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"rodin" poems
(for Christopher Isherwood) Seated after breakfast In this white-tiled cabin Arabs call the House where Everybody goes, Even melancholics Raise a cheer to Mrs. Nature for the primal Pleasure She bestows. *** is but a dream to Seventy-and-over, But a joy proposed un- -til we start to shave: Mouth-delight depends on Virtue in the cook, but This She guarantees from Cradle unto grave. Lifted off the ***** Infants from their mothers Hear their first impartial Words of worldly praise: Hence, to start the morning With a satisfactory Dump is a good omen All our adult days. Revelation came to Luther in a privy (Crosswords have been solved there) Rodin was no fool When he cast his Thinker, Cogitating deeply, Crouched in the position Of a man at stool. All the arts derive from This ur-act of making, Private to the artist: Makers' lives are spent Striving in their chosen Medium to produce a De-narcissus-ized en- During excrement. Freud did not invent the Constipated miser: Banks have letter boxes Built in their façade Marked For Night Deposits, Stocks are firm or liquid, Currencies of nations Either soft or hard. Global Mother, keep our Bowels of compassion Open through our lifetime, Purge our minds as well: Grant us a king ending, Not a second childhood, Petulant, weak-sphinctered, In a cheap hotel. Keep us in our station: When we get pound-notish, When we seem about to Take up Higher Thought, Send us some deflating Image like the pained ex- -pression on a Major Prophet taken short. (Orthodoxy ought to Bless our modern plumbing: Swift and St. Augustine Lived in centuries When a stench of sewage Made a strong debating Point for Manichees.) Mind and Body run on Different timetables: Not until our morning Visit here can we Leave the dead concerns of Yesterday behind us, Face with all our courage What is now to be.
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The Geography of the House
(for Christopher Isherwood) Seated after breakfast In this white-tiled cabin Arabs call the House where Everybody goes, Even melancholics Raise a cheer to Mrs. Nature for the primal Pleasure She bestows. *** is but a dream to Seventy-and-over, But a joy proposed un- -til we start to shave: Mouth-delight depends on Virtue in the cook, but This She guarantees from Cradle unto grave. Lifted off the ***** Infants from their mothers Hear their first impartial Words of worldly praise: Hence, to start the morning With a satisfactory Dump is a good omen All our adult days. Revelation came to Luther in a privy (Crosswords have been solved there) Rodin was no fool When he cast his Thinker, Cogitating deeply, Crouched in the position Of a man at stool. All the arts derive from This ur-act of making, Private to the artist: Makers' lives are spent Striving in their chosen Medium to produce a De-narcissus-ized en- During excrement. Freud did not invent the Constipated miser: Banks have letter boxes Built in their façade Marked For Night Deposits, Stocks are firm or liquid, Currencies of nations Either soft or hard. Global Mother, keep our Bowels of compassion Open through our lifetime, Purge our minds as well: Grant us a king ending, Not a second childhood, Petulant, weak-sphinctered, In a cheap hotel. Keep us in our station: When we get pound-notish, When we seem about to Take up Higher Thought, Send us some deflating Image like the pained ex- -pression on a Major Prophet taken short. (Orthodoxy ought to Bless our modern plumbing: Swift and St. Augustine Lived in centuries When a stench of sewage Made a strong debating Point for Manichees.) Mind and Body run on Different timetables: Not until our morning Visit here can we Leave the dead concerns of Yesterday behind us, Face with all our courage What is now to be.
