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"partly" poems
In love they wore themselves in a green embrace. A silken rain fell through the spring upon them. In the park she fed the swans and he whittled nervously with his strange hands. And white was mixed with all their colours as if they drew it from the flowering trees. At night his two finger whistle brought her down the waterfall stairs to his shy smile which like an eddy, turned her round and round lazily and slowly so her will was nowhere—as in dreams things are and aren't. Walking along avenues in the dark street lamps sang like sopranos in their heads with a voilence they never understood and all their movements when they were together had no conclusion. Only leaning into the question had they motion; after they parted were savage and swift as gulls. asking and asking the hostile emptiness they were as sharp as partly sculptured stone and all who watched, forgetting, were amazed to see them form and fade before their eyes.
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19.9k
Adolescence
The prologues are over. It is a question, now, Of final belief. So, say that final belief Must be in a fiction. It is time to choose. I That obsolete fiction of the wide river in An empty land; the gods that Boucher killed; And the metal heroes that time granulates - The philosophers' man alone still walks in dew, Still by the sea-side mutters milky lines Concerning an immaculate imagery. If you say on the hautboy man is not enough, Can never stand as a god, is ever wrong In the end, however naked, tall, there is still The impossible possible philosophers' man, The man who has had the time to think enough, The central man, the human globe, responsive As a mirror with a voice, the man of glass, Who in a million diamonds sums us up. II He is the transparence of the place in which He is and in his poems we find peace. He sets this peddler's pie and cries in summer, The glass man, cold and numbered, dewily cries, "Thou art not August unless I make thee so." Clandestine steps upon imagined stairs Climb through the night, because his cuckoos call. III One year, death and war prevented the jasmine scent And the jasmine islands were ****** martyrdoms. How was it then with the central man? Did we Find peace? We found the sum of men. We found, If we found the central evil, the central good. We buried the fallen without jasmine crowns. There was nothing he did not suffer, no; nor we. It was not as if the jasmine ever returned. But we and the diamond globe at last were one. We had always been partly one. It was as we came To see him, that we were wholly one, as we heard Him chanting for those buried in their blood, In the jasmine haunted forests, that we knew The glass man, without external reference.
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17k
Asides on the Oboe
The prologues are over. It is a question, now, Of final belief. So, say that final belief Must be in a fiction. It is time to choose. I That obsolete fiction of the wide river in An empty land; the gods that Boucher killed; And the metal heroes that time granulates - The philosophers' man alone still walks in dew, Still by the sea-side mutters milky lines Concerning an immaculate imagery. If you say on the hautboy man is not enough, Can never stand as a god, is ever wrong In the end, however naked, tall, there is still The impossible possible philosophers' man, The man who has had the time to think enough, The central man, the human globe, responsive As a mirror with a voice, the man of glass, Who in a million diamonds sums us up. II He is the transparence of the place in which He is and in his poems we find peace. He sets this peddler's pie and cries in summer, The glass man, cold and numbered, dewily cries, "Thou art not August unless I make thee so." Clandestine steps upon imagined stairs Climb through the night, because his cuckoos call. III One year, death and war prevented the jasmine scent And the jasmine islands were ****** martyrdoms. How was it then with the central man? Did we Find peace? We found the sum of men. We found, If we found the central evil, the central good. We buried the fallen without jasmine crowns. There was nothing he did not suffer, no; nor we. It was not as if the jasmine ever returned. But we and the diamond globe at last were one. We had always been partly one. It was as we came To see him, that we were wholly one, as we heard Him chanting for those buried in their blood, In the jasmine haunted forests, that we knew The glass man, without external reference.
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41
she was slightly suicidal partly crazy but mostly alone -k.l.
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Sep 20, 2014
Sep 20, 2014 at 9:58 PM UTC
suicide
Cuts on my wrists hands curled into fists will i even be missed Writing a note i wrote i love you and it wasn't your fault That's a lie i want to die and its partly your fault I can't tell you that so i Sit and i cry Why do i Live like this Will i even be missed
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May 14, 2018
May 14, 2018 at 5:28 PM UTC
Missed?
Two boys and girls unclothed each other simply at a picnic flush with wine alongside sun-flecked trees. The girls, easy as the forest round, burned, delicious, as the boys eager and nervous in unequal measure partly gave up concealing their joys at forgetting or remembering in flickers their bare bodies. It went on over nettles and half-hours and clambered trees and photos taken almost formally (on film, of course). And boyish lust, at first sinuous, a darting tongue, began to soften against, for instance, the sheer, unthinkable texture of the two girls carved now backward over the bough of a storm-felled elm. And there in the embers of evening they learned to thrill originally at the vast, gorgeous and astonishing irrelevance of what might happen next.
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Jan 26, 2011
Jan 26, 2011 at 7:05 AM UTC
Untitled
Am I jealous?, I don’t know. Maybe yes but partly no, Am I jealous?, I don’t think so, Feelings I want to let go. I really don’t know why, Things are meant to be a lie, I just don’t get it how, Things are made now. A part of me is denying, The other part is confirming, Maybe yes, maybe no, Feelings I don’t know.
