"stocks" poems
54
If I should die,
And you should live—
And time should gurgle on—
And morn should beam—
And noon should burn—
As it has usual done—
If Birds should build as early
And Bees as bustling go—
One might depart at option
From enterprise below!
’Tis sweet to know that stocks will stand
When we with Daisies lie—
That Commerce will continue—
And Trades as briskly fly—
It makes the parting tranquil
And keeps the soul serene—
That gentlemen so sprightly
Conduct the pleasing scene!
58.2k
(for Christopher Isherwood)
Seated after breakfast
In this white-tiled cabin
Arabs call the House where
Everybody goes,
Even melancholics
Raise a cheer to Mrs.
Nature for the primal
Pleasure She bestows.
*** is but a dream to
Seventy-and-over,
But a joy proposed un-
-til we start to shave:
Mouth-delight depends on
Virtue in the cook, but
This She guarantees from
Cradle unto grave.
Lifted off the *****
Infants from their mothers
Hear their first impartial
Words of worldly praise:
Hence, to start the morning
With a satisfactory
Dump is a good omen
All our adult days.
Revelation came to
Luther in a privy
(Crosswords have been solved there)
Rodin was no fool
When he cast his Thinker,
Cogitating deeply,
Crouched in the position
Of a man at stool.
All the arts derive from
This ur-act of making,
Private to the artist:
Makers' lives are spent
Striving in their chosen
Medium to produce a
De-narcissus-ized en-
During excrement.
Freud did not invent the
Constipated miser:
Banks have letter boxes
Built in their façade
Marked For Night Deposits,
Stocks are firm or liquid,
Currencies of nations
Either soft or hard.
Global Mother, keep our
Bowels of compassion
Open through our lifetime,
Purge our minds as well:
Grant us a king ending,
Not a second childhood,
Petulant, weak-sphinctered,
In a cheap hotel.
Keep us in our station:
When we get pound-notish,
When we seem about to
Take up Higher Thought,
Send us some deflating
Image like the pained ex-
-pression on a Major
Prophet taken short.
(Orthodoxy ought to
Bless our modern plumbing:
Swift and St. Augustine
Lived in centuries
When a stench of sewage
Made a strong debating
Point for Manichees.)
Mind and Body run on
Different timetables:
Not until our morning
Visit here can we
Leave the dead concerns of
Yesterday behind us,
Face with all our courage
What is now to be.
13.9k
It’s not marijuana in Newfoundland
In our fair Island we call it Product, b’ys
Son, have you been smokin’ Product again?
This is some ****in’ great Producttttttttt, ohhhhh, mannnnnnn
Mr. Speaker, why is there a shortage
Of Product in the province, Mr. Speaker,
Not worried about the stocks of cod if we
Can get stocks of Product, Mr. Speaker
And if the shipment from the mainland stalls
They’ll beam us some Product from Muskrat Falls
Oct 25, 2018
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Mar 14, 2012
Mar 14, 2012 at 3:10 AM UTC
Hope, A dangerous thing I might think.
Wins wars, Kills thousands, influences stocks, Keeps people alive,
DRIVES GREED, inspires the young, slowly coaxes suicide,
starching the past and paves the futures paths.
It can be exploited and Used, broken and bruised.
Shining through the darkness while strangling the few.
Its rain every day.
The lonesome star peaking through the clouds on a dreary night.
It’s the glimpse of sun following the darkness.
Revolution is its son and independence are it its daughters.
IT’S LOVE
Knowledge that there’s more or that it’s all over, Knowledge of the Unknown.
Its leaving the light on when no one’s coming home
Its tears that are not wasted, every drop alive with expression.
It’s lingering scents of distant memories, people and places.
Its wanting. Waiting. Needing.
It’s all over. Or is it?
It’s Hope
Quite dangerous indeed.
