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Nicole Fraser Sep 2013
You are finally out of my hair,
No more feeling like crap because of you.
Two whole seasons of Football,
And your crafty ways of hurting people.

Why I ask you,
Why did you feel the need to hurt us?
I guess we must be inferior to you.
Is it your own insecurities as a player?
That makes you feel the need to judge our skill.

Not that it matters anymore,
I finally have the courage to fight back.
The season is over and I never stood up to you.
Not when you insulted me,
And not when you insulted my friends.

The funny thing is you were never very good,
Your cruddy kicks flew everywhere like a drunk bird.
Somehow people thought you were good,
Just because players would move out of your way.

It became hard to decipher between playing good or bad.
It was like you targeted me.
Picking off a few from the team,
The emotionally unstable ones maybe?
No just the ones you knew wouldn't fight back.
I guess you don't like confrontation.

Well Goodbye Phillipa,
It wasn't nice knowing you,
But thank-you for strengthening me,
Now I know if someone tries this again
I WILL FIGHT BACK.
Something forgotten for twenty years: though my fathers
and mothers came from Cordova and Vitepsk and Caernarvon,
and though I am a citizen of the United States and less a
stranger here than anywhere else, perhaps,
I am Essex-born:
Cranbrook Wash called me into its dark tunnel,
the little streams of Valentines heard my resolves,
Roding held my head above water when I thought it was
drowning me; in Hainault only a haze of thin trees
stood between the red doubledecker buses and the boar-hunt,
the spirit of merciful Phillipa glimmered there.
Pergo Park knew me, and Clavering, and Havering-atte-Bower,
Stanford Rivers lost me in osier beds, Stapleford Abbots
sent me safe home on the dark road after Simeon-quiet evensong,
Wanstead drew me over and over into its basic poetry,
in its serpentine lake I saw bass-viols among the golden dead leaves,
through its trees the ghost of a great house. In
Ilford High Road I saw the multitudes passing pale under the
light of flaring sundown, seven kings
in somber starry robes gathered at Seven Kings
the place of law
where my birth and marriage are recorded
and the death of my father. Woodford Wells
where an old house was called The Naked Beauty (a white
statue forlorn in its garden)
saw the meeting and parting of two sisters,
(forgotten? and further away
the hill before Thaxted? where peace befell us? not once
but many times?).
All the Ivans dreaming of their villages
all the Marias dreaming of their walled cities,
picking up fragments of New World slowly,
not knowing how to put them together nor how to join
image with image, now I know how it was with you, an old map
made long before I was born shows ancient
rights of way where I walked when I was ten burning with desire
for the world's great splendors, a child who traced voyages
indelibly all over the atlas
, who now in a far country
remembers the first river, the first
field, bricks and lumber dumped in it ready for building,
that new smell, and remembers
the walls of the garden, the first light.
Grace Oct 2017
So you’re clearing out your room,
clearing out more of yourself,
because it’s the end of the world, isn’t it?
The end of an era anyway –
the end of the bad decision to paint
your room pink.
You never really liked the colour pink.
Your old room had been sunshine yellow,
that bright happy colour of raincoats
and welly boots and sunflowers
(and yellow was still my favourite colour
when i painted my room pink –
yellow rubber in my pencil case,
yellow bow in my hair –
a sunshine happy kind of child
but not really. i painted my room pink
just because).
You wanted the new room painted a shade
called jazzberry but you were told it was too dark.
You wrote in the card to your dead great grandmother
that you were having your room painted jazzberry
and then you didn’t.
The card was placed in her coffin and cremated with her,
and you experienced that strange sensation at the funeral
of not feeling what you were supposed to be feeling.
I should cry, you told yourself, I should feel sad,
but you had cried all your tears in advance
and you’d cried them all for dead grasshoppers
and the old house you were leaving behind.
(always the same with me, isn’t it.
tears over everything except the things that matter.
i’m crying on the floor over lino, over my bedroom,
over a dress that’s in the wash and not my wardrobe)
The new bedroom had wardrobes you loved,
mirrors you loved and hated and it was pink.
It was your safe place, the space that wasn’t
really made for you, but was the one place
in this world where nothing could get you
(except me and yourself, but that’s another story).
Anyway, let’s get back to the point.
You’re clearing the room out because it’s the end of the world
and you’ve been putting it off for three years,
but you’re a crumbly cliff and waves are strong.
You’ve been thinking of train tracks
and gosh aren’t you dramatic,
but you’re finally clearing your little self out.
The toys are easy – you keep a couple whose names you remember
(Tallulah, Alfie, Tilly, Phillipa, Clementine
//oh my darling, ruby lips above the water
and the dream of kissing your best friend
that will forever be connected to
oh my darling, Clementine//),
the clothes are easy – in fact,
it’s all easy when you start to let go
of that nasty little girl from the sunshine yellow
and from the pasty pink.
You bundle her off into charity bags and bin liners
and then you find it – the Special Box.
It was your treasure trove in an
orange Jacobs crackers box  so you open it,
thinking you’ll keep everything, and then,
well then it’s a box full of *******.
Not just ******* things that once mattered,
but real ******* – broken pens, meaningless rocks,
used rubbers, crumbled tissues, incomplete
gifts from Christmas crackers
(and how very like you and me – to keep
things that go in the bin. we cling
to the sadness and the guilt and the fear
just because).
You throw away your special box
and you throw away all your junk
(except your new junk –
every train ticket you’ve bought
since the First)
and then the room is empty.
Were you ever here, you wonder
(and what toys will you have to give to your children?
you get asked, and you say you won’t have any.
i won’t because how would i, for one?
how could i, for another?
how could i put them through all this?)
and then you remember, that yes,
you’ll always be there – sunshine yellow,
pasty pink, nasty little version of nasty bigger you,
but for now, you’ve cleared yourself out a bit.
The new room will be blue
and one wall will be papered with books
(and i see what you’ve done –
you’re using the imagery of your own poetry,
because it’s easier to live inside of your own imagery
than deal with anything else, isn’t it)
and maybe, you think and the others think too,
this is a good thing, the sign of a change to come
(but your Special Box was full of *******
and what other evidence do you need
to know that you will never change or move beyond this?
this is as good as it gets).
a poem (kind of - i don't know if this is really poetry or just strings of thoughts to be honest) that i wrote today. not my best but i'm back at uni and not doing poetry this year
Star Eyewitness Dies Suddenly.
Written by Rev. Kevin Annett