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Aug 14, 2015
Aug 14, 2015 at 6:21 AM UTC
AM I JEALOUS?
Her suicide left a loneliness only partly ameliorated by a good ******** with her bereaved Mum up both gaping holes.
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Nov 19, 2015
Nov 19, 2015 at 11:05 AM UTC
20 words on my girlfriend's suicide
Wintry boughs against a wintry sky; Yet the sky is partly blue And the clouds are partly bright:-- Who can tell but sap is mounting high Out of sight, Ready to burst through? Winter is the mother-nurse of Spring, Lovely for her daughter's sake, Not unlovely for her own : For a future buds in everything; Grown, or blown, Or about to break.
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6.3k
There Is A Budding Morrow In Midnight
They told me I love attention Well I guess that's partly true I love your  attention
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Nov 24, 2014
Nov 24, 2014 at 4:45 PM UTC
Attention
I’m an apricot , ripe on the tree - ready for picking I am a cherry , offering to be popped 3 tequila shots or the equivalent of a blurred memory inside me my heart is bleeding a little at the acts my body is moving through i am bleeding a little at the acts my body is moving through i bleed for 4 days , 5 days. i am amazed that he pulled out. i find that incredible - as if a man is wild in the act of mergence and unable to control himself , ideas of male/female roles imprinted on me from parents , **** and public school  - where girls are made into women at 13 , we discuss when we will “lose our virginity” i say 15 if i’m ready (!!!!!!!!!!!!!!!!) i should expect him to *** inside me , because i am the subservient woman and he should do as he pleases i think it magical his heightened awareness - i see his majestic beauty on his well formed muscles and the hotel room his family owns , or the kick *** motorbike he drives and the supply of beachfront joints. and still it is now 1 year later that i am in pain. a fire on my heart and a sick feeling in my stomach i am sick because i swallowed the lies and hated myself , i truly believed i was worth that level of respect. the fire burns swiftly in my heart because i am enraged and sorrowful at my ignorance. I am partly ashamed at my lack of empathy for myself and partly in awe at my magnificence. We look at virginity as pure , unsoiled. Pure. Unsoiled. **** Subconsciously telling our mothers , sisters , aunties and grandma’s that they are ***** for exercising their basic ****** function. Shaming us for feeling pleasure.....the connotations are different for brothers , fathers , uncles and grandpas. A pat of well done on the back , you are now a “man”.............well .. i’ll be ****** it amazes me how these sly , low blows are hidden right in plain sight. well fuckkkkkkkkkkkkkkkkkk that ! I know i love myself now with the respect i would rain down upon any other fellow being . i wish : for them and me to be able to love without fear, disgust and shame. i wish to allow my energy from that moment to feed others who need help along their path of self-love. Now my cosmic womb is treated with respect and reverence enjoying myself freely. Oh but , i will say thank you , and a sensi bow , for the lesson learnt. Never again will i put others on a pedestal they have not earnt. Especially if it has anything to do with my *****
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May 10, 2014
May 10, 2014 at 10:29 AM UTC
We are not bound unless we say so
I’m an apricot , ripe on the tree - ready for picking I am a cherry , offering to be popped 3 tequila shots or the equivalent of a blurred memory inside me my heart is bleeding a little at the acts my body is moving through i am bleeding a little at the acts my body is moving through i bleed for 4 days , 5 days. i am amazed that he pulled out. i find that incredible - as if a man is wild in the act of mergence and unable to control himself , ideas of male/female roles imprinted on me from parents , **** and public school  - where girls are made into women at 13 , we discuss when we will “lose our virginity” i say 15 if i’m ready (!!!!!!!!!!!!!!!!) i should expect him to *** inside me , because i am the subservient woman and he should do as he pleases i think it magical his heightened awareness - i see his majestic beauty on his well formed muscles and the hotel room his family owns , or the kick *** motorbike he drives and the supply of beachfront joints. and still it is now 1 year later that i am in pain. a fire on my heart and a sick feeling in my stomach i am sick because i swallowed the lies and hated myself , i truly believed i was worth that level of respect. the fire burns swiftly in my heart because i am enraged and sorrowful at my ignorance. I am partly ashamed at my lack of empathy for myself and partly in awe at my magnificence. We look at virginity as pure , unsoiled. Pure. Unsoiled. **** Subconsciously telling our mothers , sisters , aunties and grandma’s that they are ***** for exercising their basic ****** function. Shaming us for feeling pleasure.....the connotations are different for brothers , fathers , uncles and grandpas. A pat of well done on the back , you are now a “man”.............well .. i’ll be ****** it amazes me how these sly , low blows are hidden right in plain sight. well fuckkkkkkkkkkkkkkkkkk that ! I know i love myself now with the respect i would rain down upon any other fellow being . i wish : for them and me to be able to love without fear, disgust and shame. i wish to allow my energy from that moment to feed others who need help along their path of self-love. Now my cosmic womb is treated with respect and reverence enjoying myself freely. Oh but , i will say thank you , and a sensi bow , for the lesson learnt. Never again will i put others on a pedestal they have not earnt. Especially if it has anything to do with my *****
