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"outlined" poems
Seriously?! I'm a **** Wait. No you're not. Hold on. I can't find... I can't find my ******* Help me look. blankets flung. nothing. You're... you're laughing right now? How could you not? Can you see that we're standing in a giant pond of ridiculosity. a glasses lense popped out. hair a nest of invisible rodents. his belt all askew worried face pursed lips. shirt tails- a crumpled facade of the pressed summer evening shadows outlined behind the lawn sprinklers from the night before. and in the cab to work phone almost dies. 37 degree damp heat pressing against the car like a monroe-type kitten from the 50s. the morning world bustling awake the driver asks 'you work this afternoon?' shake my head 'no' slowly working the knots out of my hair brace for the last day. And I'm still missing my underwear.
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Jun 20, 2012
Jun 20, 2012 at 1:02 AM UTC
Adult
She who did not come, wasn't she determined nonetheless to organize and decorate my heart? If we had to exist to become the one we love, what would the heart have to create? Lovely joy left blank, perhaps you are the center of all my labors and my loves. If I've wept for you so much, it's because I preferred you among so many outlined joys.
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16.5k
Blank Joy
Combining each thought and sharing a single mind, while all living things rot, there's a darkness that can blind. We believe ourselves are invisible, never worthy of a second glance, and even when miserable, we all can receive a second chance. Darling have you heard the story of the sun and the moon, a love that was eternal, yet ended far too soon. And even though opposite, they made the other complete, as at night the Earth was moonlit and in day the sun brought heat. And they were outlined by the stars, forever lighting up their connection, and in between came Mercury and Mars, barely sliding by detection. Yes it's truly a sorry and sad tune, that old love story of the sun and the moon. Shining for eachother and lighting up the world, with a love that could smother and emotional tides always swirled. Passing by and on the go, barely glimpsing a sight, but the moon will always glow and the sun will always shine bright. Darling have you heard the story of the sun and the moon, with disaster so contagious, they were always truly immune, and even though apart, they shared a soul together, and they shared a heart, and they shared the skies forever. And they were outlined by the stars, forever lighting up their connection. In the history books and memoirs, there's some things they fail to mention: they were both adoring and made the other swoon, that old love story of the sun and the moon. It wasn't well hidden; they danced a dance of pure seduction, and they felt it was forbidden, as it would lead to their destruction. So they kept their space, to give us both the dark and the light, and now they rise and set as a race, it's competition and a fight. And they were outlined by the stars, forever lighting up their connection. The constellations near and far, tell the tale of their affection. It may not be of glory, and it may just tell of ruin, but we all should remember the love story of the sun and the moon.
0
Sep 22, 2017
Sep 22, 2017 at 10:28 PM UTC
The Story of The Sun & The Moon
Combining each thought and sharing a single mind, while all living things rot, there's a darkness that can blind. We believe ourselves are invisible, never worthy of a second glance, and even when miserable, we all can receive a second chance. Darling have you heard the story of the sun and the moon, a love that was eternal, yet ended far too soon. And even though opposite, they made the other complete, as at night the Earth was moonlit and in day the sun brought heat. And they were outlined by the stars, forever lighting up their connection, and in between came Mercury and Mars, barely sliding by detection. Yes it's truly a sorry and sad tune, that old love story of the sun and the moon. Shining for eachother and lighting up the world, with a love that could smother and emotional tides always swirled. Passing by and on the go, barely glimpsing a sight, but the moon will always glow and the sun will always shine bright. Darling have you heard the story of the sun and the moon, with disaster so contagious, they were always truly immune, and even though apart, they shared a soul together, and they shared a heart, and they shared the skies forever. And they were outlined by the stars, forever lighting up their connection. In the history books and memoirs, there's some things they fail to mention: they were both adoring and made the other swoon, that old love story of the sun and the moon. It wasn't well hidden; they danced a dance of pure seduction, and they felt it was forbidden, as it would lead to their destruction. So they kept their space, to give us both the dark and the light, and now they rise and set as a race, it's competition and a fight. And they were outlined by the stars, forever lighting up their connection. The constellations near and far, tell the tale of their affection. It may not be of glory, and it may just tell of ruin, but we all should remember the love story of the sun and the moon.
