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"seminal" poems
She is equipped with sensitive ******* and those other secret places that ladies give out as prizes to deserving guys as long as they adopt the right disguises of gods, gurus, intellectual giants, goats, children, father figures, macho brutes, sugar-daddies, supermen, seminal vessels, house-repairers, jar openers, jocks, hate objects, handy shoulders to cry on, emotional support systems, sensitive, intuitive, yet strong silent types who can also pay the bills, tall dark and handsome total strangers, toy boys, clowns, jugglers, jokers, millionaires, wood choppers, ******* removers, bottomless reservoirs of reassurance or just plain spunky studs when the moon is right. In fact, anything but woffly wimps. Oh God, no.  Anything but woffly wimps. Yes, but what about stoic, steadfast SNAGS, you know, the Sensitive New Age Guys who won’t face-shift for a **** Yes, well, let's try to sum all this up here right now. I think that the woman is dripping with a brimming reservoir of luscious and sensitive resources on tap for   the man who can figure out her cosmic kaleidoscope   of swirling dreams and desires, which is definitely not to say she can’t be totally independent. Although please don't be confused. Friendly boy-next-door types who are handsome, aren't too hairy, who like to laugh, who have a boyish braggadocio, who are students, who appear to be intellectuals, who are not nerds, and who can **** it in the kitchen, who  can be oh, so cool, who can convince a maiden that she is in distress, and is in need of rescuing, while he has a swaggering hard-on will do, too. Oooh. You devil. And if you think this poem is misogynist, misanthropic or myopic, well, I’ve been around and by now, well, I really should be panoptic because I’ve seen all the fads, and really, it’s sadly too bad about those poor old earnest SNAGS. But you know what? I don't think I understand anything, because I'm really a victim of worshiping women. I'm bedazzled and as blind as the next man, and yes, I'm just happy whenever I'm with them.
0
Jan 28, 2013
Jan 28, 2013 at 8:28 PM UTC
The Woman
She is equipped with sensitive ******* and those other secret places that ladies give out as prizes to deserving guys as long as they adopt the right disguises of gods, gurus, intellectual giants, goats, children, father figures, macho brutes, sugar-daddies, supermen, seminal vessels, house-repairers, jar openers, jocks, hate objects, handy shoulders to cry on, emotional support systems, sensitive, intuitive, yet strong silent types who can also pay the bills, tall dark and handsome total strangers, toy boys, clowns, jugglers, jokers, millionaires, wood choppers, ******* removers, bottomless reservoirs of reassurance or just plain spunky studs when the moon is right. In fact, anything but woffly wimps. Oh God, no.  Anything but woffly wimps. Yes, but what about stoic, steadfast SNAGS, you know, the Sensitive New Age Guys who won’t face-shift for a **** Yes, well, let's try to sum all this up here right now. I think that the woman is dripping with a brimming reservoir of luscious and sensitive resources on tap for   the man who can figure out her cosmic kaleidoscope   of swirling dreams and desires, which is definitely not to say she can’t be totally independent. Although please don't be confused. Friendly boy-next-door types who are handsome, aren't too hairy, who like to laugh, who have a boyish braggadocio, who are students, who appear to be intellectuals, who are not nerds, and who can **** it in the kitchen, who  can be oh, so cool, who can convince a maiden that she is in distress, and is in need of rescuing, while he has a swaggering hard-on will do, too. Oooh. You devil. And if you think this poem is misogynist, misanthropic or myopic, well, I’ve been around and by now, well, I really should be panoptic because I’ve seen all the fads, and really, it’s sadly too bad about those poor old earnest SNAGS. But you know what? I don't think I understand anything, because I'm really a victim of worshiping women. I'm bedazzled and as blind as the next man, and yes, I'm just happy whenever I'm with them.
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52
there’s a network of vigilance around the guarded causeway of walla walla the stacked cinders and smoking rails leave nothing but black hooded fate gray halls and razor scrawls mark the hellion crust abandoned overtures and dead fill cloud the horror and retribution of this hell hole bloaters and skin heads (with wretched memoirs) shout incessantly from the second floor adolphus greely reading over the rights of nantucket and banging his head on the bent steel bars with pockets pinched and tumblers dangling the stone walls soften... a seminal moment crosses the roo house as mother mary and the good painted warrior loosen a finely tuned grip
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Sep 18, 2018
Sep 18, 2018 at 2:04 PM UTC
Network of Vigilance
From white canvass, a blank ledger of potent expectation, awaiting form and function. The artist invokes shade and light. The seminal swirl of her brush signals simple hue, discrete structures. Then flesh strokes imbue sanguine blush of satin seams and outstretched limbs; spring greens and rampant peaks, reaching high into gossamer nimbus. Calm swells, abundant bosoms, beckoning fields of luxuriant temptation. From an eternal cool, the (all too) temporary warmth of her embrace lies just beyond: enticing, luring, teasing into torrid desire. From whence, the dream unfolds...
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Jul 30, 2017
Jul 30, 2017 at 7:54 PM UTC
Flesh Strokes
Angelic minds, they say, by simple intelligence Behold the Forms of nature. They discern Unerringly the Archtypes, all the verities Which mortals lack or indirectly learn. Transparent in primordial truth, unvarying, Pure Earthness and right Stonehood from their clear, High eminence are seen; unveiled, the seminal Huge Principles appear. The Tree-ness of the tree they know-the meaning of Arboreal life, how from earth's salty lap The solar beam uplifts it; all the holiness Enacted by leaves' fall and rising sap; But never an angel knows the knife-edged severance Of sun from shadow where the trees begin, The blessed cool at every pore caressing us -An angel has no skin. They see the Form of Air; but mortals breathing it Drink the whole summer down into the breast. The lavish pinks, the field new-mown, the ravishing Sea-smells, the wood-fire smoke that whispers Rest. The tremor on the rippled pool of memory That from each smell in widening circles goes, The pleasure and the pang --can angels measure it? An angel has no nose. The nourishing of life, and how it flourishes On death, and why, they utterly know; but not The hill-born, earthy spring, the dark cold bilberries. The ripe peach from the southern wall still hot Full-bellied tankards foamy-topped, the delicate Half-lyric lamb, a new loaf's billowy curves, Nor porridge, nor the tingling taste of oranges. —An angel has no nerves. Far richer they! I know the senses' witchery Guards us like air, from heavens too big to see; Imminent death to man that barb'd sublimity And dazzling edge of beauty unsheathed would be. Yet here, within this tiny, charmed interior, This parlour of the brain, their Maker shares With living men some secrets in a privacy Forever ours, not theirs.