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33
I live in the basement, never venturing upon those stairs, I hear her voice... "Come up and see me its been to long, Holding my ears singing my favourite song repetitively until she is drowned out of my thoughts. rocks tied to her voice as it sinks out of view. I use the stairs that open to the outside, Lingering looking at this place I called home. Venturing in the old ford, she lets me drive it when food is but breadcrumbs and eggs old enough to birth the dead fetes of a partly grown bird. I look out though a ***** window screen, this trip takes two hours each way. I always wonder if my bald tyres are ever noticed, but I'm not hindered by the thoughts of this. So much to see when driving in solitude. I stop at the side of the road picking cherries, I slump them in the boot. I may eat upon this morsel or just hang them outside watching them swaying in the gentle breeze. My father just looks out the window. Doesn't talk much these days his eyes are sunken like the titanic splintered between two pools. I move his chair and his arm falls at his side. collecting it, I put him palms resting on a blanket He's so gaunt now, he was a strong man now but a shadow. I look at those cherries lingering above the ground, shaded from just picked to becoming spoilt, but i just leave them swaying the aroma fills lungs with life's eroding perfume, I breath it deeply within. This is my home, "she never calls me for dinner anymore, I just make my own, the washing up is festering in my ignorance, like a garden of petrification flowering. Saying bye to my dad, I get in the old ford. Its time to pick some fresh cherries, the tree is looking unkempt. Its blossom is in honour of a mother, I hang them all there. My Mother hung there for a long time ,but she's long gone. So I bring other cherries to the tree to show that she'll never be forgotten....
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Apr 30, 2017
Apr 30, 2017 at 8:47 AM UTC
Cherries Hang Loosely From The Tree
I live in the basement, never venturing upon those stairs, I hear her voice... "Come up and see me its been to long, Holding my ears singing my favourite song repetitively until she is drowned out of my thoughts. rocks tied to her voice as it sinks out of view. I use the stairs that open to the outside, Lingering looking at this place I called home. Venturing in the old ford, she lets me drive it when food is but breadcrumbs and eggs old enough to birth the dead fetes of a partly grown bird. I look out though a ***** window screen, this trip takes two hours each way. I always wonder if my bald tyres are ever noticed, but I'm not hindered by the thoughts of this. So much to see when driving in solitude. I stop at the side of the road picking cherries, I slump them in the boot. I may eat upon this morsel or just hang them outside watching them swaying in the gentle breeze. My father just looks out the window. Doesn't talk much these days his eyes are sunken like the titanic splintered between two pools. I move his chair and his arm falls at his side. collecting it, I put him palms resting on a blanket He's so gaunt now, he was a strong man now but a shadow. I look at those cherries lingering above the ground, shaded from just picked to becoming spoilt, but i just leave them swaying the aroma fills lungs with life's eroding perfume, I breath it deeply within. This is my home, "she never calls me for dinner anymore, I just make my own, the washing up is festering in my ignorance, like a garden of petrification flowering. Saying bye to my dad, I get in the old ford. Its time to pick some fresh cherries, the tree is looking unkempt. Its blossom is in honour of a mother, I hang them all there. My Mother hung there for a long time ,but she's long gone. So I bring other cherries to the tree to show that she'll never be forgotten....
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41
Favorite word: “nymphet”, but no! Halcyon, a kind of drug, you know. Searching through the pages’ mist And imagined deeds Of poets’ needs… I found my favourite word, As asked, Neither sacred nor profane That describes the Venetian rain In my beloved’s eyes And the Florentine sun upon her hair: “Auburn, russet, mythopoeic”. Oh, it is not fair, To liken an object Of my lust and love To anything as mortal as autumn air! Nor “October’s orchard Haze”; She had her own Inscrutable, premeditated ways! Rather let me say that she was perfect, Though her eyes, pale and myopic, Her shuffling gait and Graceless limbs, to them Grace lends Fey charm, the power to mend My suffering and Delusions of a poet’s end As anything but pathetic, (Her mother’s fondness for vague emetics) And I left softly hanging, On a girl’s new taste, A tang of russet apples on her face, But no, not that, the sum Of my love, My Lo! Then her bleak demise, partly by my hand That none of you brutes could understand; The pure love, So sadly consummated, Between a lover And the one she hated Yet loved once with inexplicable delight, On one stolen, frightened night… In which the two of us agreed To satisfy a simple, yet maniacal need, And then depart… But I could not, You see; She was my life, My love, my heart. Humbert Humbert 1950 Sharon Talbot ca. 2005
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Sep 9, 2017
Sep 9, 2017 at 11:11 AM UTC
October’s Orchard Haze
I want to get so drunk, when someone asks me how drunk I am, I answer "yes". Partly for fun, and partly to learn what it's like not be me for a minute.
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Jan 12, 2015
Jan 12, 2015 at 11:53 AM UTC
I want to get so drunk that....