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80
"The Kiss*" in marble of Rodin's work embraces art with passion. Ovid wrote of kisses back when "amor" was in fashion. To capture such a moment in marble or in verse, is beautiful but can't refine the taste when lips immerse. In meditation, I close my eyes on kisses I remember. of hot August nights in sultry heat or amid a fireplace in December...*
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Nov 16, 2017
Nov 16, 2017 at 7:04 AM UTC
Kiss
Rodin: My love, I am on my knees facing your beautiful body. My mouth is drinking your fire. I ***** us in stone. We are indissoluble. Camille: I am heaven and hell. I am goddess and fire. You are my chauvinistic art-boy concubine. Rodin: My dear Camille, can you not see my love for you is rooted in passion not stone or clay or bronze? Can you not feel my tongue lapping at your feet? Camille: Foolish man. My feet are broken. I walk over you on stumps. Camille leaves for England. Rodin follows. Camille: You are boring. Rodin: My love, can you not see that I am in a depressed mood. Can you not see that your capriciousness plagues me? Camille: I love another. Rodin: How can you say these things to me? I give you my heart. I give you my soul. I give you my artistic genius! Camille: You’re right. You are a genius. Rodin: Shall I write us up a contract? Camille: As long as you don’t touch me. Camille and Rodin return to Paris separately. Rodin: It has been written. I will mentor you, write you in newspapers, place you in museums, and find you buyers. Camille: You will not love another? You will spurn all but my art? Rodin: I will. And you will marry me in return. Camille: … Rodin: Is there something wrong, my love? Camille: Can you not see I am being facetious? Rodin: My dear, you are my flora and gaiety. You are my chisel and stone. You are my breath and lungs. Camille: Learn how to breathe without me. Camille exits. Rodin crumples at the feet of Eternelle Idole. Rodin: What have I done wrong? Camille re-enters, her hands caked in clay. Camille: A bird in the hand is worth two in the bush. Rodin: Shall I get the handcuffs? Camille: No. The lion’s cage. Strong tides and wet fuchsias. Camille enters the cage forever.
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Mar 20, 2016
Mar 20, 2016 at 12:40 PM UTC
Camille and Rodin play la passion
Rodin: My love, I am on my knees facing your beautiful body. My mouth is drinking your fire. I ***** us in stone. We are indissoluble. Camille: I am heaven and hell. I am goddess and fire. You are my chauvinistic art-boy concubine. Rodin: My dear Camille, can you not see my love for you is rooted in passion not stone or clay or bronze? Can you not feel my tongue lapping at your feet? Camille: Foolish man. My feet are broken. I walk over you on stumps. Camille leaves for England. Rodin follows. Camille: You are boring. Rodin: My love, can you not see that I am in a depressed mood. Can you not see that your capriciousness plagues me? Camille: I love another. Rodin: How can you say these things to me? I give you my heart. I give you my soul. I give you my artistic genius! Camille: You’re right. You are a genius. Rodin: Shall I write us up a contract? Camille: As long as you don’t touch me. Camille and Rodin return to Paris separately. Rodin: It has been written. I will mentor you, write you in newspapers, place you in museums, and find you buyers. Camille: You will not love another? You will spurn all but my art? Rodin: I will. And you will marry me in return. Camille: … Rodin: Is there something wrong, my love? Camille: Can you not see I am being facetious? Rodin: My dear, you are my flora and gaiety. You are my chisel and stone. You are my breath and lungs. Camille: Learn how to breathe without me. Camille exits. Rodin crumples at the feet of Eternelle Idole. Rodin: What have I done wrong? Camille re-enters, her hands caked in clay. Camille: A bird in the hand is worth two in the bush. Rodin: Shall I get the handcuffs? Camille: No. The lion’s cage. Strong tides and wet fuchsias. Camille enters the cage forever.
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28
Rodin was mocked Darwin was underestimated Beethoven was considered hopeless as a composer But they passed through every hurdle through their hard work and struggle They suffered in their doom because they knew that one day they will bloom
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Feb 14, 2014
Feb 14, 2014 at 11:39 AM UTC
Bloom
I caption this 'The Kiss' A greeting lips that meet anticipating tongues that touch arms around you holding tight such is the kiss, not a marble statue not Rodin's just a man's imagination.
