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"ragtime" poems
White folks: pack your bags and go. Our nut-brown world is quite offended. Make your shame-faced exit NOW, And leave your mansions unattended. Wait—before you pass the doors, It's time to settle ethnic scores. No more ragtime Minstrel Show. Our Moorish Science took it down. Black lives matter. White, less so— Now move your pale face out of town . . . But first, shell out for racial shame Caucasian losers of the game. Cultural pride is ours alone: Kings and Egyptian queens we were. The glories of our race, well-known Bedazzle in a darkened blur (Clear to Africa's descendants— Puzzling to you white dependents). Blackness lent your world its light, Taught the Dutch to tend those flowers. Scandinavia grew bright Under our beneficent powers. Negroes gave your blondes their beauty; Helped those Norsemen shake their ***** The Seven Wonders of the world: We built them all. No vain conjecture Dims our banner, black, unfurled, Above eternal architecture. Arts and knowledge gained from us Are what we threaten to discuss. We invented math and science Which you robbed from Timbuktu. Swarthy wisdom's brave defiance Caused Old Europe to renew. All our treasure that you plundered Testifies: your days are numbered. Classics of our Greeks you stole: Philosophy was never yours. Shame upon your racist soul; For Bach and Mozart both were Moors. Misappropriated treasures call for ruthless hard-line measures. Latino fate falls next—but, where ? Jews, Turks, and Arabs: are you. . . white ? Orientals everywhere: Choose your side and join the fight. Blackness rising! Late the hour; Heed your call to fight the power. Crackers need to check your race— Stop rooting for that ****** clown. Rednecks all up in our face; Racist throwbacks got us down. But as your statues bite the dust Your light goes dark (you know it must). So move on out, oppressor, thief. Long have you held our nation back. In some white galaxy seek relief— But here the light itself is black. Stars are racist. So is the sun. Now let God's great black will be done.
0
Sep 23, 2017
Sep 23, 2017 at 12:03 PM UTC
Betting on the Races
White folks: pack your bags and go. Our nut-brown world is quite offended. Make your shame-faced exit NOW, And leave your mansions unattended. Wait—before you pass the doors, It's time to settle ethnic scores. No more ragtime Minstrel Show. Our Moorish Science took it down. Black lives matter. White, less so— Now move your pale face out of town . . . But first, shell out for racial shame Caucasian losers of the game. Cultural pride is ours alone: Kings and Egyptian queens we were. The glories of our race, well-known Bedazzle in a darkened blur (Clear to Africa's descendants— Puzzling to you white dependents). Blackness lent your world its light, Taught the Dutch to tend those flowers. Scandinavia grew bright Under our beneficent powers. Negroes gave your blondes their beauty; Helped those Norsemen shake their ***** The Seven Wonders of the world: We built them all. No vain conjecture Dims our banner, black, unfurled, Above eternal architecture. Arts and knowledge gained from us Are what we threaten to discuss. We invented math and science Which you robbed from Timbuktu. Swarthy wisdom's brave defiance Caused Old Europe to renew. All our treasure that you plundered Testifies: your days are numbered. Classics of our Greeks you stole: Philosophy was never yours. Shame upon your racist soul; For Bach and Mozart both were Moors. Misappropriated treasures call for ruthless hard-line measures. Latino fate falls next—but, where ? Jews, Turks, and Arabs: are you. . . white ? Orientals everywhere: Choose your side and join the fight. Blackness rising! Late the hour; Heed your call to fight the power. Crackers need to check your race— Stop rooting for that ****** clown. Rednecks all up in our face; Racist throwbacks got us down. But as your statues bite the dust Your light goes dark (you know it must). So move on out, oppressor, thief. Long have you held our nation back. In some white galaxy seek relief— But here the light itself is black. Stars are racist. So is the sun. Now let God's great black will be done.