William Combes was the sole survivor of a group of three aboriginal boys who claim to have witnessed the abduction of ten children during a royal visit to the Kamloops residential school in mid October, 1964, when both the Queen and Prince Philip were in British Columbia, Canada.

“They took away those ten kids and nobody ever saw them again.” - William Combes, Eyewitness.

William Combes, age 59 and in good health, was scheduled to be a primary witness at the opening session of the International Tribunal into Crimes of Church and State (ITCCS) on September 12, 2011 in London, England.

Combes, an aboriginal man, claimed to witness the abduction of ten fellow residential school children by the Queen of England and her husband in October, 1964 at the Catholic school in Kamloops, British Columbia.

According to his partner Mae, William was in stable health when he was assigned a new doctor at St. Paul’s Hospital where he was committed for “tests”. His health began to immediately deteriorate. He died suddenly of a still-undisclosed cause.

The Vancouver Coroner’s Office refused to comment on William’s recent death.

The Royal Abductions.

William was the sole survivor of a group of three aboriginal witnesses to the royal abductions. In his public statements made during a Vancouver Co-op radio program and also in the following signed and witnessed declaration made on February 3, 2010 Combes said:

“I am an Interior Salish spirit dancer and am 58 years old. I live in Vancouver, Canada. I am a survivor of the Kamloops and Mission Indian residential schools, both run by the Roman Catholic church. I suffered terrible tortures there especially at the hands of Brother Murphy, who killed at least two children. I witnessed him throw a child off a three story balcony to her death. He put me on a rack and broke some of my bones, in the Kamloop school basement, after I tried running away. I also saw him and another priest burying a child in the school orchard one night".

He continued: "In October, 1964 when I was 12 years old, I was an inmate at the Kamloops school and we were visited by the Queen of England and Prince Phillip. I remember it was strange because they came by themselves, no big fanfare or nothing. But I recognized them and the school principal told us it was the Queen and we all got given new clothes and good food for the first time in months the day before she arrived.

The day the Queen got to the school, I was part of a group of kids that went on a picnic with her and her husband and some of the priests, down to a meadow near Dead Man’s Creek. I remember it was weird because we all had to bend down and kiss her foot, a white laced boot. After a while, I saw the Queen leave the picnic with ten children from the school, and those kids never returned. We never heard anything more about them and never met them again even when we were older. They were all from around there but they all vanished.

The group that disappeared was seven boys and three girls, in age from six to fourteen years old. They were all from the smart group in class. Two of the boys were brothers and they were Metis from Quesnel. Their last name was Arnuse or Arnold. I don’t remember the others, just an occasional first name like Cecilia and there was an Edward. What happened was also witnessed by my friend George Adolph, who was 11 years old at the time and a student there too. But he’s dead now.”

Foul Play ?

Rev. Kevin Annett believes that William Combes died of foul play and that his ****** was arranged to prevent him from his speaking out about the child abductions and other crimes of ****** and torture that he witnessed at the Catholic Indian residential schools.

Arnett is writing a soon to be issued eulogy for William Arnold Combes. William’s videotaped statements, including his witness report of the 1964 abductions, have been registered in the archives of the ITCCS, and will be made public at the opening session on September 12, 2011.

Five other aboriginal members and activists have also died since December, and a sixth is missing and presumed dead. All were public critics of the Roman Catholic church’s killing of residential school children, and had participated in protests against this church and the Anglican Church and the United Church of Canada.

Their names are: Johnny Dawson, died December 8, 2009 after a severe beating by three Vancouver policemen. Mike Wickson, died February, 2010, cause unknown. Elder Phillipa Ryan, died April 26, 2010 from “cancer” in less than a month. Norma Jean Baptiste, died early May, 2010, apparent heart attack. Chief Louis Daniels, died May 16, 2010 in a Winnipeg hospital, cause unknown.

— The End —