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38
probly a few minutes and i was done writing wasn't feeling the same i stood on top like bricks around disaster i was looking up i took my shoes off threw them aside still laced   i wasn't being funny i know where this is going where i write   where i see cracks in perfect paths   where blood taste like metals of purity with every year burning where these flowers like to live die on vines from inside allowing ivy to climb my back i am a length of fence in a yard with no dog on a gate without reason sitting on a post during live events i am a fool for giving into seasons romancing everything like a poet following every inch of broken glass nodding to my friends that i'm willing to mend but waiting for them to laugh outlined with chalk on the sidewalk where blood stains concrete my convictions flowing from the curb to the overpass in the night like candles floating water under tree branches ready to crack formatting clouds to sky write, come with me a man in the park on his back
0
Nov 1, 2016
Nov 1, 2016 at 5:24 AM UTC
from writing from within
When she told me she loved me I didn't believe her. So i killed myself instead. A fairy came to me & whispered enticing secrets in my ear. He outlined a closet upstairs where I live alone inside my head. Tidal waves of white roses grow in & out my of spine. Suffocating the fishes prancing in a field of raving vines. Lunar Lullaby plays hopscotch in a cloud of flies. She licks cherry red ice pops & sings bird hymns to oak trees withering in the wuthering skies. Swarming dragon-lies fly in lakes upon Monet's canvas. There he paints a beauty of Thumbelina whose grave resides in the darkest corner of my empty heart. A red cape looms above & flutters without wings. My cave is growing vaster And so I sail amongst its seas. This Psychosis is no more wearing thin than Rigor Mortis can begin. I'll live sedentarily as a maid serving rotten apples to men chained as apes. A lotus will float on by down this bloodstream & into the night. As a crater on the moon your corpse died suddenly as when fruit bloom.
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May 3, 2014
May 3, 2014 at 1:42 PM UTC
Frankenstein
if i show you will you understand? how i've outlined these arms vein after vein where sunlight runs i see only lines to trace i got a barcode on my wrists scan me for the price of beauty i am as expensive as what people think of me. do you know what it feels like to attach your worth to weighing scales and waists that never slim down? is this why they call them shoulder blades to cut through your skin to be called "pretty" thigh gaps that map the distance between your legs to make you matter so much you can't stand on your own feet. when you walk the shoes we wear will you know? the path to be called beautiful is full of self-hate and we pay for that bill.
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Apr 30, 2016
Apr 30, 2016 at 9:12 AM UTC
Barcodes
Colored emotions Give life to blank outlined souls Tint or hue or shade.
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Apr 28, 2016
Apr 28, 2016 at 6:56 PM UTC
Colors
If only we were figures... Accentuated in the night sky. Starlit effigies bound by cosmic tethers... Secrets of the universe many would attempt to pry. If only we were figures... Painted on pored upon canvas. Fantastic renditions by masterful painters, Abstract oil swirls dancing to a whimsical opus. If only we were figures... Given life in the lyrics in a song. An example of harmony in verse, Bridge and chorus...where we belong. But we are only figures... Trampled on by indifferent feet that came to mock. We can't undo such a potent curse... We are but grounded figures outlined in chalk.
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Nov 28, 2014
Nov 28, 2014 at 9:30 AM UTC
Figures
Do you know that it’s in the way you move; that the breath of mine outlined the heart of yours and my body beat as a whole. It’s in the drumming waves that I found myself suffocating in the raw submission of your hands and the gentle rhythm of the hum that went “alive alive alive.” Not that it was supposed to mean anything in the beginning, but that it graced the blueprints of my veins and shook the bones in me, and protruded from me, and grounded me into a grave of every fear and bore roots of taboo words on my tongue. Not that I was supposed to feel anything, but I did.
