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"rimbaud" poems
I am thankful for the mountains I am thankful for the music that comes from the mountains I am thankful for every fire that is lit by nothing more than the embers of a fire that raged before it Only these fires can truly comprehend what it is like to suffer and be born again I am thankful for the knowledge that every human being has in them a true spark Only some don't care or are too busy Or let their dreams be squashed or didn't have the fuel to burn in the first place I am thankful for the holy beat poets Kerouac and Ginsberg I am thankful for the poet saints Rimbaud and Lorca And I am thankful for my saints of folk music Bob Dylan and Woody Guthrie shaped me long before any of this But all in all I am thankful for the holy ghost of Carl Sandburg Without him I would not be writing this poem or any I am thankful that these poems allow me to say what I need to I don't expect my words to be recited at weddings or funerals But I don't mind because both atmospheres depress me just the same I am thankful for every trail I have walked I am thankful for every breath of Rocky or Appalachian air ever to enter my tragic lungs I am thankful for the bonfires I have lit I am thankful for the sticks that snap in my hands and leave scrapes that bleed only enough to remind me that I'm alive I do not need such reminders but it's always a nice thing to have I am thankful for every lost love Whether I disappointed them or ****** them off is no matter All that matters is that there is humility I am thankful for the fact that these lost loves are leading Completely happy lives with or without me Knowing someone's happiness is dependent on me is a responsibility I cannot bear I am thankful for this typewriter It was my grandfather's when he was my age He passed away two years ago on the week of Thanksgiving He was born that week too And it isn't pilgrims or stuffing that help me to feel thankful It's the people like him
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Nov 29, 2015
Nov 29, 2015 at 2:19 AM UTC
Thanksgiving (Two Days Late)
I am thankful for the mountains I am thankful for the music that comes from the mountains I am thankful for every fire that is lit by nothing more than the embers of a fire that raged before it Only these fires can truly comprehend what it is like to suffer and be born again I am thankful for the knowledge that every human being has in them a true spark Only some don't care or are too busy Or let their dreams be squashed or didn't have the fuel to burn in the first place I am thankful for the holy beat poets Kerouac and Ginsberg I am thankful for the poet saints Rimbaud and Lorca And I am thankful for my saints of folk music Bob Dylan and Woody Guthrie shaped me long before any of this But all in all I am thankful for the holy ghost of Carl Sandburg Without him I would not be writing this poem or any I am thankful that these poems allow me to say what I need to I don't expect my words to be recited at weddings or funerals But I don't mind because both atmospheres depress me just the same I am thankful for every trail I have walked I am thankful for every breath of Rocky or Appalachian air ever to enter my tragic lungs I am thankful for the bonfires I have lit I am thankful for the sticks that snap in my hands and leave scrapes that bleed only enough to remind me that I'm alive I do not need such reminders but it's always a nice thing to have I am thankful for every lost love Whether I disappointed them or ****** them off is no matter All that matters is that there is humility I am thankful for the fact that these lost loves are leading Completely happy lives with or without me Knowing someone's happiness is dependent on me is a responsibility I cannot bear I am thankful for this typewriter It was my grandfather's when he was my age He passed away two years ago on the week of Thanksgiving He was born that week too And it isn't pilgrims or stuffing that help me to feel thankful It's the people like him
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35
heartbreak parallel to eye without razor sobbing wet leaves pressed in a book will not dry next tears do not outlive themselves discovery for another generation still when in doubt quote rimbaud no verbs no more choosing the vowel “o” that i’m not going to remember again
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6.9k
graffiti
The short-order cook and the dishwasher argue the relative merits of Rilke’s Elegies against Eliot’s Four Quartets, but the delivery man who brings eggs suggests they have forgotten Les fleurs du mal and Baudelaire. The waitress carrying three plates and a coffee *** can’t decide whom she loves more— Rimbaud or Verlaine, William Blake or William Wordsworth. She refills the rabbi’s cup (he’s reading Rumi), asks what he thinks of Arthur Whaley. In the booth behind them, a fat woman feeds a small white poodle in her lap, with whom she shares her spoon. "It’s Rexroth’s translations of the Japanese," she says, "that one can’t live without: May those who are born after me Never travel such roads of love." The revolving door proffers a stranger in a long black coat, lost in the madhouse poems of John Clare. As he waits to be seated, the woman who owns the place hands him a menu in which he finds several handwritten poems By Hafiz, Gibran, and Rabindranath Tagore. The lunch hour’s crowded— the owner wonders if the stranger might share my table. As he sits, I put a finger to my lips, and with my eyes ask him to listen with me to the young boy and the young girl two tables away taking turns reading aloud the love poems of Pablo Neruda.