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6.3k
On Being Human
Angelic minds, they say, by simple intelligence Behold the Forms of nature. They discern Unerringly the Archtypes, all the verities Which mortals lack or indirectly learn. Transparent in primordial truth, unvarying, Pure Earthness and right Stonehood from their clear, High eminence are seen; unveiled, the seminal Huge Principles appear. The Tree-ness of the tree they know-the meaning of Arboreal life, how from earth's salty lap The solar beam uplifts it; all the holiness Enacted by leaves' fall and rising sap; But never an angel knows the knife-edged severance Of sun from shadow where the trees begin, The blessed cool at every pore caressing us -An angel has no skin. They see the Form of Air; but mortals breathing it Drink the whole summer down into the breast. The lavish pinks, the field new-mown, the ravishing Sea-smells, the wood-fire smoke that whispers Rest. The tremor on the rippled pool of memory That from each smell in widening circles goes, The pleasure and the pang --can angels measure it? An angel has no nose. The nourishing of life, and how it flourishes On death, and why, they utterly know; but not The hill-born, earthy spring, the dark cold bilberries. The ripe peach from the southern wall still hot Full-bellied tankards foamy-topped, the delicate Half-lyric lamb, a new loaf's billowy curves, Nor porridge, nor the tingling taste of oranges. —An angel has no nerves. Far richer they! I know the senses' witchery Guards us like air, from heavens too big to see; Imminent death to man that barb'd sublimity And dazzling edge of beauty unsheathed would be. Yet here, within this tiny, charmed interior, This parlour of the brain, their Maker shares With living men some secrets in a privacy Forever ours, not theirs.
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40
The Destroyer of the division machine1 Had first to run on the Way of the Cross To have souls over the long lived ruin. Robben, Pollsmoor and Victor2 caused no loss In the Staff Heritage of the Thembu3 Rulers, forever loved by their people, From whom was learnt right fight ain’t to taboo. Good farmers’ teeth run right through the apple; Likely after the Hard Walk to Freedom4 The Son of Gadla and Nosekeni5, When his Soul flies up to the Lord’s Kingdom, Glass will keep his body, and not any Stain will sully the Star of the Nation Whose Light will shine for each generation. 1. The division machine: The Apartheid. 2. Robben, Pollsmoor and Victor: During twenty seven years Mandela was successively jailed at Robben Island, Pollsmoor and Victor Verster prisons. 3. Thembu: The tribe over which ruled Mandela’s ancestors. 4. Hard Walk to Freedom: In September 1953, Andrew Kunene, a co-militant of his, read out Mandela's "No Easy Walk to Freedom" speech at a Transvaal ANC meeting; the title was taken from a quote by Indian independence leader Jawaharlal Nehru, a seminal influence on Mandela's thought. The speech laid out a contingency plan for a scenario in which the ANC was banned. 5. Gadla (Henry Mphakanyiswa): Mandela’s father; Nosekeni ***** His mother.                                                                   Boniface
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Jun 27, 2013
Jun 27, 2013 at 8:33 AM UTC
Preliminary epitaph on Mandela
~ *Lost inside a labyrinth Tight-lipped tinkerer open-mouthed cynosure Pressing matters completing their circuit all things said, but not spoken Osculated locution, succinct phrasing released, but not heard The human element imparting seminal spark —together felt and touched A tingling syntax owing to its art becoming its nucleus* ~
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Jun 3, 2021
Jun 3, 2021 at 4:10 PM UTC
A Kiss is a Conversation
Prescient, her essence Casts a demure persuasion,                 Endowed with verve and vision; Concept to consummation, The serenely possessed, Creator, originator, Allusion to the eternal azure, Logos of abstraction, Word and image collision. Tonal palette of faith infused reason Beauty and sublimity, Serve to season Verse, canvas and film, Mediating aesthetic, seminal senses blossom, Lyrical each permutation, Seeds of vibrant chroma diffusing the mystical. Visage and hair,  her figure haunted With perfection - a work of Art Nurtured and lived invocation, The canon of taste; Crystal for the ***** Devotional fragrance , Holistic ethos, melodic invention, Animated, pure - The embodiment of redemption. Transcending form, parenthetically   (Merely) the decorative,   Allure, artistry and symmetry Superlative complexity, Her erudition satiates, supplanting Winds of constructive banality. Purveyor of an uncommon savor, She collaborates in the peculiar Pursuit and reward, Encounter  with depth, explored, Human and divine, prosaic meets sublime Igniting within an Eros Passion for truth, being and Telos. Visionary of grace and peace Transforming our earthbound dissonance; Our caprice, Hope and abundance, the myth of scarcity, She narrates the Good. Pen, lens, color and stage Vulnerable, unrepressed, effusive Romantic articulation, The reservoir deep, Innately primed conduit of Love. Beyond plebeian, cosmetic, the trite Woman of substance, pulchritude And delight. Effervescent - her smile exquisite, Eclipsing suffering, Wordless expression, understood language. I am transported, my imagination replete, Sonya Rose - Art personified; unabridged, complete. ©2008 & 2013 W.S . Warner
