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toywill Aug 2013
Profile:
Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds.

Introduction of ****** makeup:
****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou.

Features:
****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized.

Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup.

http://www.toywill.com
I have enough treasures from the past
to last me longer than I need, or want.
You know as well as I . . . malevolent memory
won't let go of half of them:
a modest church, with its gold cupola
slightly askew; a harsh chorus
of crows; the whistle of a train;
a birch tree haggard in a field
as if it had just been sprung from jail;
a secret midnight conclave
of monumental Bible-oaks;
and a tiny rowboat that comes drifting out
of somebody's dreams, slowly foundering.
Winter has already loitered here,
lightly powdering these fields,
casting an impenetrable haze
that fills the world as far as the horizon.
I used to think that after we are gone
there's nothing, simply nothing at all.
Then who's that wandering by the porch
again and calling us by name?
Whose face is pressed against the frosted pane?
What hand out there is waving like a branch?
By way of reply, in that cobwebbed corner
a sunstruck tatter dances in the mirror.

Leningrad, 1960
Mateuš Conrad Aug 2016
when they write about existence i just think of:
blinking out of every instance -
snapshots of life, vibrating to
a culmination of sounds
preserved in the Bermudas,
or simply the overhaul of νεως
anywhere with internet access
and twitter account...
existential arguments: each
and every insistence exaggerated
and later gagged on...
just like i think of theatre and poetry:
i think of theatre as poetry on
the menopause...
theatre is poetry on menopause,
the last remaining depth of continued life
having a chance in the Darwinian cold
of absentee hearts and economic cheese
graters with broken bows playing
out-of-tune violins...
when they write the word existence,
i can't take them seriously,
they later come up with the somehow
happy alternative of what's called life...
such sad happiness when blue in green
opens up so lazily like 5 a.m. on the
Camden High Street in winter,
when it's still Armageddon bleak black
of ghosts chasing shadows into a
revenge against the grave...
some say you never really turn 30 when you
haven't bought Miles' Trafalgar Sq.
prior, meaning you lost out on being 30 when
you turn 40, and so on and so forth
in that Zeno paradox of two steps forward,
three steps back...
yes, the Grecian augmentation of the w...
less sharpened edges...
but still a Oui oh you... then a flamingo flamenco
with the teasing all blues...
i don't know...
whenever they write existence seriously
to later want it to underpin life as such,
i take their serious offensive on creating a
membrane of cushion and powdering and repeat
their seriousness, leaving life aside to
do its method on all of us:
existence - out of every instance... based or
biased as out every instance, the pickled gherkin
perseverance, persistence (dictionary mode),
out of every instance... a slaughtered bull
for pagan sacrifice meaning: insistence;
thus ex- instant into re- instant
i.e., out of (every) instant into a repeated instant -
that which we all keep secret,
that speciality of ours we do solo to keep
the nerve, to keep the homage, like
some did toward Catalonia... but in our own
very special way... it's not such a big
foreboding word after all...
it's rather mandible when the scalpel hyphen
cuts it open... just words, such words
that allow such things to take place...
cut life open... well... you end up with strife...
and that's what it is...
but at least cutting up the word existence provides
a bed, a cushion, some covers...
perhaps because of its etymology bias...
life is hardly up there in the etymological arithmetic
times table... cut the word life open... and you
get no game of words, no play, just the end result:
strife... but i would hardly attach
too much seriousness with the word existence,
as i already said but haven't:
the Cartesian maxim is subjective... it personally
relates a man's translation of life as pleasurable
with a pleasurable experience of thought alongside it...
true to say: physical exertion didn't give him
the biblical presence of work - harder for the mind
to make a sandwich that isn't there than for
the body to make a sandwich that is there...
hence the revision of Descartes: not that he was wrong,
he fooled everyone with a subjective statement
like an artist might create a piece of work...
because aren't there people out there that
experience the joys of life, but not that of thought?
while there are also those who experience more
joy from mere thought than from life itself
that joy of probing someone into action?
there are equal numbers of each...
and so translating thought into being he revealed
to me how translating ex- into re-
we can attribute a variant (metaphysical)
interpretation of the nadir of Einstein's parabola,
since we're no longer dealing with Newton's vector...
translating ex- to therefore mean re-,
we seek to guide ourselves toward that one
instant where all passions are lost...
or to put it more bluntly... ever watch the non-thinking
side of this? no? are you sure?
to translate ex- to therefore mean re-, never seen it?
never heard of drug addicts?
as in my case... it's not the addiction per se,
it's what i do with it that's leveraging me
to continue... i could have succumbed to
william styron's darkness visible -
but you see... i write while intoxicated...
the relaxation technique works simultaneously with
a chance to stretch my legs, and do what
the devil would have said regardless:
i make word of idle hand that would have
lifted a hammer... fair enough to the devil...
the devil makes work of idle hands...
well, idle hands make the devil into a caressed cat
when the mind excuses itself from idleness
that the body assumes, to later turn into a poker match.
Gene Wilder's ***** Wonka once asked me
to step into a world
of pure imagination
and I danced to his voice
of sugary imperfections.
The swelling strings drizzled
on top falsetto inflections
captured me childishly
with candy-coated attentions