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4.9k
The Diner
"Boy were we wrong!  We're the oddball.  We're the freaks." --- Dr. Michio Kaku We looked at trillions of those stars and knew, that somewhere out there was another Planet Blue. Those were not canals we saw on Mars; optical illusions, lensed figment memoirs. Stare into trillions, space mind overwhelms. Rimbaud entrapped in countless ethereal realms. Not the goal of evolution, merely happenstance, the search for elsewhere leads a merry dance. Planets a dime a dozen, yet no Goldilocks Zone produces signals bearing SETI transient tones. Birds more subtly impact our lives, than do the aliens our universe provides.
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Aug 14, 2018
Aug 14, 2018 at 1:16 AM UTC
Royal Blue Unique
Ophelia...smote egress, you are Rimbaud's: "Drunken Boat". The river you fell asleep upon found you a sea. Your bones knew no seabed--poppies, marigolds, orchids, black roses fill your eye sockets, mouth and rib cage. You substantiate what color the sea may give your lay. Its foamy waddle has signaled you to one too many climes...an orison broke open. What strain of tragedy now holds you, spine on depth, eye sockets on sky? You dove headlong into the Shakespearean maelstrom-- where mortal coil confounds, chin-up darling. Great winds fish-scale your waters, only to invert their maw. There are lines daily of sea's breadth, whereupon its creatures come single file to kiss your bone. Ophelia...wrested from river to sanguine sea, shedding trails of flesh. If bones were the eye of a needle...you've pulled through, heir to tragedy--circumnavigating your infamy.
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Nov 1, 2013
Nov 1, 2013 at 10:25 AM UTC
Ophelia and Rimbaud
Il pleure dans mon coeur (“It rains in my heart”) by Paul Verlaine loose translation/interpretation by Michael R. Burch It rains in my heart As it rains on the town; Heavy languor and dark Drenches my heart. Oh, the sweet-sounding rain Cleansing pavements and roofs! For my listless heart's pain The pure song of the rain! Still it rains without reason In my overcast heart. Can it be there's no treason? That this grief's without reason? As my heart floods with pain, Lacking hatred, or love, I've no way to explain Such bewildering pain! Published by Better Than Starbucks Paul-Marie Verlaine (1844-1896) was a French poet and a prominent figure in the Symbolist and Decadent poetry movements. Verlaine has been called "one of the most purely lyrical of French poets."  Keywords/Tags: Verlaine, French, translation, rain, languor, heart, treason, reason, pain, hatred, love, Arthur Rimbaud Ophélie (“Ophelia”), an Excerpt by Arthur Rimbaud loose translation/interpretation by Michael R. Burch On pitiless black waves unsinking stars abide ... while pale Ophelia, a lethargic lily, drifts by ... Here, tangled in her veils, she floats on the tide ... Far-off, in the woods, we hear the strident bugle’s cry. For a thousand years, or more, sad Ophelia, This albescent phantom, has rocked here, to and fro. For a thousand years, or more, in her gentle folly, Ophelia has rocked here when the night breezes blow. For a thousand years, or more, sad Ophelia, Has passed, an albescent phantom, down this long black river. For a thousand years, or more, in her sweet madness Ophelia has made this river shiver.
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Mar 28, 2020
Mar 28, 2020 at 2:13 AM UTC
Paul Verlaine translation "It rains in my heart"
Il pleure dans mon coeur (“It rains in my heart”) by Paul Verlaine loose translation/interpretation by Michael R. Burch It rains in my heart As it rains on the town; Heavy languor and dark Drenches my heart. Oh, the sweet-sounding rain Cleansing pavements and roofs! For my listless heart's pain The pure song of the rain! Still it rains without reason In my overcast heart. Can it be there's no treason? That this grief's without reason? As my heart floods with pain, Lacking hatred, or love, I've no way to explain Such bewildering pain! Published by Better Than Starbucks Paul-Marie Verlaine (1844-1896) was a French poet and a prominent figure in the Symbolist and Decadent poetry movements. Verlaine has been called "one of the most purely lyrical of French poets."  Keywords/Tags: Verlaine, French, translation, rain, languor, heart, treason, reason, pain, hatred, love, Arthur Rimbaud Ophélie (“Ophelia”), an Excerpt by Arthur Rimbaud loose translation/interpretation by Michael R. Burch On pitiless black waves unsinking stars abide ... while pale Ophelia, a lethargic lily, drifts by ... Here, tangled in her veils, she floats on the tide ... Far-off, in the woods, we hear the strident bugle’s cry. For a thousand years, or more, sad Ophelia, This albescent phantom, has rocked here, to and fro. For a thousand years, or more, in her gentle folly, Ophelia has rocked here when the night breezes blow. For a thousand years, or more, sad Ophelia, Has passed, an albescent phantom, down this long black river. For a thousand years, or more, in her sweet madness Ophelia has made this river shiver.
