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"solids" poems
To **** or not to **** that’s the ******* question: Whether 'tis nobler in the bowels to suffer The twists and turns of outrageous rumblings Or to take action against a bellyful of gas, And by farting pump one out? To strain, to bloat No more; and by a mighty outburst we’ll end The gut’s ache, and the thousand natural stenches That the **** is heir to, 'tis a resolution Right devoutly to be wish'd. To **** to **** But perchance to **** there's the ******* problem; For in that mighty **** of doom what turds may come, When we have let the little beauty out from mortal tail, Must give us pause; there's the danger That makes calamity of the farter’s life; For who would bear the sneers and mocks of men, The neighbour’s shock, the lover’s curling lip, The pangs of horrid stench, the ******* o’erflowing, The leaking **** orifice, and the drips, Impatient strainings that the tragic farter makes, When he himself might sweet easance make With a careful prodding finger? Who would a ******** wear, Grunting and sweating with noisome convulsions, But that the dread of solids after air-release, The undiscover'd oozings, from whose delivery No toilet visitor recovers, puzzles the will, And makes us bear the bellyache we have Than fly to others we know not of? Thus indigestion does make cowards of us all; And then the native heave of constipation Is sicklied o'er with the pale fear of defecation; And enterprises of both ******* and crapping With this regard, their currents turn awry, And lose the name of exciting toilet action.
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Mar 23, 2015
Mar 23, 2015 at 2:25 PM UTC
Hamlet's Toilet Problems
To **** or not to **** that’s the ******* question: Whether 'tis nobler in the bowels to suffer The twists and turns of outrageous rumblings Or to take action against a bellyful of gas, And by farting pump one out? To strain, to bloat No more; and by a mighty outburst we’ll end The gut’s ache, and the thousand natural stenches That the **** is heir to, 'tis a resolution Right devoutly to be wish'd. To **** to **** But perchance to **** there's the ******* problem; For in that mighty **** of doom what turds may come, When we have let the little beauty out from mortal tail, Must give us pause; there's the danger That makes calamity of the farter’s life; For who would bear the sneers and mocks of men, The neighbour’s shock, the lover’s curling lip, The pangs of horrid stench, the ******* o’erflowing, The leaking **** orifice, and the drips, Impatient strainings that the tragic farter makes, When he himself might sweet easance make With a careful prodding finger? Who would a ******** wear, Grunting and sweating with noisome convulsions, But that the dread of solids after air-release, The undiscover'd oozings, from whose delivery No toilet visitor recovers, puzzles the will, And makes us bear the bellyache we have Than fly to others we know not of? Thus indigestion does make cowards of us all; And then the native heave of constipation Is sicklied o'er with the pale fear of defecation; And enterprises of both ******* and crapping With this regard, their currents turn awry, And lose the name of exciting toilet action.
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33
TW: r#pe culture anxiety-riddled, my head is a constant battle of sounds and feelings crashing like waves into each other; interference scares me. as does being out of rhythm, missing too many beats — i am conflict-averse but i am also realistic: i know that sound travels faster through solids and liquids than through the air, can be distorted and interfered into oblivion— that when push comes to shove, whisper networks can only reach so far. scores of screaming matches between metoo advocates and r#pist apologists crescendos of nails scraped across a board feel a bit too familiar like listening to white noise and broken records on repeat while scrolling through toiletpaperworthy nonapologies witnessing victims collectively crying in an orchestra of agony and then be blamed for attention-seeking at best, of causing their own suffering at worst. although it pains me to listen to these tragic tunes, it is amusing how so many mishear this collective choir as survivors celebrating with silly receipts in cancel parties serving blistering hot tea sweetened by revenge - no all this is anything but cathartic. it’s to make people aware that the same melodies are sung or screamed by those who suffered similar pains and so that those of a similar frequency know there are those who listen that their voice matters and we are not alone. - 20210315
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May 28, 2021
May 28, 2021 at 12:44 AM UTC
karmic crescendo
The news comes to us Running all around Coming from the air And from the ground. Happy news sad news, Any type of feed, Computers are shoes, Running us what we need. You can surf it you can scroll it, Or even search google You can find the perfect color To match you white poodle. You search all day, And even all night, And the results are run to you, Like they are running from a fight. You can search sitting down, You can search standing up, You can search foreign languages, On how to say whats up. Want to impress you girlfriend, Show her you can cook, Pull up a recipe on google, You don’t have to search a book. Want the newest fashion news, And the newest styles, They are only a click away, Within the internet files. Shoes are the foundation, That we live on every day, And computers are that foundation, That we use everyday. Computers run information, Going and coming to and fro, They can tell you the directions, for where you want to go. Computers are shoes, They are solids we rely on, You can use them for your homework, To find a certain ion. So this poem is over now, And I think you get my point, Computer are shoes, This is my poem joint.