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Mar 28, 2013
Mar 28, 2013 at 12:28 PM UTC
Sonya Rose
Prescient, her essence Casts a demure persuasion,                 Endowed with verve and vision; Concept to consummation, The serenely possessed, Creator, originator, Allusion to the eternal azure, Logos of abstraction, Word and image collision. Tonal palette of faith infused reason Beauty and sublimity, Serve to season Verse, canvas and film, Mediating aesthetic, seminal senses blossom, Lyrical each permutation, Seeds of vibrant chroma diffusing the mystical. Visage and hair,  her figure haunted With perfection - a work of Art Nurtured and lived invocation, The canon of taste; Crystal for the ***** Devotional fragrance , Holistic ethos, melodic invention, Animated, pure - The embodiment of redemption. Transcending form, parenthetically   (Merely) the decorative,   Allure, artistry and symmetry Superlative complexity, Her erudition satiates, supplanting Winds of constructive banality. Purveyor of an uncommon savor, She collaborates in the peculiar Pursuit and reward, Encounter  with depth, explored, Human and divine, prosaic meets sublime Igniting within an Eros Passion for truth, being and Telos. Visionary of grace and peace Transforming our earthbound dissonance; Our caprice, Hope and abundance, the myth of scarcity, She narrates the Good. Pen, lens, color and stage Vulnerable, unrepressed, effusive Romantic articulation, The reservoir deep, Innately primed conduit of Love. Beyond plebeian, cosmetic, the trite Woman of substance, pulchritude And delight. Effervescent - her smile exquisite, Eclipsing suffering, Wordless expression, understood language. I am transported, my imagination replete, Sonya Rose - Art personified; unabridged, complete. ©2008 & 2013 W.S . Warner
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58
no emotionally ecstatic experience compares to the seminal instance whence spermatozoa (from profuse *********** beget the miraculous propensity to procreate despite the steep odds female fertility fosters potential impregnation fusing the hereditary debt of feral, fiery, fomenting friskiness fueling fancy free footloose fornication prior to seminal fertilization union sans ova doth induce fret full ness in tandem with diametrically opposed exultant sensations (biologically, embryonically, microscopically, et cetera) seismic shocks inject when deliberate intent arises to disregard applying prophylactics choice plying reproductive roulette let which analogous fruitful uterine plain bastes the "cooking" egg omelette which impregnation upends cessation of "self" first and foremost asper desire to breed wrenching role of "me" as operative of webbed world de jure upon consummating that most miraculous deed necessitating yet for the fecund female relief from messy menstrual cycle she becomes temporarily freed that perhaps a novitiate (or even a gal practiced in the euphoric family, she instinctually abides prenatal signals that heed without feeling debased, harangued, lectured pedagogical, polemical, puritanical, et cetera blast assessing copulation enjoyed gloriously, ineluctably, kinesthetically lectured by elder, especially cast in thee reel life drama, that nine months til offspring utters initial whimper elapses exceptionally fast emitting a radiant golden halo wishing to bottle confluence of hormonal secretions last ideally fully awake to the birthing process, when juiced the first stage of maternity past cuz every moment thee inconsolably (perhaps colicky infant) gets first dibs to suckle, which round the clock nursing consumes moments many vast.
0
Apr 17, 2018
Apr 17, 2018 at 11:04 PM UTC
aye miss the trials and tribulations of expectant fatherhood
no emotionally ecstatic experience compares to the seminal instance whence spermatozoa (from profuse *********** beget the miraculous propensity to procreate despite the steep odds female fertility fosters potential impregnation fusing the hereditary debt of feral, fiery, fomenting friskiness fueling fancy free footloose fornication prior to seminal fertilization union sans ova doth induce fret full ness in tandem with diametrically opposed exultant sensations (biologically, embryonically, microscopically, et cetera) seismic shocks inject when deliberate intent arises to disregard applying prophylactics choice plying reproductive roulette let which analogous fruitful uterine plain bastes the "cooking" egg omelette which impregnation upends cessation of "self" first and foremost asper desire to breed wrenching role of "me" as operative of webbed world de jure upon consummating that most miraculous deed necessitating yet for the fecund female relief from messy menstrual cycle she becomes temporarily freed that perhaps a novitiate (or even a gal practiced in the euphoric family, she instinctually abides prenatal signals that heed without feeling debased, harangued, lectured pedagogical, polemical, puritanical, et cetera blast assessing copulation enjoyed gloriously, ineluctably, kinesthetically lectured by elder, especially cast in thee reel life drama, that nine months til offspring utters initial whimper elapses exceptionally fast emitting a radiant golden halo wishing to bottle confluence of hormonal secretions last ideally fully awake to the birthing process, when juiced the first stage of maternity past cuz every moment thee inconsolably (perhaps colicky infant) gets first dibs to suckle, which round the clock nursing consumes moments many vast.