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36
stupid living boys and their hummingbird hearts. stupid dead boys and their lingering stares. supermarket polaroids, cold apartment poetry, faded glassy eyes, ***** fingernails.
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Feb 22, 2015
Feb 22, 2015 at 6:58 PM UTC
Saudade for Rimbaud
I suppose if the arts had any real power Michaelangelo's David could have healed my brother Rimbaud could have saved Hiroshima Monet could have painted the world in shades of peace Desiderata could have protected me But this is the real world And where poetry once grew comes the art of fabrication Dali's obras are no longer enough to make me forget Moonlight Sonata never warned me of this hurt The waltz never healed a broken family I suppose if the arts had any real power Beethoven wouldn't have gone deaf Van Gogh would have been happy Hemingway would have loved better And Ginsberg wouldn't have been afraid to love Yet here they all are When the only light I see is on hundred year old canvas When the only solace I have is a dead man's words When the only thing that keeps my heart thundering Is the promise of a Boticelli ending in Picasso figures All colors, beauty, light and metaphors The promise of a Renaissance gleaming in the ashes of prose This is the real world I suppose if the arts had any real power It would heal more than just my heart It would build me a new Garden of Eden And I'd pave a way to nirvana So the world could join hands And start anew But it's saved me for now That is enough.
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Sep 5, 2016
Sep 5, 2016 at 6:26 AM UTC
If Art Was A Messiah
Spleen by Paul Verlaine loose translation/interpretation by Michael R. Burch The roses were so very red; The ivy, impossibly black. Dear, with a mere a turn of your head, My despair’s flooded back! The sky was too gentle, too blue; The sea, far too windswept and green. Yet I always imagined―or knew― I’d again feel your spleen. Now I'm tired of the glossy waxed holly, Of the shimmering boxwood too, Of the meadowland’s endless folly, When all things, alas, lead to you! Paul-Marie Verlaine (1844-1896) was a French poet and a prominent figure in the Symbolist and Decadent poetry movements. Verlaine has been called "one of the most purely lyrical of French poets."  Keywords/Tags: Verlaine, French, translation, spleen, roses, ivy, despair, sky, sea, blue, green, red, black, holly, boxwood, Arthur Rimbaud Ophélie (“Ophelia”), an Excerpt by Arthur Rimbaud loose translation/interpretation by Michael R. Burch On pitiless black waves unsinking stars abide ... while pale Ophelia, a lethargic lily, drifts by ... Here, tangled in her veils, she floats on the tide ... Far-off, in the woods, we hear the strident bugle’s cry. For a thousand years, or more, sad Ophelia, This albescent phantom, has rocked here, to and fro. For a thousand years, or more, in her gentle folly, Ophelia has rocked here when the night breezes blow. For a thousand years, or more, sad Ophelia, Has passed, an albescent phantom, down this long black river. For a thousand years, or more, in her sweet madness Ophelia has made this river shiver.