0
Oct 25, 2011
Oct 25, 2011 at 11:14 AM UTC
Computers are shoes
I know they're out there somewhere Watching, cringing, when they see those who don't know just what to pick out When they go out in their clothes I cannot list the culprits And we all know fashion crime Like, pants that show the *** crack We see this all the time It used to be a faux pas When one made a clothes mistake But now you see them daily With every look you take With all the shows on tv Showing people how to dress Why do they go out looking Like such a rotten, bleeding mess? Stripes and spots and solids Wearing braces AND a belt Wearing parkas in hot weather You'd think that they would melt Socks worn with one's sandals And those pants around the knees I mean, someone, help these people someone help them please We need some clothes policing Maybe a hot line they could phone Maybe send the cops a photo Before they choose to leave their home There are people wearing spandex People who aren't really thin think of squeezing ten pounds of sausage In a five pound sausage skin And makeup...yes, the makeup Someone needs to teach them how to apply it, in moderation We need some clothes policing now! There are rules and there are guidelines But common sense should reign supreme It looks like these poor people got dressed while in a dream We need fashion policing So we can all walk, showing class Instead of being like these morons Who wear big jeans, and show their ***
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Jul 30, 2012
Jul 30, 2012 at 12:55 PM UTC
Fashion Police
"I grant you ample leave To use the hoary formula 'I am' Naming the emptiness where thought is not; But fill the void with definition, 'I' Will be no more a datum than the words You link false inference with, the 'Since' & 'so' That, true or not, make up the atom-whirl. Resolve your 'Ego', it is all one web With vibrant ether clotted into worlds: Your subject, self, or self-assertive 'I' Turns nought but object, melts to molecules, Is stripped from naked Being with the rest Of those rag-garments named the Universe. Or if, in strife to keep your 'Ego' strong You make it weaver of the etherial light, Space, motion, solids & the dream of Time -- Why, still 'tis Being looking from the dark, The core, the centre of your consciousness, That notes your bubble-world: sense, pleasure, pain, What are they but a shifting otherness, Phantasmal flux of moments? --"
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2.5k
I Grant You Ample Leave
You turn on a spindle You're so much looser now, but you're not explaining how you gained such new repose I touch the clasp of your locket with its picture held Some secret you wouldn't tell but let it choke your neck So we imagine a darkness where all shapes divide; solids changing into light with burst of heat so bright Well fine, don't you do what I want you to Yeah, don't degrade yourself the way I do because you don't depend upon all the **** I use to make my moods improve Near a sea of pianos there were waves of chords that crashed against the shore in one huge and useless roar and there were girls bringing water; like a dream, they came to cure the fever of my brain and soothe my burning throat And they made me a necklace, hanging beads of sweat on a string of my regrets and placed it around my neck And they were singing, don't you do what you wanted to Yeah, don't destroy yourself like those cowards do Maybe the sun keeps coming up because it's gotten used to you and your constant need for proof
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May 15, 2012
May 15, 2012 at 4:36 AM UTC
A Spindle, a Darkness, a Fever, and a Necklace
It was the first darkness who saw it first.. The whirlwind, the tornado, the vortex of shine.. small at first.. But no matter the size it sent darkness running in all directions.. only to see from afar and fear the glow.. darkness learned to hide behind solids.. creating children called shadows.. The light shines on as the darklings hide from it..
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Aug 13, 2014
Aug 13, 2014 at 5:33 PM UTC
children called shadows..
