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"skeins" poems
Old man, you surface seldom. Then you come in with the tide's coming When seas wash cold, foam- Capped: white hair, white beard, far-flung, A dragnet, rising, falling, as waves Crest and trough. Miles long Extend the radial sheaves Of your spread hair, in which wrinkling skeins Knotted, caught, survives The old myth of orgins Unimaginable. You float near As kneeled ice-mountains Of the north, to be steered clear Of, not fathomed. All obscurity Starts with a danger: Your dangers are many. I Cannot look much but your form suffers Some strange injury And seems to die: so vapors Ravel to clearness on the dawn sea. The muddy rumors Of your burial move me To half-believe: your reappearance Proves rumors shallow, For the archaic trenched lines Of your grained face shed time in runnels: Ages beat like rains On the unbeaten channels Of the ocean. Such sage humor and Durance are whirlpools To make away with the ground- Work of the earth and the sky's ridgepole. Waist down, you may wind One labyrinthine tangle To root deep among knuckles, shinbones, Skulls. Inscrutable, Below shoulders not once Seen by any man who kept his head, You defy questions; You defy godhood. I walk dry on your kingdom's border Exiled to no good. Your shelled bed I remember. Father, this thick air is murderous. I would breathe water.
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15.1k
Full Fathom Five
In her gauzy garments Above the bowing trees The moon has many lovers In the sighing breeze. They all take her dancing In exotic lands They give her sparkling diamonds They kiss her milk-white hands. She is round & fullsome Or slender as a waif When she is then waning Her flowers are kept safe. Silken skeins of darkness When she's waxing full Are parted by her brightness She is NEVER dull! Her beaux are all so courtly But she eschews them all Her only love can make her pale She burns at his call... She lets out her moonbeams Through her eyes they weep She loves the one eclipsing her They can NEVER meet! She, so strong within her court Will curtsey when he comes The moon has many lovers But she's taken by the SUN. Catherine Jarvis (C) 12/14/2019
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Dec 15, 2019
Dec 15, 2019 at 12:07 AM UTC
The Moon Has Many Lovers
Side by side, their faces blurred, The earl and countess lie in stone, Their proper habits vaguely shown As jointed armour, stiffened pleat, And that faint hint of the absurd - The little dogs under their feet. Such plainness of the pre-baroque Hardly involves the eye, until It meets his left-hand gauntlet, still Clasped empty in the other; and One sees, with a sharp tender shock, His hand withdrawn, holding her hand. They would not think to lie so long. Such faithfulness in effigy Was just a detail friends would see: A sculptor's sweet commissioned grace Thrown off in helping to prolong The Latin names around the base. They would no guess how early in Their supine stationary voyage The air would change to soundless damage, Turn the old tenantry away; How soon succeeding eyes begin To look, not read. Rigidly they Persisted, linked, through lengths and breadths Of time. Snow fell, undated. Light Each summer thronged the grass. A bright Litter of birdcalls strewed the same Bone-littered ground. And up the paths The endless altered people came, Washing at their identity. Now, helpless in the hollow of An unarmorial age, a trough Of smoke in slow suspended skeins Above their scrap of history, Only an attitude remains: Time has transfigures them into Untruth. The stone fidelity They hardly meant has come to be Their final blazon, and to prove Our almost-instinct almost true: What will survive of us is love.
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8.8k
An Arundel Tomb
Fear the stillness whers't thou find the dreary life and idle mind, wherein thine own reflection lies a baleful thing with glassy eyes. Let horror of this fill thine heart, to maul thy slothy core apart. Ignite within thine blighted soul, a fire that should cleanse it whole. Let passion rouse it from thine state, that thou shalt grasp the skeins of fate. Thus boldly stride a person who, was born, hath died, is born anew.