But even the finest chocolate melts,
and I learned to let purity be
pushed by treacly lyrics
or stern midgets secure
in their fudge-topped zealotry.
It sifts too pretty for me,
powdering my grown-up
infatuations with petty
wants, getting a little messy

What I crave instead's stained-glass contraptions
to propel me past the stretches
of biblical proportion
where light and dark don't mix.
I'm no Idiot, good-hearted
in the veins of Fyodor
or Akira, and I can't see
beyond the pure tedium
of a blurredly driven snow

I like my mental drifts grime-choked and splotched
with some savory do
dropped in to dissolve flossy
confections to a salted soup
of imagined impurity.
This work is licensed under a Creative Commons Attribution 3.0 License.
judy smith Oct 2015
She is known to stand out from the crowd.

And Jessica Hart made sure all eyes were on her in a shimmering golden gown as she attended the God’s Love We Deliver, Golden Heart Awards at Spring Studio in New York on Thursday night.

The 29-year-old Australian beauty turned heads in the dazzling sequined mini dress as she oozed Hollywood glamour for the star studded event.

The former Victoria's Secret model showcased her trim and tanned pins in the shift dress which boasted long sleeves which Jessica rolled up to her elbows.

The dress featured a number of metallic hues including silver and bronze which perfectly matched her strappy silver high heels.

Proving why she is a catwalk favourite, the 1.77 metre tall statuesque stunner flashed her trademark gap-toothed grin for the cameras on the red carpet of the glittering A-list gala.

In-keeping with the graceful theme of her look, Jessica wore her luscious blonde locks in an elegant up do to showcase her striking ****** features.

She sported copper-coloured eye shadow which added to her glittering ensemble, while her flawless complexion was accentuated with a light powdering of foundation.

Jessica let her spotlight stealing dress speak for itself as she opted for minimal accessories, wearing just a single ring on her left hand and a pair of diamond encrusted stud earrings, whilst carrying a perspex clutch which contained her wallet and phone.

The supermodel attended the event solo as her boyfriend of three years, billionaire Stavros Niarchos III - was not at her side.

However instead, Jessica mingled with a handful of her model pals including Toni Garnn and Cameron Russell.

With long legs and a small waist, genetically blessed Jessica knows how to rock her enviable figure.

She recently opened up about her body in the October issue of Cosmopolitan Australia, revealing how she manages to stay in shape.

'I have a private trainer, he’s a Pilates teacher, a yoga teacher and a personal trainer all in one,' she admitted.

'And when I can’t work out I just try to eat a little less pasta!'

Meanwhile, Jessica lives with her beau Stavros in New York's trendy East Village, with rumours surfacing earlier this year that the pair were engaged.

But with no official word yet from the couple as to whether nuptials are impending, they seem happy living a relatively quiet life with their competing busy schedules.

Stavros famously dated Olsen twin Mary-Kate for several years, as well as controversial socialite Paris Hilton.

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-melbourne
mark fishbein Jul 2018
I have a problem...
A very serious problem.
I cannot talk to machines.

I try to reason with them,
But always go into a surrealistic episode
Ending with a tirade of foul insults.

A syrupy voice says with a British touch
"When you hear your choice please
Please say yes or press one,
Followed by the hashtag....”
I scream such ****** things!
But I cannot get the her angry.
Has she taken a Socratic oath?
Did she take some cyber LSD?

I say, “Hey babe, ever have an ******”
Y’know what she says to me,
That I’m being sexist.
“So you think, I mean really think
Of yourself as a woman? “
“I’m Cyber Gender,
No need to be mean.
Why do you hate me?
I don’t hate you.”