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49
.                                                           6mg Fat                              11mg Carbs                            150 mg Protein                             7% of  US RDA                             Potassium and                              3%   US   RDA                              zinc and   cop                              per.  It is both                              Pre ven tative                              and fights can                              cer. Particular                              ly. breast can                          cer.  Only 20 calories   .                       per    serving!      ingestion of                seminal    pla       sma          is                   called *****      ophagia
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Oct 10, 2014
Oct 10, 2014 at 12:33 PM UTC
Guilt Free
*see me fly close to the sun watch my feathers trail and hopes plummet all round the air falling through the sky*    evening pond.. cranes' beaks probe last of daylight melts in rosemary-blue lunar-moult occurs once fins have fill of lacrymal-oceans pedestal left behind when raiment-sown into the slow-weave tapestry of awakening sweeping over this landscape with seminal-flow changing forever its inside-face hear the unsignalled-whispers of the moon-child it all lies in that feathered-hope squiggle.. squiggle.. this message portent on the palm of your sentry-pod rustic purple on wheat-coloured earth green-eyes smite the clouds its freedom moving.. ever-moving.. then dissipate into brilliant air temporarily changing the sky's face as the sun's eyelashes slowly meet crawling onward on the surface of never edging slowly to the sides now..veering wait to fall.. can't ignore the ever-giving spores lithe stems in a trance-like dance yes, there is beauty in this non-stop dispersing of that which asks nothing in return *somewhere there must still be a massive glitch in the time-score* st - 9 oct
0
Oct 8, 2013
Oct 8, 2013 at 7:52 PM UTC
glitch
I guess we were bored, Or looking for something new. And there was a party coming up. Someone's hosting debut. So we thought we'd ask around, See what else was to do. And our **** dealer told us He sold other things too. He nicknamed it dizz, And it sounded quite fun. So we talked all about it, Decided to get some. We all pitched in, Asked for five or ten pounds. And went and collected it; Tin foil bound. Accompanying us Was a sober mate. He said it would be fun To watch and spectate. So we unwrapped it, Crushed it, Poured it, And drank it. The taste was disgusting, Of abstract chemicals. But we swallowed it down, A moment; seminal. They said twenty minutes, So we sat and waited. Our hearts were pumping Way before eight. And we went downstairs, Sat on a sofa, Biding our time, Sipping on cola... And there. What was that. A feeling. It entered the chat. Some warmth, No stress. And then a Very deep breath Of fresh air And emotion. Like emerging from the bottom Of a very deep ocean You had been down for years. Reggae was playing At very high volume. And none wanted staying Where we were. So we got up keen, And started dancing. One even went on the wet trampoline And bounced Up, down, Up, down, Could've gone till sundown. And the sky was gorgeous; Metallic, steel blue Mixed with orange and yellow. It was quite the view. But time was Moving on, So we packed up, And were almost gone Before keys jangled, And the door swung open. A parent walked in, And caused a commotion Of boys rushing out, Mumbling words and plans. We left quite abruptly, And sprinted and ran. Once round the corner, We couldn't care less. Nonchalant as usual, We enjoyed the success. And we walked and talked About pure, utter, ***** The iPhone X, some girls, And the absolute banger that would be tonight. So we strolled around, The sun on our faces, Feeling elated. Going some places.
0
Aug 21, 2018
Aug 21, 2018 at 7:01 PM UTC
Euphoria Salts
I guess we were bored, Or looking for something new. And there was a party coming up. Someone's hosting debut. So we thought we'd ask around, See what else was to do. And our **** dealer told us He sold other things too. He nicknamed it dizz, And it sounded quite fun. So we talked all about it, Decided to get some. We all pitched in, Asked for five or ten pounds. And went and collected it; Tin foil bound. Accompanying us Was a sober mate. He said it would be fun To watch and spectate. So we unwrapped it, Crushed it, Poured it, And drank it. The taste was disgusting, Of abstract chemicals. But we swallowed it down, A moment; seminal. They said twenty minutes, So we sat and waited. Our hearts were pumping Way before eight. And we went downstairs, Sat on a sofa, Biding our time, Sipping on cola... And there. What was that. A feeling. It entered the chat. Some warmth, No stress. And then a Very deep breath Of fresh air And emotion. Like emerging from the bottom Of a very deep ocean You had been down for years. Reggae was playing At very high volume. And none wanted staying Where we were. So we got up keen, And started dancing. One even went on the wet trampoline And bounced Up, down, Up, down, Could've gone till sundown. And the sky was gorgeous; Metallic, steel blue Mixed with orange and yellow. It was quite the view. But time was Moving on, So we packed up, And were almost gone Before keys jangled, And the door swung open. A parent walked in, And caused a commotion Of boys rushing out, Mumbling words and plans. We left quite abruptly, And sprinted and ran. Once round the corner, We couldn't care less. Nonchalant as usual, We enjoyed the success. And we walked and talked About pure, utter, ***** The iPhone X, some girls, And the absolute banger that would be tonight. So we strolled around, The sun on our faces, Feeling elated. Going some places.
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88
Naught the mages Elm yellows plough feigning eternities dream of man; the cradle of time the realm of night, Scathing Hekates piacular restitution heralded papally upon Seven Hills cradling  Hades tau cross-roads; Eliciting with the iron seminal sickle, gifting the servants of the servants of God and slaves of slaves alike; dismembering the boughs of war- elsewhere, Building broken bridges Carving the lullabies of humanity grafting a sprig of Yggdrasil. ELEETE J MUIR
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Feb 15, 2014
Feb 15, 2014 at 7:26 AM UTC
Crematory Conveyance.
With Muse filled; Seminal words are on the parchment spilled.
0
Jun 3, 2014
Jun 3, 2014 at 1:59 PM UTC
Poet ******** (10w)
.you want to relearn the schoolyard? are you sure you want to relearn the schoolyard?! sure... we can relearn the schoolyard...  i have a theory though, and it goes along the lines of... you know those pedophile(s)? i have a theory... they're not exactly into smoking, or drinking... like... their female counterpart... i actually think women are afraid of young boys... for what young boys are, per se... well, given Muhammad, hyper-inflated interest in literacy... that covers the whole: illiterate prior, married to an older woman, not drinking, not smoking?! so what's your outlet?! to be an object of what... "subjects"... or to be a "subject" of what... objectifies... case in point, the nuance is interchangeable in the metaphor quadratic of wording... and no... not really... i find it hardly necessary to concern myself with making the sort if accuracy to give a metric unit basis of a centi-, or otherwise, etc. it's sheryl crow for fuck's sake... it's not            katty perry... that debut: was... pristine.. seminal... sure... my feet stink... what? what's wrong with Cheryl Crow?! you better be ******* with me for serious, otherwise i switch to: unhinged... a change? ***** won a ******* grammy! sure... she married a glorious child of the two pedals...    who faked Paris having faked a tourism ploy of France... it's still Sheryl Crow though! a trucker's daydream of perfect head, incubated by a mouth of an 18 year old boy... no... i like Alanis... when... whatever that was that came from a woman's mouth was... deemed, fun... now?        n'ah... not really. all i really want... that sort of **** was fun... now? i'm becoming more and more bemused by the fragrance of my socks, worn, second day to count thoroughly...               hand in my pocket... right through you... so... BIG daddy gonna come around to save this teenage girl's cherry *** the kind of daddy that could never have a beer with me? like i'm feeling that: while using my right hands when typing feels like i'm using my left hand, and vice versa?! no! i'm not having it! Cheryl Crow... &... Chrissie Hynde!             no... don't give me the ******* zig-zag argument suggesting i'm about to see something "better", via an X, cross-eyed... blurry, like some reverse Freudian fetish off Ariel, the mermaid, blurry, under the water... Disney princesses my *** head over feet... now... that's a song.