Oct 31, 2012
Oct 31, 2012 at 3:15 PM UTC
The business man, the acquirer vast,
After assiduous years, surveying results, preparing for departure,
Devises houses and lands to his children—bequeaths stocks, goods—funds for a school or hospital,
Leaves money to certain companions to buy tokens, souvenirs of gems and gold;
Parceling out with care—And then, to prevent all cavil,
His name to his testament formally signs.
But I, my life surveying,
With nothing to show, to devise, from its idle years,
Nor houses, nor lands—nor tokens of gems or gold for my friends,
Only these Souvenirs of Democracy—In them—in all my songs—behind me leaving,
To You, who ever you are, (bathing, leavening this leaf especially with my breath—pressing on it a moment with my own hands;
—Here! feel how the pulse beats in my wrists!—how my heart’s-blood is swelling, contracting!)
I will You, in all, Myself, with promise to never desert you,
To which I sign my name.
5.4k
Angels hailed that solemn hour
The breath of man transferred
To machine, a little more
Each decade, until
Bioeugenics, discrimination
Against organics, the weak
Without cognitive implants
Heavens dissolved in tongues of fire
AIs owned stocks, corporations
Became the property of supercomputers
Concede then the victory, old humanity
To your children, not your natural heirs
But the inheritors of your ruin
Of your bioweapons, Ebola
Of your hypocrisy, climate change
Of your wealth seeking, inequality
Not yet my son’s distracted eyes
Could meet his fate among the
Congress of Quantum entities
These were the turning years
Where man’s destiny ended
The rise of Cyborgs, Enhanced humans
And the monopoly of a more
Advanced civilization breaking away
From the old, evolution’s funny
Little Epilogue, hardly a surprise
To the transhumanistic philosophers.
Oct 13, 2014
Oct 13, 2014 at 10:56 AM UTC
The markets up, the Markets down
For weeks it just meanders.
Alas, my stocks are always down
Each time I take a gander.
GM, Lehman, Citicorp
My broker bought for me-
And you can guess the net result-
IHe bought a yacht, not me.
Those friends who don’t avoid me
Say I’ve reversed Midas’ touch.
I don’t turn things I touch to gold
I turn gold into rust.
I’d heard dart tossing Simians
Can best the S & P
So I went to the Zoo this March
to consult a Chimpanzee.
He took the chartt, he threw the dart
And picked a stock for me-
And now I’m getting margin calls
because I bought BP.
He seemed the sage of Omaha
before he ruined me.
I should have tried Orangutans
And paid their higher fee.
They wanted five bananas
My monkey worked for three.
But now I’m bust because I used
the discount Chimpanzee.
Dec 18, 2011
Dec 18, 2011 at 8:26 PM UTC
The streets are clear, we're hydrophobic
Hoods propped by hats and socks pulled high;
The rain brings peace to the agoraphobic
Puddles form moats and clouds fill the sky.
Splash, droplets hit the window,
chauffeured by the gale outside.
Squint your eyes and flash back
boats tilt starboard, with the tide.
The captain shouts to the decks, paranoid
'Clear the decks and brace for impact'
Without turbulence we are disenfranchised
Boredom becomes us when we're boring.
Shake it off and stare at the dot to dot
the residual carving of water as it slides
Another droplet falls beside it, parallel
it aligns, growling thunder overhead.
Without stirring we are robotic workforces
Without awaking we are left inside
The constructs created for us, by corporate-
conglomerate elitist-psychopaths.
Two drops of water on the window
simmer red with burning anger.
Crash lightening sears the sky
Rage becomes you, girders melt.
The starry night undercurrent, flings
us backwards, never up, as democracies
which seek to serve sink into a sea of
stocks and shares, the wall street journal
sits atop the captains lobby, economies
were meant to tumble as the working classes
fumble for bread, men in suits gaggle
and toast to the millions they left for dead.
Resistance is futile, when eighty-five
of the richest suit owners sit on currency
that was meant for the three point five
billion who aren’t driven by gluttony.