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Mar 28, 2020
Mar 28, 2020 at 2:17 AM UTC
Paul Verlaine translation "Spleen"
Spleen by Paul Verlaine loose translation/interpretation by Michael R. Burch The roses were so very red; The ivy, impossibly black. Dear, with a mere a turn of your head, My despair’s flooded back! The sky was too gentle, too blue; The sea, far too windswept and green. Yet I always imagined―or knew― I’d again feel your spleen. Now I'm tired of the glossy waxed holly, Of the shimmering boxwood too, Of the meadowland’s endless folly, When all things, alas, lead to you! Paul-Marie Verlaine (1844-1896) was a French poet and a prominent figure in the Symbolist and Decadent poetry movements. Verlaine has been called "one of the most purely lyrical of French poets."  Keywords/Tags: Verlaine, French, translation, spleen, roses, ivy, despair, sky, sea, blue, green, red, black, holly, boxwood, Arthur Rimbaud Ophélie (“Ophelia”), an Excerpt by Arthur Rimbaud loose translation/interpretation by Michael R. Burch On pitiless black waves unsinking stars abide ... while pale Ophelia, a lethargic lily, drifts by ... Here, tangled in her veils, she floats on the tide ... Far-off, in the woods, we hear the strident bugle’s cry. For a thousand years, or more, sad Ophelia, This albescent phantom, has rocked here, to and fro. For a thousand years, or more, in her gentle folly, Ophelia has rocked here when the night breezes blow. For a thousand years, or more, sad Ophelia, Has passed, an albescent phantom, down this long black river. For a thousand years, or more, in her sweet madness Ophelia has made this river shiver.
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31
As a young man, I was always obsessed By melancholy. I saw deep sadness, The quality That so tormented my heroes, Such as Arthur Rimbaud, And Montgomery Clift, As glamorous and romantic, But it’s not… It’s not remotely romantic, When you yourself are adrift, And weighed down, By a multitude of woes.
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Jun 29, 2015
Jun 29, 2015 at 3:59 AM UTC
A Multitude of Woes
The Rimbaud flows incessantly The moonlit garden shrieks and howls The pictures glow incandescently Sweat beads marching down their brows A fruitful sun will bring clarity A mistreated boy laughs at you A new day re-born without sanity Accepting rough beauty through and through 39 days remain Don't eat at the dirt Eat at the sound The smell of a coming rain Wash my stains up from the ground Your lost and found Your picket lines We be all skinned men from our hides.
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Oct 25, 2012
Oct 25, 2012 at 6:25 PM UTC
Night Artificial
eating breakfast on a beaten girl's face she ignites when you take it she glows in her faith with gold and blue phalange atop sleekest new marrow she is clear raincoats and black body polish she is siamese cats asleep on a windowsill she is the rusted remains where the ices draw narrow she is reading rimbaud and drowning brian jones the swan's neck upper reach is steady with guilt engraved with your initials a monogrammed friese on white marble quilt
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Oct 26, 2013
Oct 26, 2013 at 11:19 PM UTC
crumbling the antiseptic beauty / goldmine trash
Porque me ven la barba y el pelo y la alta pipa dicen que soy poeta..., cuando no porque iluso suelo rimar -en verso de contorno difuso- mi viaje byroniano por las vegas del Zipa..., tal un ventripotente agrómena de jipa a quien por un capricho de su caletre obtuso se le antoja, fingirse paraísos...! ¡al uso de alucinado Poe que el alcohol destripa!, 1 de Baudelaire diabólico, de angelical Verlaine, de Arthur Rimbaud malévolo, de sensorial Rubén, y en fin... ¡hasta del Padre Víctor Hugo omniforme...! ¡Y tánta tierra inútil por escasez de músculos! ¡tánta industria novísima! ¡tánto almacén enorme...! Pero es tan bello ver fugarse los crepúsculos... 2
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1.5k
Tergiversaciones
[Untukmu di Langkawi, 26 Jun 2018] Beratus-ratus retakan kaca tidakkan pernah imbang neraca betapa berat hatiku menunggu detik-detik tak berpenghujung beribu-ribu detakan hati takkan pernah akan ku lari biar Bukowski dengan kebuntuan biar Rimbaud dengan ketidaktentuan akan hanya ada dirimu dalam laci yang penuh dengan kepastian. Berbatu-batu kau ke utara begitulah rasa ini terawang-awang di udara.