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Jul 1, 2016
Jul 1, 2016 at 3:27 AM UTC
Fear the Stillness
In the hush between raindrops and stone, the hills lean inward, as if listening for a voice that never returned. Low clouds drag their grief across the shoulders of the land, a soft lament in vapor, layered like old letters, unsent. The trees don't speak— but their silence is fluent, a language of absence etched in shadow and bark. The sorrow here doesn't weep, it settles in the terrain like ash from a fire no one recalls lighting. A tragedy, perhaps, of the forgotten— the slow erosion of faces from stone, the fading of footsteps into deep green moss. And still, the wind carries a lament— a breath, a whisper, a suggestion that the past is not past, it merely sleeps beneath the skeins of brooding, hung cloud. [email protected]
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Sep 9, 2025
Sep 9, 2025 at 10:53 PM UTC
The Walończycy, Ghosts of Schreiberhau
You have abandoned purity for perfection. Even the blind have moments of clarity but you ***** around like the Cyclops feeling nowhere for noman while affecting a quiet, moronic expression. You can't knit without needles, but you have mislaid the point and so things unravel into random skeins. Your typewriter rattles only in reverse. Bards stub their toes and wail. You hear them, but pay no attention. You are listening for the atomic thunderclap. Nothing less than finale of final will do. When it explodes at last you will know the inarticulate, unspeakable name of god. Perhaps Fred. Perhaps Norma or Justine. Perhaps merely a very loud Boom... That will be more than enough for one life.
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Feb 11, 2017
Feb 11, 2017 at 8:59 AM UTC
Rabid Declamation
I use ‘oh, my god’ as an expression not of faith, but surprise, of wonder at beauty untouched by ideology or dogma as if caught, and pulled, from a dream. I exclaim ‘oh, my god’ when stunned not by holy ghosts, but the living, who do kindness as though it were nothing unmindful of securing safe passage into heaven, or paradise. ‘Oh, my god’, I cry, when words fall idle or are muted to quiet reverence. Where twisted skeins of empiric memory, rush in crashing surf of reminiscence and nostalgia. I am godless, but not without reason ‘oh, my god’ being a slip of historical, idiomatic vernacular. Even as curiosity drives me to understand your own ritualistic, devotional motivations. Raise the cup, my friend it gives us both what we need. For you, transubstantiation for me a divine and luscious tableaux. For Saint Teresa in her ecstasy no doubt exclaimed ‘Oh, my god’!
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Jan 26, 2015
Jan 26, 2015 at 10:50 AM UTC
***
It starts like a beige tuft of fibre Protruding from a large burlap sack. As we pull it from the hidden source It gradually reveals itself. Simple and unassuming, A uniform, coloured strand Which we gather up into a tidy ball. Sometimes another strand is tied Onto the one we pull. A different colour? A change of texture? And so we pull that one anew, We build another coil, While the original strand awaits. The interesting new thread, Reveals itself from the hidden reservoir. The fibre slides through our fingers. Slowly, when there is resistance. Quicker, when it comes loosely. Now coarse and wiry Now soft and slippery, Now thick and tufted. Tough Scottish highlands perhaps? Or rural Ontario? Sometimes the hidden source seems like it may be A hand-knit sweater that we are pulling apart. The strands are still kinked and twisted in places, Echoing a memory of a shape it has held for years. We recognize bits here and there too. Colours and textures from our own story. "I had a pair of socks like that." "Remember our scarves from those cold childhood winters?" The collection of small skeins increases. From a sheep's fleece, yes, but now too From Alpaca, camel and rabbit. Cashmere from Pashmina goats in Nepal? But at last the final strand comes free. You feel the weight of the coiled wool, And see the diversity of the colours. And for each coil We remember again how it appeared How it felt. How the strands Came together And apart.