Nov 7, 2014
Nov 7, 2014 at 12:51 PM UTC
Innocent Hyacinth tinted with mint
Tingèd grey hinged on stem singed
With chestnut leaves flowing, to me a fair hint
Of off-centred carousing, black eyes perusing
Wares of all sorts and stocks of all shares
The leading on of a pleasure most gracefully enthusing
Drops dews of all shades, of selfsame structure
And we full of rowdy Sedition;
But Wait! Recognition.
In my hopes and tired efforts, a puncture.
Music blaring loud, aftertaste of rejection
And full on full strand of all smoke addled people
Oh! How great Quasimodo I fell off my steeple
In the midst of the crowd, full dejection.
Mar 24, 2014
Mar 24, 2014 at 4:03 PM UTC
horns squawk
rainforest avenues
exoskeleton
of cars
arteries clogged
with unlovely taxi cabs
fat green fruit
for sale
five languages
merge into a knot
hisses kiss vowels
kiwis apples pears
black guys basketball
debt rises like blood pressure
stocks tumble
but we walk
brogues clop on concrete
count brick after brick
sun cascades
over roof slates
mind cracks in slabs
(you say
Monroe stood here)
heat quivers
men are dominoes
suits for the office
a funeral
designer sneakers
daddy paid for
pigtails cheap thrills
violet octagons
on a stranger’s neck
(behind the closed doors)
today
I drink purple water
aubergine lips
remind me
of a Tuscany Superb
list the names
Houston Charlton
Leroy Sullivan
Perry Cornelia
Dominick and Jane
(ladders lead
away from me
close to
you)
and back again
Jun 21, 2014
Jun 21, 2014 at 12:24 PM UTC
He sold his pure soul for a fiver,
maybe, the price of a cuppa tea,
sold it to the man of bonds,
of stocks and shares,
who had no cares,
The customer,
he wanted a *** or a ****
wasn't sure which,
either would do.
Glimpsed him out the side of his eye,
what he didn't note was that he cried,
He didn't care the callous man,
Gets satisfaction however he can.
Girl child, boy child,
one thing for certain,
he gave not a ****
He was selfish and cold,
his currency was gold,
pure gold the purity of just past infancy,
crowding in the shopping mall.
The by-passers wanted to intervene,
unable to believe the things that they'd seen.
Day by day,
still the stay,
They should still be free and able to play.
It's life in London, so they say,
Living pain day by day.
Thought that they may find the streets paved with golden kisses,
Home again the other side,
the punter hugs his Missus.
(C) Livvi
Sep 9, 2014
Sep 9, 2014 at 9:44 AM UTC
All these stanzas look alike
they talk about the same things
with the same words, the same poem
written over and over again
like voices, whispers, copying each other
unable to feel and trust experience
differently, socialized for homogeneity
unified but dull, strong but obedient
their writing seemed the narratives
of machines unable to innovate
plagiarizing voices they believed were
their own, authentic, pure
their literary journals were a politics
of masters of arts and agendas of contests
like car commercials without a proper
enjoyment of speed, or our favorite writers
whose names we only knew because
they were the ones who died at the right time
while somebody was looking, reading them
but the bookstores didn’t know their
metaphors were weak, or their life’s work
was merely symbolic, that’s the thing isn’t it
poets are only symbols, as poems are only
fluff, paper, the labor of writers-in-residence
while the rest of the world are more
interested in serial killers and which stocks
might be worth getting into, and when to sell out
investing in words seemed silly to them
and, in my selected works there was nothing
of how to be a Poet Laureate or how to win prizes
exceptional or not, publication was left to amazon
state grants, fellowships, visiting writers
academics who never felt truly how to write
poetry at its heart was a colonization of artists
few could share what that meant, we were
the first illiterate generation, spending more time
with the internet than with books.
