoo Park as Zodiac actors Guru is to?
Swamp cradled whisperer is to Cherished drawbridge cello as Bludgeoned prankster outlaws are to?
Dukes pink mittens are to Smeared nest carava
judy smith Aug 2016
'Kabali' and 'Badlapur' actor Radhika Apte will be the show-stopper in the upcoming Lakme Fashion Week in the ‘Gulzar’ collections of a prominent Kolkata-based fashion designer.

“We have been working with Radhika since 'Majhi the Mountain Man' days (2015) and she will be flaunting our fabrics as show-stopper in India’s premier fashion show which is keenly followed by Bollywood," the well-known city-based woman fashion designer told media after a fashion show in a city hotel last Friday night.

The Lakme Fashion Week is a bi-annual fashion event with the summer-resort show taking place in April while the winter-festive show is held in August.

This year the winter-festive show will be held from August 24 to 28.

Radhika will be wearing bright-colored lehenga since the show will be focused on beautiful India, it’s colours and contours, choreographed with the poetry of nature by Amir Khusro, the designer said.

“It can also be termed our tribute to a great name like Gulzar saab who has brought our lyrics and poems to a new level,” the designer Saroj Jalan said.

The signature style of the designer, whose works adorn Bollywood actors like Radhika beside well known models Lisa Sharma and former Miss Universe India winner Ushoshi Sengupta, is delicate floral patterns along with the use of Zardozi and array of hand-woven tusser silk and velvet enhancing the experience of the garments and “we will project the same in the Lakme week where the accent is on ethnicity,” designer Saroj Jalan said.

Supermodel Ushoshi, having recently debuted in the Bengali film 'Egoler Chokh', said “Lakme show reflects the different tastes of all leading Indian fashion designers who are still rooted to Indian heritage.”Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Candy Noire Aug 2014
A serenade to the crowd
The applaud white noise to my ears
As I perform to please
To tempt, to tease.

Divine indulgence
A guilty pleasure they seek
I undress myself with grace
I pout, I pose with ease.

Its only art
And baby I play a character so well
A show-stopper
They swoon, but they never tell.
These are all just bad beginnings
in my search for a show-stopper,
a jaw-dropper,
trying to be just the right balance
of sarcastic and lovely,
the right balance of writer
that I idealize and am not,
of course,
what am I, a narcissist?

I'm trying to put into words
the feelings I told you I danced
because they are wordless (spaceful)
and because of you
I have to say them with voice;
what a dilemma is this--

That when I tell you with movement
what I can't say
you put me in the place
of having to voice it and now
I have no words
other than bad beginnings.

So is that it?
When I word to you
instead of dance for you (for me?)
what you have to return is a nothing,
a less-than-nothing saying,
saying nothing, leaving me

hurt and confused because
maybe there was a something
in all your nothing that I can't find--
because we are dealing in words now,
and I'm a movement reader.

And I know I will forgive you for this
but I won't forgive me for knowing that.

Even while I'm still so angry, it just reveals
my pathetic (patient?) desperation for your love,

But I didn't say this right.
I need to move (dance) this.
Wonderful word wanderings
Brian Bigley Apr 2013
Stopper of hearts,
   but what have you done
   to all the lads of Ashland?

    Your struggling cheek
   a soft delight
   chaffed against a world of sadness-



The candy shop, no sweeter,
despite it's lollipops and chocolates
than the ******* alive and prideful
at the fluttering of her naked lashes. 

Civil when you meet her,
she knows where the aorta's at-
Squeezing like a vice grip
at the ruddy heart attack
Tyler Eavey May 2015
chaos has limits
honor: boundaries
what keeps them penned in is love
a self-explanatory and literal haiku
Amy Irby Mar 2017
In the months before my wedding,
I searched for a special perfume
high and low, sampling scents,
making everyone crazy with
"What do you think of this one?"
My reason for obsessing was this:
to smell this fragrance
and be instantly taken back to the day I married
the man that I love; my best friend.
Because scents can trigger memories.
When we smell, the scents and odors around us
get routed through our olfactory system
which, in short, is closely connected
to the regions of the brain
that handle our memories and emotions

So one day, I opened a package
which held one of many, many, samples I purchased inside.
with notes of gardenia, jasmine, rose and a personal favorite, violet leaf - I thought I would enjoy it
however, this small vial held more than I ever expected.
I removed the stopper, and took a big whiff...

A warm floral scent, with a soapy musk, a slight spice
Suddenly, without any warning...
I was in a small, white bedroom, with two twin beds
a table between them, and on top, the lamp filled with shells.
The window with lacey curtains.
The two small shelves on the right wall with trinkets -
the dolls at the foot of the bed by the door
I could see the closet, with all the special clothes
the ones us grandkids wore to play dress up
and there, in the middle of everything, was the vanity.
That special vanity we couldn't touch, but secretly did
I could see the old makeup on top the warm stained, wooden vanity with the big mirror,
and the little bench
which sitting on made you feel so special.
In the middle of the memory,
I could smell it... this perfume
I knew it wasn't the same, but it smelled exactly like that room
like her...
like my grandma

I could almost hear her in the kitchen, yelling behind the closed door
"You kids better not get in my stuff!"
she always let us play in that special room
   that little bedroom, once shared by siblings
always mad when we played with her things,
but she never stopped letting us play in that room

I remembered where I was,
and felt the wet tears in my eyes
But I kept smelling... (inhale)
hair rollers, and combs
doilies and the sandwich cookies
her black as night coffee and how she drank it at all hours
the giant backyard, and how it seemed to stretch for miles - a place to get lost and have adventures
the clothesline we would always hang off of,
   for which we always got into trouble
the kitchen island, and the barstools
   grandma always got on to us about kicking our short legs and marking up her cabinets
the special character cups collected over the years
that were for just us kids to drink from
I can see all the fridge magnets,
pictures and trinkets of all the places she and grandpa had been - all the places they planned to go
I remember Christmas, and the tree shaped birthday cake for Jesus
how she made us sing Happy Birthday to Jesus
and the mice, oh the mice
   only Grandma, only Leila James
   would collect figurines of something she was afraid of

I remember where I am, in my room
but I can smell her perfume
and can hear her sass and her jokes
   I can hear her speaking the colorful language of a sailor
I remember the weeks we stayed with grandma and grandpa, when a hurricane took our home
   In all the frustration and heartbreak
   she told me it was rough, but I needed to be strong

I remember when I am
I remember that she has too slowly forgotten
No matter how strong the will
the mind does not remember
but I will remember, my small piece
I know so many others knew her better than me
We all remember when she began to forget
She started asking all of us grandkids
"When are you getting married?"
and now I know I can't look in the aisles and see her face