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Aug 12, 2013
Aug 12, 2013 at 10:13 AM UTC
Of Alice Munro's Short Stories
Burning, he walks in the stream of flickering letters, clarinets, machines throbbing quicker than the heart, lopped-off heads, silk canvases, and he stops under the sky and raises toward it his joined clenched fists. Believers fall on their bellies, they suppose it is a monstrance that shines, but those are knuckles, sharp knuckles shine that way, my friends. He cuts the glowing, yellow buildings in two, breaks the walls into motley halves; pensive, he looks at the honey seeping from those huge honeycombs: throbs of pianos, children's cries, the thud of a head banging against the floor. This is the only landscape able to make him feel. He wonders at his brother's skull shaped like an egg, every day he shoves back his black hair from his brow, then one day he plants a big load of dynamite and is surprised that afterward everything spouts up in the explosion. Agape, he observes the clouds and what is hanging in them: globes, penal codes, dead cats floating on their backs, locomotives. They turn in the skeins of white clouds like trash in a puddle. While below on the earth a banner, the color of a romantic rose, flutters, and a long row of military trains crawls on the weed-covered tracks.
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2k
Artificer
The yarn came promptly. When I started to use one skein, I began to pull out pieces of yarn about 8-10 inches in length. About half of the skein was made up of these short strands. The next couple of skeins were OK, but the third had broken strands about every 10 feet. A bit frustrating to say the least.
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Aug 6, 2011
Aug 6, 2011 at 8:36 PM UTC
Grandfather Comments on Oatmeal Colored Yarn
Shiny bricks and skeins of yellow grass Barely perceptible colours Hung with liquid haze Dog **** and thunder Heavy close and thick Miasma Clings to sweat Running with drizzle Clings to damp Drowning the pores of the skin Making collars clinging sticky Rubbing and abrasive In view of the towering flats The greyly awaiting wait Standing at the bus stop Speaking quiet weather talk In the distantly English way So safely meaningless This polite evasion Ignores their damp dilemma Soon, as they sit inside the bus These bodies shall steam Like cattle in a byre Kids hang around the shops Emptying and kicking cans The younger ones Run and shout manically Their elders spit And swear casually All hoods and shadows Asking adults to buy them lager Because they can't get served at the "offie" Rain changes nothing here A bedroom guitar plays Weakly electric And the Turneresque sky Swallows the sound whole and flat Sophisticated trash Crying into a cloudy breast Shaded darkly round Full and swollen Grey and sodden The distant rumbling Tumbling closer to home                                     By Phil Roberts
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May 6, 2017
May 6, 2017 at 10:54 AM UTC
HEAVY WEATHER ON THE FAMILY ESTATE
Imagine a spherical shield, all sensual swirls of body art and gleaming currents of silent comings and goings. Her path is radiant with skeins of silver slime. She’s discreetly **** inside her shell, snuggling in mystical moisture. A willing captive, She’s self-sufficient, timid yet eager to explore, free to withdraw at any given moment. Admire the courage of her smallness, the generosity of her gifts to the beauty of our skin, our gastronomic delight. She does not fear mortality’s ultimate crush. She lives and dies in the joy of giving her soft, sweet syrup back to the earth.
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Jan 29, 2019
Jan 29, 2019 at 5:13 AM UTC
Ode to a Snail
His mother bought the wool in skeins with four children to clothe knitting was so much less expensive than buying woolens in the store and who counted the hours spent with the needles click clacking plain and pearl in fancy patterns. Every few months he would stand there in front of his mother, hands outstretched shoulder width apart spindly arms and legs holding the loop of wool seemingly endless as he, in rhythm with his mother, unwound the wool onto the ball growing bigger each length left his outstretched fingers swaying in sync with the reeling in at the finish, when he could go off and play read a book, follow his early adolescent urges running and jumping he would imagine the ***** of wool one for an arm, the sweater, a gift for Christmas another for the old man’s winter woolie his ganzy as he called it keeping his rotund figure warm despite the bracing wind reaching into the bones pulling out the last remnants of summer warmth The son is older now and all those jumpers are gone cast into the past, a memory sitting and standing in rhythm together creation and warmth love and the click clack of needles.