One day I awoke, strangely to find the person I used to be gone, left behind Somewhere, somehow, I became someone new Who was much less like me, and a lot more like you The changes were subtle, I did not even know Until people asked me, just where did "you" go? It appears I gave up being me just to please the person I once proposed to from my knees But the strangest thing is, I did not even see the way you genetically, modified me I looked like the me, that everyone knew but instead of myself, to you I was true And now that I see it, and begin to turn back you're angry and bitter and start to attack You think that there's someone else I now see But don't see how that someone else can be me I don't like the person, with you I became It's not all your fault though, I'm partly to blame. And just as I let you make me not the same it is I that must choose my old self to reclaim So from now on my dear our ways we must part There's no place anymore for you in my heart I'll put myself first, be alone for a while Until I can look in the mirror and smile And see there once more who I used to be the reclaimed original version of me
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Apr 10, 2010
Apr 10, 2010 at 11:45 AM UTC
Reclamation
Partly darkened and part in light A time when the stars and sun shared the sky Bear witness to two behemoths wielding might Impending clash foreseen to go awry Two trains of thoughts charging from opposite ends Each bearing their own solid ideals Their flags that flew with conflicting brands Convictions they carry on beaten, weary wheels Almost an eternity, the time is soon Seconds lasted before they finally would meet Feeling of dread like the cloud covered moon With war cries of whistles, they would greet No possible way that they could miss War waged in steeled wills and forged metals Anticipate the moment, their couplings would kiss Unleashing a barrage of predestined reprisals Sheer destruction as they ate into each other All in tow haphazardly derailed A clash made of brute strength and power A result of when decisiveness had failed All was motionless save for the light of day The two lay dead; spent currencies in coal Fire and smoke had emerged from the fray Signifying that the two have met their goal Their cargo now freed, engaging in petty skirmish Lunging and wrestling as they fought for dominance Determination to overwhelm; never to languish Jousting fists fueled by pent-up vengeance Almost at end this long drawn battle Much like a storm to be patiently ridden out When the last of the debris should settle Then would be lifted the dusty veil of doubt The sun has now risen revealing the aftermath Shedding light on the devastation incurred Dark thoughts possess the most potent of wraths But nothing could beat the muscle of the written word Looking back I've realised the harm I've caused Found great solace in the dark words I've governed Life still hurls; it can never be paused Just dust yourself off for you're better off enlightened
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Sep 29, 2014
Sep 29, 2014 at 5:14 AM UTC
Collision Course (III)
Partly darkened and part in light A time when the stars and sun shared the sky Bear witness to two behemoths wielding might Impending clash foreseen to go awry Two trains of thoughts charging from opposite ends Each bearing their own solid ideals Their flags that flew with conflicting brands Convictions they carry on beaten, weary wheels Almost an eternity, the time is soon Seconds lasted before they finally would meet Feeling of dread like the cloud covered moon With war cries of whistles, they would greet No possible way that they could miss War waged in steeled wills and forged metals Anticipate the moment, their couplings would kiss Unleashing a barrage of predestined reprisals Sheer destruction as they ate into each other All in tow haphazardly derailed A clash made of brute strength and power A result of when decisiveness had failed All was motionless save for the light of day The two lay dead; spent currencies in coal Fire and smoke had emerged from the fray Signifying that the two have met their goal Their cargo now freed, engaging in petty skirmish Lunging and wrestling as they fought for dominance Determination to overwhelm; never to languish Jousting fists fueled by pent-up vengeance Almost at end this long drawn battle Much like a storm to be patiently ridden out When the last of the debris should settle Then would be lifted the dusty veil of doubt The sun has now risen revealing the aftermath Shedding light on the devastation incurred Dark thoughts possess the most potent of wraths But nothing could beat the muscle of the written word Looking back I've realised the harm I've caused Found great solace in the dark words I've governed Life still hurls; it can never be paused Just dust yourself off for you're better off enlightened
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40
chocolate fireguard, teapot, or fender, icecream sofa, dry sea or wet towel, glass hammer, waterproof teabag, newspaper raincoat and umbrella, lead parachute, ashtray on a motorbike, handbrake on a canoe, vote in a dictatorship, loudhailer to a deaf mute, grief at a wedding, ****** in a monastery. inflatable dartboard, spoon in a knife-fight, screen door on a submarine, wooden soap, shortbread tires, knitted light bulb, bread boat, plasticine wire cutters, paper hole punch, water hat, custard floorboards, ceiling tiles made of gravy, portrait of a bowl of soup, a stone cigarette, syrup knickers, hole in my bucket, plastic oven, wax truss, liquorice bridge, false teeth made of soap, lemonade roof, jelly boots, jam cardigan, paper bicycle pump, ice-cream saucepans, soluble drain pipe, packet of rubber nails, see-through mirror, revolving basement restaurant roll-on hairspray, rubber pencil, ****** with a hole in it, limp **** pockets on a lettuce, **** on a fish, lolly pop van in Hell, one-legged man in an **** kicking competition, meaningless life, unnecessary death, forgotten words and deeds, ignored needs, this poem.