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60
You’ve got your ragtime, got the blues Got country, rock, dubstep, each a different hue Hip-hop, rap, Americana, funk Disco, electronica, they all go bump Indie, groove, folk and heavy metal Screamo, emo, punk, they’re for the rebels Pop, classical, tribal, thrash Dark wave, bluegrass, techno, acid Garage, roots, acoustic, dance Alternative, jazz, ******** trance Afrobeat, christian, reggae, jam Honkey-tonk, surf, ska, big-band Ambient, industrial, club, tin pan alley But who’s ever heard of plow music?
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Jul 18, 2012
Jul 18, 2012 at 10:51 PM UTC
Plow Music
THIN sheets of blue smoke among white slabs ... near the shingle mill ... winter morning. Falling of a dry leaf might be heard ... circular steel tears through a log. Slope of woodland ... brown ... soft ... tinge of blue such as ***** eyes. Farther, field fires ... funnel of yellow smoke ... spellings of other yellow in corn stubble. Bobsled on a down-hill road ... February snow mud ... horses steaming ... Oscar the driver sings ragtime under a spot of red seen a mile ... the red wool yarn of Oscar's stocking cap is seen from the shingle mill to the ridge of hemlock and cedar.
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3.2k
Hemlock and Cedar
I have missed your company. Enveloped in strange faces, The only coterie I keep of late Is that of your overwrought descant. Oh, James Douglas. What happened to your dream? DO NOT DESPAIR, FRIEND The words you once transcribed Your intoxicating, Or was it intoxicated Ragtime Linger in the subconscious of a generation, an unnoticeable haversack Traveling Seeing Traveling Watching every ounce Of the determinate world Seeing Acting as The portmantoligism of my conscience And what is left of my intellect Until I realize that my Crippling loneliness, Is the only palatable fruit of disillusionment. See, Christine? Anybody can use big words to write about the 20th Century.
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Feb 17, 2013
Feb 17, 2013 at 11:38 PM UTC
The Lizard King
He thinks her little feet should pass Where dandelions star thickly grass; Her hands should lift in sunlit air Sea-wind should tangle up her hair. Green leaves, he says, have never heard A sweeter ragtime mockingbird, Nor has the moon-man ever seen, Or man in the spotlight, leering green, Such a beguiling, smiling queen. Her eyes, he says, are stars at dusk, Her mouth as sweet as red-rose musk; And when she dances his young heart swells With flutes and viols and silver bells; His brain is dizzy, his senses swim, When she slants her ragtime eyes at him. . . Moonlight shadows, he bids her see, Move no more silently than she. It was this way, he says, she came, Into his cold heart, bearing flame. And now that his heart is all on fire Will she refuse his heart's desire?-- And O! has the Moon Man ever seen (Or the spotlight devil, leering green) A sweeter shadow upon a screen?
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2.3k
Violet Moore And Bert Moore
****** a self bone love where only crystal skulls ***** in morphine harbors of youth. Penetrate the gentle pink dawn of dead days hanging - moon rising red mouth, half-open. Savor the metallic ******* ragtime of cold handsome lips. Razz the fluid glutted plop of fossil ***** Slip the light, hot licks, squid squirm tight snarl back to spread-eagle rising. Gnaw at the fresh goose-pimpled flesh in tribes of sweat crossing. See the green railwayed eyes, half-smile sprouting. Urge spasms to go slack, end-to-end like hair bellies over, shudders run- down one foot flutters, fluid waves drop. Flash on the swamp cypress relief as the **** sputters out and faded pink curtains heave. Allow the bring down roll. The two planes, silent park like some ***** bed repose.