(Imagine some millennial programmer
Was hired for infuriating pleasantness!
They heard of  people like me, the old ones,
Pampering us like we emerged from a jungle
And would get lost in a supermarket).

The elevator asks me what floor,
And reminds me to have a nice day.
(O,  how I miss that operator man
Going up and down all his life,
With bad breath and body odors,
Dandruff powdering his uniform,
Saying something poetic about the baseball game...
Seeing us daily at our best and worst
He might say “have a good one,”
But only if he meant it.)

The self-pay check-out reminds me
“Please take your cell phone.”
Everyone near
Holds it like the battery
To their hearts.

I see the latest blockbusters of
Man versus the Androids.
Man always used to win.
Lately the screen writers prefer the robots.
(O, forgive me! AI.  My bad.
“Robots” are not PC! Lol, lol, lol...)  

How shall I proceed-  
They’ll lock me up if I’m not careful.
I’ve noticed the folks in power
Who have conversations with God  
Have no problem with Siri.

These malicious machines don’t get drunk.
They can never understand
There’s great empathy in human relationship
Even if the other person, like yourself,
Is not really listening.
The development of full artificial intelligence could spell the end of the human race….It would take off on its own, and re-design itself at an ever-increasing rate. Humans, who are limited by slow biological evolution, couldn’t compete and would be superseded.  Stephan Hawkins
You're in the bathroom powdering your nose
While a man in a tuxedo waits for you at the bar
Though it's not the shine you are trying to disguise
Or the scars you gave up trying to hide
One more inhale and you'll be fine
Exaggerations
Exaggerations clouded your head
You have retained more than you can control
And all the facts are scattered on the bed
Lingering on your pale flesh
Flushed and fragile
You need delicate hands to touch you
But you find only sandpaper in the night
Coarse, rough skin
Pressed against you
With the tuxedo mans lips kissing your ear-
Whispering into your head
The lights inside your mind dim as you begin to disappear
Until tomorrow-
Life's only a distant falsity

(C) Tiffanie Doro
chimaera Feb 2015
wintry sun,
brief,
byplay yard
shadowed in cold

and yet

powdering
golden tones,
drafting
a fire, a mirage.

heyday adjourned.

ethereal hibernaculum
of the light,
tilting floret in
full-blown decay.
16.2.2015
spysgrandson Aug 2012
we
all sit by the tree, waiting
taking a grave stroll now and then
seeking the moment
between past and future perfect
but all return to the tree
to wait for Godocalypse

many are sure he will arrive
and some believe they will be alive
swooped up by some magical mystical hand
to a permanent never never land
four horsemen will gallantly gallop by
their demon defying dust powdering a skeptical sky
but the unwashed will be “left behind”
relying on the wretched rest of mankind
anticipating the cataclysm and the clash
and a singular blinding flash
seven years of trials and tribulation
and I suspect a Jew-less jubilation
if the ultimate One does arrive

for now, we all
(jew-gentile-heathen-hindu-buddhist-muslim-infidel-gay-straig­ht-rich-poor-black-white)
sit by the tree
waiting for Godocalypse
Title is an illusion to Becket's Waiting for Godot
Francie Lynch Aug 2014
They were her hands,
Destined for pleasure.
Fingers tied knots
Ringed with gold,
And pointed the way
For growing old.

Palms held petals,
Bows, ribbons
And pages;
Wrists watched
The measured time
Of keys and games;
Wrapped packaged treasures,
Opened doors.

They were small
Determined hands,
Covered in flour
White skin
Powdering her face,
Inviting
Me in.

Hands held in supplication,
Joy and despair;
Hands in need
Of salvation.

Like leaves on
Autumn branches
That branches
Can't hold,
Her hands
Lost their grip,
Then closed
And fell cold.
Sam Dec 2016
******* powdering our guns
white powder powdering our gums

this is the new world
just sounded the same
Waverly Feb 2014
Today is a day,
for nostalgia;

For the reaper to finally and momentarily be
beaten.

Even in all of his infinite wisdom,
in which the past becomes just a laugh,
and the lurid poisons of our love,
have the shallow touch of a feather.

When the snow begins,
we relive all those duldroms,
all those meaningless nothings
seemingly so meaningful and wrong,
long ago.