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Jan 2, 2014
Jan 2, 2014 at 1:42 AM UTC
(Caption this)
from the vantage point of the triangle of desire, all i see are the delicate hands of Rodin, which now have become your chiseled face. as the world sleeps at night i wet my pillow with tears. tears from the joy of knowing the intense ways in which i love you, deep within my subterranean mind. love knows no possession .... yet i covet you, all of you, even the concept of you. why did you come into my life like a whirlwind only to then vanish like a mirage? © 2022
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Feb 27, 2022
Feb 27, 2022 at 10:02 AM UTC
like a mirage
To Kathleen- Nor I can give, nor you can take; endures The simple truth of me that is yours. Is not the music mingled with the form When all the heavens break in blind black storm? Are we not veiled as Gods, and cruel as they, Smiting our brilliance on the shuddering clay? Silence and darkness cover us, confirm Our splendour to its unappointed term: For all the men homunculi that dance Around us shudder at our brilliance. These puppets perish in the good grand glare, Our sworded sunlight in the boundless air ! These bats need cloisters; these tame birds a cage; How should they know the Masters of the Age? Or understand when the archangels cry Adoring us Ellên kat' asterh ei?
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Prologue to Rodin in Rime
*concerning the last lines... all we can do with the Cartesian Libra is add adjectives to it, which is contrary to what the existentialists did by simply modifying a furthered abstraction of the compounds 'i think' and 'i am', via the inverted comma(s), otherwise known as dittoing, sic, prior said, or re-, true to the oddity; a king will continue to question his position / being a king by not thinking about it, hence his uninhibited delusions, hereditary, very much genetic; and hence someone who precursors his being with much concern for thinking, the inhibited delusion, self-serving - both are adjective expansions of the Cartesian Libra, just added qualities, given both are facts requiring a slab of marble to look like Rodin's kiss - or approximate, with therefore being the chisel, and so dependent the end product, indeed a slab of marble at first, but not necessarily Rodin's kiss at the end - perhaps a Notre Dame gargoyle...* i am what i think, that's what i came up with after reading some of the bio sketches - even though the truth is that i am what i own - thinking is the part that comes last, if i own a bed and a roof over my head, i end up i thinking about being homeless - but sometimes you do find the ones that are inclined to be what they think, the extremes we call them - supreme anti-materialists, it's not satisfying to own a house or a phone, more is required, something tinged with transcendental counters - they "own" a home but rather not live in it, already the looming fairy of heaven tells them of an unnatural life expectancy - some might say thinking a form of uninhibited delusion sketches, like i'd be a venture capitalists taking a weekend away in Hawaii while some ridiculousness of poverty in India was to blame for my jet streams and carbon footprints - they keep the inhibited delusional in cages without a chance to sketch - because the uninhibited delusional have all the freedoms that Versailles could allow - or... uninhibited delusions of non-thought, inherited, hereditary, versus inhibited delusions of thought, mutated, self-invented... this could very well be a "magic" square with two further variations, i.e. uninhibited delusions of thought (psychopathy) inhibited delusions of non-thought (coma?
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Jun 19, 2016
Jun 19, 2016 at 10:11 AM UTC
the Cartesian Libra
*concerning the last lines... all we can do with the Cartesian Libra is add adjectives to it, which is contrary to what the existentialists did by simply modifying a furthered abstraction of the compounds 'i think' and 'i am', via the inverted comma(s), otherwise known as dittoing, sic, prior said, or re-, true to the oddity; a king will continue to question his position / being a king by not thinking about it, hence his uninhibited delusions, hereditary, very much genetic; and hence someone who precursors his being with much concern for thinking, the inhibited delusion, self-serving - both are adjective expansions of the Cartesian Libra, just added qualities, given both are facts requiring a slab of marble to look like Rodin's kiss - or approximate, with therefore being the chisel, and so dependent the end product, indeed a slab of marble at first, but not necessarily Rodin's kiss at the end - perhaps a Notre Dame gargoyle...* i am what i think, that's what i came up with after reading some of the bio sketches - even though the truth is that i am what i own - thinking is the part that comes last, if i own a bed and a roof over my head, i end up i thinking about being homeless - but sometimes you do find the ones that are inclined to be what they think, the extremes we call them - supreme anti-materialists, it's not satisfying to own a house or a phone, more is required, something tinged with transcendental counters - they "own" a home but rather not live in it, already the looming fairy of heaven tells them of an unnatural life expectancy - some might say thinking a form of uninhibited delusion sketches, like i'd be a venture capitalists taking a weekend away in Hawaii while some ridiculousness of poverty in India was to blame for my jet streams and carbon footprints - they keep the inhibited delusional in cages without a chance to sketch - because the uninhibited delusional have all the freedoms that Versailles could allow - or... uninhibited delusions of non-thought, inherited, hereditary, versus inhibited delusions of thought, mutated, self-invented... this could very well be a "magic" square with two further variations, i.e. uninhibited delusions of thought (psychopathy) inhibited delusions of non-thought (coma?