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Sep 30, 2012
Sep 30, 2012 at 12:45 PM UTC
How to **** a Stranger
The tour group meandered through silent monuments of marble, limestone, and granite, both grandiloquent and pedestrian, both a signal of worldly prominence and all those left behind could scrape together on short notice. They stopped by the grave of a once-famed ragtime composer, the still resting place of a musician who had been all banging syncopation and boisterous clamor. The lyrics of his most famous song were etched onto the memorial lovingly in reverent tribute with the presumption of indelible finality. But the words were so blurred, so bled with the rot and rust of weather and neglect you could no longer make them out. Perhaps it was a simple failure to scrub the accursed headstone clean. Perhaps it was the inexorable stain of time that could never truly be lifted. In the end, it was all the same, all the same, the same freighted symbolism all the same.
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Oct 20, 2018
Oct 20, 2018 at 3:18 AM UTC
The Cemetery
All the policemen, saloonkeepers and efficiency experts in Toledo knew Bern Dailey; secretary ten years when Whitlock was mayor. Pickpockets, yeggs, three card men, he knew them all and how they flit from zone to zone, birds of wind and weather, singers, fighters, scavengers. The Washington monument pointed to a new moon for us and a gang from over the river sang ragtime to a ukelele. The river mist marched up and down the Potomac, we hunted the fog-swept Lincoln Memorial, white as a blond woman's arm. We circled the city of Washington and came back home four o'clock in the morning, passing a sign: House Where Abraham Lincoln Died, Admission Cents. I got a letter from him in Sweden and I sent him a postcard from Norway .. every newspaper from America ran news of "the flu." The path of a night fog swept up the river to the Lincoln Memorial when I saw it again and alone at a winter's end, the marble in the mist white as a blond woman's arm.
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1.7k
Potomac River Mist
He thinks her little feet should pass Where dandelions star thickly grass; Her hands should lift in sunlit air Sea-wind should tangle up her hair. Green leaves, he says, have never heard A sweeter ragtime mockingbird, Nor has the moon-man ever seen, Or man in the spotlight, leering green, Such a beguiling, smiling queen. Her eyes, he says, are stars at dusk, Her mouth as sweet as red-rose musk; And when she dances his young heart swells With flutes and viols and silver bells; His brain is dizzy, his senses swim, When she slants her ragtime eyes at him. . . Moonlight shadows, he bids her see, Move no more silently than she. It was this way, he says, she came, Into his cold heart, bearing flame. And now that his heart is all on fire Will she refuse his heart's desire?- And O! has the Moon Man ever seen (Or the spotlight devil, leering green) A sweeter shadow upon a screen?
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1.7k
Turns And Movies: Violet Moore And Bert Moore
He’s got natural rhythm, a girl in a red dress, a suit of clothes, a hat and a silk vest, A set of brogues, a packet of cigarettes, a 20 dollar bill with no regrets. He’s got a fast mouth, a slick deck of cards, chequered blues and a V8 ford; He’s got jazz, gospel, and ragtime too: a carpet bag and a jug for ***** Sheba, Sheba, Sheik! He’s got it, he’s got Jake, His feet will roam from town to town.   Sheba, Sheba, Sheik, Sheik! He’s the devil with a big black snake, Your feet may never leave this town; not alive anyway! For he’s on the board walk, She’s on the board walk, We’re on the board walk now! He’s got mojo, see him switch and walk, a winning smile, a stick of chalk, He’s a hot shot, man about town, his skin is sweet and his eyes are brown, He’ll strut that rooster, beat them gums, take cash or cheque before she comes. He’s got jazz, gospel, ragtime too, a carpet bag and a jug for ***** Sheba, Sheba, Sheik! He’s got it, he’s got Jake, His feet will roam from town to town,   Sheba, Sheba, Sheik, Sheik! He’s the devil and no mistake Your feet may never leave this town; not alive anyway! For he’s on the board walk, She’s on the board walk, We’re on the board walk now! Song Link: https://youtu.be/l5papPgYaBc
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Mar 6, 2018
Mar 6, 2018 at 6:53 AM UTC
Brother Jake