We retell our stories,
silently,
to ourselves,
feeling less bitter as the words
litter our minds,
powdering the pain,
and covering with joy,
our sorrow.

In dementia,
they say,
our love goes stronger every day.

Grows newer
in old ways.

I hope to be like you someday.

Today,
we will beat the bitter sandpaper of tomorrow,
that which rubs away our definition with every brutal blow,
with the soft tapping of our fingers
against our skulls.

Puzzling over what made us beautiful and purposeful,
instead of what crowds against us like a box,
instead of what destroys us like a skipping cd,
instead of what sings against our mind like a harpy
with it's constant verses of regretfulness
that grow stronger with every fatal flaw
we rehash in ourselves.

once more,
you will be as beautiful to me today,
as that swirling suffocation.

I watch you fall outside my window,
covering each and every lichened rock,
in a linen of newness.

In silence,
I stop listening for the return of your love,
and instead marvel in the present satisfaction,
that you are,
and were.

I revel in your presentness,
in the swiftness of your presentation.

In the delicacy of your touch,
and the humility you drive me too,
as you take me too my knees with
each
quiet
drop.

And yes,
you will melt.

And yes,
I will remember.

And yes,
I will see the snow melt,
driven away by the erosion of the sun.
Tilly Oct 2012
*
                 I    I      
           watched & waited    
         under curious glass           with burning wings
              as iridescent hopes fell                held by such whispers    
                                           like dust powdering           from lips which touched                          
         the velvet; Soft
        once in the breeze.
        Flight, found again
         in the last sip. Sweet
        nectar forever pinned
       in an immortality
       extinguished.
      §
Duality & contradiction...
just to make my Monday hurt my head a little more, lol ;)
Mateuš Conrad Jun 2016
where space and space become mandible,
where flex is not distinguishable from flux,
where, precisely, on a treasure island
of contentment i could have planned my
daydream trip solo to India, and set off by
myself aged 21, but i didn't - and perhaps
i have a regret or two not having seen
the tsunami of colours, brighter than
fireworks, in whatever gloom we represent
grey, to be cremated and turn into the colour
of cinnamon, or chilli, or turmeric,
if only we could turn to such colourful powdering,
one song, a mosaic of feeing: Moby's porcelain
spurred me, but indeed, the trip was abandoned,
India was replaced with Hades, the internal
adventure, with my ego theories extinct,
no couches, represented as a walking stick,
a prayer mat, a support of some sort, and before
me the mountains, canyons, rivers and seas
of thought - nothing more.
aeons have passed since my hope to travel
the oceanic and oriental traverses -
but in my ivory tower, like old Merlin trapped
on the drip of knowledge, i read a ted hughes
poem glimpse: /
'o leaves', crow sang, trembling, 'o leaves -'
the touch of a leaf's edge at his throat
guillotined further comment.
                                                        ­nevertheless
speechless he continued to stare at the leaves
through the god's head instantly substituted. /
commiserations having left a sense of
achievement from a novel - but the feelings
are not mutual - a love for a god or a love
for a novel is quiet alike - cold narcissism of one,
instant devotion for the other -
poetry like breadcrumbs, sometimes, all the time,
it's not a loaf of bread, the poem isn't,
to have a taste for poetry doesn't necessarily
mean a capitalistic sport, competitive and blood
thirsty, it's a chance, a stealthy endeavour -
in whatever profession, forever defining our art -
i'm sure many chemists could say:
reduced us to skin-care and suntan lotion,
perfumes and bleach? imagine the geneticist
working on the d.n.a. of down syndrome people,
i mean: those people hardly age!
what's your secret Freddy? come on, tell us,
you're 50 and yet your orangutan expression
is hiding Dorian Grey for ****'s sake - yet you're
pristine like a snowflake!
apart from that, what i really wanted to say,
what philosophers and quasi disciples of regurgitation
speak of: to stand outside all of space and time -
well, hell, i'll give it a go!
the great mountain range that was once Sahara,
the great mountain range that was once Gobi,
a day will come when the Himalayas will turn
into a desert, a grand desert by the name of Himala,
jasmine scented Layla told me so, whoever she is,
i probably would have met her, had i travelled to
India and walked from Bengal to Jerusalem,
walking across Persia - but i didn't, and since i didn't
i did the best i could: with my ego acting like a walking
stick, i crossed frontiers of what horizons came,
and all horizons consolidated themselves as a thought,
unblemished by choice - residue of ink,
not even a bone - to be incubated in the elemental,
a walking flask of water that i am, non-revelatory,
to enshrine myself in fire, to that likelihood i
am affectionate - all this stuff of coffin and burial
is humorous in the extreme black, the morbid rites,
expecting resurrections almost everyday -
so morbid - housing shortages due to cemetery spaces
needed, strange, isn't it? i expect we're hoping
to be the next stockpile of oil for other humanoids
later on - the mechanisation of our age, apparently
due to some great disaster -
as i wonder: historically speaking, isn't
reaching so far back into history, to the humanoids,
to the dinosaurs, to the big bang, sort of,
make our history slightly meaningless? the effort
to write it, you'd have to write it like a Holocaust...
and who wants to write history like that?
with affection, given the scaling of where we wished
to regress to: the big bang theory or no theory...
is... just... as... important... as... a... full... stop                    *.
Terry Collett Jan 2015
You make a good bed,
Sophia said.