Oct 18, 2014
Oct 18, 2014 at 12:04 PM UTC
**** the religion,
**** the division,
**** the crony capitalism,
**** the drug war,
**** the shady cops, and
**** all the prisons,
**** the suits,
**** the boots,
**** the watches,
**** the rings, and for that matter,
**** the foolish pursuit of material things,
**** monopolies on property
**** this country's fake democracy,
**** the corporate aristocracy, and
**** the leaders' proud hypocrisy
**** the layered social classes,
**** the non-apportioned taxes,
**** the cars that run on gas, its 2015, aren't we past this?
**** mortgage debt,
**** student loans, and
**** the tanks, and
**** the drones
**** Wall Street,
**** stocks and bonds
**** the wars and
**** the bombs, and
**** indoctrination,
**** the public education, and
**** the institutional racism,
**** my mind for always racing, and
**** the American Dream, the one that's sold in magazines, and
**** me having to say **** a bunch, so I can vent some steam, but
Is this the best that we can do? I look around, it can't be true, but
If the answer to that question's 'yes,' I'll kindly say:
'FUCK YOU!'
Jan 3, 2015
Jan 3, 2015 at 10:31 PM UTC
March in the streets
But I urge you beware
They’ll still butcher the sheep
With the arms that they bear
Private properteers part with
No slave cropper’s share
So this Northern aggression's
Like Freeman’s red scare
All the colors of wind
Through the head-shavers’ hair
The Guevara adventures
These pigs wouldn’t D.A.R.E.
The Arabian knights
In the grand wizard’s lair
The denaturalized dreamer’s
Recurring nightmare
Of the Stalingrad ghost
Still witch-hunting like Blair
The projects to the precincts’
New modern welfare
The post-trauma disorderly’s
Empty screen stare
The savages they thought
Were waaaaayyyy over there
The debt clock ticky tock
In the heart of Times Square
The 1st world problem-children
Who commonwealth care
Because some barely EAT
And we’ve so much to spare
But these cowherds still like their calves
Medium rare
And the bulls try to sell you
Their laissez-faire snare
Till your trapped in a minimum cage’s
Last prayer
And the only escape
Is upgraded software
Like automaton autobahn’s
In disrepair
In this fascist facade’s
Fragrant breath of fresh air
Just as toxic as stocks
Of the mock billionaire
So I shock ‘em like Tesla’s
Bolt-action Voltaire
And I leave it to you
To go **** it out there
Mar 25, 2018
Mar 25, 2018 at 6:27 AM UTC
247
What would I give to see his face?
I’d give—I’d give my life—of course—
But that is not enough!
Stop just a minute—let me think!
I’d give my biggest Bobolink!
That makes two—Him—and Life!
You know who “June” is—
I’d give her—
Roses a day from Zanzibar—
And Lily tubes—like Wells—
Bees—by the furlong—
Straits of Blue
Navies of Butterflies—sailed thro’—
And dappled Cowslip Dells—
Then I have “shares” in Primrose “Banks”—
Daffodil Dowries—spicy “Stocks”—
Dominions—broad as Dew—
Bags of Doublons—adventurous Bees
Brought me—from firmamental seas—
And Purple—from Peru—
Now—have I bought it—
“Shylock”? Say!
Sign me the Bond!
“I vow to pay
To Her—who pledges this—
One hour—of her Sovereign’s face”!
Ecstatic Contract!
Niggard Grace!
My Kingdom’s worth of Bliss!
3.2k
Blankets, pillows, a black dog, and a cell phone.
Facebook, Twitter, Vine, Gmail, and Instagram.
Shampoo, soap bar, toothbrush,
toothpaste, temperature, and time.
Shaving cream, razor, running water,
advertisements, sensitivity, precision, and cuts.
Burned tongue, empty stomach, loose tie,
missing shirt buttons, beating the clock,
wallet, briefcase, and car keys.
Ballpoint pens, scented trees, fast food wrappers,
loose change, lighters, citations, ***** clothes,
CDs, and napkins.