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39
I will find my way back to you on Montmartre’s cobblestone streets. Imagine Hemingway right next to us, rambling on about his moveable feast. Like free-spirited birds, I will race you to the top of Sacré-Cœur. Before you can catch your breath, I promise the view would steal it once more. I want to see every inch of the Louvre, we would probably get lost for days; But we are smiling like fools, I bet it would put Mona Lisa to shame. We can stroll along the Seine, and haggle with bouquinistes near Notre Dame. I will find an artist to paint you, But first show me how a monsieur should love a madam. I utter a prayer at Sainte-Chapelle, as I immortalize you in stained glass. Maybe as we wander aimlessly along Champs-Elysées, Degas would teach us how to dance. I will tell you all my secrets, the way kings and queens did once. Even Rodin would call it treason not to cast these two lost souls in bronze. We can have a picnic at the Tuileries, and you can bring me flowers from Monet's backyard. I will make a wish before they wilt; Don’t we all hope for the best before we die? And right here in the in-betweens, we have love to keep us alive, As foolish and innocent as the way Picasso painted like a child. Seasons are changing, and soon we will say goodbye. The Tour Eiffel glistened in all its glory as darkness fell on the city of lights. Paris, it has been an honor to love and be loved by you. In a few years or maybe in a heartbeat— I will come home to you soon.
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Oct 19, 2018
Oct 19, 2018 at 3:28 AM UTC
La Ville Lumiere
I will find my way back to you on Montmartre’s cobblestone streets. Imagine Hemingway right next to us, rambling on about his moveable feast. Like free-spirited birds, I will race you to the top of Sacré-Cœur. Before you can catch your breath, I promise the view would steal it once more. I want to see every inch of the Louvre, we would probably get lost for days; But we are smiling like fools, I bet it would put Mona Lisa to shame. We can stroll along the Seine, and haggle with bouquinistes near Notre Dame. I will find an artist to paint you, But first show me how a monsieur should love a madam. I utter a prayer at Sainte-Chapelle, as I immortalize you in stained glass. Maybe as we wander aimlessly along Champs-Elysées, Degas would teach us how to dance. I will tell you all my secrets, the way kings and queens did once. Even Rodin would call it treason not to cast these two lost souls in bronze. We can have a picnic at the Tuileries, and you can bring me flowers from Monet's backyard. I will make a wish before they wilt; Don’t we all hope for the best before we die? And right here in the in-betweens, we have love to keep us alive, As foolish and innocent as the way Picasso painted like a child. Seasons are changing, and soon we will say goodbye. The Tour Eiffel glistened in all its glory as darkness fell on the city of lights. Paris, it has been an honor to love and be loved by you. In a few years or maybe in a heartbeat— I will come home to you soon.