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Apr 30, 2016
Apr 30, 2016 at 4:11 PM UTC
You're About As Much Use As A (Partly Found Poem)
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
0
Aug 26, 2013
Aug 26, 2013 at 3:02 AM UTC
Opera Mask Pendant Yuwen Chengdu
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
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8
I believe things happen for a reason Whether it's God or the force Some kind of cosmic power pulling strings and writing stories I'm not sure But I can tell you that I have somehow defied my own odds The choices I made did not take me away I am here There were times when I didn't think I would make it my high school graduation and that I would not see my 18th birthday The scars on my arms multiplied And the demons in my head screamed louder than ever before I lost my first love Then I lost my second I watched my family explode from close range And then I watched from a far Every insecurity swirled in my head like a blizzard I could not see a bright future And then something clicked Something bigger than myself took hold of my mind My heart was no longer heavy And I don't know if that's God stepping in or my own power of will But I have somehow managed to save myself And I know there is no quick fix to this disease that has held me captive for so long But I'm realizing that you should never stop moving when it gets dark Never quit breathing when the air gets thin And never back down even when your opponent is twice your size Or even when your opponent is yourself I know things happen for a reason That's obviously why I'm still here And although there is still a dark cloud over me I can start to see the sun beams And I know one day my sky will be clear
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Dec 18, 2015
Dec 18, 2015 at 8:42 AM UTC
Partly Sunny Skies
It’s so easy to feel so small I’m on a bus, the last one that runs on a Wednesday night, Sketching a tired face Bags under the eyes, made of black ink I’m eavesdropping on a conversation, (Does it count as eavesdropping when There are only two people speaking in an otherwise Silent bus?) My heart’s been having an existential crisis, And my stomach and chest Empty Yet heavy Someone’s hands are holding my insides And squeezing them in a fist It is exhausting It is lonely In my right ear is this beautiful song Violin and cello and A raw passion that reminds me That it’s okay To be human, and to be scared shitless I’m still listening, partly But not really It’s late I want to sleep Busses are full of zombies- Phone, earphone, unsmiling zombies And despite the Tired sketch on my lap I’m one, too The conversation slows I smile I turn and I recognize the face in front of me I’m told that this person, vaguely familiar face, whose conversation I’ve been eavesdropping on remembers one of my poems About stars And the line is on his wall A line from a poem that I wrote About stars Is on someone’s wall Even better than when Chad Oliver told me I was Quite attractive junior year of high school, And I remember writing that poem And I feel a little less useless I want to cry My body hasn’t known what to do with itself lately You see I exhausted myself in love And now that it’s gone I feel useless My heart pulls towards mediocre sketches First sips of coffee in the morning, Listening to the violin It doesn’t know what else to feel for It’s been left in this dark room Grasping for a table, **** even a stepstool, Heartbreak is exhausting Because it’s not just the heart And it doesn’t really break It just has to re-learn how to feel But I get off the bus And the night is warm, The moon is Beautiful, This white-hot luminescence Burning through the silhouettes of trees, So bright the sky is still blue 6 hours after sundown. I open my palms up to her I see the stars I open my palms up to them They guide me home
0
Feb 20, 2014
Feb 20, 2014 at 1:08 PM UTC
Complimenting the Stars
It’s so easy to feel so small I’m on a bus, the last one that runs on a Wednesday night, Sketching a tired face Bags under the eyes, made of black ink I’m eavesdropping on a conversation, (Does it count as eavesdropping when There are only two people speaking in an otherwise Silent bus?) My heart’s been having an existential crisis, And my stomach and chest Empty Yet heavy Someone’s hands are holding my insides And squeezing them in a fist It is exhausting It is lonely In my right ear is this beautiful song Violin and cello and A raw passion that reminds me That it’s okay To be human, and to be scared shitless I’m still listening, partly But not really It’s late I want to sleep Busses are full of zombies- Phone, earphone, unsmiling zombies And despite the Tired sketch on my lap I’m one, too The conversation slows I smile I turn and I recognize the face in front of me I’m told that this person, vaguely familiar face, whose conversation I’ve been eavesdropping on remembers one of my poems About stars And the line is on his wall A line from a poem that I wrote About stars Is on someone’s wall Even better than when Chad Oliver told me I was Quite attractive junior year of high school, And I remember writing that poem And I feel a little less useless I want to cry My body hasn’t known what to do with itself lately You see I exhausted myself in love And now that it’s gone I feel useless My heart pulls towards mediocre sketches First sips of coffee in the morning, Listening to the violin It doesn’t know what else to feel for It’s been left in this dark room Grasping for a table, **** even a stepstool, Heartbreak is exhausting Because it’s not just the heart And it doesn’t really break It just has to re-learn how to feel But I get off the bus And the night is warm, The moon is Beautiful, This white-hot luminescence Burning through the silhouettes of trees, So bright the sky is still blue 6 hours after sundown. I open my palms up to her I see the stars I open my palms up to them They guide me home
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71