This house slowly unraveling peeling off in layers             like citrus of sectioned freshness       squeezed out of bounds                             my heart                     all caught up in rooms, furniture f l y In g no longer rooted by familial gravity My veins wrapped in long strands of               live wires hugging each item tight                  as if to unlock        the memories that scintillate within and I       radiate my               feelings of forever to somehow imprint them before they whirl and swirl off into the universe Snippets of our lives in angled slices of colored mirror a look     a smile        a glint in the eye children laughing                a garden surprise                crazy kitchen singing                       first solids and a bib               first little sweet dance       beatific smile from the crib the bedroom for cuddles little bugs wrapped in blankets, so close and so dear flanked by both of us, guardians of light, keeping out fears Once, we claimed private time velvet kisses down trails of skin hot lusted shadows gently sliding within This is how love corrupts          how old batteries explode             burning rust that erupts                         as I break out             from the mold Now your words hit my skin in bad chemical reaction knives and arrows of rupture as my bone marrow                        gets fractured Insides are spilling out guts all over the floor all this chaos created as I split      through               the door
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May 13, 2017
May 13, 2017 at 8:06 PM UTC
necessary chaos
This house slowly unraveling peeling off in layers             like citrus of sectioned freshness       squeezed out of bounds                             my heart                     all caught up in rooms, furniture f l y In g no longer rooted by familial gravity My veins wrapped in long strands of               live wires hugging each item tight                  as if to unlock        the memories that scintillate within and I       radiate my               feelings of forever to somehow imprint them before they whirl and swirl off into the universe Snippets of our lives in angled slices of colored mirror a look     a smile        a glint in the eye children laughing                a garden surprise                crazy kitchen singing                       first solids and a bib               first little sweet dance       beatific smile from the crib the bedroom for cuddles little bugs wrapped in blankets, so close and so dear flanked by both of us, guardians of light, keeping out fears Once, we claimed private time velvet kisses down trails of skin hot lusted shadows gently sliding within This is how love corrupts          how old batteries explode             burning rust that erupts                         as I break out             from the mold Now your words hit my skin in bad chemical reaction knives and arrows of rupture as my bone marrow                        gets fractured Insides are spilling out guts all over the floor all this chaos created as I split      through               the door
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65
I. You can always tell the Virgins from the way they Glide—cerebral giddy with nectarfilled Hearts and earlobes full of Wax/ Wane moonshine turf if you’re not Dying for astronomers’ loves and what makes Ptolemy different from Claude is Given prove: Equal and opposite reaction. II. Shove knife down pork Wasn’t so hard, was it. III. TWO SOLIDS INTERSECT In a plane. In the bathroom, to be exact. What follows is not Essential to the proposition; Calculate the spatial (surface area, volume of cubicle, conclude insufficient is < where escape velocity is ) useless to resistance factor 7 [prepare for lift-off landing taxi To the Bronx of course where else would I Be on a night like this it’s raining in the parlour Wont you step outside? III. anemic & half- starved half- sandwich go on, have a bite. IV. in arm will undulate bloodcellspouroutcantstoptoowide are you just imagining this? What would they tell you in school blood is thicker than water i’m not sure they eat carnivores here. CARNIVAL festival of meat. Flesh LIVE trembling quiver SWIFT shoot through air DUCK dead swandive nosedive outplug BOOM go the couple in the cabin lavatory laboratory? Rats go bang in the night crash & burn debris over Detroit is our favorite way to die colorful isn’t it rainbow— brushfire— bruises and fire storms out and around the populace to decimate seems like mating by a factor of ten V; or. X^2+i(70x7)= aftermath: my ex squared with me seventy times seven equals in fortitude (labor-intensive) tea costs sixpence in dallas what about you so integral to my being that sometimes I wonder if you’re just imaginary or if what it takes to be transcendental is beyond what’s rational or even what’s real to me: eight is enough for the eggs.
0
Sep 12, 2013
Sep 12, 2013 at 7:53 PM UTC
Vestiges, XI.