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23
Standing on the intersection of a Monet, a van Gogh, and a Picasso Nice piece of real estate! Water lilies ~ Charrette de boeuf ~ Tete d'homme Let's start with the lilies: I'm impressionable and I gaze lovingly into the pool I see my reflection slowly unfurl in the shimmer of the pink petals As in a dream ... I float on The watchmaker sends an instruction: rotate clockwise Now an ox cart: I seem to be walking in Poe's imagination Crows flitting about as the ox champions His burden on a drafty day Another instruction from the watchmaker: continue clockwise And now Tete d'homme ~ cubism: My world deconstructs Line by line, shapes and forms Fracture into the subterranean unconsciousness of my mind Leading to another instruction: close your eyes Shift Your Perspective Watchmaker says: open your eyes Uncentre Misalign Unhitch Watchmaker says: ens causa sui: 'a being that causes itself' Now I've got Dali giving me niggling doubts about the nature of time Sartre with a side of Darwin and I'm being and nothingness Ground yourself Mullin! Open your eyes ... this is reality There's Rodin in a battle of good versus evil Munch and no screams! This is good Gaugin sharing his garden view I'm in my happy place again ... That's better And here's Cezanne, Degas, Renoir, and Pissarro Bringing me back into a recognizable reality My eyes and my mind are in alignment here But I can feel that watchmaker winding me back up My iris constricts and my pineal widen Third eye ain't blind Hope someone is around to catch me No worries, I'm sailing with Renoir and I've found A Muse (Constantin Brancusi) Ain't life a musing?
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Nov 12, 2014
Nov 12, 2014 at 10:34 AM UTC
Triangulation
Standing on the intersection of a Monet, a van Gogh, and a Picasso Nice piece of real estate! Water lilies ~ Charrette de boeuf ~ Tete d'homme Let's start with the lilies: I'm impressionable and I gaze lovingly into the pool I see my reflection slowly unfurl in the shimmer of the pink petals As in a dream ... I float on The watchmaker sends an instruction: rotate clockwise Now an ox cart: I seem to be walking in Poe's imagination Crows flitting about as the ox champions His burden on a drafty day Another instruction from the watchmaker: continue clockwise And now Tete d'homme ~ cubism: My world deconstructs Line by line, shapes and forms Fracture into the subterranean unconsciousness of my mind Leading to another instruction: close your eyes Shift Your Perspective Watchmaker says: open your eyes Uncentre Misalign Unhitch Watchmaker says: ens causa sui: 'a being that causes itself' Now I've got Dali giving me niggling doubts about the nature of time Sartre with a side of Darwin and I'm being and nothingness Ground yourself Mullin! Open your eyes ... this is reality There's Rodin in a battle of good versus evil Munch and no screams! This is good Gaugin sharing his garden view I'm in my happy place again ... That's better And here's Cezanne, Degas, Renoir, and Pissarro Bringing me back into a recognizable reality My eyes and my mind are in alignment here But I can feel that watchmaker winding me back up My iris constricts and my pineal widen Third eye ain't blind Hope someone is around to catch me No worries, I'm sailing with Renoir and I've found A Muse (Constantin Brancusi) Ain't life a musing?
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46
the first and the single greatest discouragement from writing always begins when people ask you about money, not necessarily that they want money, but that they see art as frivulous, something to do on the side... and sure enough most of art is done that way... on the side... but then such art, what it becomes, is an expression of chance opportunism... i mean... surely there's enough people in the world that can allow one man to write a few ******** poems out, it's not like they're conscripting young men to join salvation army in syria or anything as ridiculous as that; but in all honesty i don't know what it's all about - first they tell you to not get in trouble, then they tell you art belongs in a high school art room, then they put artists on peddlestools when all they produce are massive blobs of colour in a random way, or make a messy bedroom an art work, or pickle a shark in a plastic aquarium, open spaces, strings of metal, ropes around rodin's kiss... all kinds of airy fairy bits 'n' bobs... then mediocre seasonal greetings poetry: rhyme christmas with business with busy bees with jabberwocky or something like that - but indeed the foremost discouragement people place on you is to get your worried about money, concerned enough that you begin to wonder - are they really chasing their own tail and insert that serpent-eating-itself into you? i mean, all the italian renaissance masters didn't bother with adorments and fashion for proof of being rich - they had a motto, only one: we're not a bunch dumb peacocks! how about i paint you a mona lisa and make myself shine like gold in rags?! surely enough modern art, on that massive scale, in galleries across countries is obsessed with space, perhaps the lack of space in real life, the almost claustrophobic, the sheer number of people on the streets, all it's fighting is technique and detail, it's trying to be a child again, it cannot stomach the fact that old techniques were never passed on, or if they were they are like a magician's deception - whatever that means - i just think that what modern art has become is almost architectural - how on earth could you elaborate on a square is beyond me - unless of course it isn't, in which case it's forceful intellectualism: trying to squeeze out some orange juice from an old & dry orange.