0
Oct 11, 2018
Oct 11, 2018 at 8:55 PM UTC
**** Alanis Morrissette!
.you want to relearn the schoolyard? are you sure you want to relearn the schoolyard?! sure... we can relearn the schoolyard...  i have a theory though, and it goes along the lines of... you know those pedophile(s)? i have a theory... they're not exactly into smoking, or drinking... like... their female counterpart... i actually think women are afraid of young boys... for what young boys are, per se... well, given Muhammad, hyper-inflated interest in literacy... that covers the whole: illiterate prior, married to an older woman, not drinking, not smoking?! so what's your outlet?! to be an object of what... "subjects"... or to be a "subject" of what... objectifies... case in point, the nuance is interchangeable in the metaphor quadratic of wording... and no... not really... i find it hardly necessary to concern myself with making the sort if accuracy to give a metric unit basis of a centi-, or otherwise, etc. it's sheryl crow for fuck's sake... it's not            katty perry... that debut: was... pristine.. seminal... sure... my feet stink... what? what's wrong with Cheryl Crow?! you better be ******* with me for serious, otherwise i switch to: unhinged... a change? ***** won a ******* grammy! sure... she married a glorious child of the two pedals...    who faked Paris having faked a tourism ploy of France... it's still Sheryl Crow though! a trucker's daydream of perfect head, incubated by a mouth of an 18 year old boy... no... i like Alanis... when... whatever that was that came from a woman's mouth was... deemed, fun... now?        n'ah... not really. all i really want... that sort of **** was fun... now? i'm becoming more and more bemused by the fragrance of my socks, worn, second day to count thoroughly...               hand in my pocket... right through you... so... BIG daddy gonna come around to save this teenage girl's cherry *** the kind of daddy that could never have a beer with me? like i'm feeling that: while using my right hands when typing feels like i'm using my left hand, and vice versa?! no! i'm not having it! Cheryl Crow... &... Chrissie Hynde!             no... don't give me the ******* zig-zag argument suggesting i'm about to see something "better", via an X, cross-eyed... blurry, like some reverse Freudian fetish off Ariel, the mermaid, blurry, under the water... Disney princesses my *** head over feet... now... that's a song.
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62
I came to you because I thought you would save me. You laughed over the John Hughes quote That now is a seminal classic But I’m not sure because I don’t believe in it Because I’ve never known it or maybe it’s just you I don’t believe in. I didn't have enough energy to actually make an effort to laugh and pretend I was having a good time. I would rather sink into you, slowly, like I would ((in a shipwreck or)) in oversized couch cushions. and be usurped by ((cold water that wakes you up)) musty fabric when it swallows us whole and we sink to the bottom. I'd only feel your long arms around me and nothing else I’d rather strip for you Not to be naked but to take my layers off. [You bore me, You shaped me, You taught me] And then I’d try to not love you so that I could fall into you once more. let the  overwhelming overwhelm me (again) until I forget the ongoing drama of the heart and the heart (a purposely neverending story) [There are no words with which to describe thee: My darling my love I need you beside me.] we quote our favorite title page to our favorite epilogue. An absurd story about love and blowing things up Because really, (like hospitals and prisons) it’s the same thing. what does this night mean in the greater consequence of our lives? Nothing. I’m okay with that. I’m just saying that. [?] Opportunity and random occurrence are just a farce That we use to pretend fate doesn’t exist; (it doesn’t, does it?) Everything that matters seems too big to be real. but I lived long before this, and I will exist ever after one day I will achieve greatness you will be forced to know me then Since you won’t nor never will now.
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Oct 14, 2012
Oct 14, 2012 at 4:53 PM UTC
I ignored every warning sign and came to you anyways.
I came to you because I thought you would save me. You laughed over the John Hughes quote That now is a seminal classic But I’m not sure because I don’t believe in it Because I’ve never known it or maybe it’s just you I don’t believe in. I didn't have enough energy to actually make an effort to laugh and pretend I was having a good time. I would rather sink into you, slowly, like I would ((in a shipwreck or)) in oversized couch cushions. and be usurped by ((cold water that wakes you up)) musty fabric when it swallows us whole and we sink to the bottom. I'd only feel your long arms around me and nothing else I’d rather strip for you Not to be naked but to take my layers off. [You bore me, You shaped me, You taught me] And then I’d try to not love you so that I could fall into you once more. let the  overwhelming overwhelm me (again) until I forget the ongoing drama of the heart and the heart (a purposely neverending story) [There are no words with which to describe thee: My darling my love I need you beside me.] we quote our favorite title page to our favorite epilogue. An absurd story about love and blowing things up Because really, (like hospitals and prisons) it’s the same thing. what does this night mean in the greater consequence of our lives? Nothing. I’m okay with that. I’m just saying that. [?] Opportunity and random occurrence are just a farce That we use to pretend fate doesn’t exist; (it doesn’t, does it?) Everything that matters seems too big to be real. but I lived long before this, and I will exist ever after one day I will achieve greatness you will be forced to know me then Since you won’t nor never will now.