We sit together and talk, or smoke in silence. You say (but use no words) 'this night is passing As other nights when we are dead will pass . . .' Perhaps I misconstrue you: you mean only, 'How deathly pale my face looks in that glass . . .' You say: 'We sit and talk, of things important . . . How many others like ourselves, this instant, Mark the pendulum swinging against the wall? How many others, laughing, sip their coffee-- Or stare at mirrors, and do not talk at all? . . . 'This is the moment' (so you would say, in silence) When suddenly we have had too much of laughter: And a freezing stillness falls, no word to say. Our mouths feel foolish . . . For all the days hereafter What have we saved--what news, what tune, what play? 'We see each other as vain and futile tricksters,-- Posturing like bald apes before a mirror; No pity dims our eyes . . . How many others, like ourselves, this instant, See how the great world wizens, and are wise? . . .' Well, you are right . . . No doubt, they fall, these seconds . . . When suddenly all's distempered, vacuous, ugly, And even those most like angels creep for schemes. The one you love leans forward, smiles, deceives you, Opens a door through which you see dark dreams. But this is momentary . . . or else, enduring, Leads you with devious eyes through mists and poisons To horrible chaos, or suicide, or crime . . . And all these others who at your conjuration Grow pale, feeling the skeleton touch of time,-- Or, laughing sadly, talk of things important, Or stare at mirrors, startled to see their faces, Or drown in the waveless vacuum of their days,-- Suddenly, as from sleep, awake, forgetting This nauseous dream; take up their accustomed ways, Exhume the ghost of a joke, renew loud laughter, Forget the moles above their sweethearts' eyebrows, Lean to the music, rise, And dance once more in a rose-festooned illusion With kindness in their eyes . . . They say (as we ourselves have said, remember) 'What wizardry this slow waltz works upon us! And how it brings to mind forgotten things!' They say 'How strange it is that one such evening Can wake vague memories of so many springs!' And so they go . . . In a thousand crowded places, They sit to smile and talk, or rise to ragtime, And, for their pleasures, agree or disagree. With secret symbols they play on secret passions. With cunning eyes they see The innocent word that sets remembrance trembling, The dubious word that sets the scared heart beating . . . The pendulum on the wall Shakes down seconds . . . They laugh at time, dissembling; Or coil for a victim and do not talk at all.
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1.3k
The House Of Dust: Part 03: 09: Cabaret
We sit together and talk, or smoke in silence. You say (but use no words) 'this night is passing As other nights when we are dead will pass . . .' Perhaps I misconstrue you: you mean only, 'How deathly pale my face looks in that glass . . .' You say: 'We sit and talk, of things important . . . How many others like ourselves, this instant, Mark the pendulum swinging against the wall? How many others, laughing, sip their coffee-- Or stare at mirrors, and do not talk at all? . . . 'This is the moment' (so you would say, in silence) When suddenly we have had too much of laughter: And a freezing stillness falls, no word to say. Our mouths feel foolish . . . For all the days hereafter What have we saved--what news, what tune, what play? 'We see each other as vain and futile tricksters,-- Posturing like bald apes before a mirror; No pity dims our eyes . . . How many others, like ourselves, this instant, See how the great world wizens, and are wise? . . .' Well, you are right . . . No doubt, they fall, these seconds . . . When suddenly all's distempered, vacuous, ugly, And even those most like angels creep for schemes. The one you love leans forward, smiles, deceives you, Opens a door through which you see dark dreams. But this is momentary . . . or else, enduring, Leads you with devious eyes through mists and poisons To horrible chaos, or suicide, or crime . . . And all these others who at your conjuration Grow pale, feeling the skeleton touch of time,-- Or, laughing sadly, talk of things important, Or stare at mirrors, startled to see their faces, Or drown in the waveless vacuum of their days,-- Suddenly, as from sleep, awake, forgetting This nauseous dream; take up their accustomed ways, Exhume the ghost of a joke, renew loud laughter, Forget the moles above their sweethearts' eyebrows, Lean to the music, rise, And dance once more in a rose-festooned illusion With kindness in their eyes . . . They say (as we ourselves have said, remember) 'What wizardry this slow waltz works upon us! And how it brings to mind forgotten things!' They say 'How strange it is that one such evening Can wake vague memories of so many springs!' And so they go . . . In a thousand crowded places, They sit to smile and talk, or rise to ragtime, And, for their pleasures, agree or disagree. With secret symbols they play on secret passions. With cunning eyes they see The innocent word that sets remembrance trembling, The dubious word that sets the scared heart beating . . . The pendulum on the wall Shakes down seconds . . . They laugh at time, dissembling; Or coil for a victim and do not talk at all.