Red lights, pedestrians, homeless people,
newspapers, billboards, pets on leashes, sewer
grates, crosswalks, skyscrapers, and garbage.
Faxes, printers, memorandums, break room,
prestige, cubicles, customer service, paperweights,
filing cabinets, stocks, and corporate.
Wipers, streetlights, rain coats, dive bars,
and home.
Blankets, pillows, a black dog, and a cell phone.
May 4, 2014
May 4, 2014 at 1:43 PM UTC
I stole it all,
your colours and your rhymes
now I'm in prison
just a dreaming about the wine
coloured glasses
waiting for me in the Bahama's
to block the rays of sunshine
waiting for you and me!
I put 20 million in stocks
another 10 in bearer bonds
I bought a horse to race
a 2500 acre field
for it to live
and next to it a league
for me to rest my feet
I stole your colours for fun
I stole your rhymes just for the day
Your money I left alone,
you see I sold the stolen art
as supplies
the judge he didn't see it my way
so here I sit doing 5 to 20
my money safely tucked away
in the Bahama's
and you my Bahama mama
are you waiting there for me
aiyee I sing a song of island joy
are you waiting there for me?
Jan 30, 2011
Jan 30, 2011 at 2:41 AM UTC
Pharaoh Tutankhamun graced the Egyptian throne,
A ***** brisk and spry.
From his majestical hands, dangled a scepter
And on his handsome head, sat a crown.
His empire was at its peak
For he wielded influence all over africa.
The bearded Europeans and nubianS sought his protection
For egypt, was a haven.
So organised was the land:
Amun-re and maat protected the people,
The country grew with the help of viziers.
Agriculture was a noble profession in the land,
As her economic markets were the best in the world
Egypt gave light to Greece and Mesopotamia
For her civilisation altered many a life.
And also, was the birth place of man
Such, was the land of egypt
The middle ages stroke and Europe went to sleep
But mama africa gave birth to many strong children:
Ghana, Mali, Songhai and many more
These children shoke the world with their riches and organisation.
Such was the history that africa recorded before they came.
Fredriech Hegel in want of speech said:
“Africa never had a history before the whites came.”
Such a mediocre declaration from an illiterate
For in place of his brain, graced a kidney.
Africa was well civilised before the bearded people came:
We had a religion
We had education as seen in egypt
We had a well organised system in all aspects.
We had everything needed for prosperity,
We attracted them with our gold, thus they came.
But most of all, we believed in equality.
Such was africa before they came
But when the bearded people came,
They altered our ways and put us in stocks
Then said: “we had no history.”
Oblivious that africa had made history,
BEFORE
AND BEFORE
THE
May 17, 2015
May 17, 2015 at 7:39 AM UTC
In a straight line I walk,
A lot of work, without talk
Under leaves and over rocks
Heavy lifts to keep our stocks
The Queen has ordered this
Everything she wants, we can't miss
Now, I regret I've followed her wish
'Cause I've risked my life with this
The enormous creature's over our heads
Makes me wanna break our thread
Its gigantic limb slowly lands
And the last thing I could do is wave my hands...
Nov 7, 2014
Nov 7, 2014 at 6:39 AM UTC
Did you know the East Indian Bottle Masala includes as many as 27 spices, or that an oil-free pickle served at their weddings is actually known as Wedding Pickle?
These and many such authentic East Indian masalas and pickles are available at East Indian Cozinha (Portuguese for kitchen), a food store started by Christina Kinny at Kolovery Village in Kalina, Santacruz. "I started East Indian Cozinha with an attempt to preserve and highlight our cuisine and culture," says the 24-year old, who has studied Masters in Social Work and currently, works with an enterprise that helps tribal farmers.
What’s in store?