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Dec 6, 2013
Dec 6, 2013 at 4:48 PM UTC
Wool
All of us are travelers lost, out tickets arranged at cost unknown but beyond our means. This odd itinerary of scenes - enigmatic, strange, unreal - leaves us unsure how to feel. No postmortem journey is rife with more mystery than life. Tremulous skeins of destiny flutter so ethereally around me - but then I feel its embrace is that of steel. On the road that I taken, one day, walking, I awaken, amazed to see where I have come, where I'm going, where I'm from. This is not the path I thought. This is not the place I sought. This is not the dream I bought, just a fever of fate I've caught. I'll change highways in a while, at the crossroads, one more mile. My path is lit by my own fire. I'm going only where I desire. On the road that I have taken, one day, walking, I awaken. One Day, walking, I awaken, on the road that I have taken.
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Apr 27, 2015
Apr 27, 2015 at 6:17 PM UTC
Dark Rivers of the Heart
Take the silken ribbon from my hair. Wrap it tight around my neck. For on cold nights of loneliness. In darkness. My cold body sits. My neck bruised in compassion. Once there in sight. Was once there in mind. There for company. Seek and thou shall find my friend. Embalmed behind a sullen smile. Austere. Such quiet company. In dignified silence sat. My mouth stitched shut. Calling out is not aloud. I feel you watching me. While in eternity I sleep. A presence around me. I feel that you want me. Caught by skeins of royal blue. Oxygen depleted. In a tapestry of captivity. But I am not yours. Only God can set me free. (C) Livvi
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Jan 12, 2014
Jan 12, 2014 at 6:18 AM UTC
Ribbons
The fortunate I, The send-sighted me, What might have I done To deserve this to see? That inchworm in paining, Though pretty she was, Has set to cocooning, In endless becomes. Such books, she has heavy, Her heart so it spins, That silken word cover, With lux-journal skeins. Such passion in weaving, She'll fuel open minds, And full will this artist, Soon her medium find.
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Oct 2, 2010
Oct 2, 2010 at 10:42 PM UTC
The Soon Unloosened
Collected skeins of unraveled words drift along in space Existing in the complexity of time Bits and pieces of exchanges between two hearts Containing the mysteries of their rhyme Sweetness held in close regard never to be revealed Lies waiting between each and every line Of the secrets that the words themselves contain Safely locked away to never be defined Time will ever hold these words in its warm embrace As a divine reminder of a love so true A legacy to only be unraveled by two loving hearts Exchanging words of love the way we do These skeins of unraveled words exist here in this time Complex and yet so simple in their truth Rhyme, reason, or their secrets, are not to be defined Until read, by two hearts in love so true
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Jun 14, 2010
Jun 14, 2010 at 11:52 AM UTC
Never To Be Defined
liquid gold falls upon your face highlighting your lips’ quivering with concentration i wonder are they as soft as i’ve imagined as i melt into you, unassuming my smile widens and my stomach knots like my skeins of wool that i never cut loose i too shall detangle and remain whole with time
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Jun 8, 2022
Jun 8, 2022 at 1:43 PM UTC
golden hour
My dog is such a cat, you know. Plays laser tag; meows for show!    She’s arf and arf it seems. She plays with tangled skeins of yearns, For hours and hours, and then she turns    To wander through my dreams. I know they say that pets become Their owners’ déjà vu’s--in sum,    Immeasurably similar. So which is which, Did my left brain twitch?    Is the dog her man’s exhibitor? And scientists will disagree About the causal origins.    So be it. Ask **** and Jane. Ask Spot, and then    Just simply a-b see it! Meowff!!
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Sep 12, 2016
Sep 12, 2016 at 3:08 PM UTC
My Dog
Love is a rich tapestry. New love is a beautiful gift, created boldly, a work of art. Multi -coloured skeins of thread, driven through the fabric, with such force, such urgency. Feeble thread nurtured, making cloth of strength, as true love's support. Combined to make treasures to be cherished. Straight from the loom, as samplers so charming, repeating memories as heirlooms, in otherwise silent royal rooms. Those colours, they change, when bright and new glowing. Still vibrating in silent feeling. A nuance noted with tenderness, as lovers become companions, as two lives combine in unison. The tints may fade, but the fabric will therein reside. (c) Livvi
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Mar 25, 2014
Mar 25, 2014 at 4:08 PM UTC
Fabric
Well, memories, hemorrhages well up from the sticky hole. One time, I fell and hit my head three times, three places, once in each: the cabinet, the sink, the bathtub. Practice being me by proxy. Out of my head. Out my head. Tangible damages, incorporeal skeins. Mess? Wreck. Heck, This time, I stood and cracked my skull on the cabinet: Clarity? Is that you? Practiced being me by proxy, so so long. Practiced being me by proxy. Practiced being me by proxy, so so long. Practiced being me by proxy. Clarity? Or is this an actual hemorrhage? Well, Memory, my sticky hole is filling up where the water was ****** by the ground.