I never thought I would be without a grandmother on my wedding day
I never really thought I would ever get married
But I certainly never imagined without three fourths of a generation

I remember the night I wrote these memories down
the day she died, a day that was strange,
a day that I knew hurt her husband and children,
a day I knew she was finally at peace.
I remember the decision I made that night...
When I smell this fragrance, I smell her
maybe it only smells like her to me
I know if she were here, that is how she would smell
standing next to me in pictures
and telling me to shrink down because I was taller than her
On my wedding day, I want to know the ones I have lost are present in spirit
I want to wear my grandma's perfume
March 20th, 2017 - My grandmother, my mother's mother, passed away after a long struggle with Alzheimers. This poem is for her, my mom and grandpa.
Scott Hamsun Jan 2018
I dream once again of pastures gold.
Of midnight jesters, and pleasures old.
I remember the scent of the forest,
The Moss and the snow.
(Did I know?)
With sober certainty of waking bliss,
I look upon Willows red and chestnuts green.
Will I wake one day to find my body aching?
The thought never occurred.
So I continued.
And stood passive to see
corporate Christmas lights-
bridge lights at One AM.
(Og missikken stopper)
Hiking through ruins and fairy tale cedars
to roadside gas stations and gone under theaters.
Under the shadow of the hills at dusk.

The scent of coffee fresh to sell
drifts past us on our way
to fast food parking lots beside midnight hotels.
Music and roses late at night.
The sun beating down and blinding,
Once winter has broken free from the bonds of Christmas.

But I fret, I age and I fret.
(Will I do something that I regret?)
And how will I spend my time?
Imitating an aging cat?
I would rather watch the cars at night by the water,
music paused
than drive myself.
I've considered my ways and turned my feet.
I will remember my song in the night;
I will meditate with my heart.
And why? Out of all I did, why did I never have the mind to ask:
“When all is done what will I say?
Will I regret a single day?”
And what did I think when I said:
“I have time to hesitate,
to make my plans but decide to wait.”
To count every grain of sand and call it de rigeur
To give up early and call it a tie.
to turn off the light but not know why.
I should have been born a floating balloon.
I should have dragged myself through the trees.
And I watched my life.
I revised my dreams
to fit reality.
And was it worth it?
May I reverse the clock?
And did I spend too much time tending the lawn,
And not appreciate the grazing fawn?
(Og missikken stopper)
I find now that I bore my own hell.
And I only vaguely recall
the trips I took, yes, I forget!
(or regret?)
And what motions did I follow?
Shall I give up? Am I defeated?
(When did my hair get so thin?)
Now I've grown weary with my moaning
and the cycle will soon burn out.
Shall I give up what I began?
I must be defeated.
No.
I shall remember not the former things, nor consider things of old.
I shall walk along the pier as the water grows cold.
But Again I hug the shore and allow others to brave the deep.
(Og missikken er over)
And I look back
at many summers many false love
Nothing else causes such pain.
And perhaps a few were true.
But that, I refuse to accept.

But most importantly I remember
the sisters of grace.
Who tended to me so kindly
So I walked with caution. For I had the map.
But I fell, I fell.
I said:
“I shall make this damp cave my home.”
And asked:
“But which one?
Who is it that I love?
I feel so strongly for both though I cannot choose
I must climb from my hole”
But I couldn't move, I wouldn't dare
(Its worth a try, just look at her hair.)
I'll have to decide
or else just let my feelings die
So Again, I chose to wait, I waited too long
And just as they came the sisters were gone.
Leaving me behind. I don't claim them wrong.
(Og missikken stopper)
My back now hurts, my knees crack.
And was it worth it, to plant a garden alone.
Is it worth it when the bald spot on my head has grown,
and what I called joy was merely a clone
and you find that you never had a home
and love did come but you let it go?
Was it worth it in the end
to build a god of desire?
(When did my bed grow so uncomfortable?)
A god out of reach.

But at last they sing and usher in dawn,
Till our eyes finally open, and we're gone.
Don't let life pass you by
judy smith Apr 2017
It’s the tail end of fashion week in Paris, the busiest week of the year for fashion buyers.

When I meet Clodagh Shorten, owner of Samui, the game-changing boutique that put Cork on the fashion map, she’s already been here four days and is on her tenth buying appointment — there’ll be at least another five before she leaves in a couple of days time.

These appointments, private bookings with designers, allow her to get up close and personal with the clothes that have just been showcased on catwalks.

She’s deciding which pieces will best suit her customers.

Today, we meet at Schumacher, the stunning German label known for its easy chic look.

A beautiful white space, with lush cream velvet sofas, bare walls and white rails (nothing here to distract from the main event — the clothes), this room, prime space in Paris, is rented by the designer year-round just so they have the right venue to sell at Fashion Week.

It gives some indication of the power Fashion Week wields.

Clodagh is here with her right-hand woman, Samui manager Mary-Claire O’Sullivan.

There are two rails — the keepers and the ‘ones that got away’.

They’ve already seen this collection in London.

Today they are here to fine-tune.

This is unusual, Mary-Claire explains — at most appointments, they are seeing the clothes for the very first time.

“This is a big spend,” they tell me, and they’ll stay as long as they need “to get it right”.

Piecing together a collection is something akin to a jigsaw puzzle.

All the items are photographed — later they will be analysed back in the apartment they rent during Fashion Week.

The mix has to be right.

So the coats, a sleeveless waistcoat, are moved to the rail on the right.

They won’t make it to Cork.

Coats were already picked up this morning at another appointment.

Like I said, a jigsaw puzzle.

Two models are on hand to try on clothes when requested — I hear ‘can I just see this on one more time’ a lot.

There’s no haggling over prices in these sales negotiations — it’s all too civilised.

The price is set, as is the instore mark-up. These lauded designs must cost the same the world over.

Clodagh and Mary-Claire share a language and a wavelength. They can finish each other’s sentences and, while I don’t so much as sniff a hint of tension, they tell me they can disagree on buys.

“Clodagh doesn’t want a yes woman,” Mary-Claire says simply.

From Schumacher, Clodagh leads the way through the Parisian cobbled streets, phone held aloft, Google Maps to direct her.

Her wheelie bag is constantly behind her — inside there’s the laptop for orders and a camera for instant access to photographs of collections.

Her calculator is another permanent fixture in the showroom.

Today, Clodagh is dressed in an Australian label coming soon to Samui, Ellery. The lush black fabric sways and moves with her body; an outfit like that makes you really appreciate her eye for fashion. It’s sensational.