I. You can always tell the Virgins from the way they Glide—cerebral giddy with nectarfilled Hearts and earlobes full of Wax/ Wane moonshine turf if you’re not Dying for astronomers’ loves and what makes Ptolemy different from Claude is Given prove: Equal and opposite reaction. II. Shove knife down pork Wasn’t so hard, was it. III. TWO SOLIDS INTERSECT In a plane. In the bathroom, to be exact. What follows is not Essential to the proposition; Calculate the spatial (surface area, volume of cubicle, conclude insufficient is < where escape velocity is ) useless to resistance factor 7 [prepare for lift-off landing taxi To the Bronx of course where else would I Be on a night like this it’s raining in the parlour Wont you step outside? III. anemic & half- starved half- sandwich go on, have a bite. IV. in arm will undulate bloodcellspouroutcantstoptoowide are you just imagining this? What would they tell you in school blood is thicker than water i’m not sure they eat carnivores here. CARNIVAL festival of meat. Flesh LIVE trembling quiver SWIFT shoot through air DUCK dead swandive nosedive outplug BOOM go the couple in the cabin lavatory laboratory? Rats go bang in the night crash & burn debris over Detroit is our favorite way to die colorful isn’t it rainbow— brushfire— bruises and fire storms out and around the populace to decimate seems like mating by a factor of ten V; or. X^2+i(70x7)= aftermath: my ex squared with me seventy times seven equals in fortitude (labor-intensive) tea costs sixpence in dallas what about you so integral to my being that sometimes I wonder if you’re just imaginary or if what it takes to be transcendental is beyond what’s rational or even what’s real to me: eight is enough for the eggs.
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76
It was the night of Christmas Eve when I was on my own You came round with Chantelle lowering the festive tone It was okay until you left and I found that big baguette Such a time of desperation one time I will not forget A toilet tragedy I suffered when I discovered your Yule log Why did you leave that monstrosity inside my ******* bog I had a drink to calm my nerves but I didn't want to tackle In the U bend that ******* **** was caught up in the shackle Trying hard to get rid of that thing with hot water in a bucket It didn't move with my attempts so I thought "well **** it" Taking the plunge with pipe unscrewed it wasn't very nice A gloveless hand you wouldn't want to handle that thing twice With heavy heart I manhandled that large brown log myself The size of it I'm petty sure was detrimental to my health I know that Chocolate logs traditional to celebrate the Yule Did you have to leave me one made from a combined stool You blamed Chantelle but I'm not sure if it was her or you But whichever way you look at it, its a nasty thing to do So come on just admit it who dealt me that crap card Getting rid of such a thing well its really rather hard It really isn't all that much of a Christmas appetizer Having to disguise it for bin using the local advertiser Yule be so disgusted if you had crap Christmas news A real low time of my life with Yule tide log abuse Next time you decide to call round in the festive mood Have a **** before you come not meaning to be rude Don't pass solids in my bog to avoid a repeat performance I have already reached my peak concerning **** endurance Use my bog with courtesy without Christmas block activities I don't want your crap on my hands ruining my festivities
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Dec 27, 2017
Dec 27, 2017 at 5:39 AM UTC
Yule Log In My Bog - 2018
It was the night of Christmas Eve when I was on my own You came round with Chantelle lowering the festive tone It was okay until you left and I found that big baguette Such a time of desperation one time I will not forget A toilet tragedy I suffered when I discovered your Yule log Why did you leave that monstrosity inside my ******* bog I had a drink to calm my nerves but I didn't want to tackle In the U bend that ******* **** was caught up in the shackle Trying hard to get rid of that thing with hot water in a bucket It didn't move with my attempts so I thought "well **** it" Taking the plunge with pipe unscrewed it wasn't very nice A gloveless hand you wouldn't want to handle that thing twice With heavy heart I manhandled that large brown log myself The size of it I'm petty sure was detrimental to my health I know that Chocolate logs traditional to celebrate the Yule Did you have to leave me one made from a combined stool You blamed Chantelle but I'm not sure if it was her or you But whichever way you look at it, its a nasty thing to do So come on just admit it who dealt me that crap card Getting rid of such a thing well its really rather hard It really isn't all that much of a Christmas appetizer Having to disguise it for bin using the local advertiser Yule be so disgusted if you had crap Christmas news A real low time of my life with Yule tide log abuse Next time you decide to call round in the festive mood Have a **** before you come not meaning to be rude Don't pass solids in my bog to avoid a repeat performance I have already reached my peak concerning **** endurance Use my bog with courtesy without Christmas block activities I don't want your crap on my hands ruining my festivities
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30
He sweats when he poops, Not just any old **** A **** of glory, A **** of a lifetime. The kind of **** that jacks your heart rate, The kind of **** that makes you breathe heavy, A **** so intense that your bowels moan, And generate a need to remove your shirt. The cold, yet intense sweats of this **** Cramps in the lower abdomen, sharp and warm, The sweet relief of tension, when that one big log comes out, All hot and steamy. Followed by a stream of liquidy brown, He wonders how his body even operates, The unholiness of what exits through, That holiest of holes, next to the birth stump and boulders. Pondering the consumption of two nights before, He sits bare-assed on this porcelain mouth, Ingesting every bit of solids, liquids and gasses, That exit from his **** canal. Clothes tossed onto the floor, His ******* harden from the unpleasant draft, Caused by the perspired glands, That shiver from trauma and nightly air.