I walk on a park so serene that birds gather on the tree tops to sing a song that so nostalgic in a way you lighten up and smile to embrace the setting sun an overwhelming feeling nonetheless and you cannot ignore the view of the diving sun splattering depths of maroon to the innocent clouds co-waltzing by with the grey blue sky so obvious which only shows a beauty the nature can offer to the mortal eyes to see the scenery is alluring that I would rather enjoy to sit under a tree than to relax my body on a bench that are lined in an amusing way facing the performance  of the slow warm afternoon I write under a tree to feel the fullness of this afternoon scribbling poems because in this way I feel amazingly close to  nature that I appreciate every bit of it, watching the butterflies playing a game of hide and seek while the one hiding are the little pretty flowers rooted near the trees and the other rooted under the bench and how I notice the trees are laughing cause the butterflies can’t seem to find the shy flowers because in this spot I can see clearly what’s happening around me every bit of it kids running around full of innocence and happiness not minding the butterflies a lovers embracing each other like they are the only sweet thing around and gaze at each other’s eye that seems likely make the time lingers and look at the bench again that is not so far away from me an uneasy feeling, a feeling of familiarity, a feeling of connection just like me sitting alone under a tree a girl alone on her bench I look at you partly because you’re alone like me enjoying the dawdling afternoon, partly because you have the beauty my very heart so desire, partly because you make my heart skipped a beat this past few days, partly because my love for you is growing every day I see you here and it is not that hard to focused my all attention to you ignoring everything around me even the love the couple emits with their embrace but you seem to be in trance with the love the couple radiates and closely in your eyes melancholy tears fell but still your even perfect when you cry and even angels weep to see you cry maybe you miss the love you once have, maybe you feel so alone and so absorbed that you feel there is no hope for the right one for you but only if you would look at me here by the tree and I’ll give you a hope, I’ll offer you a smile so warm but I can’t tell I’m the one only you can, but I’m sure I could kiss your tears goodbye and you’re the only one I see myself dancing and holding each other’s hand to stand near the tree when the sun sunk and this is all I’m hoping tell you about it.
0
Oct 17, 2015
Oct 17, 2015 at 6:24 AM UTC
Alone under a tree..
I walk on a park so serene that birds gather on the tree tops to sing a song that so nostalgic in a way you lighten up and smile to embrace the setting sun an overwhelming feeling nonetheless and you cannot ignore the view of the diving sun splattering depths of maroon to the innocent clouds co-waltzing by with the grey blue sky so obvious which only shows a beauty the nature can offer to the mortal eyes to see the scenery is alluring that I would rather enjoy to sit under a tree than to relax my body on a bench that are lined in an amusing way facing the performance  of the slow warm afternoon I write under a tree to feel the fullness of this afternoon scribbling poems because in this way I feel amazingly close to  nature that I appreciate every bit of it, watching the butterflies playing a game of hide and seek while the one hiding are the little pretty flowers rooted near the trees and the other rooted under the bench and how I notice the trees are laughing cause the butterflies can’t seem to find the shy flowers because in this spot I can see clearly what’s happening around me every bit of it kids running around full of innocence and happiness not minding the butterflies a lovers embracing each other like they are the only sweet thing around and gaze at each other’s eye that seems likely make the time lingers and look at the bench again that is not so far away from me an uneasy feeling, a feeling of familiarity, a feeling of connection just like me sitting alone under a tree a girl alone on her bench I look at you partly because you’re alone like me enjoying the dawdling afternoon, partly because you have the beauty my very heart so desire, partly because you make my heart skipped a beat this past few days, partly because my love for you is growing every day I see you here and it is not that hard to focused my all attention to you ignoring everything around me even the love the couple emits with their embrace but you seem to be in trance with the love the couple radiates and closely in your eyes melancholy tears fell but still your even perfect when you cry and even angels weep to see you cry maybe you miss the love you once have, maybe you feel so alone and so absorbed that you feel there is no hope for the right one for you but only if you would look at me here by the tree and I’ll give you a hope, I’ll offer you a smile so warm but I can’t tell I’m the one only you can, but I’m sure I could kiss your tears goodbye and you’re the only one I see myself dancing and holding each other’s hand to stand near the tree when the sun sunk and this is all I’m hoping tell you about it.
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38
I took my ****** sister Marigold to the cinema, she had asked specifically and eventually (she doesn't speak a lot on account of her awful stammer and amazing cleft palate which has won prizes) so I knew that this was something she really wanted, and I teased for her bad taste when she told me that she wanted to see "Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Charlie and the Ch-Ch-Ch-Ch-Ch-Chocolate Factory". It was a Saturday evening and the local picture house was showing a re-run of the classic starring Gene Wilder as the enigmatically stylish ***** Wonka, and not that steaming great pictorial **** served up by Tim Burton and I knew that town would be busy with oiks so as a treat I dressed her up better than usual, and even gave her a hosedown to get rid of the poopy pong. She had stopped crying by the time the feature started and I think the Ooompa Loompa costume grew on her but that maybe the orange paint was a bit of a bad idea as people had stared as it was Day-Glo and she stood out like a bulldog's ******* but I stand by my decision to dye her hair green, it had taken thought and planning; it was meant to add to her excitement of the day, so I meant well, even if I was ineffectual in the end. I sat her on my lap in the picture house but still paid for two seats but I do get one ticket half price though because of her disabilities, so it wasn'€™t all bad, every cloud and all that, you know what I mean? She tends to get a little down every now and then but a £1 cinema ticket partly makes up for being born legless. I knew from past experience that the cinema staff prefer me to carry my stunted sis rather than wheeling her in (I do recall that the time I taped her to her skateboard proved somewhat a disaster - but really, the fat usher had a torch and should have watched her step or otherwise she wouldn't have bust her neck). The Ooompa Loompa costume allowed Marigold to amuse herself during the screening (as there were no leggings to the costume). She barely noticed when the fat little hero got blown up on screen except to dribble "chocolate" from her own little chocolate factory. It was, all in all, quite an eventful outing and one I might consider repeating but probably in a different cinema next time, mainly because we got banned for life when the manager saw the condition of the seat.