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Jun 27, 2018
Jun 27, 2018 at 7:21 AM UTC
Penuh Kepastian
Jim Morrison is alive and well I found him in some juke joint cantina Down in the deserts of southern America He was sitting in a dimly lit Booth in the corner of the room Digging on some blues band blowing blues And nursing a bottle of whiskey like a pro Slowly channeling the shaman within his soul As I approached in dumbstruck awe He waved me to take a seat on the bench Adjacent to where he himself sat We ate from a plate of enchiladas and ten-cent tacos And spoke of the poetry of Rimbaud and Baudelaire He dreamed a dream where he and Kerouac Took a trip from France to San Francisco And read volumes of poetry books From famous beat authors And reminisced about their pasts as famous men We continued to allow the whiskey To slither like serpents down our throats As ancient poems sauntered back up Like lyrical word ***** I told him of a dream where he and I Ate off a plate of enchiladas and ten-cent tacos In some southern American juke joint cantina Listening to joyously lamented blues And discussing the great poets of the past We laughed and had a great time As the Doors of our perception Bled poetic verses of imagination When the night was over And the dawn began to arrive We parted ways with many thanks And a hugging hand-shake He went his way Off into the the waiting sun A Lizard King in celebration And I went mine Off into the depths of shadow Taking a late moonlight drive
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Oct 23, 2011
Oct 23, 2011 at 11:34 AM UTC
The Doors Of Our Perception
Why are we conscious? Why life? The universe infinite flux Epic Smashing parts together Brains splattered by speeding bullets Simple physics Described in abstract numbers Sublime It’s so plain So regular How Life is extinguished without emotion In an instant Unseen and unremembered Why did we even bother? To become conscious at all To perceive futilely the world And despair in the flux Anguish in the face Of pure entropy Absurdity is the only legitimate feeling And yet there are so many more Why? I want to know! Why this fait? Why could I not be a chair? Simply sitting, never thinking the thoughts My bane and my bone My plagued thoughts In pursuit of clarity Like a sore that would go away If you would Just Stop Picking it
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Jun 5, 2014
Jun 5, 2014 at 2:14 PM UTC
Sartre, Rimbaud, Stenson
alas, i've heard it asked: how can we write poetry after Auschwitz? i don't know. and prose? i don't know: gone mad the whole world implodes and dips its dove's foot into my purple brow: in a dream, ink erupts from under my dirt encrusted fingernails and it is the transubstantiation of my rainbow stained blood, and the void was flooded: what's a word? more than i—more than i can show. how did they write poetry after colonialism? after other slaves and other genocides? i don't know. Rimbaud traded in slaves, and, before his fury, wrote masterpieces... perhaps its obvious; a bad pun, to help us cope, —he even left the path to his divinity, but all this has nothing to do with anything—. perhaps every genocide needs its herald poets. and the rest, how did they write? i don't know. perhaps it was not their concern; they desired to write, and there, they did not give way, and so were right. and is it the same with us, as we write through the screams of the however many millions coming from Congo and from however many other scenes similar? i— perhaps i do not need to know, perhaps, in fact, i cannot write poetry. if i'm to try, it pertains to me to be of use in case this comes to a fight. and life, if life is drama, then there will always be roles: there will always be the part of the villain that needs playing, an immortal space to be filled by actor after actor, we cannot stop them, we cannot stop them; our enemy is a hydra's head! the task, then, is to re-write the script! ad lib won't cut it! cast away your hope, boredom and wonder: we'll need fire and a pen mightier than a golden sword, and softly spoken words that can split history asunder.
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Aug 14, 2015
Aug 14, 2015 at 9:29 PM UTC
"let justice be done, though the heavens fall"
alas, i've heard it asked: how can we write poetry after Auschwitz? i don't know. and prose? i don't know: gone mad the whole world implodes and dips its dove's foot into my purple brow: in a dream, ink erupts from under my dirt encrusted fingernails and it is the transubstantiation of my rainbow stained blood, and the void was flooded: what's a word? more than i—more than i can show. how did they write poetry after colonialism? after other slaves and other genocides? i don't know. Rimbaud traded in slaves, and, before his fury, wrote masterpieces... perhaps its obvious; a bad pun, to help us cope, —he even left the path to his divinity, but all this has nothing to do with anything—. perhaps every genocide needs its herald poets. and the rest, how did they write? i don't know. perhaps it was not their concern; they desired to write, and there, they did not give way, and so were right. and is it the same with us, as we write through the screams of the however many millions coming from Congo and from however many other scenes similar? i— perhaps i do not need to know, perhaps, in fact, i cannot write poetry. if i'm to try, it pertains to me to be of use in case this comes to a fight. and life, if life is drama, then there will always be roles: there will always be the part of the villain that needs playing, an immortal space to be filled by actor after actor, we cannot stop them, we cannot stop them; our enemy is a hydra's head! the task, then, is to re-write the script! ad lib won't cut it! cast away your hope, boredom and wonder: we'll need fire and a pen mightier than a golden sword, and softly spoken words that can split history asunder.