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Dec 27, 2014
Dec 27, 2014 at 9:38 PM UTC
Hues
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
0
Aug 26, 2013
Aug 26, 2013 at 3:02 AM UTC
Opera Mask Pendant Yuwen Chengdu
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
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8
The trail rose up through the sand and sage covered hills following the sinews of a land scoured by fire and flood. Even the most severe carving here was nothing compared to the city below- its concrete grid glaring over my shoulder- sprawled out, ******* on its dingy comforter of smog- ******* up the dust of the desert around it. The trail led me up. Up past twisted juniper bones, past pale green yuccas curling fine white filagree from their dagger blades, past sandstone boulders swirled like confections, past ancient cooking pits nested with ash, and ghost-like hands outlined on stone- to a white cliff face up-thrust beneath the cloudless sky. From a lone stump a pinyon jay squawked drawing my eyes down. A sentinel to its comrades- who rose up from the draw to my left and sailed in twos and threes sinking down into the draw on my right. Right before me, around me, behind me, first two- then six, then tens of metallic blue wings beating heavily against the unfamiliar desert air. They had come down. Down from the scrubby forests of pine. Down from snow covered slopes. Hungry, they searched the green fingers of the washes- the winter forcing them down across the trail that was drawing me up. They passed close by, wing beats feathered my ears, first up, then down- the sentinel keeping an eye . Listening, suddenly hearing my breath beat against the wind- I stood motionless, perched beyond starting and destination- blue wings lifting the hunger within. Tom Spencer © 2017
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Jul 5, 2015
Jul 5, 2015 at 8:53 AM UTC
Pinyon Jays
The trail rose up through the sand and sage covered hills following the sinews of a land scoured by fire and flood. Even the most severe carving here was nothing compared to the city below- its concrete grid glaring over my shoulder- sprawled out, ******* on its dingy comforter of smog- ******* up the dust of the desert around it. The trail led me up. Up past twisted juniper bones, past pale green yuccas curling fine white filagree from their dagger blades, past sandstone boulders swirled like confections, past ancient cooking pits nested with ash, and ghost-like hands outlined on stone- to a white cliff face up-thrust beneath the cloudless sky. From a lone stump a pinyon jay squawked drawing my eyes down. A sentinel to its comrades- who rose up from the draw to my left and sailed in twos and threes sinking down into the draw on my right. Right before me, around me, behind me, first two- then six, then tens of metallic blue wings beating heavily against the unfamiliar desert air. They had come down. Down from the scrubby forests of pine. Down from snow covered slopes. Hungry, they searched the green fingers of the washes- the winter forcing them down across the trail that was drawing me up. They passed close by, wing beats feathered my ears, first up, then down- the sentinel keeping an eye . Listening, suddenly hearing my breath beat against the wind- I stood motionless, perched beyond starting and destination- blue wings lifting the hunger within. Tom Spencer © 2017
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73
I walk into school, and find your unique Blue glowing outline amoungst the average outlined people. i lean on your locker as you tell me how the last episode of the walking dead ended. as i listen to your unique voice i taste buttered popcorn. it wasn't an unusual event. It wasn't till the day, I walked into school, And i saw you, you were sick and your voice was raspy. but my brain refused to accept, that it was you. because you were lacking a ring of colour. and your voice tasted of caramel, and not of buttery popcorn, and i asked you where your, colours went, it wasn't till then did i realise, that i was not normal. and thats when i was told, that i had synesthesia.