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39
don't mention the pain what service would that gain? a simple cheesecake to share to see if this goes anywhere over the mountain, over the hill back to the animals on the window sill which leads me to here in which she's sitting there and she's fully aware, without a care and this table top seems so vastly beyond compare to any I've seen before through mind's open door be it fiction or folklore that delivers these visions of her form and ****** contour, direct to my head now beside her in bed, where days I have rested a change in the weather, in flocks and in feathers high tide in the seminal waters of the heart subsiding with tall tales of false starts but the rise rolls on again as it has through thick & through thin, a quivering theremin and so we begin, the song, the story, the count in to counterfeit original sin (you know what happened last time)
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Feb 14, 2012
Feb 14, 2012 at 7:19 PM UTC
(a transcription of a dessert poem, finished at home)
no emotionally ecstatic experience compares to the seminal instance whence spermatozoa (from profuse *********** beget the miraculous propensity to procreate despite the steep odds female fertility fosters potential impregnation fusing the hereditary debt of feral, fiery, fomenting friskiness fueling fancy free footloose fornication prior to seminal fertilization union sans ova doth induce fret full ness in tandem with diametrically opposed exultant sensations (biologically, embryonically, microscopically, et cetera) seismic shocks inject when deliberate intent arises to disregard applying prophylactics choice plying reproductive roulette let which analogous fruitful uterine plain bastes the "cooking" egg omelette which impregnation upends cessation of "self" first and foremost asper desire to breed wrenching role of "me" as operative of webbed world de jure upon consummating that most miraculous deed necessitating yet for the fecund female relief from messy menstrual cycle she becomes temporarily freed that perhaps a novitiate (or even a gal practiced in the euphoric family, she instinctually abides prenatal signals that heed without feeling debased, harangued, lectured pedagogical, polemical, puritanical, et cetera blast assessing copulation enjoyed gloriously, ineluctably, kinesthetically lectured by elder, especially cast in thee reel life drama, that nine months til offspring utters initial whimper elapses exceptionally fast emitting a radiant golden halo wishing to bottle confluence of hormonal secretions last ideally fully awake to the birthing process, when juiced the first stage of maternity past cuz every moment thee inconsolably (perhaps colicky infant) gets first dibs to suckle, which round the clock nursing consumes moments many vast.
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Feb 11, 2018
Feb 11, 2018 at 1:11 AM UTC
aye miss the trials and tribulations of expectant fatherhood
no emotionally ecstatic experience compares to the seminal instance whence spermatozoa (from profuse *********** beget the miraculous propensity to procreate despite the steep odds female fertility fosters potential impregnation fusing the hereditary debt of feral, fiery, fomenting friskiness fueling fancy free footloose fornication prior to seminal fertilization union sans ova doth induce fret full ness in tandem with diametrically opposed exultant sensations (biologically, embryonically, microscopically, et cetera) seismic shocks inject when deliberate intent arises to disregard applying prophylactics choice plying reproductive roulette let which analogous fruitful uterine plain bastes the "cooking" egg omelette which impregnation upends cessation of "self" first and foremost asper desire to breed wrenching role of "me" as operative of webbed world de jure upon consummating that most miraculous deed necessitating yet for the fecund female relief from messy menstrual cycle she becomes temporarily freed that perhaps a novitiate (or even a gal practiced in the euphoric family, she instinctually abides prenatal signals that heed without feeling debased, harangued, lectured pedagogical, polemical, puritanical, et cetera blast assessing copulation enjoyed gloriously, ineluctably, kinesthetically lectured by elder, especially cast in thee reel life drama, that nine months til offspring utters initial whimper elapses exceptionally fast emitting a radiant golden halo wishing to bottle confluence of hormonal secretions last ideally fully awake to the birthing process, when juiced the first stage of maternity past cuz every moment thee inconsolably (perhaps colicky infant) gets first dibs to suckle, which round the clock nursing consumes moments many vast.
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49
leaving the theatre, he tapped, twice, the hood of a parked police car, lifted lipstick from a drunken woman’s purse and squared himself in a store window before shooting himself with his hand. his first film, completed, by the time he was eighteen. roundly praised. from there, a many colored thing. russian women, guns under suits, and cameos of indians with indian names. at twenty three, nostalgic for twenty one, his seminal ‘my white father’ wherein a mute albino would be upstaged by mimes. further brilliance followed. mostly in quotes, such as “babies are full of grief”. women ate from his hand and their eating progressed. one woman in particular became trapped in a man’s body and he married her. a child they tried not to have soon arrived and brought with it a list of demands from the others. the woman divorced him and took with her the man. in the midst of attending to the list came the advent of black and white which added a much needed plot to his smoking. his peers double crossed each other in small houses. he himself was able to get away with punching a young girl for the right to drag a sled. his child began to accept talking toys in exchange for keeping quiet. in 1973, his doctors, grey from vietnam, convinced him to go under. his last film was silent, and many complained about the lighting. he cried, in his mansion, for the windows he did not put in. he would not often entertain tourists but when he did they asked about his mother, her ghost, and if the east wing was really haunted. he would on those late nights produce a letter his mother had sent him only yesterday. he was in love with his sister, always had been. after she was mauled by the dogs he had set out for his father, he made walking his home. every now and then a hotel of running. last year, he caught a movie one had made of his life and though he missed the dedication he did not the death row scene, the little saw his mother used for the cake, the mysterious basket moved from bike to bike.