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Sep 20, 2018
Sep 20, 2018 at 4:49 PM UTC
Practice by Proxy
drifting through mist scouring the sand looking for shells, pebbles twisted driftwood ancient treasures clutched in hand skeins of seaweed splayed on the beach foaming white lace i dance out of reach
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Jul 2, 2014
Jul 2, 2014 at 8:40 PM UTC
TAKING HOME THE BEACH
Life can be a tango, a rumba, a waltz Meticulously choreographed to display all of our faults Also too, our perfect lines do shine Straight through the cosmos, into the divine Steps sweep lightly, ethereal and grand A new beat, branched path,where sure feet land I've heard many a rhythm, carried many a tune Yet none so melodic as the one played by you Our moves are cohesive, playful and smooth Dipping down into love, feeling this groove You taught and I learned,many new things The simplest has no clue of the comfort it brings We are not the steps that we take We are the music we make We are not the fabric between seams We are bolts upon bolts, skeins upon skeins
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Sep 22, 2014
Sep 22, 2014 at 9:41 AM UTC
Just Dance
Shiny bricks and skeins of yellow grass Barely perceptible colours Hung with liquid haze Dog **** and thunder Heavy close and thick Miasma Clings to sweat Running with drizzle Clings to damp Drowning the pores of the skin Making collars clinging sticky Rubbing and abrasive In view of the towering flats The greyly awaiting wait Standing at the bus stop Speaking quiet weather talk In the distantly English way So safely meaningless This polite evasion Ignores their damp dilemma Soon, as they sit inside the bus These bodies shall steam Like cattle in a byre Kids hang around the shops Emptying and kicking cans The younger ones Run and shout manically Their elders spit And swear casually All hoods and shadows Asking adults to buy them lager Because they can't get served at the "offie" Rain changes nothing here A bedroom guitar plays Weakly electric And the Turneresque sky Swallows the sound whole and flat Sophisticated trash Crying into a cloudy breast Shaded darkly round Full and swollen Grey and sodden The distant rumbling Tumbling closer to home By Phil Roberts
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Jun 12, 2016
Jun 12, 2016 at 4:01 AM UTC
HEAVY WEATHER ON THE FAMILY ESTATE
Shiny bricks and skeins of yellow grass Barely perceptible colours Hung with liquid haze Dog **** and thunder Heavy close and thick Miasma Clings to sweat Running with drizzle Clings to damp Drowning the pores of the skin Making collars clinging sticky Rubbing and abrasive In view of the towering flats The greyly awaiting wait Standing at the bus stop Speaking quiet weather talk In the distantly English way So safely meaningless This polite evasion Ignores their damp dilemma Soon, as they sit inside the bus These bodies shall steam Like cattle in a byre Kids hang around the shops Emptying and kicking cans The younger ones Run and shout manically Their elders spit And swear casually All hoods and shadows Asking adults to buy them lager Because they can't get served at the "offie" Rain changes nothing here A bedroom guitar plays Weakly electric And the Turneresque sky Swallows the sound whole and flat Sophisticated trash Crying into a cloudy breast Shaded darkly round Full and swollen Grey and sodden The distant rumbling Tumbling closer to home By Phil Roberts
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Feb 15, 2016
Feb 15, 2016 at 5:09 AM UTC
HEAVY WEATHER ON THE FAMILY ESTATE