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Jun 3, 2013
Jun 3, 2013 at 6:14 PM UTC
Synesthesia
On Monday, November 14th She wore her favorite dress. Blue with grace. Lace that covered her shoulders. Lace that teased all the men that walked by. Falling to her knees. Barely brushing the scabs and scars that sat there. Hugging her hips like the night hugs the moon. On Monday, November 14th She smiled. Cherry lipgloss smeared quickly across her thin lips. White teeth peaking out. Her lips perfectly outlined. The corners tucked up beautifully. On Monday, November 14th, She stood. Pride in her perfect posture. Proud of her lean body. Her body perfectly aligned. Not a flaw. On Monday, November 14th Her arms were pale. A gold bracelet hugged her wrist. You could see each blue stream, happily working. Dusted with freckles. Soft and pure. On Tuesday, November 15th She did not wear her favorite dress. She wore a different one. Black with sorrow. No lace. Falling to her ankles. Encasing scabbed knees. Hugging her in all the wrong places. On Tuesday, November 15th She frowned. Blood red lipstick stained her thin lips. Her teeth hid inside her blooded lips. The corners fell, drooped. On Tuesday, November 15th, She sat. Too exhausted to stand. She let go of her posture. She was cautious of her appearance. Aware of her flaws. On Tuesday, November 15th, Her arms were whiter than before. Each vein slashed. Red. The gold bracelet still hung there. Her freckles throbbed with pain. No longer soft, or pure. On Tuesday, November 15th He died. Early in the morning. With him, he took her strength, her smile, her pride. He left her bare. On Wednesday, November 16th She missed him. She missed him a little too much. Her heart couldn't take it. Her eyes red and swollen. She was there, but gone. On Thursday, November 17th She joined him, quietly.
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Nov 1, 2013
Nov 1, 2013 at 9:53 AM UTC
November
On Monday, November 14th She wore her favorite dress. Blue with grace. Lace that covered her shoulders. Lace that teased all the men that walked by. Falling to her knees. Barely brushing the scabs and scars that sat there. Hugging her hips like the night hugs the moon. On Monday, November 14th She smiled. Cherry lipgloss smeared quickly across her thin lips. White teeth peaking out. Her lips perfectly outlined. The corners tucked up beautifully. On Monday, November 14th, She stood. Pride in her perfect posture. Proud of her lean body. Her body perfectly aligned. Not a flaw. On Monday, November 14th Her arms were pale. A gold bracelet hugged her wrist. You could see each blue stream, happily working. Dusted with freckles. Soft and pure. On Tuesday, November 15th She did not wear her favorite dress. She wore a different one. Black with sorrow. No lace. Falling to her ankles. Encasing scabbed knees. Hugging her in all the wrong places. On Tuesday, November 15th She frowned. Blood red lipstick stained her thin lips. Her teeth hid inside her blooded lips. The corners fell, drooped. On Tuesday, November 15th, She sat. Too exhausted to stand. She let go of her posture. She was cautious of her appearance. Aware of her flaws. On Tuesday, November 15th, Her arms were whiter than before. Each vein slashed. Red. The gold bracelet still hung there. Her freckles throbbed with pain. No longer soft, or pure. On Tuesday, November 15th He died. Early in the morning. With him, he took her strength, her smile, her pride. He left her bare. On Wednesday, November 16th She missed him. She missed him a little too much. Her heart couldn't take it. Her eyes red and swollen. She was there, but gone. On Thursday, November 17th She joined him, quietly.
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65
Caressing my legs open Lingering my fingers on my thighs I feel my own wild anticipation I feel the heat of your eyes Already tasting my body But you can't have me yet I'm tracing the lines Of my ****** poetry Down the length of my body "Harder, Faster" Written on my thigh "More please" Outlined on my neck "I like to tease" Traced on my arm "I wanna be loved" Covers up my heart "Just take me now" Drawn straight down Ending at my.....