For this 5.30pm appointment we are heading to see another new label for Samui — Paskal (Clodagh will wear a piece from this line tomorrow).

The Ukrainian designer is looked after by an agency so in this showroom there are pieces by a handful of brands.

Again, the setup is the same — private appointments, models on hand.

Clodagh and Mary-Claire have to be more careful here — this is a new label and it’s more fashion forward so black is prioritised.

Not every client at Samui will wear this line. Every purchase, I realise, is a gamble.

“We’ve made mistakes, of course we have,” says Mary-Claire though you get the feeling that could be a rare event.

Pieces bought by these two women rarely end up in Samui’s sales rack.

They know their customer, plain and simple.

There is so much trust there, some clients are simply sent collections each season, allowing Clodagh to make the call for them.

So much of their day is spent discussing various clients (never by name in my presence) — what they might like, the best size.

It is effectively the ultimate personal shopping experience.

The number of items and sizes are limited, so customers know they are truly getting one-off pieces.

As we leave, kisses over, the agency head tells them, “you’re our favourites” and you just know it’s not empty fashion talk.

People genuinely love Clodagh and Mary-Claire. And they respect what they do.

Samui is open 16 years now. Clodagh mastered her trade at Monica John before stepping out on her own. Mary-Claire joined her eight years ago.

It has been one of the few boutiques in Cork to not just survive the downturn but to positively thrive.

As the economy spluttered around her, Clodagh very masterfully decided to go high end.

First came Moncler — the top people here had to come and view Samui to see if it was the right match for their esteemed label.

It was — and, increasingly, doors began to open.

Carven, Marni, Rick Owens — people really began to sit up and take notice of Samui.

Now labels are often vying for space on the shop floor. Still though, it takes work to secure the big new names.

Clodagh spends a lot of time on planes, networking, meeting the key players. And it’s not as simple as a visit to Fashion Week twice a year either.

These days pre-collections are key too: these pieces will be on the shop floor for longer.

So Clodagh and Mary-Claire travel in January to Paris for pre- collections, Milan in February for Moncler, Paris in March. The same cycle begins again in June for A/W pre-collections, with S/S Fashion Week in September.

Clodagh is always pushing, always striving for new.

She was devastated to say farewell to Transit, the brand with her from the very beginning. It was simply time for a change she tells me.

They love seeking out new labels, nurturing them, sharing them with their customers.

The next morning we meet at 9am for Dries van Noten.

Clodagh stocks around 50 different labels, most exclusive to Cork. This Belgian designer is one of them.

Here again is a very fashion forward line.

There’s a minimum €20,000 spend here, and that’s the amount Clodagh and Mary-Claire can play with.

This is a much busier showroom, a slick operation. Buyers are everywhere, the models weaving between them.

They are assigned a seller and a table, laptop at the ready to secure the sale.

Sophie, today’s seller, walks them through the long rails and talks to them about the collection, the fabrics, the colour, the catwalk, the vision.

Clodagh and Mary-Claire repeat the process a second time alone, a third time again with Sophie.

There are little standing breaks for coffee — refreshments and lunch are provided by the designer.

Clodagh and Mary-Claire know to carry snacks everywhere. The buying process can be a long one; Dries could be an all-day event.

The price point is much higher here so, again, each piece has to be carefully thought out. Checked and checked again.

These A/W deliveries will land in store in July.

Watching them make their Samui edit on that March morning, I just know the Dries selection will be a show-stopper this Autumn.

I leave them to sign on the dotted line, wishing them success for the rest of their gruelling schedule as I head for Charles de Gaulle.

“People don’t realise what goes into this,” says Clodagh. And she’s right.

None of us can possibly grasp what it must have taken for one woman to put Cork on the fashion radar.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
Robert Ueda Aug 2013
She was a hellaciously hard hittin’ heart stopper

A semi-sophisticated mother/daughter

My complex candy coated no-LSD dropper
og så skriger jeg, fordi følelsen af det jeg
føler, er så godt, tror han
men i virkeligheden er det bare en
undskyldning for at skrige lidt
af mig selv
af min krop
og af det mine øjne ikke kan se bort fra,
når jeg ligger der
hjemløs i vores univers af hvide lagner
og hader mig selv lige lidt mere
endnu engang
lige der stilner det hele og de ord
der males som rød læbestift
udover hele mit ansigt
er ikke pæne så jeg holder dem
for mig selv
stopper med at skrige
stopper med at trække vejret  

måske ville det hjælpe, hvis du lod
være med at plante blomster og
klistre dem langs mine organer
måske ville det hjælpe, hvis du råbte lidt  
mere af mig, så vi kunne gøre noget
sammen
- digte om papmachesind
James Tweed May 2012
In my sleep I see a hummingbird
Initially it seems a bit absurd
However it to me it is speaking
Of a peace that I have been seeking

As it hovers over the flowers so peacefully
It seems to have a message specifically meant for me
To what end I cannot tell
Every emotion begins to swell

Stopper of time
Is this my moment to shine?
Nectar taken in order to nourish
Will this flower continue to flourish?

The message it’s trying to tell me has me in a trance
It is not here without happenstance  
Is this dream my new reality?
One can only hope to see

Yet to be here only for the here and now
Perplexes me somehow
Stopper of time lands on my window sill
Happiness, peace, contentment if time stands still.
JDK Jul 2015
I am stretched out
in an effort to stretch out a moment.
To stretch out a feeling;
to elongate a sensation of lingering longing.

You can be the thief stealing the blood pumped between heart beats.
You can be the queen of unfulfilled destinies.
The one to slay the tyrant king and bring peace.
You can be the promise of everything.

I feel ya strutter.
(Don't you dare stutter on my name.)
I feel your presence in sporadic bursts of **** near unbearable pain.
(I can take it. (I can't take it.))
Neural connector fireworks igniting in my brain.

Sear my flesh.
You're the worst and the best.
Watch how the blood gushes right out of my chest,
and get wet.

I can take the pressure.
I am a pressure ******.
I don't participate in anticipating the release.
I get off on the anxiety.

(Don't ever let me go.)

Let the pressure build and grow forever upwards,
like an asymptote.
Eternally rising down and falling up;
our figures are irrational.

I can feel your digits all over me,
but this plane has no ejector's seat.
I've been flying this thing manually,
and now it's crashing into you.
"In the event of a decompression, an oxygen mask will automatically appear in front of you. To start the flow of oxygen, pull the mask towards you. Place it firmly over your nose and mouth, secure the elastic band behind your head, and breathe normally."