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Nov 25, 2023
Nov 25, 2023 at 6:52 PM UTC
The Naked *******
The frequencies produced by our thoughts resonate with different aspects of our physical environment. Liquids, solids, gases, and plasma. When you combine two elements they may, or not, produce a reaction. A measure that can assure that no reaction occurs is too contain it. In a lab, in order for the observer to see the contents of the container, glass is utilized. Only rarely in case of highly volatile substances is a tinted or otherwise opaque container used. Boundaries. They prevent any of the substances from altering their resting state. Randy and I are highly volatile together. I wonder what a gas and a plasma can create through their union. I wonder if they can achieve fusion.
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Dec 9, 2022
Dec 9, 2022 at 6:45 AM UTC
We’re So Elemental
a forest grows roots in my scalp a baby touches the soft short bits and laughs like there is no greater delight in her world my spirit swells in her beams i walk shoulders forward collar popped half-sneer that says “yeah that’s right i’m a badass” nobody sits next to me on the bus once this bleach-blonde spent half an hour worrying nail-biting, foot-tapping worry before setting the clippers to my head like she might hurt me i intimidate the thing in me that is vulnerable staple a wig to it, put it in a dress build it safe bridges out of my body so that on the street the people who do manage to worm their grubby fingers through the cracks are ************* psychos and i can imagine driving their nose up through their brain without feeling guilty or shameful even though that is scientifically impossible due to the density of bone and this charred twisted gargoyle on my shoulder who tells lies as long as the mississippi like “you deserve this **** on really bad days my hair turns and shouts “back the **** up gargoyle! you make no ******* sense!” even when i decide to trim it when i’m ****** out of my tree on sudafed and haven’t eaten solids in five days and it looks like, well, this i am a magnificent peacock swanning down the street and everyone is a little bit better for having walked through my glow now if only i could make eye contact with the cute **** on the bus
0
May 15, 2013
May 15, 2013 at 8:41 PM UTC
cloak of invincibility
The glory of nature in all of its transformations the dawning of consciousness the surrender of love the struggle for survival the dance between the  light and darkness The meteor shower the child's first step the child's first smile the cocoon unspun the spider's daily web the many mornings come and gone This observer of what is and what is not consumed with awe Melting solids to dust liquid to vapors riding life's lightening thunder's laughter From oppression to freedom From slumber to wisdom The glory of all nature instantaneous and gone the ink on the page the sun gone nova the event horizon random particles converge into being dissipate and defuse from movement to entropy ashes to ashes stardust to stardust The poet ever singing the glory of transformations.