0
Nov 9, 2014
Nov 9, 2014 at 10:16 AM UTC
More ~ **** Sunday)
The blackberry bush had one new bloom Its light fragrance was so delicate and sweet I closed my eyes to breathe in deep its beauty And felt as if I were floating on a leaf Traveling down a quiet meandering mountain stream Touching down on a sandy beach The soft sand of the creek beach Was outlined by brambles in full bloom I thought of the blackberries to come, how sweet! And gave a moment to consider the beauty Of one thorny leaf Plucked it and tossed it into the stream I considering taking a dip in the stream And I took my shoes off on the beach I could see on the shore an algae bloom And wondered if that would taste sweet Before the plunge I looked at the crystal clear beauty And cast myself in the water as I had the leaf When I broke the surface on my face was a leaf Floating unaware down the little stream Seeking only a place to land, like a nice beach To be amongst the other blooms And create a berry so sweet That, would be the truest beauty…. I was caught up by the beauty Of a twisting maple leaf Falling down, down to the babbling stream Bypassing the sandy beach And casting no glances to the opening bloom Giving no thought to their future sweet I swam to the shore thinking about berries so sweet Sunlight dancing on the water created such beauty That I stepped on a sticker leaf And fell backwards into the stream Filling my shorts with sand from the beach And giving my *** cheek a nice rosy bloom I sat on the beach right next to a mountain stream Watched a leaf float by in all its beauty From a sweet blackberry bush in full bloom
0
May 9, 2016
May 9, 2016 at 6:05 PM UTC
swimming by the blackberry patch (sestina)
The blackberry bush had one new bloom Its light fragrance was so delicate and sweet I closed my eyes to breathe in deep its beauty And felt as if I were floating on a leaf Traveling down a quiet meandering mountain stream Touching down on a sandy beach The soft sand of the creek beach Was outlined by brambles in full bloom I thought of the blackberries to come, how sweet! And gave a moment to consider the beauty Of one thorny leaf Plucked it and tossed it into the stream I considering taking a dip in the stream And I took my shoes off on the beach I could see on the shore an algae bloom And wondered if that would taste sweet Before the plunge I looked at the crystal clear beauty And cast myself in the water as I had the leaf When I broke the surface on my face was a leaf Floating unaware down the little stream Seeking only a place to land, like a nice beach To be amongst the other blooms And create a berry so sweet That, would be the truest beauty…. I was caught up by the beauty Of a twisting maple leaf Falling down, down to the babbling stream Bypassing the sandy beach And casting no glances to the opening bloom Giving no thought to their future sweet I swam to the shore thinking about berries so sweet Sunlight dancing on the water created such beauty That I stepped on a sticker leaf And fell backwards into the stream Filling my shorts with sand from the beach And giving my *** cheek a nice rosy bloom I sat on the beach right next to a mountain stream Watched a leaf float by in all its beauty From a sweet blackberry bush in full bloom
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39
I am the Lorax, who once spoke for the trees In the hope of bringing progress to its knees But now I have grown somewhat older and tired, My outlook and thought process being rewired (Sometimes to see forest, you must clear the trees.) Examine the case of the Brown Bar-ba-loots Whose interests for so long I worked in cahoots. Could such timid beasts truly thrive in the wild So innocent, trusting, submissive, and mild? (My former assertions I strongly refute.) Why, see how they frolic and scamper in zoos; How can one watch them and steadfastly refuse To see how much better their lot is today As joy for our children as opposed to prey (A happy condition where no one can lose.) Ah, scoff the nihilists, *but Truffula Trees, Those havens for birds and those homes for the bees. Why, what do you say now that they are all gone, Removed to make way for some suburban lawn?* (These angry young men—O Lord, take them all please!) I gently remind them it’s just nature’s way, That some species go while other ones stay, The carrier pigeon’s no longer alive Yet somehow we manage to live—indeed, thrive! (In the face of brute logic, they’ve little to say.) So don’t be dismayed or frightened or leery Of doomsday projections outlined by theory Suggesting that our time on this earth may be done; Consider the caged Bar-ba-loot having fun (And we hear fish do quite well in Lake Erie.)
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Jan 3, 2017
Jan 3, 2017 at 2:33 PM UTC
The Lorax Reconsiders
Motherhood Smothering mothering is what she is best at. Gathering her smattering of children and racing to grace them with her persistent worship. Her life is outlined by her finding new things to admire regarding her juv’niles. Living and breathing her maternity; feeding and cleaning and watching and working. Defined solely by her motherhood.