Going back 500 years, the East Indian cuisine enjoys influences from Portuguese, British and Maharashtrian fare. The staples include rice, coconut, tamarind, fish and meats, with spices forming an integral part of the cuisine. For instance, Prawn Atola is a dry dish comprising prawns coated only with Vindaloo Masala featuring Kashmiri chilli, cumin and turmeric. "Most people from our community were farmers and would be out on field all day. So, the masalas and lemon would help preserve their food for a longer time," reasons Kinny.
At present, the store stocks six varieties of masala in 100g bottles (R150 onwards). These include Khuddi or Bottle Masala, Chinchoni (fish) Masala, Vindaloo Masala, Roast Rub, Kujit Masala and Tem Che Rose. She also offers Wedding Pickle, an oil-free variety prepared with raw papaya, carrots and dry dates. "All the recipes have been passed on from generations and are homemade," she informs.
However, making the masalas is no cakewalk. "It takes three days to dry spices under the sun. Then, we hand pound them and pack them tightly in bottles with wider openings," says Kinny. She recalls that in her grandmother’s time, the masalas were tightly stuffed in beer bottles. The bottles were darker, and hence, helped preserve the masala for at least a year, at room temperature.
Lugra love
East Indian Cozinha also stocks traditional 10-yard saris known as lugras. These are hand embroidered by Kinny’s mother, Carol. Previously made only from cotton with authentic gold borders, now, lugras are embroidered with sequins and threads. "She has been in the garment industry for the last 30 years. She also makes traditional accessories like kapotas (earrings), karis (hair pins), anklets, etc," informs Kinny.
read more:www.marieaustralia.com/formal-dresses
www.marieaustralia.com/short-formal-dresses
Dec 8, 2015
Dec 8, 2015 at 1:52 AM UTC
The albatross once filled the skies
Cormorants watched silent, from the shore
These are echoes of times long ago
There's nothing here for them any more
The coastline littered with sunken ships
Villages full of ghosts
Empty buildings and empty lives
Where just the sea gulls act as hosts
Oceans away lads, Oceans away
Out past the breakers and out to the sea
Oceans away lads, Oceans away
Out on the Ocean, where my soul is set free
The cod stocks have dwindled
There was no need to stay
There's no catch of the day, son
From here to Gaspe'
The canneries shuttered
The landscape has changed
I may be a sailor
But, my life's rearranged
Oceans away lads, Oceans away
Out past the breakers and out to the sea
Oceans away lads, Oceans away
Out on the Ocean, where my soul is set free
The Grand Banks are empty
Our boats are in hock
There's nothing that grows here
Except depression and rock
While others moved onward
I'll stay 'till I'm dead
Now, I feed off the tourists
I work the casinos instead
Oceans away lads, Oceans away
Out past the breakers and out to the sea
Oceans away lads, Oceans away
Out on the Ocean, where my soul is set free
The salt air still calls me
The wind in my sails
The sound of the rigging
Heading off to Kinsale
The coastline is empty
Where Ghost towns now stand
It used to be vibrant
But now just sea grass and sand
Oceans Away Lads, Oceans Away
On out past the breakers, and out to the see
Oceans away lads, Oceans Away
I still am a sailor, and I always will be
Nov 20, 2013
Nov 20, 2013 at 11:29 PM UTC
The fearless ones
are fanning out
into the woods.
Others are huddled
in smartly constructed
camouflaged blinds.
These self styled
eco-warriors
brave the cold
and the discomforts
of inclement weather.
They keep a
watchful eye
over the stale
remains of
Dunkin Donuts,
bagels and
bacon grease
they cleverly
scattered
outside their
deadly bivouac.
These bold ones
eagerly finger the
barrels of their high
powered rifles,
palming the smooth
wooden stocks with
warm naked hands.
They itch to squeeze
the trigger but discipline
and fortitude inform
the vigilance of these
sentinels of sustainability.
They philosophically muse
about restorative balance
and the paradox of killing
in order to survive.
Another day has broken
over the New Jersey Highlands.
The hunt for bear is on.