0
Dec 16, 2014
Dec 16, 2014 at 8:06 AM UTC
Marigold Goes To The Cinema
I took my ****** sister Marigold to the cinema, she had asked specifically and eventually (she doesn't speak a lot on account of her awful stammer and amazing cleft palate which has won prizes) so I knew that this was something she really wanted, and I teased for her bad taste when she told me that she wanted to see "Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Charlie and the Ch-Ch-Ch-Ch-Ch-Chocolate Factory". It was a Saturday evening and the local picture house was showing a re-run of the classic starring Gene Wilder as the enigmatically stylish ***** Wonka, and not that steaming great pictorial **** served up by Tim Burton and I knew that town would be busy with oiks so as a treat I dressed her up better than usual, and even gave her a hosedown to get rid of the poopy pong. She had stopped crying by the time the feature started and I think the Ooompa Loompa costume grew on her but that maybe the orange paint was a bit of a bad idea as people had stared as it was Day-Glo and she stood out like a bulldog's ******* but I stand by my decision to dye her hair green, it had taken thought and planning; it was meant to add to her excitement of the day, so I meant well, even if I was ineffectual in the end. I sat her on my lap in the picture house but still paid for two seats but I do get one ticket half price though because of her disabilities, so it wasn'€™t all bad, every cloud and all that, you know what I mean? She tends to get a little down every now and then but a £1 cinema ticket partly makes up for being born legless. I knew from past experience that the cinema staff prefer me to carry my stunted sis rather than wheeling her in (I do recall that the time I taped her to her skateboard proved somewhat a disaster - but really, the fat usher had a torch and should have watched her step or otherwise she wouldn't have bust her neck). The Ooompa Loompa costume allowed Marigold to amuse herself during the screening (as there were no leggings to the costume). She barely noticed when the fat little hero got blown up on screen except to dribble "chocolate" from her own little chocolate factory. It was, all in all, quite an eventful outing and one I might consider repeating but probably in a different cinema next time, mainly because we got banned for life when the manager saw the condition of the seat.
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47
I have a heart made of Red Tissue Paper, It is easily Torn so be Gentle, For many Have tried to burn it, Flames Edges Frayed But still partly whole Others just thought It would be appropriate, To first brake it Then rip it apart, My heart is made of tissue paper And many tears has it dried within my heart
0
Oct 6, 2014
Oct 6, 2014 at 6:51 PM UTC
Tissue Paper Heart
Life ain't fair. Nor even partly cloudy. It's a HURRICANE.
0
Sep 26, 2014
Sep 26, 2014 at 8:25 PM UTC
Injustice
Malignant gazes warped the the fabric of the air around me. I couldn't do anything but tell her that to wish upon a dying star                           will never end well. The atrocity that clung to the ships hull, was no less human now than     the artificial meat 3d printed.. It taste liked chicken, but..             there were no eggs in space. Words like plasma cannons fired around me bouncing off the walls. Ok, ok listen I didn't do this to you! Your the penny that could pay the price, and this is your tarnished self pity. I wasn't having any of her grief,        though it could vacate me with ease. Standing before her I said I could less cure her than breath in space.. With that she raged in a language of ferocious exasperation. I knew that it was time to vacate her need for some sort of vengeance. I'd got the necklace on under my garments. Pointing my pistol at her, she smirked,              then a gargled laugh spat out. That toy cant harm me, is this your last stand what a pointless endeavour.. Now it was my turn to smirk,         I don't know if it was panic or confusion to why I was laughing.             like a hyena knowing that the pray had just cornered itself. With that I shot past her, like a random act, I still laughed loudly. And then a buckling ache approached. As the hull cleaved open like a piñata hit feverishly by an excited child.   As we where exhumed from our coffin, suffocating in the emptiness of my actions. I could see her fear, no matter her augmentations, nothing could survive the vacuum of space. I pressed upon my chest, my nanite suit encompassing me.             I was like a new born taking a first breath Looking at this sorrowful figure, floating in to the abyss. I knew I was partly to blame. But now was not the time for respective thoughts. This was about survival, and I used the small thrusters to edge closely to the air lock.                        Time to move on, time to breath deeply.