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Feb 23, 2013
Feb 23, 2013 at 11:28 PM UTC
motherhood
Cold beer, a long necked bottle held to my forehead and in my throat, to my lips, so relief comes both ways, glad for it, the double of the cool, helps the day of troubled nothingness, and the long necked bottle makes it worth the extra second of anticipated tasty wait can't drink in the river park, don't cotton to brown paper bags, do it anyway cause the East River tides me over on its way thru the Verrazano Narrows, bound for the Atlantic with me low rider spirit in tow, a devil may care attitude en contrôle this troubadour opened the store at 700am but not a one came looking for a song, but the mail came reliable, with dues due, promises that need keeping, and other items, what the grownups call responsibilities June Monday early eve and the Moran tugboats ply their trade like reliable ****** to the sailors, and their larger than bathtub size toys, turning containers, freighters, into docile boys who do as they are told on their way to ports far there are stick figures outlined on the hexagon paving stones that are so nyc for me, here pedestrian! follow your designated path here pedestrian, you must walk to be safe arrived but I take to the railing, where  Isaac-bound and mesmerized, I imagine surfing the churning wakes on the surface of the riveting tides and wonderous wanderlust for where we are bound... no voice heard from the heavens, saying Abraham put down that knife, because I have not passed the test of true belief, perhaps the river's invitation is my test, if I should sing another song here, perhaps it will tale the end of this tell...
0
Jun 16, 2014
Jun 16, 2014 at 7:24 PM UTC
By the East River, a Cold Beer, on My Forehead...
Cold beer, a long necked bottle held to my forehead and in my throat, to my lips, so relief comes both ways, glad for it, the double of the cool, helps the day of troubled nothingness, and the long necked bottle makes it worth the extra second of anticipated tasty wait can't drink in the river park, don't cotton to brown paper bags, do it anyway cause the East River tides me over on its way thru the Verrazano Narrows, bound for the Atlantic with me low rider spirit in tow, a devil may care attitude en contrôle this troubadour opened the store at 700am but not a one came looking for a song, but the mail came reliable, with dues due, promises that need keeping, and other items, what the grownups call responsibilities June Monday early eve and the Moran tugboats ply their trade like reliable ****** to the sailors, and their larger than bathtub size toys, turning containers, freighters, into docile boys who do as they are told on their way to ports far there are stick figures outlined on the hexagon paving stones that are so nyc for me, here pedestrian! follow your designated path here pedestrian, you must walk to be safe arrived but I take to the railing, where  Isaac-bound and mesmerized, I imagine surfing the churning wakes on the surface of the riveting tides and wonderous wanderlust for where we are bound... no voice heard from the heavens, saying Abraham put down that knife, because I have not passed the test of true belief, perhaps the river's invitation is my test, if I should sing another song here, perhaps it will tale the end of this tell...
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44
Could there be any truth in the prophecies that the Mayans had written? Over five thousand years ago about 2012 foretelling a spiritual awakening! And the possibility of the end of mankind is it fiction that's outlined? Prophecies written have come and long gone scholars say they've happened. Were these disasters predicted as it was told or how they were interpreted? Whether vague and their meanings calculated their accuracy debated! Many are sceptical of those who say they foresee from past times to present. Though a lot of predictions of the natural type what of mankind's folly? If there's a way that the future can be seen to know seems obscene! Usually nothing can be done to prevent it causing fear and uncertainty. Prophecies of the past make no difference those of the future no comfort! Whether the Mayans is true it's a short wait if not next year let's have a debate! The Foureyd Poet.