0
Nov 2, 2016
Nov 2, 2016 at 12:46 PM UTC
Transformations
The gate is hidden in ivy, thick Ropes, both alive and dead Providing trellis for new growth, always Leaving room for the gate. Arched Top of weathered oak, so keenly Shadowed underneath, one key to The secret of my secret garden Never Locked, No Need, No one goes there but me. The doorway cut in hollow blocks Some turned up, others down A mosaic of solids and holes; Triangle holes where small breaths Of citrus air sneak past, to scent And blend with vine and flower Large and small, brilliant shades, Fresh turned earth, Nostrils full, With sweet privacy. Walls, much taller than my head Surround the inner area One north; a mass of solid stone, One south; holding the gate in its arms, One west, staying the evenings sun One east, open every other stone With the beams of Sol cutting through Giving life, Living Light, Make my garden alive. Well worn bricks in connecting Circles, still damp at noon From dawns' quick cleanings. My feet in soft soles, never disturbing By tick or clacking a fear in The blue-jays and redbirds Perched on the ancient carved stones Worshipful, Quiet though singing, Singing for me. The oak bench, painted only With rains of many seasons Polished seat and back, smooth as Sanded, with the fabric of trousers and shirts My body reclined in respite, A few hours, a few minutes Stolen from the demands of others, Everyday demanding, Draining the quiet, Chipping at the walls of my garden. A damp perspiration Slips down the inside of my shirt, My face is washed in the afternoon sun Alone, finally alone, pulling useless weeds Impeccable manicure, attempting perfection. Maniacal fervor must find a place, A place where one can think, A place of my own, of my making, My secret garden.
0
Dec 27, 2011
Dec 27, 2011 at 10:48 PM UTC
My Secret Garden
The gate is hidden in ivy, thick Ropes, both alive and dead Providing trellis for new growth, always Leaving room for the gate. Arched Top of weathered oak, so keenly Shadowed underneath, one key to The secret of my secret garden Never Locked, No Need, No one goes there but me. The doorway cut in hollow blocks Some turned up, others down A mosaic of solids and holes; Triangle holes where small breaths Of citrus air sneak past, to scent And blend with vine and flower Large and small, brilliant shades, Fresh turned earth, Nostrils full, With sweet privacy. Walls, much taller than my head Surround the inner area One north; a mass of solid stone, One south; holding the gate in its arms, One west, staying the evenings sun One east, open every other stone With the beams of Sol cutting through Giving life, Living Light, Make my garden alive. Well worn bricks in connecting Circles, still damp at noon From dawns' quick cleanings. My feet in soft soles, never disturbing By tick or clacking a fear in The blue-jays and redbirds Perched on the ancient carved stones Worshipful, Quiet though singing, Singing for me. The oak bench, painted only With rains of many seasons Polished seat and back, smooth as Sanded, with the fabric of trousers and shirts My body reclined in respite, A few hours, a few minutes Stolen from the demands of others, Everyday demanding, Draining the quiet, Chipping at the walls of my garden. A damp perspiration Slips down the inside of my shirt, My face is washed in the afternoon sun Alone, finally alone, pulling useless weeds Impeccable manicure, attempting perfection. Maniacal fervor must find a place, A place where one can think, A place of my own, of my making, My secret garden.
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60
i learned that sounds travel faster through solids than air, so press your mouth to my skin, tell me stories of the places you were scared to have been, i'll try my best to understand, and with all that i am, i will listen
0
Feb 27, 2014
Feb 27, 2014 at 11:28 PM UTC
physics
Virginia Nicholson How To Build A House In N-Dimensions 1. Begin with lines, pencil to paper (if they could exist) drawing graphite arrangements, N-space reduced to one, a structure viewed in slices. Imagine the bathroom off the foyer, the den off the dining room, viewable only as inked lines, dit-dit-dah, a contractor’s Morse Code. 2. Progress to carpet squares, linoleum tiles, the coral paint pairs well with the eggshell trim.  Dit-dah-dit becomes something useful to the non-contractor, “door” or “Master Bedroom” or “x hundred feet of pipe.” Envision the imagined patterns hidden in the bathroom floor, the kitchen hardwood. 3. Move to volumes, solids, conic sections, height. One story, two stories, a basement, an attic?, take advantage of the introduction of 3D. Upgrade the closet to walk-in, needs more carpet squares. A snapshot of a family barbeque, Charlie’s height 1D penciled in to the 3D door, marring 2D eggshell paint. 4. Adding time, the house is built, ages, gets sold to new families with little Charlies of their own, new markings on the cupboard door, 3-foot-2, 3-foot-5, 4-foot-9. Grass fades from Kelly to sand to Kelly, saturation a cosine function with respect to time. The Zoysia starts in one, breaking ground in two, growing in three, a well-manicured 4D experience. 5-11.    Include the things invisible to us, objects on the order of 1 meter, orders of 10E-2 to 10E9 seconds. Five to eleven drip through leaky pipes, seep through porous flooring, get lost in iron-rich soil and oxygenated exhalations. Five to eleven stay hidden, wrapped up in Calabi-Yao manifolds smaller than graphite hills and valleys marking little Charlie’s height, stronger than the 2-by-4s and stone foundation keeping strong in 4D. Five to eleven circulate undetected, seven dimensions shrunk to sub-pinpoint size, keeping seven dimensions of unexplainables covered until their traces are seen in the blades of Zoysia.