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Dec 15, 2015
Dec 15, 2015 at 5:44 AM UTC
discouragement & theory
the first and the single greatest discouragement from writing always begins when people ask you about money, not necessarily that they want money, but that they see art as frivulous, something to do on the side... and sure enough most of art is done that way... on the side... but then such art, what it becomes, is an expression of chance opportunism... i mean... surely there's enough people in the world that can allow one man to write a few ******** poems out, it's not like they're conscripting young men to join salvation army in syria or anything as ridiculous as that; but in all honesty i don't know what it's all about - first they tell you to not get in trouble, then they tell you art belongs in a high school art room, then they put artists on peddlestools when all they produce are massive blobs of colour in a random way, or make a messy bedroom an art work, or pickle a shark in a plastic aquarium, open spaces, strings of metal, ropes around rodin's kiss... all kinds of airy fairy bits 'n' bobs... then mediocre seasonal greetings poetry: rhyme christmas with business with busy bees with jabberwocky or something like that - but indeed the foremost discouragement people place on you is to get your worried about money, concerned enough that you begin to wonder - are they really chasing their own tail and insert that serpent-eating-itself into you? i mean, all the italian renaissance masters didn't bother with adorments and fashion for proof of being rich - they had a motto, only one: we're not a bunch dumb peacocks! how about i paint you a mona lisa and make myself shine like gold in rags?! surely enough modern art, on that massive scale, in galleries across countries is obsessed with space, perhaps the lack of space in real life, the almost claustrophobic, the sheer number of people on the streets, all it's fighting is technique and detail, it's trying to be a child again, it cannot stomach the fact that old techniques were never passed on, or if they were they are like a magician's deception - whatever that means - i just think that what modern art has become is almost architectural - how on earth could you elaborate on a square is beyond me - unless of course it isn't, in which case it's forceful intellectualism: trying to squeeze out some orange juice from an old & dry orange.
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63
We play with the past, us gawkers laugh out louders and marry the fun. Or purchase t-shirts to remember The Thinker plopped upon a porcelain throne Rodin in the bowl a powerful internal struggle philosophy flushed for comedic blue cleanser carved beautifully The Vitruvian Man in full windmill Townshend style over strings in sextuplicate with limbs to match. Perfection at eight heads high and these amps go to eleven The Persistence of Memory in any variation so long as we don't have to consult our own dreams Or Dali's We shake the dust from our feet and smile, forgetting things like The Thinker was originally named The Poet because that's not funny and we're cleverer (more clever?) cleverer than that
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Feb 6, 2013
Feb 6, 2013 at 11:17 AM UTC
Proceeding
Legs hold a torso away from the earth. And a regular high poem of legs is here. Powers of bone and cord raise a belly and lungs Out of ooze and over the loam where eyes look and ears hear And arms have a chance to hammer and shoot and run motors. You make us Proud of our legs, old man. And you left off the head here, The skull found always crumbling neighbor of the ankles.
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The Walking Man Of Rodin
On my bookshelf There is a stuatue Of a monkey With wire-rim glasses Reading, Looking Like Rodin's Thinker. I don't know who The sculptor is, But he's guilty Of Identity Theft.