"Space cadet, pull out.
Space cadet, pull out.
Space cadet . . . pull out."
The rush of it allYou know the sensation of being lateThe rush to be on timeThe anxiety theThe frustrationWhy couldn’t it be more like the days of oldThe days I dream ofThe calmness and serenityWhere all is in rhythm with the heartbeat of lifeWhere time passes carelesslyWhen will there be only one goalOne preoccupation2006-
Geno Cattouse Oct 2013
not since nor silk.
Mother's milk for the generations.. yes she was .

Greeted Lindbergh on touchdown.
Society clone. Rich ******* could not leave her alone. Tall tale teller.Paperback
construct. Stepping into the ball with no invitation and stopped the music and conversation.
Pale skinned poser.
Gettin over.
Her daddy was a man of means.
Hired by the Majesties to count jellybeans.
He loved the local **** to the tune of
Poppa was a rollin stone.

The magistrates and potentates in the republic of bananas. Pinkys up tea sippers .
Could not get hold of collective zippers.

Faded portrait. long dead poser.ball buster. Pretty as crystal.Tough as pig iron.
She was high flying flapper. Cutting a rug. Charleston,Jitterbug. Short skirt flirt. Grandma ?

Smokin hot and  smokin when women did not dare. C.O.P.D. and a hacking cough came the pipers toll.                                                            ­       The Wages.
                                                                ­                           Just keeping it real.
                                                           ­                                                               Sl­ip sliding away.

Drove a Jalopy.
Aiee Pahpi chulo. Bestin May West with a smaller life jacket.

                                                        ­                  Turn the century.
                                                                ­          Trench warfare.
Over the top.The war to end all ? shiiiit.  Great Grandma
was a show stopper. To the very end.
Retrospective on my great grandmother in Belize In the early nineteen hundreds. She was an extremely beautiful woman who was independent and bold in Colonial British Honduras. She was a ground breaker and fearless. Had wealth and lost it all. But remained strong.
glass can Jun 2013
I am a wee banana slug with a broken shoulder
crawling with my train of sparkling slime over

the caracasses of horses I've beaten to death,

twice, for each, at least.

I
beat them to
death

beat it. beat that horse.
and I will bless it with my sparkly goo
blue mercury Oct 2016
tell me a story, my dear, ill fated lover. my white dress floats in the bath water. i want you to stand next to the tub and tell me about the first time you saw me. you were a prince, and i just a girl. tell me about how you fell in love with my walk and my curled toes and my cinnamon smile. sickening spices. uniquity. grace.

biting my bottom lip, i ask if you will say hello again, blooming.
why is it that you always whisper goodbyes like autumn leaves?

you are catastrophic, and i a mad, young, silly girl. but you used to be perfect and i used to be wise, and our most promising traits are announced to the tides as i pull the drain stopper out. wait! i laugh. i put the stopper back into tub. row, row, row your boat, gently down the stream.

i’m wondering as you look at me with those empty eyes.
i wonder, if i know i have gone mad, am i mad after all?

i don’t see it in your eyes, my dear, ill fated lover. i only see death, death, death and love. you used to utter sweet words with warm breath in my ear. i’d dance for you until my back hurt and my heels were sore, until i wanted to cry and laugh, for you were so enthralled by the movements of my body. I don’t dance anymore. and your breath is cold, your words sour.

the tub overflows and i shut my eyes, although they beg to see.
will i laugh when you scream my name, saying you can’t swim?
ophelia version two
judy smith Apr 2016
From fairytale princess gowns to feathery mini-dresses, bold skinny trouser looks and showgirl sequins, Bridal Fashion Week had something for brides of every size, shape and style inclination.

White reigned, as did classic silhouettes to please the most traditional bride. For everybody else, there were splashes of color, plenty of fluttery floral applique and sparkle, sparkle, sparkle.

Highlights from the Spring 2017 collections:

CHRISTIAN SIRIANO FOR KLEINFELD

After a smaller, capsule collection for the famed bridal shop, Siriano teamed with Kleinfeld again on a broader range.

His show stopper was a pricey pink ombre ball gown with a sweetheart neckline and skinny straps. As an evening wear designer, Siriano said bridal was a natural fit. He created in a range of sizes up to 24 or 26 — and a range of price points from about $3,500 to about $19,000.

Noting most dresses can be modified, he showed a lot of sleeves. There were long lacy ones on a column gown and a structured, off-the-shoulder pair in satin, embellished with tulle and strings of pearl.

One of his mermaid gowns included cascading ruffles. He used four tiers of ruffle at the bottom of a white, tailored suit jacket with matching boot-cut trousers.

Siriano also offered a range of hem lengths, from well above the knee in an appliqued mini to a fitted tea length with an ornate high neck and dramatic train.

In a backstage interview, Siriano said he's enjoying his first full push into bridal with the 27 pieces for Kleinfeld after focusing most of the time on evening.

"But the customer is so different," he said. "There's not as many rules. You can get away with trying new things, doing new things. It's a little fantasy dream world."

And what will Siriano wear when he weds his longtime boyfriend, Brad Walsh, at their Connecticut house this summer?

"I don't know. Literally we've got nothing," Siriano laughed.

INES DI SANTO

This was a **** runway dominated by sheers holding lots of floral creations in place. Romance meets sensuality is how the Toronto-based designer likes it.

While many of her looks were fit for royalty, complete with extra-long trains, she also ventured into over-the-top. An ultra-short hem with just one long lace sleeve had tulle skirting that skimmed the floor in back and leggings mismatched with floral embellishment, offering the appearance of one bare and one covered.

Spring itself was her inspiration this time around.

"The flowers, the garden, the beautiful trees, the sky, the sun," Di Santo said in an interview.

There were other vibes, in a sleeveless illusion Palazzo romper, for instance, with an encrusted bodice and dramatic detachable bell sleeves.

"I went very soft, romantic. You can see through the layers of the lace, the legs, the tulle," she said.

Like other designers, Di Santo included fit-and-flare looks along with sheaths, A-line silhouettes, halter necks and princess ball gowns.

Her backs and necklines were often illusion style, offering a barely there appearance. She included open bolero jackets for brides looking for a little cover, along with detachable skirt options for those who want to change up the outfit for the reception.

At the core of any bridal collection, Di Santo said, is how the dress speaks to budding love in marriage.

"It's so important," she said. "You can live without many things but you cannot live without love."



OSCAR DE LA RENTA

Designer Peter Copping is making his mark gradually at the storied Oscar de la Renta label, with a mind toward both preserving his predecessor's legacy and modernizing the label in his own way. In his bridal collection, Copping included some looser shapes — not everything was cinched tightly at the waist, princess-style — and even some short bridal gowns.