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Mar 21, 2012
Mar 21, 2012 at 5:20 PM UTC
How To Build A House In N-Dimensions
Virginia Nicholson How To Build A House In N-Dimensions 1. Begin with lines, pencil to paper (if they could exist) drawing graphite arrangements, N-space reduced to one, a structure viewed in slices. Imagine the bathroom off the foyer, the den off the dining room, viewable only as inked lines, dit-dit-dah, a contractor’s Morse Code. 2. Progress to carpet squares, linoleum tiles, the coral paint pairs well with the eggshell trim.  Dit-dah-dit becomes something useful to the non-contractor, “door” or “Master Bedroom” or “x hundred feet of pipe.” Envision the imagined patterns hidden in the bathroom floor, the kitchen hardwood. 3. Move to volumes, solids, conic sections, height. One story, two stories, a basement, an attic?, take advantage of the introduction of 3D. Upgrade the closet to walk-in, needs more carpet squares. A snapshot of a family barbeque, Charlie’s height 1D penciled in to the 3D door, marring 2D eggshell paint. 4. Adding time, the house is built, ages, gets sold to new families with little Charlies of their own, new markings on the cupboard door, 3-foot-2, 3-foot-5, 4-foot-9. Grass fades from Kelly to sand to Kelly, saturation a cosine function with respect to time. The Zoysia starts in one, breaking ground in two, growing in three, a well-manicured 4D experience. 5-11.    Include the things invisible to us, objects on the order of 1 meter, orders of 10E-2 to 10E9 seconds. Five to eleven drip through leaky pipes, seep through porous flooring, get lost in iron-rich soil and oxygenated exhalations. Five to eleven stay hidden, wrapped up in Calabi-Yao manifolds smaller than graphite hills and valleys marking little Charlie’s height, stronger than the 2-by-4s and stone foundation keeping strong in 4D. Five to eleven circulate undetected, seven dimensions shrunk to sub-pinpoint size, keeping seven dimensions of unexplainables covered until their traces are seen in the blades of Zoysia.
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7
I waft through solids I cling to the non existent I creak and croak as I rotate I beep as I sling I am running straight in spirals Nothing is ever same But I am. I am same with all the noises The noise of valley, and misty entropy Here,carried along with dusty nebula Nothing ever seems same. But I am. I exist forever same with incoherent drift.
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Mar 14, 2014
Mar 14, 2014 at 3:46 AM UTC
Incoherent Drift
Can my center really stay A peaceful place? Against all odds Against the stream Against the spin of the world And galaxies and black holes Hurricanes and bathtub drain whirlpools? No, Not even the gravitational Constant of the universe Will be enough to stop me now We already broke Solids and stripes abound
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Aug 12, 2018
Aug 12, 2018 at 4:39 PM UTC
Gravity
A knave to hold a soft core; Schist, basalt, limestone! A cross, kaleidescoping until it's square then into a passkey. Solids, Solipsis, a patterned plane was your gift, almost as cruel as mine. Given me, as due, for my recognition of your soul. Your belief is a gaes, almost as burdensome as your mistrust. A blindside for a blindside.