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36
tactile touching a severed caress a withered arrangement the sort that belongs to an abstract expressionist painting suspended for all time like a contemplated constrictor who has asked why he wishes to split his personality in three but has been denied an answer instead gazes upon the disunity of his vision
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Feb 16, 2013
Feb 16, 2013 at 2:09 PM UTC
Rimbaud in Brussels
Unfettered falsehoods that lure by practice of pretense Make subject to a tyranny of questionable inquisitions That claim themselves both by treaty and inheritance Pursue with a vigor blind narcoleptic dancers with a ferocity That embalms the bones with the tears of a million fans Who in such tragedy represent that image and behold him His limb freshly bleeding reading his words in lamentation
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Jul 25, 2012
Jul 25, 2012 at 6:07 PM UTC
Arthur Rimbaud Recalled
Was Annabelle just a woman in Poe’s dream? Was there really an angel on Janet Frame’s wooden table? Did Emily Dickinson really wear white for the rest of her life? Was Dante just a bitter ***** to tell people about a red man with horn’s on his head Didn’t think it was Halloween too soon on the corner of his calendar I resembled all the traits these writer’s made of their spoken lives just like Bukowski If he did live in many rooms and lost his brain cells in bottles Maybe in the afterlife Burroughs will give me pointers on drugs along with Thompson. Meeting Rimbaud ask him if he ever was in the closet. Took an eyeful of literature before high school, made friends with boozers, losers and psychopaths. Don’t quote me because I cherish them so much I know I’ll try to make it like them soon, dead yet my heroes they remain alive WRITE ME OFF WRITE ME OFFF Write me down there’s no pen and papers around scrawl on the wall have a purpose to write them all
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Jun 15, 2014
Jun 15, 2014 at 9:43 AM UTC
literature heroes
I often write my poems too fast And the emotion gets passed by In a rush to be finished I gotta remember I'm not Jack I can't write on a continuous scroll In a Benzedrine blur I wish I could read my poems With a jazz backing band I keep a terrible rhythm alone And when I'm in my car Listening to Thelonious Monk, The Jazz King of my heart, My voice has this growl of feeling But when I'm on that stage With the mic staring back at me I hesitate It doesn't come out right It doesn't sound like I rehearsed it In my bed late at night Or on those countless car trips Oh I wish I could take that car Gun it down an empty highway Windows down Air rushing in And the Miles Davis trumpet Screaming for me to go Go Go I want to write about more Than just how I'm feeling My hero Woody Guthrie said "All you can write Is what you see" But I've spent too much time Looking in the mirror When I should be looking out the window But the window reveals my reflection all the same I can never truly escape my self But still I write I know they are in me The true holy poems And maybe they won't be howling And maybe they will never have been to Chicago And maybe they don't know any Rimbaud or Garcia Lorca And maybe they can't sing the blues But when it is all said and done No matter what they are They're all I've got And you can never hate something like that
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Sep 21, 2015
Sep 21, 2015 at 11:28 PM UTC
A Good Night For Self Reflection
~for Rimbaud The same rules you lived out still apply: Drink too much. Take drugs. Sleep with too many women. Drink too much. Be irresponsible. Squander your money. Drink too much. Hurt those who love you. Drive them away. Drink too much. Overdose on silence. Drown in solitude. Drink too much. Ignore consequences Go quite mad. Drink too much. And then, of course, die young.   - mce
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Jan 6, 2016
Jan 6, 2016 at 6:59 AM UTC
Poet's Handbook
Divinity of the Day lets me think I’m in the sky But that’s alright, like to go about this blind Exiled darling wandering in the summer blessedly long Divinity of the Day, my whispered prayer through the dark God, that enthralled you read in a raindrop before it hits the ground sunset boulevard torch, is up one of these bends, waved in night West Hollywood Rimbaud, feathers falling into my hair, dressed in invention’s favorite mood with my roadhouse sheet music written of my life’s inspiration adorned walls, slightly cold I was lost but playing it off, until my racing heart reached time future and said, soul adored believe what’s in store dose to help you forget and live Harp in hand, each step how it rings scammed and scorched no lying that all this running leads to hardly breathing There’s smoke around you drifting into an image faithful to the vast, wild west bravely standing despite the emptiness as if guided, divinely guided with my diamond focus on the garden path of the muse, open, aware just walking through, even confused, you mean my images of paradise were drawn in too permanent as the myths, placards of legends Beaming with a strange and frightening beauty from chasing the lights that ascent into the heavens dreamy, daring, absurdly hoping, all the read claiming Lord knows, enamored with you, so take these pretty copper arrows good for aiming up beyond, that remind me, been on my own so long
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Apr 24, 2019
Apr 24, 2019 at 5:01 PM UTC
Roadhouse Sheet Music
You'd think Blake, Bosch & Emanuel Swedenborg read Pythagoras in the original & walked with Christ & Newton; E. A. Poe, the Horror-Poet; influencing the Decadence of Baudelaire, Wilde & Rimbaud;                   Pinkham Ryder's influence on Symbolism & Surrealism led, oddly, to 20th century pop culture depictions of Victorian monsters; Frankenstein was the product of the English Romantics; German Romanticism to Sturm & Drang led to Expressionism. Beardsley [dead at 25], Gustave Moreau, Van Gogh, Gauguin, Egon Schiele [dead at 28]; ||| - -| Klimt, Freud, Jung: Judaism; Id, Superego, Ego, Shadow, Anima & Animus, collective psyche, Nietzsche's Superman, eternal recurrence & will to power; Wagner's Ring Cycle...