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55
My classy *** ragtime notes Can pound yo dub step trippin’ beats any day. You’re techno, I’m folk. You gotta wear neon to be seen. Man, they can see me from the moon. You spend two hours getting dressed I roll out of bed and still look this fly. Your hat points in a different direction than your nose. Mine is the same one my grandfather wore. Your pants are falling off your *** Mine are held up with suspenders. You try so hard. I kind of feel bad for you. Girl, you a fraud. And I’m the real deal. You tried to hide you’re in love with my guy. I kind of wanted to **** you. You kind of did me a favor. He was just as bad as you. Thanks for showing me That I can do better than Dub Step.
0
Jun 28, 2012
Jun 28, 2012 at 10:35 AM UTC
My Banjo Can Kick Your Synth Machine’s ***
He drinks it up, he drinks the **** like it’s water. There are faces, and files and they change with the seasons. The parking lot has never been this dim, but who forgot to turn on the lights? The friends who gave him trouble now just give him help. The scarred people seem little more than pawns in a game, and he must play them, but it’s not his choice. The mirror’s like a caricature, it provides more distance than closeness. I wished he could’ve seen his son being born, but. Somebody slams the table, **** something’s going on We got him, men we got him, we got him. Oh wait, oh wait, egg on our face, we got played, we got tricked this man is just black. “I want to prevail,” he says, “I’m no loser,” he says. He’s no quitter, but he sure ****** it up. The faces get twisted, now the eyes look the same. This won’t be the first time and it won’t be the last. He blames a lot on others, but he knows that persistence is infallible, like the pope. Nobody really trusts him now, he’s a bit of everything and everywhere. Heart’s in the right place, but where’s your heart? He keeps downing the brown **** keeps downing the liquids. “One day I’ll get him,” he says. “one day I’ll get the ******* At this point, he speaks for himself, for himself. Nobody, no one, nobody else. At dinnertime, he says, “sing me a song.” Relax is defeat, rest is charity, rest is A deep moral compromise. a loser needs a bed A winner needs a mug. he downs the **** He downs the **** god, he downs the **** like it’s water. OOGABOOGABOOGA i’ve got him in my sights He won’t see it coming he’ll be shocked as the rest A **** like that? no he wouldn’t see a barn. He didn’t say, didn’t see his own mother, his mother When he came out the womb. didn’t see **** I say, didn’t see **** SPIRAL espionage ELEGY sang now or never or ever again. RAINTIME odysseys left im babbling rancid The ragtime freaks giving him looks from the left of the sandbags, The night, the night, too long, too long, The night’s a ***** i can’t stay, i can’t stay to night’s a ***** i can’t stay with this ***** this ***** no take these ropes off this ***** ***** take these chains off i will, i will i, no you are you people you are ******* you are stupid ******* these are chains i am chained who why god
0
Oct 1, 2013
Oct 1, 2013 at 2:02 AM UTC
Coffee doesn't work
He drinks it up, he drinks the **** like it’s water. There are faces, and files and they change with the seasons. The parking lot has never been this dim, but who forgot to turn on the lights? The friends who gave him trouble now just give him help. The scarred people seem little more than pawns in a game, and he must play them, but it’s not his choice. The mirror’s like a caricature, it provides more distance than closeness. I wished he could’ve seen his son being born, but. Somebody slams the table, **** something’s going on We got him, men we got him, we got him. Oh wait, oh wait, egg on our face, we got played, we got tricked this man is just black. “I want to prevail,” he says, “I’m no loser,” he says. He’s no quitter, but he sure ****** it