"I was thinking of the different women who are brides and the different ways women can get married," Copping said in a post-show interview, "because it's not always the same rules or traditions that people are looking for. So I think it's important within the collection to have a good cross-section of dresses, some short, some big columns, a real mix of fabrics."

Indeed, some of the gowns featured the sumptuous, extravagant embroidery for which the house is justly famous, and others featured much subtler embroidery for a more modern look.

"I think it was really just having a complete range of dresses," Copping said. The most striking were two short numbers, a nod to the popularity (and danceability) of shorter lengths, even if you can afford the big princess gown. "Yes I think it's popular," Copping said of the shorter length, "and I also think it's very relevant for rehearsal dinners, where a woman can still feel bridal the night before."

A highlight of the de la Renta bridal show is always the impeccably attired little children modeling flower-girl designs. "Having children here reflects what a real wedding is," said Copping.

And then there was Barbie.

Guests were sent home with the de la Renta Barbie doll, wearing a strapless white lacy column gown with a light blue tulle overskirt — something blue, of course. And in case you were wondering, under the skirt were some teetering white heels. No flats for this miniature bride.



REEM ACRA

For a bride looking to be just a bit daring, visible boning in corseting lent a uniqueness to some of Acra's fitted bodices.

There was an abundance of drama in ultra-long trains and encrusted sheer overlays. And Acra, too, offered a variety of sleeve options, including a web design on a snug pair that ended just above the elbow. The design, almost twig-like, was carried through to the rest of the full-skirted look.

Many of her dress tops were molded at the chest, bustier style, while she played with the lower halves. And some of her silhouettes fit tightly across the rear, sprouting trains where some brides may not feel entirely comfortable sporting one.

Acra put a twist on other trains, creating them to detach and also be used as veils. And she went for laced-up backs, both high and plunging, on some dresses.

In an interview, she called the collection "very airy, very light." Indeed, the stage lights during her show shone right through some of her dresses.

For the edgier bride, one who might appreciate the James Bond music Acra used for her show, she offered an unusual embroidered illusion gown adorned with pearls, white jewel stones and metal grommets.

Today's brides, she said, "have to have fun," adding: "She can't stress out about her wedding. Enjoy the ride and be the bride!"



MONIQUE LHUILLIER

There were lingerie-inspired elements here, too, with a touch of color in rose, pistachio, antique ivory and caramel. There were pops of fuchsia in bloom applique fitting for the outdoor garden where she staged her show.

Lhuillier decorated some organza gowns with hand-painted floral designs in asymmetrical layered tulle and silk organza. Deep necklines were prominent, with simple slip dresses offered along with bohemian gowns of lace and sheer skirts. Lhuillier also used corset bodices paired with cascading tulle skirts.

The collection felt like a chic romp, complete with high slits for a run through nature.

"My woman this season is in love and care free," Lhuillier said in an interview. "A little bohemian but just carefree."

The only clear trend in bridal these days, she said, is the need for designers to present more options.

"My core bride is somebody who loves femininity, she loves tradition but with a modern twist. And she wants something interesting with a lot of details," Lhuillier said.

There's definitely more fashion involved than when she began in bridal 20 years ago.

"One of the main reasons I got into the bridal business was when I was a bride in 1994, looking for a gown, I thought the options were so limited, and there was not a lot of fashion ideas," Lhuillier said.

Her bride doesn't want to be weighed down, however.

"She wants to look effortless," Lhuillier said. "But she wants to feel **** on her wedding day."

Are we all romantics on our wedding day?

"For me it's a really happy business," Lhuillier said. "We all are romantics deep down inside."



Associated Press writer Jocelyn Noveck contributed to this report.Read more at:www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-perth
Portentous enunciation, syllable
To blessed syllable affined, and sound
Bubbling felicity in cantilene,
Prolific and tormenting tenderness
Of music, as it comes to unison,
Forgather and bell boldly Crispin's last
Deduction. Thrum, with a proud douceur
His grand pronunciamento and devise.

The chits came for his jigging, bluet-eyed,
Hands without touch yet touching poignantly,
Leaving no room upon his cloudy knee,
Prophetic joint, for its diviner young.
The return to social nature, once begun,
Anabasis or slump, ascent or chute,
Involved him in midwifery so dense
His cabin counted as phylactery,
Then place of vexing palankeens, then haunt
Of children nibbling at the sugared void,
Infants yet eminently old, then dome
And halidom for the unbraided femes,
Green crammers of the green fruits of the world,
Bidders and biders for its ecstasies,
True daughters both of Crispin and his clay.
All this with many mulctings of the man,
Effective colonizer sharply stopped
In the door-yard by his own capacious bloom.
But that this bloom grown riper, showing nibs
Of its eventual roundness, puerile tints
Of spiced and weathery rouges, should complex
The stopper to indulgent fatalist
Was unforeseen. First Crispin smiled upon
His goldenest demoiselle, inhabitant,
She seemed, of a country of the capuchins,
So delicately blushed, so humbly eyed,
Attentive to a coronal of things
Secret and singular. Second, upon
A second similar counterpart, a maid
Most sisterly to the first, not yet awake
Excepting to the motherly footstep, but
Marvelling sometimes at the shaken sleep.
Then third, a thing still flaxen in the light,
A creeper under jaunty leaves. And fourth,
Mere blusteriness that gewgaws jollified,
All din and gobble, blasphemously pink.
A few years more and the vermeil capuchin
Gave to the cabin, lordlier than it was,
The dulcet omen fit for such a house.
The second sister dallying was shy
To fetch the one full-pinioned one himself
Out of her botches, hot embosomer.
The third one gaping at the orioles
Lettered herself demurely as became
A pearly poetess, peaked for rhapsody.
The fourth, pent now, a digit curious.
Four daughters in a world too intricate
In the beginning, four blithe instruments
Of differing struts, four voices several
In couch, four more personae, intimate
As buffo, yet divers, four mirrors blue
That should be silver, four accustomed seeds
Hinting incredible hues, four self-same lights
That spread chromatics in hilarious dark,
Four questioners and four sure answerers.