0
Apr 6, 2013
Apr 6, 2013 at 9:34 AM UTC
Alas
1-english I gargled solids much like boulders of the throat. Upon a dreadful goat, the lamb was slain in name of said reign. To diminish the waters drenching fields of green and brown, rugged earth, and jagged cliff. Up nor down no liquids found. I am placed to flummox the hard matter of dirt and swallow whilst hurt. 2-norwegian Jeg gurglet tørrstoff mye som blokker i halsen. Etter en forferdeliggeit, ble sauene drept i navn sa regjeringstid. For å minske vannetgjennomvåt felt av grønne og brune, robuste jorden, og rufsete stup. Opp eller ned væske ikke funnet. Jeg er plassert for å flummox denharde spørsmål om skitt og svelge mens vondt.
0
Jan 12, 2011
Jan 12, 2011 at 10:47 PM UTC
Tørke Halsen Land Geit
the world is full of the definite the tv sits across the room if I go to it, hit the power button, it will turn off if I stay seated, bother with the remote, it can change channels or turn off as well or if I do nothing, nothing will happen this is how the universe is no tricks no secrets no conspiracies even humans aren’t that complex they do the same things over and over and over and over and over and over and over again like stock characters out of the text book, everyone- everyone- does things in a predictable and easily- understood way the **** will always **** the ******** guy, the lawyer will **** the innocent, and our role-models will always let us down it’s not new and it never has been so I have no sympathy for those of you who are surprised and neither for those of you determined to change what the world is I’ve already told you: this is a definite world, of concrete, unalienable facts there is no place for liars or those convinced there’s something else going on than what they can see there is little place for the deceived and the blinded (especially when their eyes are gouged out by their own knife)
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Oct 13, 2011
Oct 13, 2011 at 9:06 PM UTC
Solids
Know not lest ye be known thyself, A phrase followed from some strange, onyx, snake placenta and spittle covered book, From which phrases are chanted and sewn inwardly, perversely backed into the bladders of demons and spewed from the nostrils, Solids and seeds of dollars and oil. Know not lest ye be known thyself, That evil phrase not written as we have been taught, shown in action By those blocking fruits, pinching fingers at the ends of urethras To keep children from being born. Know not lest ye be known thyself, That evil phrase preventing man and woman from marrying, Withholding, slothfully, idling, waiting, Placing plugs in all our orifices. Know not lest ye be known thyself, That evil phrase stopping perception: touch, sight, hearing, smell, taste, And any others if there are others, Saying it alone will fill your mind. Know not lest ye be known thyself, That evil phrase keeping us working with the unidentified, The unfamiliar, the unknown, Keeping us discriminating, nepotizing, judging. Know not lest ye be known thyself, The summation of rejection, Instructing us to reject those things around us except what we already know. And what do we know? The Cover-up. One tarp can be pulled from off this particular hidden item in the garage, That can be assured, (though the rest may be inveigled away by filibustering and hidden, but hopefully not): "Judge Not Lest Ye Be Judged Thyself" is The Holy Bible verse to be followed.
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Jan 22, 2015
Jan 22, 2015 at 8:51 PM UTC
Know Not Lest Ye Be Known Thyself - Ode to a **********
enriched macaroni product (wheat flour, glyceryl, mono stearate, niacin, ferrous sulfate (iron), thiamin mononitrate (vitamin b1) riboflavin vitamin b2 folic acid) cheese sauce mix (whey, malto dextrin, corn syrup solids salt palm oil modified food starch milk fat milk protein concentrate con tains less than 2% of tomatoes* milk mediumchaintriglycerides sodium tripolyphosphatecream citricacidsodiumphosphatelacticacid naturalflavour** onions*** tricalciumphosphatepartiallyhydrog enatedsoybeanandcottonseedoil guargum monosodiumglutamate garlic****yellow5yellow6spicemalicacid enzymes disodiumguanylatedisodiuminosinate artificialflavour cheeseculturemodifiedfoodstarchmaltodextrinpotassiumchlorideacetylatedmonoglyceridessaltmediumchaintriglyceridesapocarotenal(colour)contains; wheat milk
0
Feb 26, 2016
Feb 26, 2016 at 6:22 PM UTC
Nacho Supreme