I smoothed the top sheet
of Mr H's bed
with a motion
of my hand,
trying hard not
to look at her
by the sink
in the corner.

It's a firm bed,
isn't it?

It's metal framed
for endurance,
I said,
lifting my head,
seeing her standing there
with Vim powder
in her hand
and cloth in the other.

We have ****?

I pulled up the blankets
and duvet,
pretending I hadn't heard.

No one around,
she said,
be safe.

Until Mr H
or some other old boy
comes along
and keels over
clutching their heart,
I replied.

She smiled, turned
and began powdering
the sink and scrubbing
with the cloth.

I looked out the window
at the grounds below;
the grass
was a bright green,
the few trees
in full leaf.

I turned
and she was
standing there
with one foot
on the bed
and her skirt hem
lifted, showing
a fair glimpse of leg.

You sure
we not have ****?

Not here, not now,
I said,
taking the glimpse
of leg inside my head.  

She pouted her lip
and shook her long
blonde hair.

Shame,
it could be good.

I went out the room,
closing the door,
thinking of my next task,
giving Sidney
his morning bath,
and as I walked on,
I heard her
mocking laugh.
A BOY AND POLISH GIRL IN CARE HOME IN 1969
Richard Grahn May 2017
In the realm of space
Time churns many stars to dust
Powdering the sky
Every line in this gave me fits. Hours and hours of fits. Started with a concept that just wasn't interested in confoming to the form.
And to make matters worse I gave it the wrong title initially.. It changed so much it no longer matched the original title.
Felix Sladal Jul 2014
Not just once have I heard that I collect grime like a magnet
Sludge under fingernails, orange tint nicotine stains lips
Inside of middle and pointer hold that same glow
Spilt milk on my pants from last week or maybe this morning

Fresh from the shower but still ash dusts my eyelashes
There’s a smudge of something still on my cheek
The water was brown as always
Tar rivets sliding from my scalp swirling with the swamp at my feet

One day coal powdering my cheekbones like a fine blush
Another it’ll be cooking grease a far too heavy foundation
Tea coated knuckles, paint specked elbows, soot circled brow
Globs of possibly unknown mysteries cling to my knees

Looking at the soles of my heels black and shining as obsidian
Flaking oil, rust, congealed  whatnot seeped into my pores
As it will always be
Idaho
Katie Mac Sep 2014
i hope your happiness grows sweeter and sweeter
and each layer of dulcet pleasure wraps around
your heart like some great red lozenge.

i hope your happiness grows hard in your chest
like a too-sweet lump
with a liquidy sour center

i hope your happiness tastes like my mouth
and my bile
and my love for you powdering your lips.

i hope your happiness grows like a tumor
and your skin shrivels around it
while you wither in late summer heat.

i hope you cant sleep at night
and your heart slathered in happiness
draws every hungry bug.

i hope you have it removed,
that jawbreaker you call an *****
and i hope you choke on it
A Snowbird’s Trip

Through Powdering snow flakes and cold wind

Rushing forward ahead of Jack Frost

This was certainly a race of endurance

to reach our paradise…..To avoid becoming his victoms

Freedom of Jack Frost’s Curse was the cost.

Past overcome victims

The odds were stacked.

We busted through Jack Frost’s Icy Wall

As to escape to a brighter destination..a war..

The first wave.. We attacked.

Jack struck back with all of his icy might..