up. The faces get twisted, now the eyes look the same. This won’t be the first time and it won’t be the last. He blames a lot on others, but he knows that persistence is infallible, like the pope. Nobody really trusts him now, he’s a bit of everything and everywhere. Heart’s in the right place, but where’s your heart? He keeps downing the brown **** keeps downing the liquids. “One day I’ll get him,” he says. “one day I’ll get the ******* At this point, he speaks for himself, for himself. Nobody, no one, nobody else. At dinnertime, he says, “sing me a song.” Relax is defeat, rest is charity, rest is A deep moral compromise. a loser needs a bed A winner needs a mug. he downs the **** He downs the **** god, he downs the **** like it’s water. OOGABOOGABOOGA i’ve got him in my sights He won’t see it coming he’ll be shocked as the rest A **** like that? no he wouldn’t see a barn. He didn’t say, didn’t see his own mother, his mother When he came out the womb. didn’t see **** I say, didn’t see **** SPIRAL espionage ELEGY sang now or never or ever again. RAINTIME odysseys left im babbling rancid The ragtime freaks giving him looks from the left of the sandbags, The night, the night, too long, too long, The night’s a ***** i can’t stay, i can’t stay to night’s a ***** i can’t stay with this ***** this ***** no take these ropes off this ***** ***** take these chains off i will, i will i, no you are you people you are ******* you are stupid ******* these are chains i am chained who why god
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93
Beat backthe back beat. Drop right in. Ska reggae. Blues . Groove metal. Old ragtime. Trip but don't fall. Stride piano. Jump. At the savoy. Tight rythmic confusion.live the illusion. I walked past the Dunbar in days past. The doors were shuttered.. I heard fats' ivory twinkle. On central ave. Synche up. Or don't Just drop in Where you fit in. In front. In back. Up high or to the side. Groove. Baby. Groove.
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May 26, 2013
May 26, 2013 at 12:07 PM UTC
Sinkopayshun
The carpenters want a raise just to ***** the roof beams, for whom do they toll if not for their grapes of wrath, for me it's mutiny on the bounty, I'll see them all forty leagues under the sea, oh, the good earth, the rising sun, it's a leather stocking tale, Natty Bumppo, It's a wonder Alice, a pure wonder! Give me deliverance, from the common crowd that implores me to go tell it on the mountain, with the weather up there, i'd be gone with the wind as sure i'm a hand full of dust. a bride's maidenhead revisited, no, native sun, never let me go, for i am the power and the glory of the ragtime rabbit run.
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Jan 15, 2011
Jan 15, 2011 at 8:38 PM UTC
Titles, don't get me started
This ragtime band of crusading heroes, called upon to support the crux of contentious plot, designed to be ridiculed, ridiculed to be designed, holding the proportional strength of a thousand independents in their clutches as they march haphazardly onto silver screens, reimagining through a stencil the works of yesteryear, paying homage to homely men long unaccounted for, and damning the spark of imagination held at their conception.
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Nov 6, 2014
Nov 6, 2014 at 10:14 PM UTC
A League Of Marvels
I'm on the rag this evening No shame in my game On the rag ladies...my Hismones are raging Touchy as a wet hen P-Owed. Wanna scratch a mfkrs eyes out for breathing. Ahhh... sorry it's my  monthly. Yes we get balsy as haale. Gotta squash it cause Ragtime aint real. No free passes...can't say what we feel. Bully boy. Cant.keep.it real. Need a gallon of chocolate Iscream an a Chick flik... Naahhmean ? O.k think I'll just lock my door and cry. These feckin blue ball cramps are a turble thang. But when it's all said and done. I gotta let my nuts hang.