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Jan 20, 2015
Jan 20, 2015 at 3:01 PM UTC
Identity Theft
full title: ON THE PAINTING OF A MAN BALANCING A HAT ON THE TIP OF A CIGAR --from Cafe Le Quartier Libre i can tell from the way he holds his body that he's from Paris as a child he spent his summers playing hide & seek around the Eiffel Tower he lost his virginity to a generous German **** when he was eleven...a woman into Tarot and palm reading He smoked his first cigar with her i can tell, i know and it can be said that she was his one and only true love O people reading these lines if only you could see him Rodin would have loved him and would have devoted decades on busts of him O, if only you could see the way he balances that hat on his cigar still under her spell ~~ ..circa 1978..Copyright 1981/2012 Spiros Zafiris ..from Midnight Magic (1981) ISBN:0-9690643-2-2 ~~
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Nov 7, 2012
Nov 7, 2012 at 4:07 AM UTC
On The Painting
audio me in... tell the b.t. off standards to change the connection to lie to get to syria... i wanted to become a butcher too... not butchering people though... onomatopeias of resonance of blah... blah... you know... woollen trill... i want the target bacon, i want to target bacon on that **** head-banging with a pony while blowing a sheen into a rodin marble for the glisten of a haircut mare... dark ivory like purple of a grenade of indigo blotched with blood... and spanked / spiked by kandinsky... i told you i woz a barking gimmick, a barking cult-piece of mafia... you’ve been warned dear bouncer allotment and semi-detached... hey kieran - had his kidneys transplanted aged 15... took to having a ****** aged 16 on the south park fence when two ******* eyed us and the boys came to make cake... oi boys r’ us you mention st. petersburg anywhere south of the thames? i thought so... make that spelling spaghetti for a kebab of dead meat appealing: it’s making headlines, people are fed fat but sugar headlines... when fat headlines... people will be fed sugar... salt will never compromise the use of steroids for balloon pop protein for a mere attire of the bow tie undone with laze.
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Nov 30, 2015
Nov 30, 2015 at 8:00 PM UTC
oi *** **** / well... adventure
as the sun comes rushing in through the cracks in the window, with a Matisse-like sheen, a witch ponders over her natural, self-made enemy; her trees are topsy turvy, her entrails are unfurling. as she careens into arms unfolding, her breath mist was captured by Rodin
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Apr 26, 2019
Apr 26, 2019 at 2:45 PM UTC
pretentious artistic flow
and to this day I love you~love beasty thinker rodin's poetic vision warrior
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Mar 6, 2015
Mar 6, 2015 at 12:24 PM UTC
Almost II Decades
Some sculptures Become more beautiful by time by weathering. The Thinker, by Rodin For example, I know For sure that when the last piece was hewn Looked less impressive than it does right now. But you .. Should I make a picture of you right now right there as you are lying down in the grass your lowerback The ground Not touching then all Thinkers Would realize that they today or earlier never were as Beautiful As you there, now. Lying there, in that Lucky grass in the grass.
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Feb 20, 2013
Feb 20, 2013 at 8:06 PM UTC
images
Fill in the ___________. Exercise of the daily emptiness, according to the rules of the Imperative mode. RoDin
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Jul 9, 2013
Jul 9, 2013 at 9:48 AM UTC
The _______.
Pure as alabaster,   no servant, no master, only love abides. Lost in a kiss, divination of  bliss. Together, they've stood, against time. Their creator long gone, still they live on, to remind us that true love lasts forever.