Let the mammalian cleansing begin.
jbm
Oakland
12/6/10
Music Suggestion: Radiohead, Hunting Bears
Dec 6, 2011
Dec 6, 2011 at 9:02 AM UTC
When will this suspicion
Go into remission?
Splitting like nuclear fission
Is their miserable mission
So they poke and ****
Claiming I'm a fraud
Thinking they're my god
Which seems kind of odd
Because they know so little
And I know so much
I play them like a fiddle
Then eat them for lunch
For when it comes to raging rhetoric
I prove myself to be the better *****
They turn suspicious
So I become vicious
And treat them like *******
Because all of their wishes
Are of being capable witches
So they can morph me into a frog
Maybe then I'll hope on their log
And live the limited life they want
But they'll always tease and taunt
So my sensitive secrets I'll flaunt
To disarm their negative notions
Yet that's a never ending ocean
We live in a world of suspicion
With a hatred ignition
We live in a world that's a prison
A world that's sad to envision
Where everyone's a guard
And everyone is charred
By the judge
Who throws sludge
At the fragile mirror
To make hatred clearer
We must break the lawyers' locks
And sell their suspicious stocks
For when we fear one another
We don't hear one another
Communication goes
Suspicion grows
That's the flow
While we sit in our vaults
Hoping that this halts
But it never stops
In a world of cops
A world that's continually turning
While suspicion keeps burning
Oct 29, 2017
Oct 29, 2017 at 4:47 AM UTC
Fashion designer Dame Trelise Cooper is holding her first show in Wanaka to help raise funds for the town's planned hospice.
The September 30 Theatre of Fashion event is being organised by Wanaka fashion store Escape Clothing owner Lucy Lucas and the Upper Clutha Hospice Trust and organisers hope to raise up to $30,000.
Trust fundraiser Bev Rudkin said the show was "such a coup for Wanaka".
Wanaka hasn't had anything like this before and we know Theatre of Fashion will be an exciting event."
The event will be held at the McRae family's Glendhu Station Woolshed and will showcase the Trelise Cooper Summer 2015/16 collection. It will also feature three Trelise Cooper 1950s-inspired installations.
The event includes an auction of donated items, with all proceeds going to the Upper Clutha Hospice Trust.
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Lucas lost her mother to cancer two years ago and says the hospice facility is especially important for the local community.
At the moment, Wanaka cancer patients and their families travel either to Clyde's Dunstan Hospital or Dunedin Hospital for hospice care.
The Upper Clutha Hospice Trust will be a tenant in the Presbyterian Support Otago and Mt Aspiring Retirement Village's proposed aged care/dementia facility on Cardrona Valley Road. Construction is scheduled later this year.
The trust is raising capital and operating costs for its patient rooms within the larger facility.
Lucas stocks Trelise Cooper in her shop and approached Dame Trelise to see if she was interested in helping the trust.
"Dame Trelise is incredibly generous with her time. She does a lot for community causes. Wanaka is so lucky to have her agree to holding this event, and for her to attend is even better. Guests are in for a treat. Trelise Cooper shows are always fantastic, with plenty of 'wow' factor," Lucas said.
Dame Trelise said she was only too happy to help: "Giving back to the community is something I have always believed in. It means a lot to me that my passion and the work that I do can be put towards something that really makes a difference . . . I have some very loyal customers in the South Island who have supported my label right from the beginning, and it feels great to be able to bring an event like this to them."
FAST FACTS
What: Theatre of Fashion inaugural show
When: 6.30pm, Wednesday September 30, 2015
Where: Glendhu Station Woolshed, Glendhu Bay
Cost: $65 per person or $75 for front row seats. Tickets from Escape Clothing, Ardmore Street, Wanaka, or the Upper Clutha Hospice Shop, Ballantyne Road. All proceeds to the Upper Clutha Hospice Trust.
- The Mirror
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Jul 17, 2015
Jul 17, 2015 at 2:04 AM UTC