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Jul 7, 2012
Jul 7, 2012 at 10:38 PM UTC
Mayan Prophecy 2012
Opened up and vulnerable There's no turning back now I fear that I have to be able My feelings, they just have to allow All of the past, is just that The past doesn't last It's what the future holds Like the letters of love Only they're in bold Outlined in silver slithers Here I am, Open and vulnerable Hoping my soul does not wither
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Jun 23, 2015
Jun 23, 2015 at 10:56 PM UTC
Open & Vulnerable
You cannot exactly describe a person's laugh to those unfortunate enough to miss it, but when she smiles and her eyes brighten up, rippling sapphire, nothing else exists. The sweet, tuneful melody escaping her lips draws a smile onto my face, no matter what my mood. I feel her body shake beside me, and I watch her perfect smile, outlined with natural temptation. While perfection may never exist, love lies within this girl, and to me, that love is perfect. Her eyes reflect a better me, and in her heartbeat, I feel a piece of myself as we become one in each other's arms. That embrace that always leads the way back to sanity and incomprehensible peace.
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Dec 16, 2014
Dec 16, 2014 at 8:13 PM UTC
My Perfect Escape
The **** blooms weren’t even that pretty and the nicest thing on the ground was dead. Gas trucks and red cars turned up the earth; we should get out of here. It was orange zest in the middle of doughy flour, a risk that not many chefs take. It was leaves from autumn, twisted and forgotten under shoes of hikers. It was the sunset sand art that dropped, soundly to the ground, left for brooms and vacuums. Outlined like the eyes of an Indian princess, the wings left its powder matter, a footprint, by the shoreline and asphalt. But the Earth didn’t care; and the **** blooms, the chefs, the hikers, the brooms, they didn’t care. What a treacherous thing, to take a risk when you think people care.
0
Oct 8, 2012
Oct 8, 2012 at 6:11 PM UTC
There were thousands of butterflies on the side of the road
A decade of trains that lost track have just turned up in my esophagus, they are all bile as I am all hands. This is why I was never frightened by ghosts and sea specters: they have been inside of me the whole time. Sometimes, hot coal would hit my cuticles, I could see the steam. I could feel something like wheels spinning a web on my nail-beds; something sat in me like I were a flowerpot. All that remained were the sticks of my skin, blood bubbling from below. But they have been there the whole time. I have been a ship in a bottle, I have been a conductor without knowing. Fever outlined my spine with its fingers and I felt I was being kicked by a fetus. I was a hallway for phantoms that believed they still have their limbs and if not, quills or a fish with gills and a fin or locomotive. Mechanical movement still. How could I not realize they were inside of me the whole time, soaking up the nutrition from my throat shifting the razor while I shave? Thousands of train-ghosts crawled from me by an engine of ***** Not one knows where they are.
0
Apr 15, 2013
Apr 15, 2013 at 1:27 PM UTC
the conductor
I want to ride with the van doors open. I want you and you, and you, and you and you and you and you and you in there. I want the wind to storm its way through the doors, and make it hard for us to breathe. I want us to sing and laugh so loud, we can't seem to hear each other. I want the ***** soles of your shoes against my shin, my hair in your open mouth and your shoulder molding painfully into my arm. I want to see your shirt ride up your belly; I want to see the scars there before I eat you alive. I want your neck on my tongue and my heart in your hands; I want to pool in between your fingers so you'd have to skin yourself alive just to scrape me off. I want to fall out of a moving car and be on the news. I want my flesh to grate the asphalt so hard, you could look for me in between the cracks. I want to slip off in a blur and taste the colors in the air; I want you to know what my blood is like on your teeth and what my eyes look like on the pavement. I want you to have my soul in your hands and to own me like I can't be robbed of my grave. I want to be tattooed into the back of your eyes and see me in the darkness there. I want to own what's been yours for so long. I want you to wear my shirt when you go to sleep. I want people to mourn then ask you what it was like to know me. I want you to tell them I haunt you. That you love me. Despise me. That they locked the casket cause they never found me. That the truth is, I'm inside of you, every moment, awake and alive, breathing and not. Buried where I'd never be found—that if they'd have to pay respects, they'd go to you instead. I want to be rotting next to you so you're never alone. Keeping you awake if you dare try to leave the thought of me. Be the weight that pulls you back to bed; the curse that forces you into mourning. I want you to ride up and down the road at night, so we can both be alone. Lie down where you could find me, outlined and marked up from: Marker 1, marker 2, and marker 3: past the corner, down the blind turn, scattered across a corn field. You'd remember what shoes I had on. You'd be wearing the necklace I always kept. You'd know I smiled too much. Way too often. You'd look at the ground in contempt before lying there, hoping I'd die. Just one more time. Praying that you could hate me. Leave me there. But you'd be laying in a field where our friend's van no longer returns. You'd get up, dusting your jeans, sour-mouthed and empty. Shirt ***** from the muck, the asphalt glittering with me inside of it. I want you to walk down the middle of the road where they placed lights to guide you. There can never be another me down that road again. They hope not. And you hope not too. I want you to think of your soul left behind with me, where I lay scattered on the field. I want you to know, even in pieces, we're happy. That the world is willing to forget, and move on. And you're trying. Always trying. And I want that. I want you to join me, because it wasn't really me who died.