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Jan 15, 2025
Jan 15, 2025 at 11:15 AM UTC
Rodin's Lovers
After all these many carnivore years You can call it guilt or you can call it fear I've made up my mind to decide I'm going vegan this November time So I broke down hard and read some books Heard some tapes on what it took From veggies steamed to veggies raw From beans of green to yellow squash As my nightly dreams were all filled with meat I pushed back hard with collard greens But still had no clue of what to do With a turkey substitute And that is when a friend came in Who Tofu's the line at turkey time So I read more books and heard more tapes On Tofu fried, boiled, broiled, and baked Opening up my kitchen to fine cuisine Minus the best part...that being meat As I promised myself I can make this work My Tofurkey would be the finest in edible art I had bought my Tofu by the pound Lucky for me it is pliable As I stretched and pulled and pulled and stretched Until I had something that looked like a head With my artistic abilities seriously in doubt I'm pretty sure what I conjured was the head of a cow So I pulled and stretched and stretched and pulled No ones going to call me an abstract fool As I bring to boil the "Rodin" juices in me And baste at my skills repeatedly Where I come up with a turkey, giblets and all And just for good measure I gobble a turkey call Of course cooking the thing is another road and I sadly lost Tofurkey 1, 2, and 3 in the explosion When 4 hit the score I invited my friends Whose friendship with them will take time to mend Just because a turkey looks like a turkey, don't mean that it is I'm now learning all this while I clean up the mess As forks went to the mouths at the very same time So did the retching along with the crying But in a month they'll forget this entire sordid ordeal When they get the invites for my Christmas holiday meal With my time in the books and tapes I will spend Looking forward to Christmas and a delicious soy bean ham
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Nov 13, 2016
Nov 13, 2016 at 11:33 AM UTC
Tofurkey
After all these many carnivore years You can call it guilt or you can call it fear I've made up my mind to decide I'm going vegan this November time So I broke down hard and read some books Heard some tapes on what it took From veggies steamed to veggies raw From beans of green to yellow squash As my nightly dreams were all filled with meat I pushed back hard with collard greens But still had no clue of what to do With a turkey substitute And that is when a friend came in Who Tofu's the line at turkey time So I read more books and heard more tapes On Tofu fried, boiled, broiled, and baked Opening up my kitchen to fine cuisine Minus the best part...that being meat As I promised myself I can make this work My Tofurkey would be the finest in edible art I had bought my Tofu by the pound Lucky for me it is pliable As I stretched and pulled and pulled and stretched Until I had something that looked like a head With my artistic abilities seriously in doubt I'm pretty sure what I conjured was the head of a cow So I pulled and stretched and stretched and pulled No ones going to call me an abstract fool As I bring to boil the "Rodin" juices in me And baste at my skills repeatedly Where I come up with a turkey, giblets and all And just for good measure I gobble a turkey call Of course cooking the thing is another road and I sadly lost Tofurkey 1, 2, and 3 in the explosion When 4 hit the score I invited my friends Whose friendship with them will take time to mend Just because a turkey looks like a turkey, don't mean that it is I'm now learning all this while I clean up the mess As forks went to the mouths at the very same time So did the retching along with the crying But in a month they'll forget this entire sordid ordeal When they get the invites for my Christmas holiday meal With my time in the books and tapes I will spend Looking forward to Christmas and a delicious soy bean ham
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FOLLOW MY HEART 'Yes! ' I thought ' I will remember...' how to get back to this place your laughing face a bird writing on the sky with the calligraphy of its flight this passing cloud shaped like a heart now breaking up into Rodin's THE KISS the laughter of kids entangled in trees a slight breeze saucily lifting the hem of your skirt as if examining the workmanship of it. Suddenly the wind's a tailor? The sea's voice whispering far off 'Come & see... come & see! ' like a shy hawker at a carnival. One little brown knee placed delicately over another little brown knee your skirt like surf crashing over it. Yes I will always remember how to get back here follow these directions follow my heart.
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Nov 15, 2016
Nov 15, 2016 at 3:54 AM UTC
FOLLOW MY HEART
she lives where the cell phones die without remembering the tone assigned to a cryptic stream of social Lilliputians on a list of offenders, and befrienders; all caroling at random for a stitch of thyme or to barter with banter and allusions. she sleeps where her bed has fallen in love with southern exposure; but openly flirts with an eastern sky boiling over with morningstar and brindle night . her thread count... an imaginary number between sleep and a full moon… and her pillows have embroidered her silhouette as she takes slumber to meet the parents of her proclivities that have ever held sway over all of her charms. how her forks and knives pay conjugal visits to spoons To the clank elegance of her signature explaining the vacancy she hordes without joy. armed with only a loaded pun in the barrel of her *** and a thousand safaris beyond game. where a woman can breathe without pretending the pink flamingos are Rodin on Ritalin she can howl in her own language without poppies. she lives in that house on the hill that wasn’t there yesterday. and the paper boys all want to be men. so oleander.
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Jul 13, 2018
Jul 13, 2018 at 4:26 AM UTC
THE APHELION HOUSE