Crispin concocted doctrine from the rout.
The world, a turnip once so readily plucked,
Sacked up and carried overseas, daubed out
Of its ancient purple, pruned to the fertile main,
And sown again by the stiffest realist,
Came reproduced in purple, family font,
The same insoluble lump. The fatalist
Stepped in and dropped the chuckling down his craw,
Without grace or grumble. Score this anecdote
Invented for its pith, not doctrinal
In form though in design, as Crispin willed,
Disguised pronunciamento, summary,
Autumn's compendium, strident in itself
But muted, mused, and perfectly revolved
In those portentous accents, syllables,
And sounds of music coming to accord
Upon his law, like their inherent sphere,
Seraphic proclamations of the pure
Delivered with a deluging onwardness.
Or if the music sticks, if the anecdote
Is false, if Crispin is a profitless
Philosopher, beginning with green brag,
Concluding fadedly, if as a man
Prone to distemper he abates in taste,
Fickle and fumbling, variable, obscure,
Glozing his life with after-shining flicks,
Illuminating, from a fancy gorged
By apparition, plain and common things,
Sequestering the fluster from the year,
Making gulped potions from obstreperous drops,
And so distorting, proving what he proves
Is nothing, what can all this matter since
The relation comes, benignly, to its end?

So may the relation of each man be clipped.
What is he buzzing in my ears?
“Now that I come to die,
Do I view the world as a vale of tears?”
Ah, reverend sir, not I!

What I viewed there once, what I view again
Where the physic bottles stand
On the table’s edge,—is a suburb lane,
With a wall to my bedside hand.

That lane sloped, much as the bottles do,
From a house you could descry
O’er the garden-wall: is the curtain blue
Or green to a healthy eye?

To mine, it serves for the old June weather
Blue above lane and wall;
And that farthest bottle labelled “Ether”
Is the house o’ertopping all.

At a terrace, somewhere near the stopper,
There watched for me, one June,
A girl; I know, sir, it’s improper,
My poor mind’s out of tune.

Only, there was a way… you crept
Close by the side, to dodge
Eyes in the house, two eyes except:
They styled their house “The Lodge”.

What right had a lounger up their lane?
But, by creeping very close,
With the good wall’s help,—their eyes might strain
And stretch themselves to Oes,

Yet never catch her and me together,
As she left the attic, there,
By the rim of the bottle labelled “Ether”,
And stole from stair to stair,

And stood by the rose-wreathed gate. Alas,
We loved, sir—used to meet:
How sad and bad and mad it was—
But then, how it was sweet!
Vi lovede hinanden hele den store verden dengang
Tiderne var anderledes, klokken var 22 når den var 17.
Vi havde stjerneregn af kæmpemæssige følelser
Som vi åd af hinanden, slikkede og fik kuldegysninger.
Lange aftener, som fik det hele til at vare dobbelt kort.
Jeg er ikke engang sikker på at jeg savner det
Eller dig. Eller noget af det vi gjorde sammen
Men en del har bidt sig fast. Jeg er blevet ramt
Af en virus. En fejl i mit liv, som du har plantet
I mig og min indre globe og færden, når jeg søger
Efter ting, som jeg umuligt kan få, finde eller fjerne
Jeg er syg, og mit immunforsvar svækkes, men
Jeg går i skole. Jeg lever mit liv videre, med
Tanken om at jeg ikke ved hvornår det stopper
Jeg vil lukke følelsen af dig/det/os ud af mig selv
Du styrer alt det du ikke må og du får alt så let
Så jeg lever livet videre, jeg lærer at ignorere det mave
Sår du har plantet i mig. Jeg sover det væk.
Drømmer mig væk fra realiternes smerter. For jeg kan
Ikke klare det hele. Jeg ser ikke klart. Jeg mærker ikke
Det lys som alle siger kommer, og når de andre fortæller
Mig at det hele er hurtigt glemt. Tvivler jeg på mig selv og
På mine følelser. For jeg har ingen følelser, ingen tanker
Ingenting. Jeg har ikke noget og jeg er fortabt. For alt hvad
Jeg vil have og eje er fysisk kontakt med dig. Jeg vil se på
Dig se på mig. Jeg vil have at du fortæller mig at jeg er smuk
Og så er det det, efter vi har kysset. Så er det det. For man skal
Ikke sådan noget. For det spil vi spiller er farligt. Med et hug
Bliver man slået hjem. Hvis ikke man lander på stjernen eller
På verdenstegnet. Så er det hjem, uden noget som helst.
Vi er en tikkende bombe. For hvor mange sekunder går der
IKKE før du egentlig finder ud af hvem jeg er, vi er, du er.
Til du finder ud af at du er bedre. Jeg kan ikke. Jeg tænker
Jeg kan. Men det hele er forkert. Jeg er kommet til at bruge alt
For mange kræfter på ting man kan få kræft af. Jeg er styret af den
Kraft du har. Jeg bliver ved med at bryde mig selv ned, selvom de
Andre nogle gange prøver at få mig op og stå igen. Det (s)eneste
Som jeg ikke har, er alt det jeg ikke kan få. Og jeg ved ikke
Engang hvad det er, eller om jeg er sikker på at jeg ved det på
Et tidspunkt. Jeg løber en tur væk fra mig selv. Jeg prøver
At eskapere fra verden. Jeg er flygtning fra mig selv.
Så kom her. Læg dig sammen med mig. Lad os lytte til din stemme
Bare et par mange gange, så jeg kan høre på alle de kloge ting
Du gør og siger. Ligesom den gang jeg gjorde det før.
Dengang det hele var godt.
Da vi to ejede verden, og hinanden. Men det gjorde vi ikke.
For du er helt ny, opstået så pludseligt, men sådan er det bare.
Myria Mandell Nov 2012
This is for the residents who remember
And for the transplants who
Have yet to be informed
But have got an inkling

Burque has gone from
Bustling to busted
And back again

Growing up in the 80’s
I learned about the
Varying degrees of “sick”
As my dad pointed out
The pekid pachucos perusing
Pharmacy isles
Attempting to purchase
Cough syrup with codeine

In the evenings
Driving home down Central
I would ceremoniously
Count hookers

My parents would
Precariously pack heat
In the trunk of our car
Or even in my mom’s special ***** pack
With the hidden compartment
For her .38 snub nose
Because you never know
Who will be in your home
When you arrive

That’s a given
When flop houses are
Interwoven with prime real estate
And barrio boundaries
Border the bourgeois’ bungalows
And Huning’s Castles

And residents rarely recognize
Or realize
That aside from the locals
The European Jews
Was the only group gutsy enough
To settle here
And create commerce
Despite risks of being raided
By Apaches

And they reaped the benefits
Off Roma and Marquette
Because the rewards
Turned out to be greater than
The risks

And up North
Where Sephardic turned Crypto
Conversions to Catholicism
Kept the Messiah’s spirit alive
But in basements
They still did Chi fives!