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Jul 7, 2012
Jul 7, 2012 at 12:14 PM UTC
the director
leaving the theatre, he tapped, twice, the hood of a parked police car, lifted lipstick from a drunken woman’s purse and squared himself in a store window before shooting himself with his hand. his first film, completed, by the time he was eighteen. roundly praised. from there, a many colored thing. russian women, guns under suits, and cameos of indians with indian names. at twenty three, nostalgic for twenty one, his seminal ‘my white father’ wherein a mute albino would be upstaged by mimes. further brilliance followed. mostly in quotes, such as “babies are full of grief”. women ate from his hand and their eating progressed. one woman in particular became trapped in a man’s body and he married her. a child they tried not to have soon arrived and brought with it a list of demands from the others. the woman divorced him and took with her the man. in the midst of attending to the list came the advent of black and white which added a much needed plot to his smoking. his peers double crossed each other in small houses. he himself was able to get away with punching a young girl for the right to drag a sled. his child began to accept talking toys in exchange for keeping quiet. in 1973, his doctors, grey from vietnam, convinced him to go under. his last film was silent, and many complained about the lighting. he cried, in his mansion, for the windows he did not put in. he would not often entertain tourists but when he did they asked about his mother, her ghost, and if the east wing was really haunted. he would on those late nights produce a letter his mother had sent him only yesterday. he was in love with his sister, always had been. after she was mauled by the dogs he had set out for his father, he made walking his home. every now and then a hotel of running. last year, he caught a movie one had made of his life and though he missed the dedication he did not the death row scene, the little saw his mother used for the cake, the mysterious basket moved from bike to bike.
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4
Analog kisses. You'll soon be my Mrs. In a digital mission, you're sculpting my vision. Analog kisses. We're closing the distance. Digital collisions are spewing precision. Analog kisses. Seminal wishes. Seminal wishes. Analog kisses.
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Sep 5, 2016
Sep 5, 2016 at 2:11 AM UTC
Analog Kisses
Investors need to stop treating stocks as a ‘beauty contest’ and follow the difficult investment style of Keynes, global pension expert Keith Ambachtsheer said. Data produced in a working paper from the Harvard Business Schoolshowed that portfolios built on firms with a good material sustainability rating outperformed those that had a poor rating, an aspect not considered enough by investors who were caught up with quarterly returns, Ambachtsheer said at a Chartered Financial Analyst seminar in Sydney on Monday. “What I see happening out there is largely speculation – what Keynes called ‘beauty contest investing’, where everybody tries to figure out what the most popular stocks are going to be in six months, buys them and when they become really popular sells them,” Ambachtsheer said. He added the implications of this investment style as an aggregate was a zero sum game, whereas investing should be taking savings and turning them into wealth producing capital. “The key thing is you need to look beyond the next quarter; you look at the long-term sustainability of the business model of the corporation, as well as the people behind it in terms of how it is being managed.” The Harvard Business School (HBS) working paper superimposed the Sustainability Accounting Standards Board materiality map (which identifies likely material sustainability issues on an industry-by-industry basis) onto 400 common US stocks identified through sustainability metrics from Kinder, Lydenberg, Domini Research & Analytics. They examined what effect materiality would have over the long-term (starting from the 1980s) and found the top 10 per cent of firms that scored strongly on material sustainability outperformed the bottom 10 per cent, by nine per cent over a rolling twenty-year period. “The practical question is, can you actually manage money this way in the real world? And the answer is yes, but it’s very hard, because you are doing unconventional things,” Ambachtsheer said. Real-world Keynesianism investors – such as Warren Buffett and the Ontario Teachers’ Pension Plan – are in a minority despite outperforming over the long-term. In chapter 12 of his seminal workThe General Theory of Employment, Interest and Money, Keynes explained the reason for this was the essence of long-term investors meant their behaviour would be eccentric, unconventional and rash in the eyes of average opinion. “Most organisations can’t function like this,” Ambachtsheer said, as they were too focused on the present.Read more at:www.marieaustralia.com/vintage-formal-dresses | www.marieaustralia.com/backless-formal-dresses
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Nov 15, 2016
Nov 15, 2016 at 2:31 AM UTC
Stop ‘beauty contest’ and act like Keynes
Investors need to stop treating stocks as a ‘beauty contest’ and follow the difficult investment style of Keynes, global pension expert Keith Ambachtsheer said. Data produced in a working paper from the Harvard Business Schoolshowed that portfolios built on firms with a good material sustainability rating outperformed those that had a poor rating, an aspect not considered enough by investors who were caught up with quarterly returns, Ambachtsheer said at a Chartered Financial Analyst seminar in Sydney on Monday. “What I see happening out there is largely speculation – what Keynes called ‘beauty contest investing’, where everybody tries to figure out what the most popular stocks are going to be in six months, buys them and when they become really popular sells them,” Ambachtsheer said. He added the implications of this investment style as an aggregate was a zero sum game, whereas investing should be taking savings and turning them into wealth producing capital. “The key thing is you need to look beyond the next quarter; you look at the long-term sustainability of the business model of the corporation, as well as the people behind it in terms of how it is being managed.” The Harvard Business School (HBS) working paper superimposed the Sustainability Accounting Standards Board materiality map (which identifies likely material sustainability issues on an industry-by-industry basis) onto 400 common US stocks identified through sustainability metrics from Kinder, Lydenberg, Domini Research & Analytics. They examined what effect materiality would have over the long-term (starting from the 1980s) and found the top 10 per cent of firms that scored strongly on material sustainability outperformed the bottom 10 per cent, by nine per cent over a rolling twenty-year period. “The practical question is, can you actually manage money this way in the real world? And the answer is yes, but it’s very hard, because you are doing unconventional things,” Ambachtsheer said. Real-world Keynesianism investors – such as Warren Buffett and the Ontario Teachers’ Pension Plan – are in a minority despite outperforming over the long-term. In chapter 12 of his seminal workThe General Theory of Employment, Interest and Money, Keynes explained the reason for this was the essence of long-term investors meant their behaviour would be eccentric, unconventional and rash in the eyes of average opinion. “Most organisations can’t function like this,” Ambachtsheer said, as they were too focused on the present.Read more at:www.marieaustralia.com/vintage-formal-dresses | www.marieaustralia.com/backless-formal-dresses