0
Mar 14, 2019
Mar 14, 2019 at 7:00 PM UTC
When The Past Isn't Welcoming
Malignant gazes warped the the fabric of the air around me. I couldn't do anything but tell her that to wish upon a dying star                           will never end well. The atrocity that clung to the ships hull, was no less human now than     the artificial meat 3d printed.. It taste liked chicken, but..             there were no eggs in space. Words like plasma cannons fired around me bouncing off the walls. Ok, ok listen I didn't do this to you! Your the penny that could pay the price, and this is your tarnished self pity. I wasn't having any of her grief,        though it could vacate me with ease. Standing before her I said I could less cure her than breath in space.. With that she raged in a language of ferocious exasperation. I knew that it was time to vacate her need for some sort of vengeance. I'd got the necklace on under my garments. Pointing my pistol at her, she smirked,              then a gargled laugh spat out. That toy cant harm me, is this your last stand what a pointless endeavour.. Now it was my turn to smirk,         I don't know if it was panic or confusion to why I was laughing.             like a hyena knowing that the pray had just cornered itself. With that I shot past her, like a random act, I still laughed loudly. And then a buckling ache approached. As the hull cleaved open like a piñata hit feverishly by an excited child.   As we where exhumed from our coffin, suffocating in the emptiness of my actions. I could see her fear, no matter her augmentations, nothing could survive the vacuum of space. I pressed upon my chest, my nanite suit encompassing me.             I was like a new born taking a first breath Looking at this sorrowful figure, floating in to the abyss. I knew I was partly to blame. But now was not the time for respective thoughts. This was about survival, and I used the small thrusters to edge closely to the air lock.                        Time to move on, time to breath deeply.
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52
Already the month of August 2018, May never become a je June'm (Forget-me-not) time of year, especially for nouveau homeless and, penniless residents, (now more like worrier), who reside in the (burnt to a crisp) Golden State where, towering uncontrollable wild fire infernos veer really did tax mental, physical, and spiritual oye vey iz mare (to the bajillion power of Google Plex) their heirlooms, mementos, and trappings of das kapital lifestyle went up in smoke, which tragedy didst seer the eyes (yes, iz traumatic, but also the air) looms with toxic particulate matter, though concerned former propertied owners (now ashen faced) as utter grief doth rear a scorched (bumping) ugly head, yet the onset of Autumn, (and the main purport of this poem) (oh my dog, that twill be in approximately three weeks, when Eastern Orthodox Church denotes beginning of ecclesiastical annum mull house for straight or queer (these times opening doors to LGBT, or GLBT (an initialism that stands for lesbian, gay, bisexual, and transgender), nonetheless history replete with app pear chock full of factoids such as: September (Latin septem, "seven") with near exhaustive steeped in pagan glory of antiquity. Ancient Roman observances for September include: Ludi Romani, originally celebrated September 12 - September 14, later extended to September 5 to September 19. In 1st century BC, an extra day added in honor of deified Julius Caesar on 4 September. Epulum Jovis held: September 13. Ludi Triumphales held: September 18–22. Septimontium celebrated September, and December 11 on later calendars September called "harvest month" in Charlemagne's calendar. September corresponds partly to Fructidor and partly to Vendémiaire of first French republic. On Usenet, September 1993 (Eternal September) never ended. September called Herbstmonat, harvest month, in Switzerland. The Anglo-Saxons called month Gerstmonath, barley month, that crop then usually harvested.
0
Aug 31, 2018
Aug 31, 2018 at 5:00 PM UTC
September Daze Haint Sapphire Away
Already the month of August 2018, May never become a je June'm (Forget-me-not) time of year, especially for nouveau homeless and, penniless residents, (now more like worrier), who reside in the (burnt to a crisp) Golden State where, towering uncontrollable wild fire infernos veer really did tax mental, physical, and spiritual oye vey iz mare (to the bajillion power of Google Plex) their heirlooms, mementos, and trappings of das kapital lifestyle went up in smoke, which tragedy didst seer the eyes (yes, iz traumatic, but also the air) looms with toxic particulate matter, though concerned former propertied owners (now ashen faced) as utter grief doth rear a scorched (bumping) ugly head, yet the onset of Autumn, (and the main purport of this poem) (oh my dog, that twill be in approximately three weeks, when Eastern Orthodox Church denotes beginning of ecclesiastical annum mull house for straight or queer (these times opening doors to LGBT, or GLBT (an initialism that stands for lesbian, gay, bisexual, and transgender), nonetheless history replete with app pear chock full of factoids such as: September (Latin septem, "seven") with near exhaustive steeped in pagan glory of antiquity. Ancient Roman observances for September include: Ludi Romani, originally celebrated September 12 - September 14, later extended to September 5 to September 19. In 1st century BC, an extra day added in honor of deified Julius Caesar on 4 September. Epulum Jovis held: September 13. Ludi Triumphales held: September 18–22. Septimontium celebrated September, and December 11 on later calendars September called "harvest month" in Charlemagne's calendar. September corresponds partly to Fructidor and partly to Vendémiaire of first French republic. On Usenet, September 1993 (Eternal September) never ended. September called Herbstmonat, harvest month, in Switzerland. The Anglo-Saxons called month Gerstmonath, barley month, that crop then usually harvested.
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81