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Nigel Morgan Sep 2012
1
 
Grey sky greyer sea
a litter of rocks balance
coat bright hat blue mittens striped
as on these November steps
you collect the gifts of the ebb tide
 
2
Glint green this living tapestry echoes
Jilly’s field with tractor not Devon
but salt-flats rocky revetments moorland rising
a map crossed by a chiromatic line
our destiny marked out on this concrete wall?
 
3
Beached clinkered double-ender
a bay-courser sjekte strand-crunched
fit once for Viking raiders two abreast
now daubed with tin ends of patriotic paint
a sea-steed hobbled ******* the shore
 
4
Bow faced a sea helmet thrice rope strapped
slow moulded over the boat builder’s ribbanded jig
a spanglehelm of wood
curved sheer straked plank bilged a tuck stern
raising its proud head seaward
 
5
Viewed from the air a map rolls out
north to the tilted curve of the horizon’s rim
cloud scattered mountained red
betwixt seas sun chalked wine-stained a volcanic isthmus
provokes desert the western waste land of  a brooding city
 
6
Oh face of ropes knot eyed!
you blue cheeked wide smiler
wild wild your  head of hair
beachcombed and splayed
wrapped on the sternest post
 
7
She sewed sugar kelp on the sea shore
a sporophyte with sheltered frond​
strap-like stem stiff and smooth
of the species saccharina a spring-tide
stalk set among substrates shells and stones
 
8
I the camera turned and caressed
by her slight fingers (the pinky raised)
my viewfinder close to her blue grey eye / I
focus on this kelp-needled novelty feel her breath
wait for the thumb press the electronic click
 
9
Here is the beach walked in darkness
the fishermen shadows against the moonstruck ebb
fingers laced the sea’s breath in our ears
wave upon wave un-folding on the sand and  later
we unfold then draw back in love’s relentlessness
The artist Utamaro organised a day out at the seaside  for a group of poets. He gathered their poems together to accompany a collection of intricate paintings he published in a book called Gifts from the Ebb Tide. This can be seen in a beautiful on line presentation from the Fitzwilliam Museum, Cambridge. My poem sequence is written in the same spirit although transposed to the seashore of the North East of England.
A E Bill Jul 2011
I lay down on the covers and listen
to the sound that wood makes when it moves
when it moves so slowly you can barely notice
as spiders crawl on the soles of my feet
they move unashamed like the
Lepisma saccharina
commonly known as the enemy
or silverfishes
under my floorboards

I have got no meter
it makes me write like a renegade dropout
smoking outside the doors of
junior high
but this is not poetry I write
it's testimonies
of how I looked further and never found
much of anything

I'd sweep quietness away with one sudden movement
like when smoke disperses
with a waving hand I can expel
all that is wrong like if I
broke the best china and saw the violets
in pieces of porcelain on the floor but
I know that silence is thick and
nothing ever breaks against linoleum

— The End —