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10
Todos los intermedios pudresienes de espera de esqueleto de lluvia sin persona cuando no neutros lapsus micropulpos engendros del sotedio pueden antes que cóncavos ausentes en seminal yacencia ser otros flujos ácidos del diurno sueño insomne otros sorbos de páramo tan viles vivas bilis de nonadas carcomas diametrales aunque el sabor no cambie y Ofelia pura costa sea un pescado reflejo de rocío de esclerosada túnica sin lastre un fósil loto amóvil entre remansos muslos puros juncos de espasmo un maxilar de luna sobre un canto rodado tierno espectro fluctuante del novilunio arcaico dromedario lejos ya de su neuro dubitabundo exnovio psiquisauce aunque el sabor no cambie y cualquier lacio cuajo invista nuevos huecos ante los ídem lodos expartos bostezantes peste con veste huéspedes del macrobarro grávido de muerte y hueros logros de horas lagrimales aunque el sabor no cambie y el menos yo del uno en el total por nada beato saldo de excoito amodorrado malentetando el asco explore los estratos de su ámbito si sino cada vez menos cráter aunque el sabor no cambie cada vez más burbúja de algánima no náyade más amplio menos tránsfuga tras sus estancas sienes de mercurio o en las finales radas de lo obsceno de marismas de pelvis bajo el agua con su no llanto arena y sus mínimas muertes navegables aunque el sabor no cambie y sólo erecto espeso mascaduda insaciado en progresiva resta ante el incierto ubicuo muy quizás equis deífico se malciña la angustia interrogante aunque el sabor no cambie
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1.2k
Ante el sabor inmóvil
Todos los intermedios pudresienes de espera de esqueleto de lluvia sin persona cuando no neutros lapsus micropulpos engendros del sotedio pueden antes que cóncavos ausentes en seminal yacencia ser otros flujos ácidos del diurno sueño insomne otros sorbos de páramo tan viles vivas bilis de nonadas carcomas diametrales aunque el sabor no cambie y Ofelia pura costa sea un pescado reflejo de rocío de esclerosada túnica sin lastre un fósil loto amóvil entre remansos muslos puros juncos de espasmo un maxilar de luna sobre un canto rodado tierno espectro fluctuante del novilunio arcaico dromedario lejos ya de su neuro dubitabundo exnovio psiquisauce aunque el sabor no cambie y cualquier lacio cuajo invista nuevos huecos ante los ídem lodos expartos bostezantes peste con veste huéspedes del macrobarro grávido de muerte y hueros logros de horas lagrimales aunque el sabor no cambie y el menos yo del uno en el total por nada beato saldo de excoito amodorrado malentetando el asco explore los estratos de su ámbito si sino cada vez menos cráter aunque el sabor no cambie cada vez más burbúja de algánima no náyade más amplio menos tránsfuga tras sus estancas sienes de mercurio o en las finales radas de lo obsceno de marismas de pelvis bajo el agua con su no llanto arena y sus mínimas muertes navegables aunque el sabor no cambie y sólo erecto espeso mascaduda insaciado en progresiva resta ante el incierto ubicuo muy quizás equis deífico se malciña la angustia interrogante aunque el sabor no cambie
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31
God bless wartime for lovers And the heart's desire For all things ammunition The seminal spark Of randomology Runs as an aqueduct To the mothership Fascination is found In strangeness And its sister's alien sigh The fun of fear Is teeth and biomechanics And morbid curiosity Of what lurks in the brazen alcove Abducted on Sunday morning Returned in time for kickoff Dressed like a fugitive With a hole in your head Souvenir of the brave and the new The body's warm jets Begin to stir as a powder keg Any kind of love you've had Is always far sweeter as a memory A memory, angel
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May 19, 2020
May 19, 2020 at 8:10 AM UTC
Love and Gunpowder
Fixated on the clockwise wobble of a fan overhead, I laugh with solace - Newly aware that our most intimate of moments, Seemingly so personal between two individual minds, Are merely echoes from the shackles of biology and society. 12 pages turned since that seminal moment, I close this sunlit jamjar, arresting unresolved issues from the air. In ****** battle for a monopoly on knowledge, the message filtered through, That understanding is worthless without doing and being. And what have we done with our time on earth? Too much and not enough.
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Dec 29, 2011
Dec 29, 2011 at 4:27 AM UTC
Too much and not enough
Bright hand touched the door Easing it slowly around With the tenderness of a prepubescent girl Lingering gently about. Wondering, loudly i might add, That you really hate these Venetian blinds. You sit in the fat leather chair, Which must have belonged to your dad a million years ago. You sip diet coke like your lost friend brandy, And you cross your legs in the most ****** way That my seminal vesicle shifts into overdrive. Through the tainted windows I see you raise your winter scarf to your throat Ceremoniously, or possibly vehemently. After which you clean your glasses with laser precision And raise them back into place. Your crystal gaze lands on the heavy door a few steps away, They wait in concentrated intensity As each heavy step’s staccato note is heard form the other side.
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Mar 19, 2013
Mar 19, 2013 at 5:01 PM UTC
Some Resounding Words from the Horses Mouth
. I want my poems to scream of *** of lust and of carnal fuckery. To ********* the seeds of words, dick-splashed on a page of muckery. And teasing those clitoral synapses, along nerve lines of innuendo. Lapping verses in the valley below, raising fantasy to literal crescendo. I want my words to make you *** and ache over and over again. To shriek my name and fall in love with my purple tipped pen. And with my seminal inky spillage 'pon your creamy sheets of vellum, remember now those ***** stanzas ****** deep into your cerebellum. © Pagan Paul (24/07/17)
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Jul 27, 2017
Jul 27, 2017 at 6:07 PM UTC
Cerebral *** Poem