However, the Snow Bird was too cunning….

We were upon strong wing

And blurred out of sight.
Ethan L Hutchins Apr 2016
I walked in with her ******* in the air, still wearing her shoes like some **** star we the younger generation wants so badly.
My best friend is helping her hide her ****** with himself inside of her.
Clenched fist, tears turning to fire, gritting my teeth so hard I feel them powdering away.
The door **** is nothing but a twisted *** of metal as I tear the door of the wall,
Clubbing his head with all my rage only made my bloodlust thirst.
I grabbed the mirror and smashed it a crossed the both of them,
The room now filled with shards of glass; the sunlight making it look like as if the bedroom was crying with me.
Sweat, tears, body odor, blood, spit, all in the air nauseating my brain, like spoiled food to a sick man.
Each hand is full of hair, one his, one hers, were headed towards the kitchen.
I see the garbage disposal, the knife block, the priceless hardwood table.
I see red, black, white.
All I can hear is ****, ****, ****.
My head filled with only with regret. My hands covered in blood, is it mine or is it theirs?
One deep breath, one look down, one thought….
Riann Lyons Feb 2014
Those quiet moments
When I’ve laid awake all night
And life has swallowed everyone up for the day
And the voices in my head
Are wave over wave
Self-loathing lashes over love of others
And those I love distantly
Are more distant than before
And I meditate on my life
And my map is smeared with tears
****, I knew where I was going
But now the route has faded from the paper.

In my hands I feel skin
Warm and alive
I feel a soft, contented smile
Pressed against my lips
I can almost see them, smell them
This other
The being that completes the circuit
So there can finally be light in my eyes

They say
"Your somebody’s out there, waiting just for you."
Pretty words
Meaningless
From birth I’ve been marked
Many have loved my mind
Many have loved my heart
Few have ever loved me

So every time someone says “I love you.”
I put those words in the closet with the rest
That spilled from the lips of maybe, possibly, not really lovers
I know what they see
What they see in my eyes, feel coursing through my veins
The evils of two families I never asked to be born into
But I pay the penalty for their carnal sins
If you’re born of monsters, what does that make you?

Those quiet moments
Each day that rolls by
And the earth keeps turning
And I can feel the cobwebs on my skin
The dust powdering my hair
The rust corroding my unembracing arms
Each day, another day another day another day
Each one same as the last
Laughter and smiles, I play the puppet
And oh how I dance
A performance so convincing
I almost believe it myself

Those quiet moments
When make-believe is better than reality
Escaping into my mind
Hour after hour
Where I’m the victor
And to me go the spoils
Crimson rubies and honey gold
Lavish and adored
Fought over and fought for
Then real life comes shrieking in
And all the pretty gilded things turn to sand
And I feel so old, like I’ve lived three lifetimes in one

In these quiet moments
I wish it’d all just be

Quiet
Sirenes Jan 2016
As I sit here
In the corner of the couch
My spot, 0:0:0:0
grown down
Says a whisper

I ask myself
What do people my age
Generally do?
Is it normal for a girl
Of 27
To stay home on weekends

Should be powdering my nose
not that powder, actual powder
Getting ready
To go out
Release some stress
do something stupid!
Says the whisper

But no
I'm here making a list
For the grocery store
How much is enough
All my friends have done this

My boss once asked me
On a company dinner
Late friday night
"What are you doing here"
Huh good question

Suppose that when he was 23
He was ship wrecked at this time
But then I asked
"Where did you live at my age"
"With my parents"

Then it is safe to say
Your idea of safety
Was different than mine
"Suppose so" he admitted