I was saddened in middle school
When I realized
That many of our parents
Were too ashamed of our roots
To teach us Spanish
And our
Schools ****** so severely
That most of us
Didn’t learn English either

But hey –
All you need to
Communicate while cruising
Are cat calls
And the thumping boom
Of the bass in the tubes
And the hydraulic drop
When they hit
The hot spots
From Tingley, Kit Carson and
Central to Copper
Each kid dreams that
His ride
Will be the show stopper

I could rant and rave
And rattle off for days
But bottom line –
We have the most
Curious state
With mysterious qualities
And in-depth histories
But most of us are
More concerned with
Bud Light
And Biscochitos
Con Manteca
Because it just tastes great!
7/13/2009
Jason Cole Mar 2015
doomsday dreaming
child's play screaming
***** devil scheming

i could disappear

one-time saver
two-time stopper
three-time clocker

i should disappear

untied up
bottled down
freely bound

i can disappear

stand - ovation
people - nation
love - starvation

i will disappear
poem poetry thoughts loneliness sadness alone pain feelings fear personal
Shelby Mccrary Jun 2017
You're so far away I can't touch you no matter how hard I try.

Living with the pain in my soul it is even harder than getting away with ******

In the morning time I see you in the Rising Sun and it's a Heart Stopper

In my mind you are the king of kings and I am your queen

And every time we part ways it's like meeting the monster of pain and sorrow

I tried to pretend to be nice and happy so you do not see the tears I Cry but I miss you and send you my love in the winds that blow and call you home. Poem by Shelby Kathleen Nightingale
neth jones Dec 2023
blood                                                  
blood patter and splash                            
leads us         concrete toward
tracing back        til the scene        
i’ve flashing thoughts of the brutality
   the violence     that must of cussed  
  between persons            
         in fear    fray    and inebriation

down the steps                                     
            my four year old child and I go          
the greasing bleed     in bronze putters  
growing and leadening
on stone labours

glowing citrus    the refrigeration
                          of the underpass
          ‘flips the bird'   at the summer blaze
grey dead coral bricks of urination  
seasoned in deep   beading now cold
the broke up weapon                        
                   candy slates of brittle teeth
glass / bottle / beer /brown
    the neck its' hilt              
     and the main mud of the bleeding

the flies are the thing                                
                         th­at bothers my ‘little nipper’
usually a flapper of queries on repetition
no other queries are raised
     just eager for the vibration
      of train carriages gatling over our heads

i stopper any words i may have on the matter
  he holds my hand with his hot hand
we progress under a port arms                                   
                            procession of caged floodlights
      and walled in by fresh graffiti
fingers dripping   retching for the guttering
Observed 23/06/23

unused -

on thickened walls      painted on over and over
by the neighbourhood watch
a  narrowed burrow
Stopper allsh Chub forsh shrame Good Chinwag, yah?
Arsh sieve Combatibles posh Boys bare playe
Shaye, yay Share! Bar score thore Pieces me - bah!
Mayse Lion bare thine; Yare Deer-Berry splaye
Wot cot Beagle-Risen thorse Polliwog
Spout Arms dash Legs arsh instant forsh shore Sport
Water-Rouse, rebound! Spare Skin-Sherry shogg
Staple coach-wires faye John Tom's Report
Behave, tharne! Parallipparel Shape conduct
Pour-Pore noodlesee Six-Squares shrub contesse
Mare beere yorsh Chest torso-avenue locke
Reprodpress marsh baye Bub-Peppers finesse.
Staye-upon-staye bore thoose talkitook borough
Boy-ish-Boy-font-fare-Potiphar-although.
#tomdaleytv #tomdaley1994
Sara Jean Hood Jun 2012
who are you, visitor?

who are you,

dream interrupter, time stopper.

An elongated second

           drawn into tangible space

choking my heart on waking

weighted waiting (heavy) for that dream to come again.

Happy apparition take my mind from me

show your face.

I long to skip the waking world and reunite my soul

with that sweet slumbery dreamland.

I love you.
Sean Flaherty Apr 2014
Twenty classless, eight cigarettes. 
Fighting over the radio at the 
Inpatient Mental Health Facility, 
A broken sense of belonging, 
And a dearth of veggie burgers. 

Listless with his lists, of course. 
Angst from the Anglophile, unable to 
Put a stopper in the pouring, 
Bleeding emotions. 
Open hands 
Stained red, and brown. 
Three breaks a day, scarring his 
Broken knuckles, they paint the walls. 

Code Smoking Gun, 
Code Smoking Green, 
Manic man, loading his shoulders with his 
Father’s burden, too big for Atlas’s arms, 
Or his mother’s shunning palms. 

Three breaks a day, 
Knee, shoulder, hip. 
The coffee’s decaf 
But your calves? Well, 
They’re just sore. 

They dish the brick every 
Other evening. But living, for 
No light, only serves to lessen your 
Love of life and make you 
Light-headed.

Broken beds with rock-solid
Pillows. Three breaks a day to
Remind you of your regression. We
Want you here as much.
Why’re you whining?

Busy doctors bust the doors, thank 
God for the freedom, the 
Fluorescent finish to your odyssey. The 
Flowers and grass greet you in 
Shades of pink and green your 
Greedy eyes hadn’t seen. 
Exhale. Ghost out your grieving.
Spent a bit of time "healing" in a "hospital."
Demons Sep 2021
Dear Self,
You aren’t too kind to yourself,
You always feel like a hologram of skin and bones, a wasted soul.
Your mind runs ninety-nine miles per hour, yet you’re seated in place.
You’re locked in place, fighting off that weather of weapons, all on your own.
You smoke those cancer sticks, and BAM!
All your stress seems to flow away, like a rushing river across the land.
You stay up all night, you insomniac, you night owl, you can’t even bring yourself to get up in the mornings to slave away under those fat cats on top of society.
I hope one day, you can find the courage to go back to being a motor mouth.
I hope one day, you’ll go back to being that talented show stopper.
I hope that one day.
You’ll stop being such a dust kicker and get back on your feet.
Just know that every chapter comes to an end, but at least we’ve anticipated this one against all the other endings we have yet to face
andrew juma Jan 2016
She glides in her glamour
Irresiatible like gamma
I gape in awe
eye candy

I am cornered in stupor
Me, the preyful master of the jungle

Me the systematic schemer
I encountered no stopper
In my predatory exploits

I persued
Ran like a breeze in the meshy thicket
To capture and feast

She saw me
She smiled with conspiracy
Geed me up...
so confusing

I roared ready to strike
But her smile ...it was mesmerizing
I forgot about my mission
The hunter became the hunted

I tell myself I am still in control
After all I got her, or did she get me?
I wonder

She should be my gala
I decide otherwise
To take that moment of temptation
To marvel at her fineness

She is the muse
turning out to be my luck
I might keep hunting
But her I will keep
Preserve and protect

It will be alot better
If see her tomorrow too,
And the next day
And the next day
So I will be her friend rather

Amanda
Girlpower
He crashed on into our dining room
Like a man convulsed with pain,
And breathless, gasped as he tried to ask,
‘What have you done with Jane?’
I stood En Guarde by the mantelpiece
And clutched at a kitchen knife,
‘Who are you, and what do you want?
You’re talking about my wife!’