0
Sep 17, 2023
Sep 17, 2023 at 1:48 PM UTC
What it's like to be selfish.
I want to ride with the van doors open. I want you and you, and you, and you and you and you and you and you in there. I want the wind to storm its way through the doors, and make it hard for us to breathe. I want us to sing and laugh so loud, we can't seem to hear each other. I want the ***** soles of your shoes against my shin, my hair in your open mouth and your shoulder molding painfully into my arm. I want to see your shirt ride up your belly; I want to see the scars there before I eat you alive. I want your neck on my tongue and my heart in your hands; I want to pool in between your fingers so you'd have to skin yourself alive just to scrape me off. I want to fall out of a moving car and be on the news. I want my flesh to grate the asphalt so hard, you could look for me in between the cracks. I want to slip off in a blur and taste the colors in the air; I want you to know what my blood is like on your teeth and what my eyes look like on the pavement. I want you to have my soul in your hands and to own me like I can't be robbed of my grave. I want to be tattooed into the back of your eyes and see me in the darkness there. I want to own what's been yours for so long. I want you to wear my shirt when you go to sleep. I want people to mourn then ask you what it was like to know me. I want you to tell them I haunt you. That you love me. Despise me. That they locked the casket cause they never found me. That the truth is, I'm inside of you, every moment, awake and alive, breathing and not. Buried where I'd never be found—that if they'd have to pay respects, they'd go to you instead. I want to be rotting next to you so you're never alone. Keeping you awake if you dare try to leave the thought of me. Be the weight that pulls you back to bed; the curse that forces you into mourning. I want you to ride up and down the road at night, so we can both be alone. Lie down where you could find me, outlined and marked up from: Marker 1, marker 2, and marker 3: past the corner, down the blind turn, scattered across a corn field. You'd remember what shoes I had on. You'd be wearing the necklace I always kept. You'd know I smiled too much. Way too often. You'd look at the ground in contempt before lying there, hoping I'd die. Just one more time. Praying that you could hate me. Leave me there. But you'd be laying in a field where our friend's van no longer returns. You'd get up, dusting your jeans, sour-mouthed and empty. Shirt ***** from the muck, the asphalt glittering with me inside of it. I want you to walk down the middle of the road where they placed lights to guide you. There can never be another me down that road again. They hope not. And you hope not too. I want you to think of your soul left behind with me, where I lay scattered on the field. I want you to know, even in pieces, we're happy. That the world is willing to forget, and move on. And you're trying. Always trying. And I want that. I want you to join me, because it wasn't really me who died.
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she waited for him to erase her as he put his pencil to paper and created her he traced the upturn of her smile precisely picturing the laugh that proceeded he sketched out the smoothness of her legs intentionally illustrating the eagerness inside he outlined the curve of her shoulders carefully capturing the sadness contained he shaded in the color of her hair deliberately detailing her fallen darkness in his eyes she was more beautiful than she could ever see herself but with every stroke she flinched fearing that only inches away from his creation was her demise
0
Nov 3, 2018
Nov 3, 2018 at 9:05 PM UTC
erase me