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Jan 18, 2019
Jan 18, 2019 at 1:56 PM UTC
Victorian Monsters of Pop Culture
She takes the heart of Men barley brave slightly handsome and solemnly gay the world is bare like the shaven private parts of **** stars of young women young men I am not the average white male Kansas Kansas Chanting ridiculous church hymns pray preach till we are dull till the snow till the rain till the tornado is nothing till the insects on the bathroom floor are neither welcomed or shouted at but rather acknowledged in a monk-like-state of unforgiving in-ability to think The insects and the dishes and the plastic wrappers and the condoms and the heart beats that climb through broken television shop windows scratching their scalps with glass and tiny tear drop like rain drops from a cloud trickle like wet make up down faces Folklore Folklore Heavenly father ****** Texas Heat Indian Skin Father oh Holy Father Teaching the hairy poet the wooden antique poet the stolen gift from an Oklahoman fuel station poet Oh How You Taught the poet How to steal How to envision the future To trust the gut To trust women too much To wear nice clothes To Drink cold night beer walking down a lightless road in a strange blue memory flash of either texas or Mars Holy Father Teacher Monk Addict You had it right You Coulda' been a great singer or a poet or a dancer or a play writer or a guitar player or a piano builder You had the self destruction well completed You have me beat Now I sit around listening to the scratched up Vinyls warping and turning like fine black women swing dancing their dresses in a symmetrical spin Now I sit around Reading Rimbaud analyzing the snow digging up Deer bones and skulls Now I sit around my pores ingesting the sounds of birds pianos and fast heart beats.
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Mar 24, 2013
Mar 24, 2013 at 5:43 PM UTC
Folklore
She takes the heart of Men barley brave slightly handsome and solemnly gay the world is bare like the shaven private parts of **** stars of young women young men I am not the average white male Kansas Kansas Chanting ridiculous church hymns pray preach till we are dull till the snow till the rain till the tornado is nothing till the insects on the bathroom floor are neither welcomed or shouted at but rather acknowledged in a monk-like-state of unforgiving in-ability to think The insects and the dishes and the plastic wrappers and the condoms and the heart beats that climb through broken television shop windows scratching their scalps with glass and tiny tear drop like rain drops from a cloud trickle like wet make up down faces Folklore Folklore Heavenly father ****** Texas Heat Indian Skin Father oh Holy Father Teaching the hairy poet the wooden antique poet the stolen gift from an Oklahoman fuel station poet Oh How You Taught the poet How to steal How to envision the future To trust the gut To trust women too much To wear nice clothes To Drink cold night beer walking down a lightless road in a strange blue memory flash of either texas or Mars Holy Father Teacher Monk Addict You had it right You Coulda' been a great singer or a poet or a dancer or a play writer or a guitar player or a piano builder You had the self destruction well completed You have me beat Now I sit around listening to the scratched up Vinyls warping and turning like fine black women swing dancing their dresses in a symmetrical spin Now I sit around Reading Rimbaud analyzing the snow digging up Deer bones and skulls Now I sit around my pores ingesting the sounds of birds pianos and fast heart beats.
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