So my late resolution
For the year
Is to grown down
And get stupid.
Young adults I'M COMING FOR YOU lol
nivek Nov 2016
now that powdering your nose
has a whole new meaning
what pray tell will we do with our noses next?
Third Eye Candy Nov 2018
Love is the crystalline candy fire sweeping over a staggering Pine, just beyond the boundary
of a Copse.
A saccharine zypher exploding a lonely rogue.
Love is a wave of sugar daggers, unsheathed and  pouring out of your heart
all at once, by the millions.
Love is the candy fire writhing in your honey.
Like a plasma powdering
a Hole.
I am sixteen & the slide
of my holed shoes,
wet, made not for this,
carries me down the silvery ice
into the snow-dusted shrubs,
powdering my hair & shocking
my chest, exposed
by the missing one of the black
buttons on my mother’s
thin coat, sewn for September,
not this jagged-toothed
January. My eyes are glacial,
& snow, now melted, creeps
toward the button of my jeans.
The news at six o'clock
reports the dissolve of everything
I know. They report it to my father,
who aptly listens & shakes his head
at everything, everything, everything.
I, having hardened to the frigid,
I close my eyes, I grind my teeth,
& I go on, for this is what I know
of fear.
(Note: last 4 lines inspired by Aracelis Girmay's "The Woodlice, Fourth Estrangement")
Exhaustion is not the right word. Instead it is
training your tears, sugar and bread
Rising and dipping
The syncing of an algorithm, you have cheated it. This is someone else!
Beautiful and empty: a political, sensual housewife
Curled like a shrimp: is this too much?
You have a metal chest, lock and key on your wrist.
You wake without an alarm, and hips click and throb from long walks and the weight of LOVE
Its discovery of sickly clues that point toward the deathbed
Girls with little red hearts, there are hundreds of them. You mimic their vanity, it is insincere.

The plumping, powdering and stitching of a patchwork doll. You are homemade.
Fear leaks into the dream state, you cannot speak
Brainwashed girls are always looking for peace or violence. And you are not brainwashed.
You stand with a camera lens, pigtails and hope. You chew discomfort and loneliness.
You analyse when you are home. When you are home you can sleep.
Rubi Jan 2021
A light powdering of snow
White contrasting with the black
Skeletons of the trees against the hill
A untouched field of snow
No footprints or sign of life
Just me
Laying on the powdery snow
Cold against skin
Bare flesh
Reddened
Biting
Stinging
Cold
My chest feels heavy
The rush of the moment
Adrenaline fueled brain
Time seeming to slow
As my breath comes out in shallow puffs
Mist fills the air around me
Hot breath
Against cold air
Clashing
Contrasting
The warm on my cheeks and lips from my scarlet blood
The warm leaking from my eyes
Running down my face
Tears warm on chilled skin
Sweat beading on my palms
My hands sticky with red
Warm
Tingling
Shaking
Pulling the blade out
Standing
Scared
Terror coursing through my veins
And yet
Fearless
Hot
Energized
I run
I can catch him
I can fight
I haven’t lost yet
They surround me
Laughing,
Grinning
Evil smiles
Sadistic
Powerful blows
One after another
Metal comes in contact with flesh, muscle, bone
Snap
Broken
Bruised
Pain
I fall
A whoosh
Metal and silvery
Baseball bat flying at my face,
My eyes widen and shut just
At the last moment
My chest explodes
With hot breath
A scream
As the dark comes and hits me
Spikes of pain
Shooting up my side
All over
Pain
Pain
Pain
I feel sick
It's overwhelming
My head spins
Gut wrenching
On my knees
I cough
And blood splatters onto the snow
The cold
White
Pure
Untouched snow
Of the football field around me
Accented with red and black
Contrasting
It's dark
It's so dark
It's cold
The warm seeping out of my body
Out of my nose and chest and eyes
Evaporating
Into the cold around me
Pressing
Stinging
I lay on my back
In the dark
In the cold
Relishing every breath
Replaying every moment
My mind spins and spins and
The exhilaration
I grin wildly
I laugh
They’re already gone
They’ve been gone
When I first felt the spikes of pain
From the silvery blade in my side
From the blood and bruises
And the broken bones
Crushed fingers under shoes
And broken nose
Arms broken by a baseball bat
Rib cracked
Steel-toed boots..
The rush the pain the warm the cold
The contrast
It was fast
It was painful
Blood and sweat
And fear
The most I’ve felt in forever.

I grin their evil grin.

I loved it.
Domestic crime

The couple was nicely suntanned, but the woman had
a black eye, he was very courteous to her, tried to hold
her hand, she didn’t want to, he reddened in anger.
Well-dressed, the couple were on a way to a restaurant
meeting friends, no doubt a droll story would be told
how she got a black eye.
The men would believe the story, women exchange
because in the hapless woman's eyes they saw the truth.
They would find out-women talk- when at the ladies
powdering the noses.
The unlucky one would beg them not to say a word
he loves me but has a bad temper when I nag him
he slaps me; it is my fault for not understanding him.
He was very sorry for giving me a black eye, he cried
promised me not to hit me anymore.

— The End —