0
Jun 27, 2014
Jun 27, 2014 at 9:53 PM UTC
Man Rag
The song that was my life Rang such a simple tune Played by a four piece ragtime band The only song they knew But that was yesterday Because today is you Now the music of my life Is the sweetest of melodies Such an easy tune to hum This song of you and me I revel in who you are My everlasting symphony
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Mar 2, 2013
Mar 2, 2013 at 6:22 PM UTC
Everlasting Symphony
I pass the time with old ragtime blues my thoughts going back to the success of the good old beauty America the great, the bold, the unwavering its justice set by the terms of god giving it holy value and praise the place that created greats like Edgar the poet but now now we need to warn the duke the copper lady is akin to the harlot of Babylon she embody's the essence of this this nation which is now just a hollow husk of itself, but a mere silhouette of its former glory
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Sep 12, 2014
Sep 12, 2014 at 11:39 AM UTC
Lady Liberty
Where has that classic romantic gone? The one that writes lines of poetry on paper, on skin The soulful sway of the heart, taking out time to separate Away from the world Within the world Like the feel of music under the skin In the veins warbling its majestic tune against the chilled goose-flesh of feeling The heart on the sleeve On the chest In the mouth. Gravity its working against me Taking away my breath Collapsing my wild heart under the suffocating weight Of that ragtime dime That jaunting beat of social feet Pulling me against the current To a colder tune Something somber filled with the lonely blues.
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Feb 5, 2016
Feb 5, 2016 at 12:07 AM UTC
Feeling Like the Night At the Roxberry
Its a hard life Living on the outside Giving to the inside Looking for some kind of relief Standing on the corner With the ragtime mourner Playing taps on the grave of a thief The usher says to hush Or I'll ask you to leave Ragtime man says That's hard to believe I've come to play my music And that's what I'll do We all got our own way to grieve Its the right time To open up the doors And even up old scores And make sure you leave it all straight Standing at the river With the halftime giver Wondering if I waited too late The oarman says the poor man Gets to take the first ride Halftime man gets right on inside I came here with nothing And that's what I've got I AINT GOT NOTHIN TO HIDE Its a long wait Waitin on the beach Somethin just out of reach Somethin that I've had on my mind Riding on over With the same oar rower Wondering what it is that I'll find Rower says to show him Where he should go You're my guide Because only you know What it is that's made ... Made just for you JUST FOR YOU !
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Dec 30, 2015
Dec 30, 2015 at 1:37 AM UTC
Only you know
You popped up when my life was complicated. Instead of the spirit of depression, your spirit followed me around. I needed you Just like three meals a day; HardBop for Breakfast, Fusion for Lunch, Ragtime for a mini snack, Swing for an evening meal, Dixieland for a midnight party. At the time, I never knew you were there. I just knew it was okay for my soul to hurt. It was okay to be ******* up and to never be perfect. You weren't perfect. Both of our messes collided with each other and it fit.
0
May 27, 2015
May 27, 2015 at 8:17 PM UTC
Jazz
maple leaf ragtime dancing around the maypole tap the tree at dusk when dancers are sugar sweet syrup is very sticky
0
Jan 31, 2017
Jan 31, 2017 at 9:14 PM UTC
a tanka
Decadence layered like waves of fog swept up in a world class, wide range whirlpool road of autumnal glory, stained like gray day dream peaceful in its silence, soft in its simplicity however beneath that dream soaked ragtime sunrise there was the sharp cut of cold that seeps into your bones sealed with a padlock engraved in armored frost drained of summer sincerity Long have I lingered in morning's eyes swept into her breath and held in her mighty lungs holding the moment like a ripe apricot, which is to say gently, in both hands Though the moment lives in the light filtered through leaves I live in the dirt cut from beneath my fingernails, a warm leather jacket, pressed close to my chest, worn in the elbows I live in my own switchblade sky
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Oct 7, 2016
Oct 7, 2016 at 1:12 AM UTC
My switchblade sky