He leant exhausted against the wall
And groaned, like a man obsessed,
I thought he could have escaped somewhere
That he might have been possessed.
‘I can’t believe she’s done it again,
She’s going against the plan,
I’ve told her time, and time out of time
To wait for her rightful man.’

‘See here,’ I said, with a touch of fear,
‘She’s mine, with never a doubt,
We married a couple of years ago
So I think I’ll show you out.’
‘I have to stay ‘til I see her face
She’ll remember when I do,
If you can’t stand up to the challenge, then
She never should be with you.’

He’d hit a nerve, and he knew he had
For I’d never been too sure,
For Jane had always been hesitant
When I’d asked for her hand before.
I thought there might have been someone else
Lurking behind her fan,
A former lover, she’d have no other
Now here was this crazy man!

I sat him down in an easy chair
And gave him a shot of Beam,
Then took a double shot for myself,
And stared at him, in a dream.
I tried to imagine her with him
And it shook me, without doubt,
For I could tell that they’d couple well,
Then wished that I’d thrown him out.

Jane came back home from her shopping spree,
Came in through the broken door,
And stood aghast at the pile of glass
He’d smashed there, down on the floor.
The stranger stood, he jumped to his feet
And held out a shaking hand,
‘I thought I saw you out in the street,
Don’t you know me, I’m your man!’

She held her nerve and she looked at him
As a stranger, far away,
‘I seem to recall,’ she muttered, ‘but…
‘All that was another day.’
‘Another day in a another time,
The fifth, but never the last,’
He looked at her with his pleading eyes,
Please try to remember the past.’

Then Jane went white as a cotton sheet
And said, ‘You couldn’t be Paul!
I left you last in the marketplace,
Leaning againt a wall.’
‘The soldiers came, and took us away,’
He said with the slightest tear,
‘They took us behind a barn that day…’
I said, ‘What’s going on here?’

It was suddenly like I’d disappeared
There were only two in that room,
Their eyes were locked in an act of grace
That I couldn’t share in the gloom.
‘Of course, it’s coming on back to me,
The bed in that cheap hotel,’
She seemed to blush as her eyes cast down,
And my heart had stopped, as well.

‘I’ve had just all I’m about to take,’
I said, ‘I want you to go!
And Jane, just tell me for heaven’s sake
You continue to love me so.’
The man stood up and he shook her hand
And he said, ‘That’s really an art.
I didn’t think you could act, my dear,
I was wrong, you get the Part!’

David Lewis Paget
Claire Davis Apr 2013
Love is both dangerous and safe;
It is the bullet and the bandage
It is the rain and the umbrella
It is the fall and the helmet
It is the life stopper - the heart starter
Love is the hurt and the heal
Love is our truth
Love
is
real.
Og det hele er en umulig kamp,
FOR jeg ved at du kommer -
Kravlende tilbage, LIGE SÅ SNART
At jeg stopper med at tænke
På dig og dine grønne øjne.
Men jeg kan ikke holde mig
Fra alt det vi ikke fik gjort.
Sofia Paderes May 2020
Could it be that, for every year since
the day you stopped knocking

I have noiselessly slid in
a stopper, a stone, a slipper

Mistaking your reaching for the key
as a challenge, not a warning?

I've patted myself on the back
for making it out (but with a foot by the corner)

Just in case you one day decide to swing wide
and that I'm worth a thank you, come again.
My friend JM and I are back to our weekly poem challenge! This week's prompt was doors, a poem about a lost friendship.
Beside me, in this unforgiving November’s winter, is she…
My queen beside me, amidst this rotting debris gifted to me.
Daphne, the comforter sent from the highest skies of Elysia
And Daphne, my love, you put a stopper… on my withering
Never did the sounding of a name, here, blossom a magnolia
Daphne, yours made my hell, the eternal orchards of Elysia.

We were betrothed to each other in here, in this wasteland
I await; you at our wedding, in your wedding gown, oh…
‘Tis her, the beau sky wrapped around your gentle frame
In your adornments, gifted from the agents of light, oh…
They are sapphire stars plucked from that midnight blue
On the edge of the Aegean sea, we await, in this wasteland

I await; you at our wedding, in your veil and crown, oh…
‘Tis her, the clouds and her raindrops, adorning your face  
I await our wedding waltz, in our deserted fields, oh…
Without our kin, persecuted and orphaned by the world
Alone we shall dance, on the edge of Ymos, our dwelling
Alone we shall be in our vows when our eyes rain in joy

I await your grand advent, beaming gleefully, towards me
Bringing me, serenity; being my succour, with your smile
I await your silhouette, irradiating the wide evening blue
Bringing me, release; being my soother, now I live anew
Daphne, your midnight blue eyes, your voice of mead…
My pen fervently gallops for words, as I just gaze in awe  

Let the sands of time tick away in joy, ticking, grain by grain
The heavens merry till the penultimate hours of our union
Now, in these salty Aegean waters, I taste honey and wine
I await our pristine union; as your hand knots with mine.
Beside me, in this unforgiving November’s winter, is you…
Daphne…
This one is for a person yet to be or yet for me to see. I hope you enjoy this.
mori Mar 2016
i suppose not even a door  stopper could stop you from walking out,
as the fabric of time always goes: every single thing that has lived will/has die(d).
but thoughts, feelings, memories, silver rings, sheets with familiar scents, non-living things - these are the things in which dead things live on, for non-living things are non-dying things, as well
She drains me of words
Like at the end of a bath,
And I'm left with the stopper
Dry as a prune
Until I can
Once again
Replenish my thoughts,
Come again
Under my shower
But I'm just a mist
Lightly saturating
Her once more
Like the moisturizer after
But she shaves and dries
It all off,
What of it all
Has she absorbed?
I can't be coke
Left to go flat
Crushed soda pop can
In the sun
Unable to redeem myself,
Won't you give me a nickel
For my love?

APAD13 - 131 © okpoet

— The End —