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the first and the single greatest discouragement from writing always begins when people ask you about money, not necessarily that they want money, but that they see art as frivulous, something to do on the side... and sure enough most of art is done that way... on the side... but then such art, what it becomes, is an expression of chance opportunism... i mean... surely there's enough people in the world that can allow one man to write a few ******** poems out, it's not like they're conscripting young men to join salvation army in syria or anything as ridiculous as that; but in all honesty i don't know what it's all about - first they tell you to not get in trouble, then they tell you art belongs in a high school art room, then they put artists on peddlestools when all they produce are massive blobs of colour in a random way, or make a messy bedroom an art work, or pickle a shark in a plastic aquarium, open spaces, strings of metal, ropes around rodin's kiss... all kinds of airy fairy bits 'n' bobs... then mediocre seasonal greetings poetry: rhyme christmas with business with busy bees with jabberwocky or something like that - but indeed the foremost discouragement people place on you is to get your worried about money, concerned enough that you begin to wonder - are they really chasing their own tail and insert that serpent-eating-itself into you? i mean, all the italian renaissance masters didn't bother with adorments and fashion for proof of being rich - they had a motto, only one: we're not a bunch dumb peacocks! how about i paint you a mona lisa and make myself shine like gold in rags?! surely enough modern art, on that massive scale, in galleries across countries is obsessed with space, perhaps the lack of space in real life, the almost claustrophobic, the sheer number of people on the streets, all it's fighting is technique and detail, it's trying to be a child again, it cannot stomach the fact that old techniques were never passed on, or if they were they are like a magician's deception - whatever that means - i just think that what modern art has become is almost architectural - how on earth could you elaborate on a square is beyond me - unless of course it isn't, in which case it's forceful intellectualism: trying to squeeze out some orange juice from an old & dry orange.
0
Dec 15, 2015
Dec 15, 2015 at 5:44 AM UTC
discouragement & theory
the first and the single greatest discouragement from writing always begins when people ask you about money, not necessarily that they want money, but that they see art as frivulous, something to do on the side... and sure enough most of art is done that way... on the side... but then such art, what it becomes, is an expression of chance opportunism... i mean... surely there's enough people in the world that can allow one man to write a few ******** poems out, it's not like they're conscripting young men to join salvation army in syria or anything as ridiculous as that; but in all honesty i don't know what it's all about - first they tell you to not get in trouble, then they tell you art belongs in a high school art room, then they put artists on peddlestools when all they produce are massive blobs of colour in a random way, or make a messy bedroom an art work, or pickle a shark in a plastic aquarium, open spaces, strings of metal, ropes around rodin's kiss... all kinds of airy fairy bits 'n' bobs... then mediocre seasonal greetings poetry: rhyme christmas with business with busy bees with jabberwocky or something like that - but indeed the foremost discouragement people place on you is to get your worried about money, concerned enough that you begin to wonder - are they really chasing their own tail and insert that serpent-eating-itself into you? i mean, all the italian renaissance masters didn't bother with adorments and fashion for proof of being rich - they had a motto, only one: we're not a bunch dumb peacocks! how about i paint you a mona lisa and make myself shine like gold in rags?! surely enough modern art, on that massive scale, in galleries across countries is obsessed with space, perhaps the lack of space in real life, the almost claustrophobic, the sheer number of people on the streets, all it's fighting is technique and detail, it's trying to be a child again, it cannot stomach the fact that old techniques were never passed on, or if they were they are like a magician's deception - whatever that means - i just think that what modern art has become is almost architectural - how on earth could you elaborate on a square is beyond me - unless of course it isn't, in which case it's forceful intellectualism: trying to squeeze out some orange juice from an old & dry orange.
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Dec 15, 2015
Dec 15, 2015 at 5:44 AM UTC
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